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197717080402n.p.: The Private Press of Alvin S. Fick 1977. Limited Edition. Stiff wraps. Fine. One of 70 copies not stated miniature book 20 pp. letterpress printed. A perfect Christmas keepsake which is how this was presented as set forth in the introduction Alma and Al Fick wrote beginning with: "When Christmas approaches we hike the seventy-nine acres of this old farm to select a Christmas tree". and ending with " 'The Pine' in miniature book form brings you our warmest holiday greetings."<br /> <br /> ___DESCRIPTION: String-bound cardstock covers decorated on the outside to appear as wood-grain the front cover with the title in green and a small stylized Christmas tree in green spine with green lettering small stylized trees one green one red facing the title page title page in red and black small stylized tree in red on the verso of the title page volume opens with an introduction by Alma and Al Fick as referred to above followed by the five-stanza poem "The Pine" by George S. Bryan; per the colophon "was printed from handset Palatino and Garamond types in October 1977 on a 72 years young foot powered Pearl press which has been a faithful servant of this private press for a quarter century. The paper is Pericles Opaque Plus"; oblong miniature book 2" by 2.5" 20 pp. one of 70 copies not stated related to us by the prior owner. <br /> <br /> ___CONDITION: Fine overall the cardstock covers clean and without wear to the corners a strong square text block the string binding solid the interior is clean and bright and entirely free of prior owner markings; still with that "tight" feel of an unopened book a wonderful example. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Private Press of Alvin S. Fick unknown
192161617New York:: Cupples & Leon Company 1921. publisher's printed boards with applied color illustrations on front panels; 2 of 3 in dust jacket; the whole enclosed in publisher's two-part box with illustrated label on top. Books all fine apart from inscriptions; one jacket lightly stained and creased; Peter Rabbit toy fine; box repaired at joints with clear tape; label soiled. 12mo. Pictured by Richard Hudson. Ink gift inscription in one volume; pencil inscriptions in other two volumes; C. &. L. Co.'s Peter Rabbit Series. Cupples & Leon Company, hardcover
1948143470Los Angeles: Vanguard Films / Selznick Studio 1948. Post-production Trailer Spotting List script for the 1947 film. <br/><br/>Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. <br/><br/>Tall self wrappers with two hole punches at the top edge but stapled instead at the top right corner as issued. 5 pages mimeograph duplication. Very Good plus. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. Vanguard Films / Selznick Studio unknown books
1948151734Los Angeles: The Selznick Studio 1948. Post-production Trailer Dialogue Cutting Continuity script for the 1947 film.<br/><br/>Based on the 1933 novel by Robert Hitchens. Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. Nominated for an Academy Award for Best Supporting Actress for Ethel Barrymore.<br/><br/>Set in and shot on location in Cumbria England.<br/><br/>Light blue titled wrappers noted as TRAILER DIALOGUE CUTTING CONTINUITY on the front wrapper dated February 27 1948. Five leaves with last page of text numbered REEL 1 PAGE 5. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus saddle-stapled on top edge with two staples.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. The Selznick Studio unknown books
1948143503Los Angeles: Vanguard Films / Selznick Studio 1948. Post-production Dialogue Cutting Continuity script for the 1961 re-release 1947 film. From the Richard Manney collection of film noir. <br/><br/>Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. <br/><br/>Tall green titled wrappers top stapled dated April 30 1961. Noted are 4 reels and 14 sections. Mimeograph duplication. Very Good plus front wrapper slightly torn at one of the top stitches. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. Vanguard Films / Selznick Studio unknown books
1948151735Los Angeles: The Selznick Studio 1948. Post-production Dialogue Cutting Continuity script for the 1947 film.<br/><br/>Based on the 1933 novel by Robert Hitchens. Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. Nominated for an Academy Award for Best Supporting Actress for Ethel Barrymore.<br/><br/>Set in and shot on location in Cumbria England.<br/><br/>Gray titled wrappers noted as Dialogue Cutting Continuity on the front wrapper dated February 19 1948. 124 leaves with last page of text numbered REEL 7 PAGE 18. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound on top edge with two metal brads.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. The Selznick Studio unknown books
