28 résultats
176620598Florence Italy: Giuseppe Vanni 1766. Print. Very good condition. A somewhat bizarre example of tail feathers with an attenuated beak head and body attached of birds of paradise. Period hand-colored copper engraving from the Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations in Miniature and Life-Size 1766-1777. <br /> <br /> The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767 and based on birds taken from the collection of Giovanni Gerini it was completed ten years later. It was larger better engraved and more vividly coloured than any previous work on birds but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting parading posturing and occasionally flying.are birds whose real-life counterparts would surely disown them and not without reason for Manetti seems in these pictures to be depicting the human comedy the habits and mannerisms of contemporary Italian society. His book may still be rated among the very greatest bird books if only for its magnificent comicality" S. Peter Dance The Art of Natural History: Animal Illustrators and their Work. London 1978.<br /> <br /> Approx. 10 5/8 x 13 1/2" platemark on watermarked paper measuring 14 1/2 x 18". The original images were drawn by Lorenzo Lorenzi Violante Vanni or Manetti himself. Giuseppe Vanni unknown
1757PHO-2049Paris, Barbou, 1757, in-12 (15,9x9cm), 108pp.-1f.-192pp.-2ff., veau marbré époque, dos lisse orné avec pièce de titre grenat, tranches rouges, coins usés, début de fente, frottements aux charnières. Texte en latin avec sa traduction française en seconde partie, jolie vignette au titre représentant une imprimerie par Papillon
1771PHO-2048Parisiis, Apud J. Barbou, 1771, in-12 (16x9,5cm), 1f.-LXXII-269pp.-1f., veau marbré époque, dos lisse, triples filets aux plats, tranches dorées, manque la pièce de titre, charnière fendillée, coins usés. De la bibliothèque de L. Dimier avec son cachet au titre et signature en page de garde.