Segovia, AlmaBiblio.com
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9999315410.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20151-1631132733Alfaguara Infantil 2015. Paperback. New. 217 pages. Spanish language. 9.00x7.00x0.50 inches. Alfaguara Infantil paperback
2007x-0759111006Altamira Press 2007. Hardcover. New. 326 pages. 9.00x6.00x0.75 inches. Altamira Press hardcover
2007Q-0759111014AltaMira Press 2007-08-02. Paperback. New. New. In shrink wrap. Looks like an interesting title! AltaMira Press paperback
34694Couverture rigide. Bon/1860. in-8. Paris 1860 in-8 540pp demi-chagrin Quelques défauts mineurs cachets de bibliothèque dos insolé sinon très bel exemplaire de ce rare titre! unknown
6202237791.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3844346147.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9999313760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
47787581like new. unknown
197125396New York: The World Publishing Company 1971. Cloth. Very Good /Near Fine. A very notable Association copy: WARMLY INSCRIBED BY GRACE HALSELL WHO EDITED AND WROTE THE INTRODUCTION FOR THIS BOOK TO JOHN HOWARD GRIFFIN THE LEGENDARY AUTHOR OF "BLACK LIKE ME" WHOSE EXAMPLE ACCORDING TO THE INSCRIPTION INSPIRED GRACE TO TRY A SIMILAR EXPERIMENT IN SWITCHING RACES AND TO RECORD THE EXPERIENCE IN HER OWN PIONEERING BOOK ON THE SUBJECT "SOUL SISTER". A solid copy of the 1971 stated 1st printing to boot. Clean and VG with light cocking to the binding in a crisp price-intact Near Fine dustjacket. Octavo important memoir by the older brother of slain Civil Rights leader Medgar Evers. The World Publishing Company unknown
2011DADAX3639307674VDM Verlag 2011-02-04. paperback. New. 5.91x0.39x8.66. Buy with confidence. Excellent Customer Service & Return policy. VDM Verlag paperback
3639307674New. Brand new and still unused unknown
3639307674.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1364722755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0153539631.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1959419549Guatemala and Mexico 1959. Near Fine. A collection of 79 gelatin silver prints ranging in size from 7†x 7†to 8†x 10†and four smaller 5†x 4†prints by Alma Lavenson collated and housed in 11 handmade paste-paper portfolios. The collection consists of 51 prints taken in Guatemala in seven portfolios and 32 prints taken in Mexico in four portfolios. Each print is captioned by Lavenson on the versos in green ink giving place names and in her smaller hand underneath in blue ink giving additional information. All are in fine condition. Also included is a San Francisco Museum of Modern Art exhibition catalog 1984-85 Inscribed by Lavenson.<br /> <br /> This portfolio is Lavenson's first book solely devoted to her photography. A remarkable assemblage of images made by the famed California photographer of Guatemalan and Mexican women children and men including several Mayan peoples from various rural regions and towns throughout both countries. The images date from a trip Lavenson made in 1959 during which she also visited her son Albert who was conducting anthropological field research in Chiapas Mexico. <br /> <br /> Lavenson was a self-taught photographer from the Bay Area whom Edward Weston told to abandon the soft-focus style of the times and adopt the crisp style of the Modernist movement. She took the advice to with such verve that she was invited to participate in a San Francisco gallery show that featured work by Weston’s newly formed photo group f/64. The attention- getting show which also featured the work of Ansel Adams Imogen Cunningham and Consuelo Kanaga exposed her work to wide acclaim leading to three solo shows at the San Francisco Museum of Modern Art inclusion in Edward Steichen’s “The Family of Man†exhibition and showings at the Metropolitan Museum of Art and the Museum of Modern Art in New York. Like many women of the time Lavenson largely set aside her career as a photographer after her marriage in 1933. Lavenson died in 1989 at age 92 just a year after her final solo exhibition at the Baltimore Museum of Art but today is gaining in reputation as an important photographer of the first part of the 20th Century. <br /> <br /> A detailed list follows:<br /> <br /> Guatemala 47 prints 4 small prints<br /> <br /> Portfolio 1. Almolonga Quetzaltenango 5 prints. In a red and purple paste paper wrapper. Some fraying and short tears to the edges else all other wrappers are near fine.