1948151570Los Angeles: Vanguard Films / Selznick Studio 1948. Post-production Spotting List and Synopsis 1947 film printed on standard Selznick Releasing Organization printed forms. Noted as having been "prepared by Sidney G. Samuels." Smaller "List of Corrections" leaf inserted as second page and two pages 8-77 and 8-78 with annotations in holograph pencil noting elimination of scene with a tag added to bottom of page 8-77.<br/><br/>Based on the 1933 novel by Robert Hitchens.<br/><br/>Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. <br/><br/>Nominated for an Academy Award for Best Supporting Actress for Ethel Barrymore.<br/><br/>Set in and shot on location in Cumbria England.<br/><br/>Tall self-wrappers. Mimeograph duplication. 148 leaves pages and wrapper Very Good. Bound with two brads at the top edge.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. Vanguard Films / Selznick Studio unknown books
1946151737Los Angeles: Vanguard Films 1946. Pre-production Description of Settings and Props script for the 1947 film dated April 17 1946 noted as "Compiled From the Novel."<br/><br/>Based on the 1933 novel by Robert Hitchens. Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. Nominated for an Academy Award for Best Supporting Actress for Ethel Barrymore.<br/><br/>Set in and shot on location in Cumbria England.<br/><br/>Blue titled wrappers with rubber-stamped copy number dated April 17 1946. Distribution page present with receipt intact. 9 leaves with last page of text numbered 7. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three metal brads.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. Vanguard Films unknown books
1946151736Los Angeles: Vanguard Films 1946. Pre-production Costumes script for the 1947 film dated April 17 1946 noted as "Compiled From the Novel."<br/><br/>Based on the 1933 novel by Robert Hitchens. Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. Nominated for an Academy Award for Best Supporting Actress for Ethel Barrymore.<br/><br/>Set in and shot on location in Cumbria England.<br/><br/>Blue titled wrappers with rubber-stamped copy number dated April 17 1946. Distribution page present with receipt intact. 12 leaves with last page of text numbered 10. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three metal brads.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. Vanguard Films unknown books
1948WRCLIT68018Culver City: Selznick International Pictures 1948. Foliated by reel format. Quarto. Mimeographed typescript printed on rectos only. Bradbound in pale blue stencil printed wrappers. Wrappers a trace dust smudged short snag at one brad else near fine. A dialogue cutting continuity script for this adaptation to the screen of Hichens' 1933 novel. Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved until Selznick returned to it in 1946. It is clear that at that time scripts from the 1934 effort as well as from an adaptation attempted at MGM were consulted. Interim drafts of the script were written by Alfred Hitchcock and Alma Reville First Rough Draft April 1946 and James Birdie Third draft based on an adaptation by Reville August 1946 until finally in December a "Final Shooting Script" was reached with interim uncredited contributions by Ben Hecht. The final shooting script is credited solely to David O. Selznick but acknowledges dependence on the adaptation by Alma Reville. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore in a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. One of a finite group of duplicates from the Selznick archive now entering the market via the Serendipity dispersal. Selznick International Pictures unknown books
1948151557Los Angeles: Vanguard Films / Selznick Studio 1948. An archive four scripts two pre-production and two post-production from the 1947 film. The two pre-production scripts both dated April 17 1947 and "Compiled From the Novel" are a nine page "Description of Settings and Props" and a twelve page "Costumes." The two post-production scripts are a 115 page Dialogue Cutting Continuity script dated February 19 1948 and a five page "Trailer" Dialogue Cutting and Continuity script dated February 27 1948. Each bound in titled wrappers.<br/><br/>Anthony Keane Peck is a married British lawyer who falls in love with the woman he is defending a woman who happens to be accused of poisoning. <br/><br/>Nominated for an Academy Award for Best Supporting Actress for Ethel Barrymore.<br/><br/>Set in and shot on location in Cumbria England.<br/><br/>Description of Settings and Props compiled from the novel. Blue titled wrappers rubber-stamped copy No. 26 dated April 17 1946. Distribution page present with receipt intact. 9 leaves with last page of text numbered 7. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three metal brads.<br/><br/>Costumes compiled from the novel. Blue titled wrappers rubber-stamped copy No. 22 dated April 17 1946. Distribution page present with receipt intact. 12 leaves with last page of text numbered 10. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three metal brads.<br/><br/>Dialogue Cutting Continuity for the film. Light blue titled wrappers dated February 19 1948. 124 leaves with last page of text numbered REEL 7 PAGE 18. Mimeograph duplication rectos. Pages Near Fine wrapper Very Good plus with small closed tear at top bound at top with two gold brads.<br/><br/>Dialogue Cutting Continuity for the Trailer. Light blue titled wrappers dated February 27 1948. 5 leaves with last page of text numbered REEL 1 PAGE 5. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine saddle-stapled at the top edge.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Spicer US. Vanguard Films / Selznick Studio unknown books
