7 132 résultats
Very Good English In contemporary hardcover. In Ottoman script and French ( are completely first series and first 33 issues of second series). Last 3 issues are in Modern Turkish. First series: Issue: 1 - 43. (28 November 1910 - 19 October 1912) / Second series: Issue: 1 - 36. (15 December 1927 ¿ 1928). 1st series set, 2nd series first 36 issues. (All published: 1 - 43 / 1 - 49). 4to. (27 x 20 cm). 2 volumes. Turkish political satiric humor periodical which has infuriated The Union and Progress party. Duman: 0286.
This is a long run of 132 issues, uniformly bound in polished black buckram with title, months and year on the spine. This set was long ago released from the reference library of a major New York art museum. This is a very clean set, with just mailing labels to the museum on each individual cover and usually a small one line handstamp from the museum on the page-edges. No bookplates, cards or pockets, or other institutional marks. All covers bound in. This run starts with the year 1983 January through August. 1984: January through April. 1985: January through December. 1986: May though December. 1987: January through December. 1988: January through December. 1989: January through December. 1990: January through December. 1991: January through December. 1992: January through December. 1993: January through Decenber. 1994 January through June. 1995: January through June. A total of 32 hardcover volumes containing 132 individual issues of one the most important and interesting architecture and design magazines of the period. Designed by the team of Massimo and Lella Vignelli. Illustrated in color and black & white. 16" high X 11" wide, thousands of pages. It will take up about 30" on a shelf. NO INTERNATIONAL ORDERS UNLESS YOU HAVE A SHIPPER IN THE UNITED STATES. This set will weigh about 75 lbs packed. Extra shipping charges for this heavy set. Local pick-up possible.
Completamente illustrato con tavole a colori e in nero applicate, litografie e xilografie originali di Karl Hofer, Karl Schmidt-Rottluff, Alexander Kanoldt, Erich Heckel, Georg Ehrlich, Frans Masereel, Max Kaus, André Rouveyre, Archipenco, Edwin Scharff (cm 33,5x24,5). 2 volumi . 4to. pp. 332 + 356. . Molto buono (Very Good). . . .
- Girard, Paris Février 1892 à Juillet 1893, 12x18cm pour le premier et troisième volume et 14,5x20cm pour le deuxième volume, 3 volumes reliés. - First edition on ordinary paper for the first and third volumes, one of the rare copies on vergé for the second. Half black morocco, spine in six compartments, covers of first volume preserved, top edge gilt. Numerous contributions, including from C. Mauclair, Saint-Pol-Roux, H. Rebell, R. de Gourmont, C. Morice, C.H. Hirsch, K. Boès, H. Mazel, among others. Very good and rare copies nicely bound. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant pour le premier et troisième volume, un des rares ex sur vergé pour le deuxième volume. Reliures en demi maroquin noir à coins, dos à cinq nerfs, couvertures conservées pour le premier volume, têtes dorées. Nombreuses contributions dont celles C. Mauclair, Saint-Pol-Roux, H. Rebell, R. de Gourmont, C. Morice, C.H. Hirsch, K. Boès, H. Mazel entre autres. Beaux et rares exemplaires agréablement établis.
- Le Scapin, Paris 1er Septembre-1er Novembre1886, 12,5x19cm, broché. - First edition. Contributions from P. Verlaine, S. Mallarmé, Rachilde, S. Merrill, L. Cladel, J. Lorrain, M. de Faramond, H. Fouquier, L. Tailhade, R. Ghil, J. Renard P. Morisse, A. Vallette, among others. Soiled copy, covers and spine laid down and reinforced. Exceedingly rare. [FRENCH VERSION FOLLOWS] Edition originale. Contributions de P. Verlaine, S. Mallarmé, Rachilde, S. Merrill, L. Cladel, J. Lorrain, M. de Faramond, H. Fouquier, L. Tailhade, R. Ghil, J. Renard P. Morisse, A. Vallette entre autres. .Exemplaire défraîchi, dos et plats doublés et renforcés. De toute rareté.
