Steinhem, Gloria [Signed]MareMagnum
47 049 résultats
Iconic preview issue of Ms. signed and inscribed by its co-founder, Gloria Steinem, upon front cover. This landmark feminist publication was "written for all women, everywhere, in every occupation and profession - women with deep, diverse ambitions, and those who have not yet had a chance to formulate ambition - women who are wives, mothers, and grandmothers, or none of these - women who want to be fully a female person and proud of it. In brief, women who want to humanize politics, business, education, the arts and sciences... in the home, the community , and the nation." - p113. Cover art by Miriam Wosk [1947-2010] depicts frantic eight-armed pregnant woman struggling to satisfy the many demands of her work, marriage and motherhood. 128 pages including such articles as: De-Sexing the English Language; Men's Cycles (They Have Them Too, You Know); Down With Sexist Upbringing; We Have Had Abortions; Why Women Fear Success; My Mother, The Dentist; How To Write Your Own Marriage Contract; The Black Family and Feminism - A Conversation with Eleanor Holmes Norton; The Sexual Revolution Wasn't Our War; Can Women Love Women; The Birth of Individual Architecture; and more. Interesting ads. Complete and unmarked with average wear. Signature and inscription appear more clearly than is indicated in our photos. A very special piece of American feminist history. Book
1961211203Berlin, Akad.-Vlg. 1961-90. Fehlen: Ausg. A Bd. 4 Aut.-Ind.; 17 H.2; 39 H. 2; 97 Aut.-Ind.; Ausg.B. Bd. 58 H. 1; Aut.-Ind. zu Bd. 133 u. 138.
1845216281Jena u. Halle/Leipzig, 1785-1845. 4°. M. einigen Kpfr.-Taf. Hldr. u Ppbde. d. Zt. Einbde. u. Rücken teils angeschmutzt, beschabt u. bestoßen. Seiten teilw. wasserfleckig bzw. gebräunt. Einige Seiten eng beschnitten ohne Textverl. Wenige Seiten falsch bzw. doppelt pag. Bde. teilw. m. Rsign. u. St. Monatsreg. teils eingeb.
- John Lane Company & Bell & Cockburn, New YorkToronto 1914-1915, 23,5x31,5cm, 2 volumes reliés. - Blast - Review of the Great English Vortex, n° 1 & 2 June 1914 &July 1915 John Lane Company & Bell & Cockburn | New York/Toronto 1914-1915| 23,5 x 31,5 cm | 2 volumes in Bradel binding First edition of this rare vorticist magazine which saw only two issues. Rare. Full red cloth Bradel binding, spine comprising the title and date in black, wrappers preserved. [FRENCH VERSION FOLLOWS] Édition originale de cette rare revue vorticiste qui ne connut que deux numéros. Reliures à la bradel en pleine percaline rouge, dos lisse comportant le titre et la date en noir, couvertures conservées. Rare.
1984211351Heidelberg, Leipzig u. Weinheim, Winter u. Vlg. Chemie, 1837-1984. Verschieden geb. u. brosch. Teils etwas berieben u. angestaubt. St. u. Sign. a. Tit. Fehlen: Bd. 759-761; TI zu Bd. 27; 3 Taf. zu Bd. 49.
181658473Paris, Imprimerie Royale, 1816-47. 8vo. Bound in 101 physical volumes in contemp. hcalf. Gilt spines. Light wear to top of spine, occassionally rubbed, a few with tears to spines. With folded maps, plates, plans, tables. Scattred brownspots to some volumes.
Paris, Imprimerie Royale, 1816-47. 8vo. Bound in 101 physical volumes in contemp. hcalf. Gilt spines. Light wear to top of spine, occassionally rubbed, a few with tears to spines. With folded maps, plates, plans, tables. Scattred brownspots to some volumes.
