134 résultats
2008148310Windsor Vermont: Cornish Colony Museum 2008. Softcover. VG- light cover wear and small sticker to lower front cover. Black stapled wraps with color illus. and yellow lettering. 22 pp. with color illu.s. Introductory essay by Alma Gilbert-Smith and additional essay Places of Power: Empowered Artists about the Cornish Colony of artists by Jo Evarts. With works by Ansel Adams Albert Bierstadt William Bradford Robert Swain Gifford Elsie Hering Ward George Inness Gary Milek and others showing the stunning landscapes and light of America by colony members. Exhibition catalogue. Cornish Colony Museum unknown books
2006142608Windsor Vt: Cornish Colony Museum 2006. Softcover. VG Few marks from previous gallery owner. Black & color illus. stapled wraps 34 pp. color & BW illus. Issued in conjunction with an exhibition focusing on these members of the Cornish colony: Maxfield Parrish Paul Manship Barry Faulkner and William Zorach. With essays by Alma Gilbert-Smith Bob Mueller and Meredith Ferguson. A nice introduction to these artists and this New Hampshire art colony. Cornish Colony Museum paperback books
503503on verso of letter from Mrs. Alice Strong of Arlington MA Torrington CT ca. September 1928; response to a request for "helpful quotations" for Strong's personal collection and possible publication: "'He lives who builds not boasts a noble race'! Greetings.". 8vo 1p. Signed by Authors. unknown books
199020034London: Jonathan Cape 1990. 1st edition. Black cloth binding. Dust jacket. NF/NF. 244 pp. 8vo. <br/><br/> Jonathan Cape hardcover books
1990703058NY: Alfred A. Knopf. 1990. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Alfred A. Knopf paperback books
19908169NY: Knopf. Near Fine in Fine dust jacket. 1990. Hardcover. 0394571894 . First edition. Remainder mark on top edge else fine in a fine dust jacket. . Knopf hardcover books
1978UHEAFUN00fpBrigham Young University Press 1978. Very Good. Heaton Alma. Fun Dance Rhythms. Provo UT: Brigham Young University Press 1978. second printing. 366pp. Illustrated. 4to. Paperback. Book condition: Very good. Edges lightly rubbed and corners slightly bumped. Former owner's name on inside of front cover. A few notes on first page. Brigham Young University Press paperback books
1961WRCLIT67388Culver City: Vanguard Films Inc. / Selznick International 1961. Fourteen volumes / items. Quarto and folio. Mimeographed and spirit- duplicated typescripts printed on rectos only. Bradbound or stapled in stencil printed wrappers or stapled in self-wrappers. A few items a bit used as noted below but generally very good to fine. A substantial archive of scripts and technical documents tracing the long and troubled history of this film adaptation of Hichens's 1933 novel. According to one source Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved for over a decade. This archive records much of that evolution and consists of the following: a Unspecified draft of a October 1934 screenplay by Lewis Waller 124 leaves rerun by Vanguard 25 March 1946; b an unspecified draft of a February 1942 screenplay prepared for MGM written by Salka Viertel and Polly James 124 leaves plus lettered inserts rerun by Vanguard 1 April 1946 creased bruise at middle brad to early leaves ; c a wholly new script denoted a "First Rough Draft With Dialogue from Novel" by Alfred Hitchcock and Alma Reville April 1946 195 leaves rerun by Vanguard 12 August 1946; d a roster of "Costumes Compiled from the Novel" 10 leaves 17 April 1946; e a "Description of Settings and Props Compiled from the Novel" 27 leaves 17 April 1946; f a "Gay Comparison" compiled by Alice Hartman 23 Sept. 1946 - a comparison of the script and the novel of the scenes involving the character Gay Keane; g a "Third Draft Script" credited to James Birdie based on an adaptation by Alma Reville 205 leaves 10 August 1946; h the "Final Shooting Script" credited to David O. Selznick based on Reville's adaptation 3154 leaves dated December 1946 small snag in fore-edge of upper wrapper; i a preliminary Dialogue Continuity foliated in reel format 12 June 1947; j a Dialogue Cutting Continuity foliated in reel format dated 19 February 1948; k a Dialogue Cutting Continuity for the Trailer 5 leaves 27 February 1948; l a large folio Trailer Spotting List 5 leaves somewhat ragged; m a large folio minutely detailed complete continuity with corrections dated March 1948 compiled by S. G. Samuels outer leaves a bit ragged; and finally n a late 30 April 1961 Combined 16mm Continuity script. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore in a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. Vanguard Films, Inc. / Selznick International unknown books
