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166488453Wittenberg, Balthasar Christoph Wust, 1664. [38] Bll., 348 Doppelseiten, [3] Bll., Bl. 4 - 228, [12], 164 Bll., mit Kupfertitel, 6 Vign, 2 Textkupfern, 15 gestoch. Zwischentiteln, 4 doppelblattgr. Kupferstichkarten u. 1 doppelblattgr. gestoch. Plan von Jerusalem. 30 x 23,5 cm. Lederbd. d. Zt. auf Holzdeckeln mit Metallbeschlägen u. ornamentaler Prägung auf Rücken u. Deckeln.
1671136582-2Ulm, C. Lommer 1671. Fol. Gest. Titel, 28 Bll., 599 S.; 1 Bl., 382 S.; 1 Bl., 270 S., 3 Bll. Register. Mit 1 gest. Frontispiz, 1 gest. Porträt Herzog Eberhard II. von Württ. von Philip Kilian und 133 Holzschnitten von Matthäus Schultes. Neuerer Lederband (um 1830).
1700SB-13448(Ulm), Elias Kühn und Matthäus Wagner, 1700. Original-Ganzpergamentband im Format 36 x 22 cm. Dreiseitiger Farbschnitt. Zweispaltendruck mit Marginalien (Rand-Glossen). Gewicht: 4 kg. 29 Bl., 598, 382, 26, 268 S. Großformatige Ulmer Bilderbibel, die erstmalig 1671 bei Lommer erschien. Mit ganzseitigem Kupfer des Augsburger Kupferstechers Leonhard Heckenauer (1655 - 1704) mit einem Porträt Eberhardt Ludwigs, des Herzogs zu Württemberg und Teck, sowie zahlreichen großformatigen Holzschnitt-Illustrationen des Ulmer Formschneiders Matthäus Schultes (zur Zuordnung vgl. G. K. Nagler, Die Monogrammisten, Bd. IV, S. 684).
161810205Francofurti Officina Andrea Cambiery, 1618. 576 S. + 23 Bl. Gr. 8° Groß-Oktav Pgt.
1647130169Anthoine Cellier, Charenton, 1647. 14,5 x 8,5 cm ; Leder.
166764131CBLyon, Verlag Antoine Jullieron, 1667. 12°. 16 x 10 cm. [14] Blatt, 598 Seiten, [5] Blatt. Ledereinband der Zeit mit goldgeprägtem Rückentitel und goldgeprägtem, floralem Buchschmuck.
1657163375Leipzig, Kirchner, 1657. Fol. M. gest. Tit.-Vign. 2 Bl., 292, 160 S., 18 Bl. Mod. Lwdbd. Etwas beschabt. Titelbl. am Rand hinterlegt. Stärker gebräunt, teils etwas fleckig (auch am Schnitt). Eng beschnitten.
169885153ABRotomagi (=Rouen), Ludovici & Guillemi Behourt, 1698 (im Colophon 1695). Kl.-8°. Frontispiz, Titel-Bl., 4 Bll. (= Epistola), 1 Bl. (= Lectori), 515(1) S. + Karten u. Tafeln. Ldr. d. Zt. mit verblasster Rverg. (minimal berieben u. bestoßen, Rücken mit brüchigen Leserillen).
163043536ABGenf, Albert 1630. 2°. [6] Bll., 177 S., [4] Bll., (das 1. leer), 292 Bll., 1 (leeres) Bl., 74, [2] Bll., 448 S. Späterer Pappband. Einband etwas berieben, Ecken bestoßen. Teils geringf. gebräunt. Es fehlen 2 Bll. (b3-b4, S. 293ff.) im letzten Teil. Im Außensteg teils knapp beschnitten.
