Western

1890 · 21242 — 1890. Archive of postcards documenting the popular image of the American cowgirl in Western Americana and early twentieth-century mass visual culture. Working in Cultural / Representational Mode the material illustrates how women participating in rodeo performance equestrian spectacle and frontier-themed entertainment were presented to national audiences during a period when women's public roles remained heavily circumscribed by conventional gender expectations. The postcards emphasize physical skill horseback mobility and frontier self-sufficiency through repeated depictions of women handling lassos firearms and bucking horses. Collectively the archive offers insight into the commercialization of the American West and the circulation of gendered frontier mythology through inexpensive illustrated print media from the late nineteenth century through the postwar period.<br /> Collection consists of 16 postcards dating approximately from the 1890s through the 1950s including early colored lithographs chromolithographs and colored real photo postcards. Each measures approximately 3.5 x 5.25 inches. Images portray cowgirls mounted on horseback in a variety of staged action scenes including lasso throwing galloping bucking and trick riding performances. Many women wear fitted riding outfits cowboy hats bandoliers holsters and western boots while posed with rifles pistols whips or ropes against rugged frontier backdrops. Several postcards emphasize dramatic movement with horses shown rearing trotting or in mid-action poses. The repeated use of lassos and firearms visually aligns the women with iconography traditionally associated with male cowboys in Wild West shows rodeo advertising and popular Western entertainment. Some postcards retain handwritten inscriptions on the versos.<br /> The archive preserves a long-running commercial visual tradition in which the cowgirl functioned simultaneously as frontier worker entertainer and symbol of female independence within American popular culture. Particularly notable is the tension between conventional femininity and the rugged physicality emphasized throughout the imagery with the women consistently portrayed as active riders and performers rather than domestic figures. The postcards also document the persistence of Western mythology across changing photographic and print technologies during the first half of the twentieth century. Minor edgewear and scattered markings to some cards; overall very good condition. A visually cohesive grouping documenting representations of women in frontier and rodeo culture across more than five decades of American postcard production. unknown