11 résultats
1957993511957 N° 38, Mai 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 47 p.
1957993521957 N° 37, Avril 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 47 p.
1979100143978L'avant scène opéra 1979 in8. 1979. Broché. La Damnation de Faust est une légende dramatique en quatre parties composée par Hector Berlioz inspirée de la traduction du Faust de Goethe par Gérard de Nerval. Cette œuvre hybride à la frontière entre l'oratorio le grand opéra et le poème symphonique met en musique la célèbre légende avec une fin centrée sur la damnation du personnage principal
1968164186Deutsche Grammophon, 1968. Ings. ca. 120 min Spieldauer. Inkl. Libretto mit 15 S. 2 x Vinyl, im Schuber.
1977157909Acanta, 1977. Ings. ca. 75 min Spieldauer. 2 Vinyl, Gatefold.
1995HIS5838MUn volume di 149 pagine, tela editoriale con sovracoperta illustrata. Dimensioni: 25x33 cm. Ottime condizioni. Dedica alla pagina bianca. 17 fotografie a colori a piena pagina nel testo. Elegante volume con copertina in tela e sovraccoperta con le immagini degli oratori delle Contrade di Siena documentate con precisione dalle immagini di Paolo Rappuoli corredate da alcune note in cui, per ciascuna Contrada, sono riassunte sulle vicende costitutive relative all Oratorio, sulle diverse Chiese eventualmente utilizzate prima dell attuale e sulle opere d arte custodite nell Oratorio oggi officiato.
19606057101Leipzig, DVfM 1960. 2° [26 x 33 cm]. XII, 313 pp., mit 6 ganzseitigen Notenfaksimiles. Original Leinwand. Goldgepräter Titel auf Rücken und Deckel. Kleiner Namenszug auf Vorsatz. Sonst sehr gut.
1954143075Italy / France: Produzioni Cinematografiche Associate / Franco London Films 1954. Vintage borderless photograph from the set of the 1954 film showing Ingrid Bergman tied to the titular stake with actor Tullio Carminati beside her and director Roberto Rossellini in the foreground. With stamps identifying the film under the English language title "Joan at the Stake" and the New York address of Italian Films Export as well as some manuscript annotations on the verso. <br /> <br /> Based on the 1938 oratorio "Jeanne d'Arc au bucher" by Arthur Honegger with a libretto by Paul Claudel about visions of her life and purpose Joan of Arc receives as she is burned at the stake. <br /> <br /> 6.75 x 9.25 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. Produzioni Cinematografiche Associate / Franco London Films unknown
193510340Lausanne, Edition Imprimerie Centrale, [1935]. Brochure in-8 de [40] pages, couverture imprimée à rabats.
1954143075Italy / France: Produzioni Cinematografiche Associate / Franco London Films 1954. Vintage borderless photograph from the set of the 1954 film showing Ingrid Bergman tied to the titular stake with actor Tullio Carminati beside her and director Roberto Rossellini in the foreground. With stamps identifying the film under the English language title "Joan at the Stake" and the New York address of Italian Films Export as well as some holograph annotations on the verso. <br/><br/>Based on the 1938 oratorio "Jeanne d'Arc au bucher" by Arthur Honegger with a libretto by Paul Claudel about visions of her life and purpose Joan of Arc receives as she is burned at the stake. <br/><br/>6.75 x 9.25 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Produzioni Cinematografiche Associate / Franco London Films unknown books
192725523London U.K.: March 17 1924-Oct. 27 1927. 1927. Very good. - Small octavo approximately 7 inches high by 4-3/8 inches wide. The 4 letters dated "March 17 1924" "July 27 1924" "Jan. 17 1926" and "Oct. 27 1927" are penned in black ink on his personalized letterhead with his Kensington address printed in the top right corner. Three of the letters fill 1-1/2 to 1-2/3 sides of the letterhead. The 7/27/24 letter fills 2 sheets of letterhead 4 sides. All four are signed "Yours ever H. P. Greene". The letters are lightly bumped & soiled with small stains to the 1st side of the 1st letter & a few light ink stains to the 3rd letter. The letters have been folded once for mailing with a tiny tear to the right side of the fold & to the top edge of the 1st letter. Very good. <p>Irish baritone Harry Plunket Greene made a notable contribution to British musical life not only through his concerts and recitals but also by writing and lecturing on his art and in the field of competitions and examinations. He studied for two years at the Stuttgart Conservatory under Hromada made his debut in "The Messiah" in 1888 and his operatic debut at Covent Garden in 1890. Thereafter he chose to make his career in recital. During the 1890s he became one of the foremost British interpreters of the German lieder giving the first complete public performance of Schumann's "Dichterliebe" to be heard in London in 1895. He was much admired for his style musicianship and intelligence. He created the title part in Hubert Parry's "Job" and was the original exponent or dedicatee of many of Parry's lyrical works. Charles Villiers Stanford wrote "Songs of the Sea" for him. He was a friend of Elgar and was the original baritone in the first performance of Elgar's "Dream of Gerontius" under Hans Richter in 1900.<p>This is a wonderful selection of the singer's correspondence with many musical references. The letters written in a somewhat difficult handwriting are friendly informal and at times teasingly affectionate. They are addressed to "Dear Griffin" and from the content it is clear that Griffin was a singer and Plunket Greene was his teacher or mentor: "I have just heard from Bowman Paget Bowman of British National Opera Company that a letter will arrive for you next Wednesday asking you to go down and play 'Pagliacci'.Let's run through it again before you go" 3/17/24; "As soon as you have mastered time and can have a picture in your mind of the shape of phrases you will be able to go where you like and carry all before you." 7/27/24; "Don't forget that it is the word and not the note which pulls you out of your difficulties & that in the word it is the consonant & not the vowel which links up with the engine." 7/27/24.<p>There are a number of references to other musicians. Plunket Greene writes of the British National Opera Company: "The B.N.O. wound up opening here. He Bowman evicted Percy Pitt and got back Fred Austin & the change is little short of miraculous. The whole company shot up in style like a flower." 7/27/24. Conductor Percy Pitt left the BNOC in 1924 and became Principal Conductor at Covent Garden. There is a somewhat illegible reference here to Vaughan Williams' "Hugh the Drover" which was in the BNOC's repertoire and was first performed at His Majesty's Theatre on 7/14/24. In the same letter Plunket Greene writes of the death of cellist Victor Herbert whom he would presumably have known from his time studying in Stuttgart: "Poor old Victor Herbert; I remember him so well. It is queer to look back on the time when he was principal cello in the Stuttgart orchestra in the '80s.". On October 27 1927 he writes of the all-girl harmony singing trio formed in 1924 by Pearl Hamilton Santos Violet Hamilton and Jessie Fordyce: "The Hamilton Sisters & Fordyce are just A1 as they are. I wouldn't interfere with them for anything. It's just perfect in its way. I do trust they leave things alone not try to change."<p>Interestingly in the 7/27/24 letter Plunket Greene makes a passing reference to proofreading his classic book on fly-fishing "Where the Bright Waters Meet" which was published that year: "My fishing book will be out first week in September ". Taken together these letters offer a delightful insight into the mind and personality of an important musical figure. London, U.K.: March 17, 1924-Oct. 27, 1927. unknown