1604372251London: Robert Barker 1604. Text in Roman type in two columns. Titles within woodcut borders woodcut illustrations head and tail-pieces. 4 190; 117 i.e. 127; 128-187 i.e 197 omitting 129 as issued and other errors in pagination; 121 11 leaves. Complete with the leaf signed Ai preceding the general title. Bound with preceding the Bible: The Booke of Common Prayer with the Psalter or Psalmes of Dauid. Title in red and black within woodcut border. 46 leaves complete. ESTC S93831. Bound with following the Bible: The Whole Booke of Psalmes. 10 70pp only. Lacking terminal three signatures. 4to. Early mottled calf rebacked brass corner pieces and hinges lacks clasps upper cover detached marbled endpapers gilt edges. Provenance: William James signature and inscription dated 1663 on leaf preceding the general title; Frances Garway inscription on brass plate on covers dated 1701; Thomas Bever armorial bookplate inscriptions on endpaper circa 1748; Francis Hutchinson Synge; Arthur John Snow Paget inscription dated 1851 General Theological Seminary bookplate. Text in Roman type in two columns. Titles within woodcut borders woodcut illustrations head and tail-pieces. 4 190; 117 i.e. 127; 128-187 i.e 197 omitting 129 as issued and other errors in pagination; 121 11 leaves. Complete with the leaf signed Ai preceding the general title. Bound with preceding the Bible: The Booke of Common Prayer with the Psalter or Psalmes of Dauid. Title in red and black within woodcut border. 46 leaves complete. ESTC S93831. Bound with following the Bible: The Whole Booke of Psalmes. 10 70pp only. Lacking terminal three signatures. 4to. An excellent example of the Geneva Bible with Tomson's revised New Testament and Junius' Revelation. The principal Bible of 16th-century Protestantism and the Geneva Bible was used by Shakespeare Oliver Cromwell John Knox John Donne and John Bunyan. This edition contains the famous reading "breeches" in Genesis Chapter III verse 7 which first appeared in 1579. Although Barker's imprint on title of this edition reads "Printer to the Queenes most excellent Majestie" the colophon reads "Printer to the Kings most excellent Maiestie" as James I had ascended in March 1603. Darlow & Moole 209; ESTC S159; Herbert 274; STC 2190 Robert Barker unknown
1609371891Geneva: Pierre de la Rouière 1609. In two columns. 28 184 283 1 84 203 1; 8 186 2 134 2pp. Folio 15 x 9-1/2 inches. Contemporary pigskin covers blocked in gilt and blind remnants of paper label on the spine gauffered edges lacks bosses and hinges and clasps worn at extremities and bottom of spine. Provenance: Johann Georg Feuchter of Jura-Weickersroda inscription on pastedown that the bible was purchased at an August 6 1728 auction for 4 florins and 30 groschen; General Theological Seminary blindstamp. In two columns. 28 184 283 1 84 203 1; 8 186 2 134 2pp. Folio 15 x 9-1/2 inches. Edited with introduction by Benito Arias Montanus 1527-1598 Spanish orientalist and editor of the Antwerp Polyglot a reprint of Plantin's similar edition. Darlow & Moole 5113 OT and 4662 NT Pierre de la Rouière unknown
1638371697London: Robert Barker Printer to the Kings most Excellent Majestie and by the Assignes of John Bill 1638. A-F8 G4; A-3K8; A-F8 G4. 8vo. Early black morocco tooled in gilt marbled endpapers a.e.g. GTS bookplates at front and rear. Autograph ownership signatures with several additional textual annotations. A few small interior tears with vernacular repairs. 2D2 torn with loss. A-F8 G4; A-3K8; A-F8 G4. 8vo. Includes Robert Barker's 1638 editions of the Book of Common Prayer and the Holy Bible both Old and New Testaments plus Apocrypha along with the 1637 edition of Thomas Sternhold's Whole Book of Psalms printed by G.M. for the Companie of Stationers in London all designated "Cum privilegio." Text in two columns with printed glosses. Three discrete ownership signatures of Richard Jacob are present - two on the versos of the title pages for the Old and New Testaments and one facing the title page for the Whole Book of Psalms - along with several autograph annotations and vernacular repairs. Robert Barker, Printer to the Kings most Excellent Majestie, and by the Assignes of John Bill unknown