- 1834-1835, 26x33cm, 3 volumes reliés. - Edition originale. Reliures de l'époque en demi maroquin vers émeraude, dos lisses uniformément insolés ornés de filets et dentelles dorés, plats de papier caillouté, étiquette de maroquin vers "Marie Seillan" encollée sur chaque volume, coiffes frottées sinon agréable exemplaire. Rousseurs éparses, quelques numéros un peu brûnis. Détail du contenu des volumes : - Tome 1 : 26 livraisons (n°1 à 26) et 26 partitions, 2 lithographies avec les deux premières partitions, un portrait gravé de Rossini, vignettes dans le texte - Tome 2 : 25 livraisons (n°27 à 52) et 26 partitions, vignettes dans le texte - Tome 3 : 26 livraisons (n°1 à 26) et 26 partitions (deux partitions sont manquantes et ont été remplacées par 3 autres). Ce dernier volume est bien complet de toutes ses lithographies car elles étaient, pour cette nouvelle série, fournies sans supplément. [ENGLISH DESCRIPTION ON DEMAND]
- Paris 1888 et 1889, 29x40cm, en feuilles. - WILLETTE, Adolphe & OTHERS <br>Le Pierrot <br>Paris 1888 and 1889, 29 x 40 cm, unbound.<br>First edition.<br>An almost complete set of this rare satirical literary journal headed and illustrated by Adolphe Willette.<br>49 issues from 6 July 1888 to 20 September 1889, each comprising two folio leaves, the first page with a lithograph by Willette, some with caricatures on page three. <br>With Emile Goudeau as its editor-in-chief, this journal, nominally published on Fridays (though not always actually published then) includes poetry, ads, and news in brief, but its real value lies in the illustrations, done exclusively for it by Willette. <br>A little light foxing and small tears to margin not touching images or text. <br>Adolphe Willette was an inseparable part of Montmartre, where he was responsible for the decoration of a number of cabarets, bistrots and the famous Moulin Rouge. A painter first and foremost, he exhibited at the Chat Noir, having helped to found it. He later worked with a number of newspapers, including le Rire and l'Assiette au beurre, before establishing le Pierrot. <br>A divisive figure, he stood as an Anti-Semitic candidate in the municipal elections in Paris in 1889. He proclaimed himself first President of the Republic of Montmartre, a philanthropic association aimed at helping the children of that quartier. <br> [FRENCH VERSION FOLLOWS] Edition originale. Collection presque complète de ce rare journal littéraire satirique dirigé et illustré par Adolphe Willette. 49 numéros du 6 juillet 1888 au 20 septembre 1889. Chacun composé de deux feuilles au format in-folio, illustré sur la première page d'une lithographie d'A. Willette et pour certains numéros, de caricatures en troisième page. Ayant pour rédacteur en chef Emile Goudeau, ce journal à la parution annoncée le vendredi (ce qui ne fut pas toujours le cas) comprend des poèmes, des publicités, des petites nouvelles mais sa valeur réside dans les illustrations exclusivement réalisées par Willette. Quelques rousseurs et petites déchirures des bordures sans incidence sur le texte ni l'image. Adolphe Willette est indissociable du quartier Montmartre dont il décora de nombreux cabarets, bistrots et le fameux Moulin Rouge. Peintre tout d'abord, il exposa au Chat Noir après avoir participé à sa création. Par la suite il collabore à de nombreux journaux comme le Rire ou l'Assiette au beurre avant de fonder le Pierrot. Personnage controversé, il se présenta comme candidat antisémite aux élections législatives de 1889 à Paris. Il fut le premier président de la République de Montmartre, association philanthropique destinée à aider les enfants du quartier.