19356911935 - reliure - Sanjian Shuwu 三閒書屋 - Yinyu ji 引玉集 (« Recueil pour attirer le jade ») 木刻五十九幅 - Deuxième tirage, avril 1935 - In-8 (19,5 × 15,5 cm) reliure cartonnée de l'éditeur, dos noir, pièce de titre contrecollée sur le premier plat - 68 pages - 59 reproductions de gravures sur bois soviétiques imprimées au procédé collotype (珂羅版) d'après les tirages originaux fournis par les artistes - Comprend un texte de Chen Jie (陳節), traduction abrégée d'un essai de A. D. Chegodaev consacré à la gravure soviétique contemporaine - Tirage limité à 215 exemplaires, dont 15 exemplaires hors commerce - Diffusion assurée par la librairie Uchiyama (內山書店), Shanghai - Ouvrage en chinois - Avec des œuvres de Dmitri Isidorovich Mitrokhin, A. Kravchenko, N. Piskarev, Vladimir Andreevich Favorsky, P. Pavlinov, A. Goncharov, M. Pikov, Sergei Mikhalovich Mocharov, L. Khizhinsky, Nikolai Vasilievich Alekseev et Sergei Mikhailovich Pozharsky - A PROPOS : Rare anthologie consacrée à la gravure soviétique moderne, publiée à Shanghai par 三閒書屋 et diffusée par la librairie Uchiyama (內山書店). L'ouvrage réunit cinquante-neuf reproductions en collotype de gravures sur bois réalisées par plusieurs figures majeures de l'école russe et soviétique de la gravure des années 1920-1930, parmi lesquelles Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko et Pavel Pavlinov. Accompagné d'une traduction abrégée par Chen Jie d'un essai de l'historien de l'art soviétique A. D. Chegodaev, ainsi que d'une préface, d'un catalogue des planches et d'une postface, le volume fut conçu comme une introduction à l'estampe contemporaine soviétique pour le public chinois. Témoignage remarquable des échanges artistiques sino-soviétiques dans le Shanghai républicain des années 1930, il s'inscrit dans le contexte du mouvement de la Nouvelle Gravure (新興木刻運動), alors en plein essor sous l'influence des milieux intellectuels de gauche et des réseaux culturels gravitant autour de la librairie Uchiyama et de la figure de Lu Xun. Les reproductions furent réunies à partir de documents et publications soviétiques découverts au début des années 1930, notamment par l'intermédiaire de la revue Graphika. /// ENGLISH: Sanjian Shuwu (三閒書屋) - Yinyu ji (引玉集, “Collection to Draw Forth Jade”): Fifty-Nine Woodcuts (木刻五十九幅) - Second printing, April 1935 - Octavo (19.5 × 15.5 cm), publisher's boards with black spine and mounted title label on upper cover - 68 pages - 59 collotype (珂羅版) reproductions of Soviet woodcuts printed from original impressions supplied by the artists - Includes a text by Chen Jie (陳節), an abridged translation of an essay by A. D. Chegodaev on contemporary Soviet printmaking - Limited edition of 215 copies, including 15 non-commercial presentation copies - Distributed by Uchiyama Bookstore (內山書店), Shanghai - Text in Chinese - Featuring works by Dmitri Isidorovich Mitrokhin, Alexei Kravchenko, Nikolai Piskarev, Vladimir Andreevich Favorsky, Pavel Pavlinov, Aleksandr Goncharov, Mikhail Pikov, Sergei Mikhailovich Mocharov, Leonid Khizhinsky, Nikolai Vasilievich Alekseev and Sergei Mikhailovich Pozharsky. ABOUT: Rare anthology devoted to modern Soviet wood engraving and printmaking, published in Shanghai by Sanjian Shuwu and distributed through Uchiyama Bookstore (內山書店). The volume gathers fifty-nine collotype reproductions of woodcuts by several leading figures of the Russian and Soviet printmaking revival of the 1920s and 1930s, including Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko and Pavel Pavlinov. Accompanied by Chen Jie's abridged translation of an essay by Soviet art historian A. D. Chegodaev, as well as a preface, plate catalogue and postface, the work was conceived as an introduction to contemporary Soviet printmaking for Chinese readers. A remarkable testimony to Sino-Soviet artistic exchanges in Republican-era Shanghai, it belongs to the context of the New Woodcut Movement (新興木刻運動), then flourishing under the influence of left-wing intellectual circles and cultural networks associated with Uchiyama Bookstore and the figure of Lu Xun. The reproductions were assembled from Soviet books, periodicals and documentary sources discovered in the early 1930s, notably through the journal Graphika. /// 中文：三閒書屋出版 — 《引玉集：木刻五十九幅》 — 1935年4月再版 — 32開（19.5 × 15.5厘米）精裝本，黑色書脊，封面貼書名籤 — 68頁 — 收錄蘇聯木刻作品59幅，以珂羅版工藝依據藝術家提供之原拓本複製印製 — 附陳節摘譯 A. D. Chegodaev（契戈達耶夫）論蘇聯現代版畫藝術之文章 — 限印215部，其中15部為非賣贈送本 — 上海內山書店代售 — 中文版 — 收錄 Dmitri Isidorovich Mitrokhin、Alexei Kravchenko、Nikolai Piskarev、Vladimir Andreevich Favorsky、Pavel Pavlinov、Aleksandr Goncharov、Mikhail Pikov、Sergei Mikhailovich Mocharov、Leonid Khizhinsky、Nikolai Vasilievich Alekseev 及 Sergei Mikhailovich Pozharsky 等藝術家作品。關於本書：本書為三閒書屋於上海出版、由內山書店代售之珍稀蘇聯現代木刻版畫選集。全書收錄59幅以珂羅版精印之蘇聯木刻作品，作者均為1920至1930年代俄羅斯及蘇聯版畫復興運動的重要藝術家，其中包括弗拉基米爾·法沃爾斯基（Vladimir Favorsky）、德米特里·米特羅欣（Dmitri Mitrokhin）、阿列克謝·克拉夫琴科（Alexei Kravchenko）及帕維爾·帕夫利諾夫（Pavel Pavlinov）等人。書中除收錄陳節摘譯之蘇聯藝術史家 A. D. Chegodaev 論文外，尚附序言、圖版目錄及後記，旨在向中國讀者介紹蘇聯當代版畫藝術。本書不僅是研究俄蘇版畫的重要文獻，亦是1930年代上海中蘇藝術交流的珍貴見證。其出版背景與中國新興木刻運動（新興木刻運動）密切相關，反映了左翼知識界、內山書店文化網絡以及魯迅所倡導之版畫思想的深遠影響。書中圖版主要彙集自1930年代初傳入中國之蘇聯書籍、期刊及藝術資料，其中包括《Graphika》等重要出版物。
172361629(Luxembourg), Jacques le Sincere (and later:) Andre Chevalier, 1704 - 1723. 8vo. Bound almost uniformly in 38 contemporary full calf bindings with five raised bands and richly gilt spines. Paper-label pasted on to top of spines and ex-libris pasted on to pasted down front end-papers. Light wear to extremities, boards with scratches, occassionally with loss of leather, and spines with light miscolouring and occassional loss of the gilt ornamentation. Vol. 1-18, 20-30, 32-38 and the 2 supplement volumes (both 1713).
1990211200Kiel, Berlin, 1840-1990. Versch. geb. (teilw. mehr. Jgg. zus.) u. in Heften. Einbde. teilw. beschabt od. leicht beschäd. Teilw. m. St. u. Rsign. Einige wenige Bde. in Nachdruck.
1976211350Braunschweig u. Berlin, Vieweg & Sohn u. Springer, 1920-1976. M. zahlr. Tab. u. Abb. 2 Hldrbde., Rest in verschied. Hlwdbdn. (ab Bd. 208 uniform geb.) sowie 260-279 in Heften. Einige Einbde. etwas verschmutzt bzw. berieben u. einige Rücken leicht angerissen. Teils Sign. a. Vors. bzw. St. a. Tit. Wenige Bde. m. leichter Nässespur, dadurch etwas verklebt.