1653371930London: Roger Daniel 1653. Title in red and black. Engraved printer's device on the title state B. Text in two columns. 8 1279 1 pp. 4to 7-3/8 x 5-3/8 inches. Eighteenth century red morocco panelled in gilt spines gilt with black morocco lettering pieces marbled endpapers gilt edges. Provenance: Viscount Palmerston bookplate; General Theological Seminary bookplate. Title in red and black. Engraved printer's device on the title state B. Text in two columns. 8 1279 1 pp. 4to 7-3/8 x 5-3/8 inches. The rare first printing in England of the Septuagint the earliest translation of the Hebrew Old Testament into Greek the scarce printing in quarto format. The text is derived from the Sixtine text and edited by John Biddle 1615-1662 the Unitarian controversialist who was imprisoned by the Parliamentary Commissioners for his religious views. <br /> <br /> "Roger Daniel's version of the text of the Sixtine edition was prepared for the use of the scholars at Westminster School. This appeared in 1653 and was edited by the Socinian John Biddle. Its publication may have owed something to the interest in the Septuagint generated by Codex Alexandrinus and the frustration produced by the failure of Young's attempts to edit it" S. Mandelbrote "English Scholarship and the Greek Text of the Old Testament" p. 87.<br /> <br /> A rare issue from the same setting as the octavo edition imposed in quarto without rules separaring the columns. Wing 2nd ed. B2718A; ESTC R12599; Darlow & Moule 4692 Roger Daniel unknown
1655354139London: E.T. For a Society of Stationers 1655. WITH A CONTEMPORARY FORE-EDGE BY LEWIS of flowers centering on a quotation within a wreath "Blessed is he that word faded" and signed Lewis fecit 1656.". 12mo 169 x 115 mm. Contemporary black goatskin elaborately tooled in gilt small central oval onalys of calf at center of a large rectangular onlaid panel spine in 7 compartments with 6 raised bands red morocco lettering piece in one. Laid into full green pebbled morocco drop box. WITH A CONTEMPORARY FORE-EDGE BY LEWIS of flowers centering on a quotation within a wreath "Blessed is he that word faded" and signed Lewis fecit 1656.". 12mo 169 x 115 mm. With a most unusual contemporary watercolor painting on the fore edge of the book displaying a design of flower and acorns surrounding a central green wreath which encloses the following inscription: "March 13 1665 Martha White Order my Aedes in thy Word ps: 119 " According to Webber in 1001 Fore-edge Paintings p. 12 the earliest date on a fore-edge painting by Lewis is a 1651 Bible now in NYPL dated 1653 on fore-edge and similarily depicts flower animals and a motto. VERY EARLY AND RARE<br /> <br /> Signed by the London firm of Stephen and Thomas Lewis the earliest known bindery to paint both the firm's name and a year directly on the fore-edge paintings. Their fore-edges were typical of the time featuring elements from nature such as flowers animals or birds and they incorporated ofdten a wreath as here with a quote from Scriptures. This copy is additionally enhanced by its contemporary ownership by a woman reader. Provenance: contemporary ownership inscriptions of Martha Reyner "Martha Reyner her Booke with the price 0-18" front flyleaf and "Martha Thompson Her Book Ano Domini 1705 et Praetorum huius drawing of a bird." In a fleece-lined green morocco folding case. Rebacked with original spine laid down top headband partly frayed one nick to leather on front cover some slight fading of gilt E.T. For a Society of Stationers unknown
1638371824Cambridge: Thomas Buck and Roger Daniel 1638. Large paper copy. Ruled in red throughout. Roman letter in two columns. Engraved title page within architectural border featuring Biblical characters a vignette of the 'Last supper' and printer's device. 12 642 151 3 202pp. Bound with preceding the Bible: The Book of Common Prayer. 104pp. And with following the Bible: Whole Book of Psalmes. 8 1 2-90 10 pp. Folio 17 x 11 inches. Contemporary black morocco gilt covers panelled with roll tool borders and central arabesque design in gilt flat spine gilt with marching morocco labels gilt edges minor wear at joints lower corners bumped. Provenance:Webb early inscription on the front pastedown; Maggs Brothers item 827 in unidentified mid-20th century catalogue clipping laid in; General Theological Seminary bookplate. Large paper copy. Ruled in red throughout. Roman letter in two columns. Engraved title page within architectural border featuring Biblical characters a vignette of the 'Last supper' and printer's device. 