- La Vie populaire, Paris 1er Janvier 1888 au 28 Décembre 1890, 24,5x32,5cm, 312 fascicules reliés en 6 volumes. - Edition originale de cette revue bi-hebdomadaire illustrée publiant en feuilletons soient des textes inédits, soient des textes précédemment publiés des auteurs les plus illustres de cette fin de siècle. Reliures en demi chagrin cerise, dos à cinq nerfs orné de filets à froid comportant de petites traces de frottements, plats de papier marbré, gardes et contreplats de papier à la cuve, premiers plats de couverture illustrés conservés, reliures de l'époque. Riches contributions littéraires dont celles de G. de Maupassant avec notamment en inédit "Fort comme la mort" et aussi "Pierre et Jean" et "Notre coeur", E. Zola en inédit "La bête humaine" et aussi le "Voeu d'une morte" "Le rêve", "La terre" et "Une page d'amour", P. Loti avec un roman inédit "Le roman d'un enfant", J. Clarétie avec un roman inédit "Puy Joli", J. Richepin avec un roman inédit "Le cadet" et "Césarine, 2 inédits d'H. Malot, mais aussi A. Daudet, C. Monselet, E. Renan, L. Dierx, E. Goudeau, J. Barbey d'Aurevilly, O. Mirbeau avec notamment "L'abbé Jules", M. Beaubourg, C. Mendès, P. Arène, T. de Banville, F. Mistral, J. Bois, G. Courteline, J. Barbey d'Aurevilly, Villiers de l'Isle Adam, S. Masoch, A. Scholl, J. Gautier... Couvertures illustrées des portraits des principaux contributeurs. Une restauration marginale en pied de la page 213 du premier volume, un petit manque en pied avec atteinte au texte de la page 383 du second, quelques rares rousseurs sans gravité. Agréable et rare ensemble. [ENGLISH DESCRIPTION ON DEMAND]
1944-45. Folio. Indbundet i 4 ensartede hshirtbd. Alt i maskinskrevet gennemslagskopi (svensk stencil-udgave) og som derfor kun udkom i et ganske lille oplag.
Berlin u. Hamburg, 1937-79. Lex8vo. Vol 1-8 in hcloth, 9-24 in stiched boards, rest in parts. With ""Generalregister 1-25 (1937-68)"" Lacks last issue of vol. 22.
Fine Turkish Contemporary blues cloth bdg. Set in four volumes. Roy. 8vo. )24 x 17 cm). In Turkish. 47 issues complete set. Rare complete set of the legendary literary magazine, whose publication life was interrupted periodically due to financial problems of Cemal Süreya, one of the most important names of the poetry movement called "Ikinci Yeni" [i.e. The Second New]. Every issue is a special issue that has a large part of a poet and author. The publication survived between June 1966 and June 1970, and a total of 47 issues were published during this period. Unlike the first period, the magazine became one of the most important literary magazines of those years. Sureya sold the car she brought from Paris for the magazine. Due to financial difficulties and March 12, its broadcast life has come to an end. In 1980 the magazine was reprinted quarterly. During this period, only two issues were published and no more were published due to the September 12 Coup d'Etat. Süreya stated that he named the magazine "Papyrus" in his letter dated 22 December 1959 to one of his friends, Nedret Gürcan, because "the ancient Egyptians wrote their first writings on the leaves of the grass called papyrus growing on the banks of the Nile." (Wikipedia).
41 bound volumes plus 19 volumes in 76 original parts, 8vo., First Edition, with numerous photographs, illustrations, maps, charts and diagrams throughout; bound volumes in facsimile Navy Records Society binding of ivory buckram, blue buckram backs lettered in gilt, original parts in pictorial or printed wrappers, all volumes and parts in near fine state. In addition to the main volumes, this run includes the bound Index to volumes 1-35, wrappered indexes to volumes 36-55, 56-65 and 66-70, and individual volume indexes to volumes 58, 70, 72 and 74. Also present are the Mariner's Mirror Bibliographies for the years 1983-1988 inclusive. It is most unusual to find a run of this magnitude without ex-library or ex-institutional markings. THE IMAGE SHOWS ONLY A SMALL PORTION OF THE RUN. PRIVATE RUNS OF THIS LENGTH, INTEGRITY AND CONDITION AS VERY SCARCE.