- 26 février 1955, 21,1x27cm et 14,5x11,2cm, 2 pages sur 2 feuillets, 4 pages sur 4 feuillets et une enveloppe. - Two complete, handwritten, signed manuscripts entitled "Magie quotidienne" First version with many crossing-outs and corrections, followed by the final version [with] envelope with handwritten notes 26 February 1955 | 21.1 x 27 cm and 14.5 x 11.2 cm, 2 pages on 2 leaves, 4 pages on 4 leaves and an envelope Complete handwritten, signed working manuscript entitled "Magie quotidienne", two pages written in fine handwriting in black ink on two leaves from the à l'étoile scellée gallery. Many crossing-outs and corrections. Complete signed final manuscript of the same article, four pages written in blue ink on four leaves. An envelope attached containing - in black ink - Breton's handwritten notes reused in his manuscript. Important and long manuscripts of this article which will be published in the first issue of La Tour Saint-Jacques in November 1955. "1955: with this text entitled "Magie quotidienne", Breton gives a distant echo to the beautiful phrase the "wonderful daily" which closed the first chapter of Le Paysan de Paris, in 1926. But far from Aragon passed to Stalinism, it is to the young Jean-Louis Bédouin that a text is dedicated, which may appear as one of the sketches of Breton's great project that year, a book dedicated to L'Art magique. For the time being, it is to the fascinating game of correspondence, formerly understood under the Hegelian category of objective chance, that these pages are devoted, which will appear, accompanied by a long letter from "G.D." (Georgina Dubreuil) in the first issue of La Tour Saint-Jacques, in November." (Breton Archives) This long manuscript, abundantly corrected and made up of six parts defined by dates - from 21 to 26 February 1955 -, takes the form of a diary recounting troubling coincidences encountered by the writer. [FRENCH VERSION FOLLOWS] 26 février 1955 | 21,1 x 27 cm et 14,5 x 11,2 cm | 2 pages sur 2 feuillets, 4 pages sur 4 feuillets & 1 enveloppe Manuscrit de travail autographe complet signé intitulé «?Magie quotidienne?», deux pages rédigées d'une écriture fine à l'encre noire sur deux feuillets de la galerie à l'Étoile Scellée. Nombreuses ratures et corrections. Manuscrit définitif autographe complet signé du même article, quatre pages rédigées à l'encre bleue sur quatre feuillets. On joint une enveloppe contenant des notes manuscrites de Breton à l'encre noire réutilisées dans son manuscrit. Importants et longs manuscrits de cet article qui paraîtra dans le premier numéro de La Tour Saint-Jacques en novembre 1955. «?1955?: avec ce texte intitulé «?Magie quotidienne?», Breton donne comme un écho lointain à cette belle formule du «?merveilleux quotidien?» qui fermait le premier chapitre du Paysan de Paris, en 1926. Mais, loin d'Aragon passé au stalinisme, c'est au jeune Jean-Louis Bédouin qu'est dédié un texte qui peut apparaître comme l'une des esquisses du grand projet de Breton cette année-là, un livre consacré à L'Art magique. Pour l'heure, c'est au jeu fascinant des correspondances, autrefois appréhendé sous la catégorie hégélienne du hasard objectif, que sont consacrées ces pages qui paraîtront, accompagnées d'une longue lettre de «?G. D.?» (Georgina Dubreuil) dans le premier numéro de La Tour Saint-Jacques, en novembre.?» (Archives Breton) Ce long manuscrit, abondamment corrigé et constitué de six parties délimitées par des dates - du 21 au 26 février 1955 - prend la forme d'un journal relatant des coïncidences troublantes vécues par l'écrivain.
Very Good Burmese Original dark brown leather with embossing on the front board with an initial-like symbol. The black script in ink with several pencil annotations on rectangular pieces of thick hand-made mulberry paper. Closed size: 38x12,5 cm. Open size: 550x38 cm. Text in Pali, written in Burmese "round" script, richly illustrated in red, black, white, and yellow from the most influential Buddhist and astrological texts of the region. Well-preserved and in very good condition. Extremely rare example of one of the longest and a richly illustrated parabaik from Burma, "reflecting an old system of Theravardan magical beliefs pertaining to Burma / Myanmar over 100 years ago". A highly collectible item from the pre-colonial period of the Konbaung dynasty, formerly known as the Alompra dynasty, the Third Burmese Empire, the last dynasty that ruled Burma/Myanmar from 1752 to 1885, Buddhist Myanmar. With its open size, it is extremely rare in length with 44 folds; "The longest one would have 64 folds" (Harvard online). The scenes might show episodes from the Buddhist folk tales popular in Burma towards the end of the 19th century including many ancient tables and ca. 40 specific depictions of Buddha's life, Buddhist practices, some historical scenes, and religious practices like sky burial scenes, etc, as well as astrological and astronomical chapters. Folding-book manuscripts (Parabaiks in Burmese) are a type of writing material historically used in Mainland Southeast Asia, particularly in the areas of present-day Myanmar, Thailand, Laos, and Cambodia. The manuscripts are made of thick paper, usually of the Siamese rough bush (Khoi in Thai and Lao) tree or the paper mulberry, glued into a very long sheet and folded in a concertina fashion, with the front and back lacquered to form protective covers or attached to decorative wood covers. The unbound books are made in either white or black varieties, with the paper being undyed in the former and blackened with soot or lacquer in the latter. Along with paper made from bamboo and palm leaves, parabaik were the main medium for writing and drawing in early modern Burma/Myanmar.