12 642 151 3 202pp. Bound with preceding the Bible: The Book of Common Prayer. 104pp. And with following the Bible: Whole Book of Psalmes. 8 1 2-90 10 pp. Folio 17 x 11 inches. This edition contains the first major revisions of the King James version standardising the use of italics and altering several readings. "This remained the standard text until the publication of Dr. Paris' Cambridge edition of 1762" Herbert.<br /> <br /> A lovely example bound in contemporary English black morocco and measuring 430x280mm is considerably larger than the dimensions cited by Darlow & Moole 402 375x234 mm and Darlow & Moole 403 for a "large thick paper" copy 397x270 mm. Bible: Herbert 520; Darlow & Moule 402 and 403; ESTC S123371; STC 2nd ed 2331. Common Prayer: Griffiths 1638:2; STC 2nd ed. 16410; ESTC S902. Psalms: STC 2nd ed. 2682; ESTC S122380 Thomas Buck and Roger Daniel unknown
1607372868Sanctii Gervasii Saint-Gervais Geneva: Sumptibus Caldorianae Societatis 1607. O.T. and N.T. title pages with printer's device of Fama; each part of O.T. with sectional title parts 2-4 paginated consecutively. 1 vols. Folio. Old calf boards ruled in gilt. Rebacked with morocco spine label. Some paper flaws at end. Portrait of William Lupton 1676-1726 dated 1727 frontispiece to his Sermons on front pastedown. Cloth slipcase and folding box. O.T. and N.T. title pages with printer's device of Fama; each part of O.T. with sectional title parts 2-4 paginated consecutively. 1 vols. Folio. The Junius-Tremellius Bible with Theodore de Beze's translation of the New Testament. This was for many years the standard Latin Bible favored by Protestants.<br /> <br /> Uncommon OCLC records fewer than 20 locations with interesting English provenance.<br /> <br /> William Slater or Slatyer 1587-1647 whose Psalmes or songs of Sion: turned into the language of a strange land 1631 "was on 9 July 1631 ordered to be burned. Summoned before the court of high commission on 20 October Slatyer confessed that he had 'added thereunto a scandalous table to the disgrace of religion and to the encouragement of the contemners thereof'; judging from an annotated copy of the work dated 1642 this probably consisted of a list of popular tunes to which the psalms might be sung" ODNB He was also editor of The Psalmes of David in 4 languages 1643 "a high quality edition containing both words and music the latter principally by Thomas Ravenscroft". Not in Darlow & Moule; Bibles imprimées 976 locates a copy with later Genevae imprint. Provenance: William Slater his Latin ownership signature; W.A. Copinger; General Theological Seminary gift of Cornelius Vanderbilt and Dean Augustus Hoffman bookplates and blindstamps Sumptibus Caldorianae Societatis unknown
1663256261V.p. Venice Leipzig London Amsterdam 1663. Folio and smaller. Generally fine mounted in card folders. Folio and smaller. The collection includes the following printed leaves:<br /> 1 Bible. Greek. Venice 1518. From the Aldine Greek Bible the editio princeps of the complete Bible in Greek Darlow & Moule 4594. Book of Malachi folio 326.<br /> 2 Bible. German. Leipzig 1541. From a pirated edition suppressed at Luther's request on account of its errors Darlow & Moule 4204 note. Isaiah chapter 48.<br /> 3 Walton's Polyglot Bible. London 1655. The great London Polyglot published in 6 volumes from 1655 to 1657. Darlow & Moule 1446. From vol. I the Pentateuch: Leviticus chapter 18 in Hebrew Samaritan Latin Greek Arabic Syriac.<br /> 4 Walton's Polyglot Bible. London 1657. Darlow & Moule 1446. From vol. V New Testament: Paul's Epistle to the Romans chapter 9 in Latin Greek Ethiopic Arabic Syriac.<br /> 5 Bible. Dutch. Amsterdam Elzevier 1663. States General version Darlow & Moule 3321. Leviticus folio 55. unknown
16017682Londini London: Impensis G.Bishop. 1601. Folio pp. xlii 378 381-914 10. 20th-century half sheep pebbled cloth boards spine divided by raised bands black morocco label. Title-page trimmed and mounted final leaf also mounted a few smaller repairs to early leaves small wormhole in blank margin some foxing and occasional light marginal dampstaining. Spine rather rubbed and darkened and sometime furbished worn at ends and joints just starting to crack at head. The second edition of Fulke’s tendentious and influential comparison of the Douay-Rheims and Bishops’ translations of the New Testament with his notes and commentary intended to refute the arguments on which the former version was based. Fulke’s work with the two texts in parallel columns the Catholic in roman type and the Church of England version in italic sold better in England than the Douai Bible ever had bringing its language to a wider readership and becoming indirectly responsible for its influence on the coming King James version. ESTC S107069. Impensis G.B[ishop]. hardcover