1948125205Los Angeles: Selznick International Pictures / Vanguard Films 1948. An archive of 7 scripts including rough drafts screenplays post-production scripts and support documentation for the 1947 film "The Paradine Case" directed by Alfred Hitchcock based on the 1933 novel by Robert Hichens written for the screen by a host of screenwriters including Hitchcock Alma Reville David O. Selznick and others many of whom are not credited on IMDB and starring Gregory Peck Ann Todd Charles Laughton and Ethel Barrymore. <br/><br/>The archive contains 7 scripts 4 of which are pre-production all bound in titled wrappers and bound with brads except where indicated:<br/><br/>First rough draft of the script with dialogue from the novel by Alfred Hitchcock and Alma Reville dated April 16 1946 and re-run on June 12 1946 with a third run on August 12 1946. Blue wrappers rubber-stamped copy No. 77 195 pages. Very Good to Near Fine. <br/><br/>Final shooting script by Alma Reville and David O. Selznick dated December 10 1946. Yellow wrappers with credits on the front wrapper for Selznick and Reville novelist Hichens and director Hitchcock. Rubber-stamped copy No. 165. 177 pageswith pink yellow and green revision pages dated variously between 12/15/46 and 3/3/47. 4 leaves on onionskin stock all typed carbons. Near Fine. <br/><br/>Description of Settings and Props compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 18 Near Fine condition. 7 pages. <br/><br/>Costumes compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 24. Near Fine. 10 pages. <br/><br/>Dialogue Cutting Continuity for the film dated February 19 1948. Light blue wrappers. Near Fine. 115 pages. <br/><br/>Dialogue Cutting Continuity for the Trailer dated February 27 1948. Gray wrappers. Near Fine condition saddle-stapled at the top edge. 5 pages. <br/><br/>Timing Sheets for the initial release of the film and the first trailer dated March 1948 and credited to S.G. Samuels. <br/><br/>Combined 16mm Cutting Continuity for the 1961 re-release of the film detailing 4 reels Green self-wrappers 126 pages dated April 30 1961. Near Fine. <br/><br/>Selby US. Spicer US. Selznick International Pictures / Vanguard Films unknown books
1946WRCLIT67375Culver City: Vanguard Films Inc. 1946. Two volumes. 1195;1205 leaves. Quarto. Mimeographed typescripts printed on rectos only. Bradbound in stencil printed wrappers. Wrappers slightly nicked and soiled one upper wrapper detached at upper brad but very good. A studio rerun of a the 16 April "First Rough Draft With Dialogue from Novel" of this adaptation to the screen of Hichens' 1933 novel accompanied by a first run of the "Third Draft Script." The first draft is credited exclusively to Alfred Hitchcock and his collaborator wife Alma Reville; the third draft is identified as by James Bridie based on an adaptation by Alama Reville. According to one source Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved until Selznick returned to it in 1946. It is clear that at that time scripts from the 1934 effort as well as from an adaptation attempted at MGM were consulted. In December the "Final Shooting Script" was reached after interim contributions by Ben Hecht. The final shooting script is credited solely to David O. Selznick but acknowledges dependence on the adaptation by Alma Reville. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore In a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. Vanguard Films, Inc. unknown books
1946WRCLIT67389Culver City: Selznick International Pictures 1946. 3154 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in deep yellow stencil printed wrappers. Wrappers a trace dust smudged small script number on upper wrapper else near fine. Copy #26 of the "Final Shooting Script" of this adaptation to the screen of Hichens' 1933 novel. Selznick had acquired the film rights to the novel prior to its publication but submission of a preliminary script in 1934 to the Breen Office resulted in assurances that it would not pass muster according to the PCA. So the project was shelved until Selznick returned to it in 1946. It is clear that at that time scripts from the 1934 effort as well as from an adaptation attempted at MGM were consulted. Interim drafts of the script were written by Alfred Hitchcock and Alma Reville First Rough Draft April 1946 and James Birdie Third draft based on an adaptation by Reville