158761212Basel, Eusebius Episcopius, 1586 & 1587. Folio (360 x 225 mm). 29 part uniformly bound in 5 contemporary full calf bindings with 6 raised bands. All bindings with wear and numerous wormholes to boards. All spine-ends chipped and with a bit of loss of leather. Boards with scratches and occassional loss of leather. Internally with light occassional marginal dampstains. Numerous wormtract throughout in all volumes. (40), 1180 pp. (1181)-2196 pp. (2199)-3246 pp." (3247)-4226 pp. (4225)-4230, (1), 4230-4373, (1), (458) pp.
1841216282Jena, 1804-1841. 4°. M. einigen Kpfrn. Ppbde. d. Zt. Meist bestoßen u. beschabt. Teilw. m. St. Einige teils wasserrandig bzw.- fleckig. Häufig braunfl. In wenigen OU eingeb. Teilw. falsche Pag. Teils m. Monats- bzw. Jahresreg.
1806215535Kiel u. Berlin, Bohn u. Nicolai, 1793-1806. M. 1 gest. Portr. je Bd. Hldr.- bzw. Ppbde. d. Zt. Überwiegend m. Rotschnitt. Wenige brosch. Jg. 103 nicht gebunden. Einige Einbde. beschäd. S. teilw. braunfl., selten m. Nässespur. Einige Jgge. m. St. verso Tit. Jg. 70 Portr. leicht beschäd. In Jg. 4, 21, 32, 46, 51, 64, 74 u. 76 Portr. lose beiliegend. Es fehlt d. Jg. 94 u. jeweils d. Portrait zu d. Jgg. 55, 77, 86, 87, 103 u. 104. Einige Jgge. ohne dazugehörige Intelligenzblätter. Diese in seperaten Bdn. (1796-1800) beigefügt.
19771025331977 Dirigé par Gérard Julien Salvy, puis Nicole Wisniak, Philippe Morillon étant directeur artistique de la plupart des numéros.En novembre 1977 paraît le premier numéro du journal « Egoïste » sous l'impulsion de Nicole WisniakNotons également son exceptionnelle longévité de 44 ans, avec un tirage qui atteignit 35000 exemplaires.Très bel état général, quelques rares défauts aux premiers numéros.
1864981Havana: Viuda de Barcina y Comp 1864. Good. Twenty-three issues each approximately 32pp. No. 11 with folding chart lacks pp.25-32. No. 13 lacking last few leaves. With title page and half title at start of each volume. Original quarter calf and boards spine gilt. Spine ends chipped and worn some crude glue residue; hinges solid. Boards heavily worn. Light toning and wear to text light scattered worming throughout. A rare run of the first two years of the first Cuban pharmacological magazine and one of the island's earliest medical periodicals. La Emulacion was published from 1863 through 1867 with the present sammelband containing all issues published in 1863 and 1864 a total of twenty-three issues. Their mission statement that heads the first issue here reads in part: "Animados del deseo de ser útiles al pais -- en cuanto nuestras fuerzas lo permitan-- hemos resuelto dar à luz en esta ciudad un periódico que ocupándose preferentemente de todo lo relativo à la Farmacia no descuide por eso la quÃmica é historia natural médicas y la toxicologÃa ciencias de que no pueden prescindir ni los Médicos ni los Farmacéuticos y cuya importancia en el dia pocos podrán desconocer. Procurarémos pues que en nuestro periódico hallen cabida las producciones originales de los que en Cuba cultivan la Farmacia la quÃmica é historia natural médicas y la toxicologÃa; mas no olvidarémos por eso que léjos de nuestro suelo existen los mas célebres y laboriosos de los cultivadores de esas ciencias y que La Emulacion no llenarÃa la mision que nos proponemos si no hiciéramos figurar en ella lo que se dé à luz en Europa y merezca la sancion de las personas ilustradas." The resulting publication contains numerous original articles by Cuban pharmacists doctors and scientists as well as important work published outside of Cuba. Additionally the issues include biographies of significant figures in the field accounts of local scientific societies including the Real Academica de Ciencias de la Habana and publication of new pharmacological formulas discovered in Cuba or "adapted for the needs of the country." As a result the periodical forms an important record of medical and pharmacological developments and thought on the island in the mid-19th century. We locate only one run of this pioneering periodical at the National Library of Cuba with only the present set of issues appearing in auction records. Bound between Volumes I and II is a pamphlet by Fernando Paez "Manual de farmacia practica" Havana 1864 possibly incomplete at 8 pages; no examples of this pamphlet appear in OCLC. Viuda de Barcina y Comp unknown books
1990211201Berlin, Akad.-Vlg. 1948-1990. Bd. 1-90 in einheitl. Bibl.-Einbdn., Rest brosch. Fehlen: Bd. 115-117, 119, 144.