1642371830Paris: Ek basilikēs typographias Imprimerie Royale 1642. Engraved title by by Claude Mellan engraved head and tail pieces and initials. 2 453 3 pp. Extra-illustrated with a later English printed "Abbreviations and Connexions" leaf inserted after the title. Folio 15-1/2 x 10-5/8 inches. Late eighteenth or early nineteenth century red morocco gilt marbled endpapers gilt edges. Neatly rebacked. Cloth slipcase and chemise. Engraved title by by Claude Mellan engraved head and tail pieces and initials. 2 453 3 pp. Extra-illustrated with a later English printed "Abbreviations and Connexions" leaf inserted after the title. Folio 15-1/2 x 10-5/8 inches. Known as the Mazarin edition "since it appeared under the auspices of the great Cardinal" D&M it is the first edition of the Greek New Testament from the Imprimerie Royale founded just two years prior.<br /> <br /> Inserted before the engraved title page is a partly-printed certificate of the Collegium Mazarinaeum awarding this volume as a prize in Rhetoric to Philippus Matthaeus Guillot dated MDCC in manuscript i.e. 1700 and signed by the college's master P.-J. Le Chapelier Pierre-Jean le Chapelier de Mauron abbé de Ste Marie de Boquen in Brittany with the trace of a seal below. The College Mazarin or College des Quatre-Nations was established by bequest of Cardinal Mazarin 1602-1661 and opened its doors to students in 1688. Darlow & Moule 4687. Provenance: Philippus Matthaeus Guillot certificate his signature at foot of title engraving; Montagu Barton armorial bookplate; John Horatio Nelson gift inscription dated 1841; General Theological Seminary bookplate perforated stamp Ek basilikēs typographias [Imprimerie Royale] unknown
1639255527Lugduni Batavorum i.e. Leiden: ex officina Elseviriorum 1639. First edition. 12 43 5 966 86 pp. Printer's device on title-page. Text in Greek and Latin. 1 vols. Folio. Contgemporary panelled calf skillfully rebacked preserving original backstrip later marbled endsheets corners restored rear joint cracked but sturdy minor staining to covers; internally apart from slight dampstaining to inner margins quite clean and crisp. First edition. 12 43 5 966 86 pp. Printer's device on title-page. Text in Greek and Latin. 1 vols. Folio. Heinsius' massive commentary on the New Testament and one of his major achievements. The second part Aristarchus Sacer is his commentary on the Gospel according to John first published by the Elzeviers in 1627 and here slightly revised and enlarged. ex officina Elseviriorum unknown
1698255818Amsterdam: Ex Officina Westeniana 1698. 3rd Leusden edition. Additional engraved title-page and 2 folding engraved maps the Holy Land and the Mediterranean. 337 1. colophon; 142 1 pp. 8vo signatures alternating in 8s and 10s. 18th-century red morocco covers with gilt-rolled bordersgilt-tooled and -lettered spine multi-colored Dutch pastedowns without free endpapeers. a.e.g. Head of spine starting otherwise quite attractive. 3rd Leusden edition. Additional engraved title-page and 2 folding engraved maps the Holy Land and the Mediterranean. 337 1. colophon; 142 1 pp. 8vo signatures alternating in 8s and 10s. D & M doesn't mention the two fine engraved maps found in this copy; nor the separately printed COMPENDIOLUM 1699 with Leusden's useful concordance of all Greek words found in the New Testament. The Dutch Calvinist philologist Johann Leusden 1624 - 1699 was one of the foremost Biblical experts of his time. His edition of the Greek New Testament first appeared in 1675; this 1698 edition is quite scarce in the US and very rare with the Compendiolum. Darlow & Moule 4718a "Apparently the earlies Greek New Testament to bear the name of the publisher Henricus Wetstenius"; OCLC: 64158458 Ex Officina Westeniana unknown