First edition. Many include original paper wrappers. 8vo. Around 60 pages; 23.5 cm. Written in German with some volumes including an additional Hebrew section. Title translates to Annual Report of the Jewish Theological Seminary (Fraenckelsche Stiftung) . A nearly complete run of the journal including the editions printed from 1866-1869, 1872-1875, 1877-1922, and 1924-1938 (only missing 14 out of 82) . Some volumes bound separately in a limited run and some include duplicates. The Judisch-Theologischen Seminars, Breslau was the first modern rabbinical seminary in Central Europe. Founded in 1854 with the funds which Jonas Fraenkel, a prominent Breslau businessman, had willed for the purpose, the seminary became the model for similar colleges set up in Europe and the U. S . The seminarys basic aim was to teach positive historical Judaism. The positive stood for a faithful adherence to the practical precepts of Judaism, while historical permitted free inquiry into the Jewish past, including even Bible criticism, though with some self-imposed limitations (JewishVirtualLibrary.org, 2016) . Every year, the seminary published an annual report with scholarly work by the professors at the seminary, up until the Nazis destroyed the seminary in 1938. SUBJECT(S) : Jewish religious education, Positive Historical Judaism, Jewish Theological Seminary- Breslau. Overall, the condition is good-very good with some volumes more fragile and chipped. (GER-51-42)
1st edition. Later cloth, 4to. English with occasional Hebrew. The Jewish Chronicle, Founded in 1841, it is the oldest continuously published Jewish newspaper in the world. It was initially under the editorship of D. Meldola and M. Angel. On Oct 18, 1844, to the editorship of Joseph Mitchell, it took the title of "The Jewish Chronicle (New Series) and Working Man's Friend"; it appeared only fortnightly till July 9, 1847, when it became a weekly; from Aug. 18, 1854, it was edited by M. H. Bresslau, who changed the title to "The Jewish Chronicle and Hebrew Observer. " From Jan. 12, 1855, A. Benisch assumed the editorship, which he retained till April 2, 1869, when Michael Henry took charge of the paper until his death (JE, 1905) . Includes numerous ads and announcements from the period, indicating deaths, weddings, and celebrations of all kinds. Anniversary dinners and events often list participants, which sometimes read like whos whos of Anglo-jewry of the period, and at other times mention names from the far reaches of the British Empire. Much on selection and early activity of Adler as new Chief Rabbi, controversy about the Burton Street Synagogue. SUBJECT(S) : Jews -- Great Britain -- Newspapers. Masthead is occasionally trimmed close, with parts of "Sefer Zikaron" clipped, 1 closed tear, otherwise in outstanding condition in modern library binding. (br-11-7)
1st edition. Lacks outer binding, original period internal sewn binding in tact. Folio, 632 pages (8 pages each issue. Complete for 1866 and first half of 1867. English with occasional Hebrew. The Jewish Chronicle, Founded in 1841, it is the oldest continuously published Jewish newspaper in the world. It was initially under the editorship of D. Meldola and M. Angel. On Oct 18, 1844, to the editorship of Joseph Mitchell, it took the title of "The Jewish Chronicle (New Series) and Working Man's Friend"; it appeared only fortnightly till July 9, 1847, when it became a weekly; from Aug. 18, 1854, it was edited by M. H. Bresslau, who changed the title to "The Jewish Chronicle and Hebrew Observer. " From Jan. 12, 1855, A. Benisch assumed the editorship, which he retained till April 2, 1869, when Michael Henry took charge of the paper until his death (JE, 1905) . Includes numerous ads and announcements from the period, indicating deaths, weddings, and celebrations of all kinds, from across the UK, the British Empire, English Speaking Jewry and, indeed, the entire world. Anniversary dinners and events often list participants, which sometimes read like whos whos of Anglo-jewry of the period, and at other times mention names from the far reaches of the British Empire. Too many various reports, letters, discussions, and ads to describe, but a report on the re-unification of the Jewish community of Charleston, South Carolina, 25 years after the split-off by the reformers, caught our eye. SUBJECT(S) : Jews -- Great Britain -- Newspapers. Mid-19th century paper has held up very well, Good solid condition overall. Scarce to come up in the trade. (br-11-2)
Rivista diretta da Cesare Brandi. Comitato di collaborazione composto da Giovanni Macchia, Luigi Magnani, Giuseppe Raimondi, Toti Scialoja e Roman Vlad. Collezione completa di tutto il pubblicato. Testi, oltre a quelli dei collaboratori, di Dario Cecchi, Eugenio Montale, Giulio Carlo Argan, Rainer Maria Rilke, Mario Praz, Gianfranco Contini, Aldo Palazzeschi, Stéphane Mallarmé, Alberto Moravia ed altri. 8-16 tavole f.t. per fascicolo Opera facente parte dell'edizione speciale, numerata, di 30+XX esemplari su carta vergata, contenenti ciascuno una o più incisioni originali. I 30 esemplari in numerazione araba erano dedicati ad personam. La presente raccolta, stampata per Riccardo Gualino, è l'esemplare n. 15/30. Solo il numero 16 fa parte della numerazione romana (esemplare IV/XX). I volumi non contengono le incisioni originali. 8vo. pp. circa 100/fascicolo . . Molto buono (Very Good). . . .