104419n°1, septembre 1966 - n°12, février 1968; Format de 280x280mm à 445x929mm, 12 à 32 pages, en feuilles.Collection complète (104419)
Very Good Turkish, Ottoman (1500-1928) Contemporary quarter leather bdg. Handsomely bound. Six raised bands to spine, the second compartment has the title, the fifth has "issue 1-104", and the sixth has ex-owner's name of the volume, "Semseddin" lettered gilt. Original end-papers of the period. Slightly age-toned on the lower pages, fading on extremities of boards, overall a very good volume. Folio. (41 x 29 cm). In Ottoman script (Old Turkish with Arabic letters) and Turkish with Latin letters. This folio volume consists of 104 issues of the periodical, each issue has 4 pages, which has mostly color illustrated covers as well as several b/w ones. A rare togetherness of the first 104 issues of this Turkish satirical magazine, richly illustrated with thousands of attractive illustrations and caricatures, was published in Istanbul twice a week every Wednesday and Saturday with at least four, at most eight pages, during the Letter Revolution 1928, when the transition from the Arabic alphabet to new Latin letters was ensured. The collection provides an invaluable resource, reflecting the changes in society during and after the Letter Revolution in New Turkey, 1928, placing the new Latin alphabet instead of old Arabic letters and contributing to the development of reading and writing skills of the new Turkish society, as well as "creating the basis for the rapid social evolution in the young Turkish Republic Revolution" soon after the proclamation of the Republic in 1923. The newspaper had a printing house with the same name headquartered in Bab-i Ali (The Sublime Porte of Constantinople), the place where the heart of the Ottoman press was. Burhan Cahid Morkaya left Karagöz Newspaper and founded Köroglu Newspaper in 1928 and wanted the people living in Istanbul and Anatolia to be able to read and write new letters. Indeed, during the period of its publication, Köroglu Newspaper reached the most remote corners of the New Turkish Republic with its attractive cartoons covering local and mostly international subjects. In addition to this news and cartoons, Morkaya also published Turkish reading passages with Arabic letters that were transcripted into Latin letters. Therefore, he created a great positive effect that facilitated the transition to new letters during the Turkish Alphabet Revolution. Duman 1155.
182757374Randers, Elmenhoff, 1827-29. Indbundet i 12 ensartede lidt senere hldrbd. Rig rygforgyldning, forgyldte skindtitler. Første hefte i første bind er på skrivepapir og lidt afvigende i størrelse hvorfor nederste margin er formeret med ca. 1 cm. og her er også et blad repareret for en mindre rift med tab af enkelte bogstaver i de sidste 8 linier. Her og der med lidt spredte brunpletter, men et ganske velbevaret eksemplar. De fleste bind har Einar Christiansens exlibris.
Randers, Elmenhoff, 1827-29. Indbundet i 12 ensartede lidt senere hldrbd. Rig rygforgyldning, forgyldte skindtitler. Første hefte i første bind er på skrivepapir og lidt afvigende i størrelse hvorfor nederste margin er formeret med ca. 1 cm. og her er også et blad repareret for en mindre rift med tab af enkelte bogstaver i de sidste 8 linier. Her og der med lidt spredte brunpletter, men et ganske velbevaret eksemplar. De fleste bind har Einar Christiansens exlibris.
1945100473Berlin, 1945-86. Versch. geb. u. in Heften. Teils etwas berieben u. angestaubt. Einige m. St. Fehlen: Jg. 1 H. 5-6; 5 H. 1-26; 6 H. 24 S. 7-10; 11 H. 53; 15 H. 14 S. 9-12; 21 So.-H.; 26 So.-Ausg.
1925211352Stuttgart u. Berlin, Cotta u. Dietze, 1826-1925. Spätere Bde. in 4°. M. zahlr. Taf. Lwd., Hldr., Hlwd. u. Pp. Einige Einbde. teilw. etwas beschäd. bzw. beschabt. Teils m. Rsign. , St. u. Sign. a. Vorsatz u. Tit. Teilw. in Doppelbdn. Fehlt: Bd. 19 Farbenmustertaf.