1653255179Londoni: Excudebat Rogerus Daniel: prostat autem venale apud Joannem Martin & Jacobum Allestrye sub signo Campanae in Cometerio D. Pauli 1653. The first edition of the Septuagint printed in England. 8 1279 1; 186 2 pp. plus terminal blank. 1 vols. 4to signed in 8's 195 x 143mm. Old vellum titled and dated in manuscript on the spine. Terminal leaves slightly soiled two ownership inscriptions on front endsheets and small Lincoln's Inn release/sale stamp vellum a bit handsoiled occasional modest foxing and dusting along upper margins but a very good copy. The first edition of the Septuagint printed in England. 8 1279 1; 186 2 pp. plus terminal blank. 1 vols. 4to signed in 8's 195 x 143mm. The first edition of the Septuagint printed in England with the Scholia the scarce printing in quarto format. The text is derived from the Sixtine text and edited by John Biddle 1615-1662 the Unitarian controversialist who was imprisoned by the Parliamentary Commissioners for his religious views. <br /> The SCHOLIA . has a separate title-leaf register and pagination. The same setting was imposed in both quarto and octavo formats the latter with rules separating the columns of text. In regard to institutional representation the edition in quarto is much more uncommon than that in octavo: ESTC locates 4 copies of the quarto printing in North America as opposed to 19 of the octavo printing. Occasionally Daniel's reprint of the New Testament is bound up with the octavo printings to form a complete Bible. Brunet cites that format but notes the sale of a copy on "Gr. Pap." presumably a copy in this format. Over the last 35 years ABPC records sale of one copy in quarto 1999 and four in octavo. ESTC R12599 & R236817; Wing B2718 octavo edition only; Darlow & Moule 4692; Brunet I:863 Excudebat Rogerus Daniel: prostat autem venale apud Joannem Martin & Jacobum Allestrye, sub signo Campanae in Cometerio D. Pauli unknown
169718733Regensburg: C. Weigel 1697. Hardcover. Very good-. Four volumes small quarto 19.7 by 14.8 cm. Captions in Latin biblical book and chapter and German biblical book chapter and verses with quote. Copperplate engravings throughout: 1 title 175 plates; 1 title 225 plates; 1 title 288 plates; 148 plates. Total = 836 unnumbered plates 3 engraved title pages. Uniformly bound in contemporary sheep with ruled borders; spines with raised bands blindstamped ornaments and letterpress titles on heavy paper labels. Lacks fourth volume title page. Covers rubbed/lightly worn at extremities; slight loss to labels; light almost exclusively marginal foxing throughout all volumes; dampstains in first volume affecting first seven plates and top margin through first third of the volume else a very good copy with clean plates.<br /> <br /> Second printing of this pictorial Bible Bilderbibel published by the engraver and art dealer Christoph Weigel 1654-1725. The grand biblical story from the Seven Days of Creation to the Vision of a New Jerusalem here unfolds in 836 beautifully engraved plates. The designs were chiefly drawn by Johann Jacob von Sandrart 1655-1698 and Georg Christoph Eimmart the Younger 1638-1705. The engravings were made by Elias Christian Heiss J. U. Kraus L. Heckenauer and Weigel himself among others. Weigel had earlier collaborated with J. J. von Sandrart on the Passio Domini Nostri Iesu Christi Neo-coelatis Iconibus Expressa Augsburg 1693 a pictorial Gospel harmony depicted in 100 engraved plates.<br /> <br /> Christoph Weigel first trained as a goldsmith and later apprenticed to his cousin Erhart Weigel a famous instrument maker in Jena. He journeyed to Augsburg in 1693 where he learned the art of engraving from Andreas Wolfgang and later from Matthäus Küsel. His published works tended to serve didactic and edification purposes including illustrated chronicles and a compendium of notable political events of the early eighteenth century. Among his notable cartographic works is the Descriptio orbis antiqui in XLIV tabulis exhibita A Description of the Ancient World in 44 Maps - Nürnberg 1720. <br /> <br /> The Biblia Ectypa was first published in a large folio format at Augsburg in 1695 with four engraved plates appearing on each leaf. In 1697 the plates were re-issued at Regensburg in two formats: a smaller oblong folio with two plates per leaf and a quarto with a single plate per leaf. Wildly successful the Biblia Ectypa enabled Weigel to establish his own print publishing company in Nürnberg where he was soon joined by his younger brother Johann Christoph Weigel and worked closely with the prominent map publisher Johann Baptist Homann.