Rivista di cultura underground, psichedelica e pacifista, creata e diretta da Fernanda Pivano. Progetto grafico a cura di Roberto Pieracini e Ettore Sottsass. Grafica composta da disegni, testi, fotomontaggi, ecc. L'impaginazione costringe la lettura in varie direzioni. Secondo e ultimo fascicolo pubblicato. In questo numero contriburi di: Fernanda Pivano, Ettore Sottsass, Allen Ginsberg, Anna Couvert, Roberto Pieraccini, Gary Snyder, Miryam Sumbulovich, Giulio Saponaro, Giorgio Tavaglione, Poppi Ranchetti, Gianni Berengo Gardin, Graziella Putelli, Archizoom, Paolo Pasciolla, Gianni Pettena, et al. Con la collaborazione di Gianni Lana, Roberto Pieraccini, Walter De Nardis . 4to (28x21,5cm). pp. 164. . Molto buono (Very Good). . Prima edizione (First Edition). . La rivista di cultura psichedelica Pianeta fresco fu edita in due soli numeri con una tiratura di circa 300 esemplari. Fondatori furono Fernanda Pivano (direttore responsabile) ed Ettore Sottsass (Capo dei giardini), insieme ad Allen Ginsberg (direttore irresponsabile).
- La revue indépendante, Paris Mai 1884-Mai 1885, 12x18,5cm, 2 volumes reliés. - Edition originale contenant intégralement la première série sauf Le tome III N°1. Reliures en demi chagrins à coins fauves, dos à quatre nerfs, dates des volumes inversées en pied du dos, couvertures et dos conservées, reliures de l'époque. Contributions de : E. de Goncourt "Une Passionnette" "Idées et Sensations d'un vieux civilisé", E. Monteil "Le Manuel d'Instruction laïque et la Critique", J.-K. Huysmans "La Genèse du Peintre" "Le Salon de 1884" "Un Dilemme", P. Verlaine "Les Amies" "Le Parnasse Contemporain" "La Pendule", S. Mallarmé "Sonnets", E. Hennequin "Les Romans d'Edmond de Goncourt" "J.-K. Huysmans", R. Caze "Fête de famille", E. Zola "Théâtre de Campagne", C. Lemonnier "Une Tentation de St-Antoine de Félicien Rops", A. Lefèvre "L'Univers et la Vie" "L'Intelligence", "Documents sur le marquis de Sade", "Lettres inédites de Vallès à M. Emile Gautier", M. M. de Goncourt "Un Daumier", J. Christophe "Duranty" Rarissime tête de collection. [ENGLISH DESCRIPTION ON DEMAND]
- Richard Lesclide, Paris 1876, 26x17,5cm, 21 fascicules reliés en 1 volume. - Edition originale. Reliure à la bradel en demi percaline crème façon vélin, dos lisse passé, pièce de titre en maroquin rouge, celle-ci présentant des épidermures, plats de papier marbré, coins émoussés gardes et contreplats de papier à la cuve. L'Assommoir paraît en feuilletons dans la République des Lettres d'avril 1876 à janvier 1877. Nombreuses collaborations de J.-K. Huysmans, José Maria de Heredia, Catulle Mendès, Anatole France, Théodore de Banville, Edgard Poe, Jean Prouvaire, François Coppée, Albert Glatigny, Léon Dierx, Leconte de Lisle, Victor Hugo, Léon Cladel, Jean Richepin, Stéphane Mallarmé, Maurice Rollinat, Richard Wagner, Maurice Bouchor, Villiers de Lisle Adam etc... Emile Zola avec L'assommoir, en grande partie complet dans notre exemplaire, paraît en feuilletons dans la République des Lettres d'avril 1876 à janvier 1877. Rares petites rousseurs. Très rare revue regroupant les plus grandes plumes du Parnasse. [ENGLISH DESCRIPTION ON DEMAND]