1946WRCLIT67375Culver City: Vanguard Films Inc. 1946. Two volumes. 1195;1205 leaves. Quarto. Mimeographed typescripts printed on rectos only. Bradbound in stencil printed wrappers. Wrappers slightly nicked and soiled one upper wrapper detached at upper brad but very good. A studio rerun of a the 16 April "First Rough Draft With Dialogue from Novel" of this adaptation to the screen of Hichens' 1933 novel accompanied by a first run of the "Third Draft Script." The first draft is credited exclusively to Alfred Hitchcock and his collaborator wife Alma Reville; the third draft is identified as by James Bridie based on an adaptation by Alama Reville. According to one source Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved until Selznick returned to it in 1946. It is clear that at that time scripts from the 1934 effort as well as from an adaptation attempted at MGM were consulted. In December the "Final Shooting Script" was reached after interim contributions by Ben Hecht. The final shooting script is credited solely to David O. Selznick but acknowledges dependence on the adaptation by Alma Reville. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore In a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. Vanguard Films, Inc. unknown books
1946WRCLIT67389Culver City: Selznick International Pictures 1946. 3154 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in deep yellow stencil printed wrappers. Wrappers a trace dust smudged small script number on upper wrapper else near fine. Copy #26 of the "Final Shooting Script" of this adaptation to the screen of Hichens' 1933 novel. Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved until Selznick returned to it in 1946. It is clear that at that time scripts from the 1934 effort as well as from an adaptation attempted at MGM were consulted. Interim drafts of the script were written by Alfred Hitchcock and Alma Reville First Rough Draft April 1946 and James Birdie Third draft based on an adaptation by Reville August 1946 until finally in December this "Final Shooting Script" was reached with interim uncredited contributions by Ben Hecht. This final shooting script is credited solely to David O. Selznick but acknowledges dependence on the adaptation by Alma Reville. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore in a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. One of a finite group of duplicates from the Selznick archive now entering the market via the Serendipity dispersal. Selznick International Pictures unknown books
1948WRCLIT68018Culver City: Selznick International Pictures 1948. Foliated by reel format. Quarto. Mimeographed typescript printed on rectos only. Bradbound in pale blue stencil printed wrappers. Wrappers a trace dust smudged short snag at one brad else near fine. A dialogue cutting continuity script for this adaptation to the screen of Hichens' 1933 novel. Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved until Selznick returned to it in 1946. It is clear that at that time scripts from the 1934 effort as well as from an adaptation attempted at MGM were consulted. Interim drafts of the script were written by Alfred Hitchcock and Alma Reville First Rough Draft April 1946 and James Birdie Third draft based on an adaptation by Reville August 1946 until finally in December a "Final Shooting Script" was reached with interim uncredited contributions by Ben Hecht. The final shooting script is credited solely to David O. Selznick but acknowledges dependence on the adaptation by Alma Reville. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore in a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. One of a finite group of duplicates from the Selznick archive now entering the market via the Serendipity dispersal. Selznick International Pictures unknown books
196210024New York City: Robert Isaacson Gallery 1962. Softcover. Good library marking slight aging/foxing to wraps and page edges. Blue wraps. 7 pp. 1 bw plate. Catalog of an exhibition held at the Robert Isaacson Gallery Apr. 25-May 12 1962. Essay by Daryl Hine. Robert Isaacson Gallery unknown books
1921158837New York: Cupples & Leon Company 1921. Hardcover. VG clean and tight but for original inscription; small bump to tail of spine. Red paper/boards; color illus. laid on; black lettering and decoration. 48 pp. with color frontis 7 additional color plates and bw drawings/decoration throughout. 5 x 6 inches. The delightful antics of Peter his rabbit cohorts and the faeries. Based on characters from Beatrix Potter's Tale of Peter Rabbit. Illustrations by Richard Hudson. Cupples & Leon Company hardcover books