<br /> <br /> Portfolio 2. San Francisco el Alto 6 prints. In a dark green/blue paste paper wrapper. Includes several images of “Friday Market Dayâ€.<br /> <br /> Portfolio 3. Chichicastenango 8 prints. B & W and multi-colored paste paper wrapper.<br /> <br /> Portfolio 4. Antiqua 3 prints. Light amber and multi-colored paste-paper wrapper. Includes an image of a man stitching on a loom.<br /> <br /> Portfolio 5. San Antonio Aguas Calientes 3 prints. B & W and multi-colored paste-paper wrapper.<br /> <br /> Portfolio 6. PalÃn Nahualá and Quetzaltenango 10 prints. Light purple paper wrapper.<br /> <br /> Portfolio 7. Lake Atitlán 16 prints including the four smaller prints. Light purple paper wrapper. Includes images of Guatemalans in Panajachel Santiago and San Antonio Palopó. The four smaller prints are landscapes of Puerto Barrios and the Rio Dulce.<br /> <br /> Mexico 32 gelatin silver prints<br /> Housed in 4 orange and black paste-paper wrappers very good or better<br /> <br /> Portfolio 1 12 prints<br /> Pátzcuaro 6 and Taxco 6.<br /> <br /> Portfolio 2 4 prints<br /> Janitzio 3 and Cuernavaca 1.<br /> <br /> Portfolio 3 9 prints<br /> San Miguel Allende 5 and Guanajuato 4. Includes one print: “Child with Sugar Cane†owned by the Center for Creative Photography at the University of Arizona; and images of the woman “Caretaker of Church Guanajuatoâ€.<br /> <br /> Portfolio 4 7 prints<br /> San Juan de las Lagos 2 and Morelia 5. Includes images of “Fiesta dancers Guadelupe Day†and of a “Fire-Works Familyâ€.<br /> <br /> Also:<br /> Exhibition Catalog Inscribed. Portraits of Artists; Faces Photographed; 9 December 1984 – 24 March 1985. Inscribed by Lavenson: “For Judy Nan / from Alma†on p. 37 underneath her photograph printed in the catalog: San Idelfonso Indians 1941. unknown
2012DADAX3659063533Eae Editorial Academia Espanola 2012-11-13. paperback. New. 5.91x0.61x8.66. Buy with confidence. Excellent Customer Service & Return policy. Eae Editorial Academia Espanola paperback
3659063533.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209246389.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007Q-068982582XAtheneum Books for Young Readers 2007-07-10. Hardcover. New. In shrink wrap. Looks like an interesting title! Atheneum Books for Young Readers hardcover
20121-3659052965Editorial Académica Española 2012. Paperback. New. 192 pages. 8.66x0.44x5.91 inches. Editorial Académica Española paperback
1980157j1428Coldwater Ontario: The Little Print Shop. Good. 1980. First Edition. Paperback. "The information here recorded is compiled from documents interviews and most important of all reminiscences and stories passed on from members of an earlier generation now long gone. It is written in the hope of preserving an interesting family history as well as giving an insight into the everyday lives of past generations of men and women who were our ancestors. It concerns the Fowler family from their beginning in the northern highlands of Scotland and continues to the township of Medonte and in what is now the city of Orillia. It includes tales of the early days in Medonte and also personal recollections of childhood and youth." - Foreword. 56 stapled pages in blue card covers. Black and white reproductions of archival photos. Some marginal fading to covers otherwise a tidy copy tight clean and unmarked with moderate wear. A sound example of this uncommon and very informative genealogical reference. ; 8vo . The Little Print Shop paperback
197843035US: Private Printing. Very Good with no dust jacket. 1978. Hardcover. White cloth binding very slightly rubbed at spine ends corners; boards & backstrip smudged; owner's name inked on front free endpaper else a very crisp tight & clean family history. No dj. ; Small 8vo 7½" - 8" ; 323 pages . Private Printing hardcover
1847493408<p>New. Never used book</p>
BN115842fantastisch fermentiert <br/><br/>fantastisch fermentiert unknown