- Librairie José Corti, Paris Décembre 1928, 24x29cm, agrafé. - Edition originale de cette importante revue traitant de cinéma fondée par Pierre Kéfer et Jean George Auriol (sous le pseudonyme de Jacques Niel). Deux déchirures restaurées à l'aide de pièces adhésives en tête des versos des plats, deux petits manques angulaires sur le second plat, tampon imprimé de collection en tête de la première page. Contributions de Philippe Soupault "Quand Chaplin apparut", la direction " Avez-vous peur du cinéma?", Jean George Auriol "Le cinéma et les moeurs : la fenêtre magique", Bernard Brunius "Le cinéma et les moeurs : le cinéma et l'amour", André Delons "Chronique des films perdus", Louis Chavance "Le décorateur et le métier", Pierre Audard et Jean George Auriol "La critique des films", André R. Mauge "Vieux frère gramophone". Numéro illustré de photographies. Très rare numéro de cette revue qui n'en aura que trois sous ce nom et qui compte parmi les premières et plus importantes revues consacrées au cinéma et au surréalisme naissants. [ENGLISH DESCRIPTION ON DEMAND]
- Imprimé par Ch. Noblet, Paris 6 janvier - 29 décembre 1887, 31,5x48cm, 52 numéros reliés. - Edition originale de cette année complète constituée de 52 numéros parus entre le 6 janvier et le 29 décembre 1887, vingtième année. Reliure de l'époque en demi percaline bleue, dos orné de sept filets à froid, titre et date dorés, plats de papier à la cuve. Percaline frottée et effilochée en tête et pied du dos. Une déchirure sans manque en marge intérieure basse de la première garde. Coins bas du plat inférieur accidenté avec petit manque. Comic-finance était dirigée par Ernest Schrameck. [ENGLISH DESCRIPTION ON DEMAND]
- La nouvelle Némésis, Paris 8 Août 1868 - 10 Octobre 1868, 16x24cm, 9 fascicules en feuilles. - First edition of this periodical, printed on vergé. Contributors : Victor Hugo, E. d'Hervilly, le baron Grog, Théodore de Banville, M. Nothing, A. Roger, E. des Essarts, Oméga, Criton, R. Luzarche, Paul Verlaine... Rare complete collection. [FRENCH VERSION FOLLOWS] Edition originale de cette revue imprimée sur vergé. Contributions de Victor Hugo, E. d'Hervilly, le baron Grog, Théodore de Banville, M. Nothing, A. Roger, E. des Essarts, Oméga, Criton, R. Luzarche, Paul Verlaine... Rare revue complète.
- Lemerre, Paris 1871, 16,5x24,5cm, relié. - Edition originale rare du second recueil du Parnasse contemporain dans lequel paraissent des oeuvres de cinquante-six poètes, pour la plupart inédites publiés en 12 livraisons entre 1869 et 1871. On remarquera les contributions de Paul Verlaine, Stéphane Mallarmé, Théodore de Banville, Théophile Gautier, Villiers de L'Isle-Adam, Louise Colet, José-Maria de Heredia, Sainte-Beuve, Leconte de Lisle, Catulle Mendès, Anatole France, Louisa Siefert, Sully Prudhomme et Augustine-Malvina Blanchecotte... Reliure à la bradel en demi maroquin vert sapin à coins, dos lisse, fleuron fleuri central, date en queue, contreplats et gardes de papier peigné, plats et dos de couverture conservés, reliure signée de Stroobants. Ex-libris monogrammé "B" encollé sur une garde. Rare et très bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
Baltimore, The William & Wilkind Company, 1934 - 2002. Royal8vo. Volume 1-21 + 32 in green half cloth, volume 33-36 in beige half cloth, volume 49-57 in orange half cloth, volume 58-65 in blue full cloth, volume 66-69 in white cloth. All volumes with gilt lettering to spine and small paper label pasted on to back board. Small stamp to title pages. A fine set which consists of the following volumes: 1-21, 32, 32-69. 59 volumes in total.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. First Serie of this publication are full set. Rare as set. Ülkü Halkevleri dergisi. [First Serie]. 102 issues full set., 1933-1941. One of first periodicals published by Turkish Republican Public Houses. According to the Recep [Peker]'s article in the first issue of Ülkü, the main purpose of publication was to provide the mind, heart, and movement unity among those involved in the revolution; to promote the aims of the Public Houses working to serve the national language, national tarihe and national arts and culture. Güz 18-20 pp.