August 1946 until finally in December this "Final Shooting Script" was reached with interim uncredited contributions by Ben Hecht. This final shooting script is credited solely to David O. Selznick but acknowledges dependence on the adaptation by Alma Reville. Final screen credit for the screenplay fell to Selznick and neither Hecht's nor Birdie's contributions were credited. Hitchcock directed and Gregory Peck Ann Todd Charles Laughton Ethel Barrymore in a role that earned an Oscar nomination and Louis Jourdan starred among others and a 29 December 1947 premiere brought to a conclusion the long and tangled series of attempts to bring Hichens' novel to the screen. One of a finite group of duplicates from the Selznick archive now entering the market via the Serendipity dispersal. Selznick International Pictures unknown books
1947163545Los Angeles: Selznick International 1947. Vintage reference photograph from the 1947 film showing actors Gregory Peck and Isobel Elson. Printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1933 novel by Robert Smythe Hitchens about a married barrister who falls in love with his client a woman who has been accused of poisoning her husband. <br /> <br /> 10 x 8 inches. About Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. Selznick International unknown
1947296487National Screen Service 1947. Trade Paperback. 14 sheets 16.5 x 21.75 inches printed in black on white. Each sheet has examples of posters ads and other promotional material for the film which can be ordered from National Screen Service. B/W illustrations. Film stars Gregory Peck Alida Valli Ann Todd and Charles Laughton. First edition first printing. Sheets are very good. The top-stapled packet has been folded probably for mailing. There is mild edge wear and small chip missing at corner edge of packet.<br> National Screen Service paperback
199228111TMI, 1992. K-Box 404D 1 CD CD
199228109TMI, 1992. K-Box 404C 1 CD CD
199228112TMI, 1992. K-Box 404B 1 CD CD
199148416Giant Records, 1991. Auflage: Live CD CD
1996SONG1576235513Alfred Publishing 1996-09-01. paperback. Used: Good. 9.25x0.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Alfred Publishing paperback
1932132950London: George G. Harrap & Co. Ltd 1932. Hardcover. Good-. Ex-library with ink stamps. Perforation stamps on title page page 15/16 plate XLII and perhaps elsewhere. Several pages are loose. pg 7/8 and plates II and III have significant chipping to page edges. Plate IV does not match description and is a duplication of plate XX. Gratiane de Gardilanne; Elizabeth Whitney Moffatt. Red library buckram. 116 pp. 50 color plates. Not a numbered copy of the 520 printed. George G. Harrap & Co., Ltd hardcover books
1932790A5London: George G. Harrap & Co. 1932. First edition. Cloth. Good. 15" by 11" . Gratiane de Gardilanne; Elizabeth Whitney Moffatt. An extensive volume exploring the costumes of Holland with some beautiful coloured plates reproduced by lithography. A limited edition. An extensive volume illustrating the national costumes Holland the first limited edition of five hundred and twenty copies the present volume out of series. A fascinating work looking at an important aspect of cultural identity. With an introduction and explanatory letterpress by Alma Oakes an expert on European costume. Illustrated with fifty beautiful bright studies reproduced by lithography in full colour from the works of Gratiane de Gardilanne and Elizabeth Whitney Moffatt. Collated complete. Ex-library. In a library full cloth binding with a library label to the spine. Externally sound with some shelf wear and minor chipping some bumping to the head and tail of the spine and extremities. A touch of edge wear. With a library bookplate to the front pastedown and barcode sticker to the front free endpaper inscribed to the front free endpaper BN 705401.2. With library stamps to the front blank page title page and its verso and the occasional leaves. With the occasional professional repair to the gutters. Internally firmly bound The pages are bright and clean. Illustrated with fifty beautiful bright studies reproduced by lithography in full colour from the works of Gratiane de Gardilanne and Elizabeth Whitney Moffatt. Collated complete. Good George G. Harrap & Co. hardcover
1932m139.holGB: Harrap 1932. There is no indication that this is a limited edition. Bound in two tone red cloth lettered in gold on spine. Yellow patterned endpapers. Bookplate of Grace W. Grant. Possibly a private binding but not ex library. Collated complete with all 50 plates. Clean tight text with some spotting to endpapers. A very few plates slightly spotted in margins. Two inch band at top of front cover bit faded and spotted. Other minor shelf wear. SPECIAL POSTAGE RATES APPLY Packed weight 2900g. . 1st Edition. Hardback. VG-/No DW. Harrap Hardcover
1982Q-087935061xColonial Williamsburg Foundation 1982-06-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Colonial Williamsburg Foundation hardcover