19741309252Windsor Ontario: Merco 1974. Fifth Edition. Hardcover. Octavo; pp 382; VG-/no-DJ; navy blue spine with gilt text; cloths have slight rubbing to exterior minor wear to edges strong boards; text block has slight wear to exterior edges light foxing to exterior head edge; light ink to ffep; light toning to pastedowns and endpapers; interior clean. 1309252. FP New Rockville Stock. Merco hardcover books
195082329Chicago 1950. Paperback. Near Fine. photos 12p. 29cm. <br/><br/> paperback books
1959146486Burbank CA: NBC Television Network 1959. Collection of 35 vintage contact sheets from the 1951 to 1959 NBC television series. Stills as well as on the set shots of Jack Webb and Ben Alexander as well as a host of supporting actors.<br/><br/>The well loved early police drama created by and starring Jack Webb as Sgt. Joe Friday. Origin for the ubiquitous phrases "Just the facts ma'am" and "The story you are about to see is true."<br/><br/>Set and shot on location in Los Angeles. <br/><br/>8 x 10 inches. Very Good plus some creasing one with three closed tears on top edge. NBC Television Network unknown books
197983943NY:: Lothrop Lee & Shepard Books. Near Fine in Near Fine dust jacket. 1979. Hardcover. 0688418996 . Translated from the German by Anthea Bell. First American printing. Rubbing to front board else near fine in a near fine dust jacket. . Lothrop, Lee & Shepard Books, hardcover books
197981953NY:: Lothrop Lee & Shepard Books. Near Fine in Near Fine dust jacket. 1979. Hardcover. 0688518990 . Translated from the German by Anthea Bell. First American printing library binding - NOT ex-library. Near fine in a near fine price clipped dust jacket. . Lothrop, Lee & Shepard Books, hardcover books
197965781Riverside California: California Museum of Photography. Very Good. 1979. Paperback. 56 pages. Paperback. Exhibition catalogue. Covers show some light staining. Otherwise Very Good. . California Museum of Photography paperback books
19791337818New York: Watson-Guptill Publications 1979. First Edition; Fifth Printing. Hardcover. Octavo; G/G-; black spine with yellow and red; first edition; fifth printing; dust jacket has some rubbing wear to exterior; few chips to edges; previous bookshop's sticker to front flap; cloth has light smudges to exterior; mildly bowed boards; text block exterior edges have slight tone; pictorial endpapers; illustrated; interior clean; pp 146. 1337818. FP New Rockville Stock. Watson-Guptill Publications hardcover books
1967289104Fairbury. : Record Printing. 1967. . Hardcover red cloth gilt titles. . Slightly cocked otherwise very good no dust jacket. 8vo. Record Printing. hardcover books
1964007924Boston: Beacon Press 1964. ix 143p. original cloth. Beacon Press unknown books
192924904Boston/New York: Houghton Mifflin Company. Very Good in Good dj. 1929. First Edition. Hardcover. price-clipped book is moderately worn top front corner bumped with slight fraying to cloth exposing board a bit light rectangular stain from removed label on front pastedown; jacket has various chips along top and bottom edges and at corners. Biography of a pioneering advocate for women's rights "the outstanding figure in the movement for the higher education of women in America . . . the first woman to make definite experiments to prove the female mind capable of comprehending higher studies and the first woman publicly to take a stand for the higher education of women." Among her many accomplishments Willard 1787-1870 founded the first school for women's higher education in the U.S. the Troy Female Seminary in Troy New York later renamed the Emma Willard School and still in operation today as a college-prep day and boarding school. She also wrote a number of geography and history textbooks the latter of which somewhat radically for their day chronicled the achievements of women as well as men and promoted the idea that the status of women in a given society was the primary measurement of whether that society could be described as "civilized." . Houghton Mifflin Company hardcover books
192956333Boston: Houghton Mifflin 1929. First Edition. 8vo pp. 291 A very good copy. The story of a dynamic and seemingly tireless woman devoted ahead of her time the early 1800s to the cause of higher education for women. Houghton Mifflin unknown books
192934206Boston: Houghton Mifflin 1929. First Edition. 8vo pp. 291 hinge little tender 1969 news clipping tipped to end paper. A good copy. The story of a dynamic and seemingly tireless woman devoted ahead of her time the early 1800s to the cause of higher education for women. Houghton Mifflin unknown books