<br /> <br /> Annotations: Plates numbered by hand in black ink at top corner though sometimes slightly out of order with occasional corrrections in the first two volumes. An old German hand has noted a correct count for each volume at the rear endleaf e.g. Enthält 288 Küpfern.<br /> <br /> A notably complete set of this uncommon edition lacking only the fourth title page. The total count of 836 engraved illustrations is confirmed via the online catalogue Das Verzeichnis der im deutschen Sprachraum erschienenen Drucke des 17. Jahrhunderts VD17. References: Paul Johannes Rée "Weigel Christoph" in: Allgemeine Deutsche Biographie 41 1896 pp. 464-465 Online-Version; Thieme-Becker XXV 227-228; VD17 23:659088P vol. 1; 23:659089W vol. 2; 23:659091S vol. 3; 23:659092Z vol. 4. C. Weigel hardcover
162718927Frankfurt: Matthaeus Merian 1627. First edition. Hardcover. Very good. Matthaeus Merian. Oblong folio leaves: 20.6 by 31.2 cm; plates: 10 to 11.5 by 14.5 to 15.5 cm. Engraved titlepage borders without letterpress; 231 of 233 engraved plates printed on the rectos with no printed text depicting biblical scenes from the Old and New Testaments lacks Gen. XIX: Lot and his daughters after the destruction of Sodom and Gomorrah; Exod. VIII & IX: The plague of frogs. Recent marbled calf lightly rubbed at extremities bordered in blind; gilt-tooled spine with raised bands gilt lettering pieces. Occasional light stains and smudges especially at the outermost leaves and almost entirely restricted to the blank margins; old mostly marginal repairs and reinforcement of tears to about 30 leaves Matt. IV plate with loss of about 10 words of manuscript text. Protected by wide margins the plates are clean fresh and bright with relatively few minor blemishes. Housed and protected in a custom luxurious modern leather clamshell box.<br /> <br /> Rare suite of biblical illustrations printed before letter perhaps as proofs comprising 231 of 233 engraved plates from the Icones Biblicae of Matthaeus Merian the elder 1593-1650. The engravings are printed on large paper and lack any printed text. They are preceded by a leaf of the engraved title borders to the first part in which the central cartouche which would have contained a letterpress title and imprint is here blank. Neat manuscript annotations appear throughout: atop each engraving is a brief title along with a notation of the biblical book and chapters; beneath each engraving are six-lines of rhyming verse in German; at the top corners are leaf numbers in Arabic numerals. All are penned in black ink in the same old cursive German hand. The engraved title leaf is not included in the manuscript foliation. The first three leaf numbers and several others among the first 23 leaves are obscured by wear or later marginal repairs. The foliation ends at leaf 233 and is discontinuous where one would expect to find numbers 15 and 38 corresponding to the missing plates noted above. As noted by Wütrich only four of the 233 plates are signed by Merian all in the New Testament series. Each of these signed plates appears in our suite: Matthaei I. - page 7; Johannis VIII. - page 65; Matthaei XXVII. - page 101; Apocalyps. IX. - page 145 header titles and page numbers from the first edition.<br /> <br /> The first editions were published at Frankfurt in four parts between 1625 and 1627. The Pentateuch series was published in 1625. The second part illustrating the Old Testament books from Joshua to Kings appeared in 1626. These first two series were published under the name of Merian's father-in-law the printer and bookseller Johann Theodor de Bry 1561-1623 whose heirs retained title to the business. The third part illustrates the remainder of the Old Testament and Apocrypha; the fourth the New Testament. These last two parts were published in 1627 under the engravers's own name. Verses in Latin German and French accompany each plate in the three Old Testament series the French verses being omitted in the 1627 New Testament series.<br /> <br /> While the eminent Swiss draughtsman and engraver Matthaeus Merian is best known for his topographical depictions of the German speaking lands which appeared in the Theatrum Europaeum his novel selection of biblical stories and innovative stylistic approach revealed in the present series of plates proved highly influential ushering in a new age of copperplate engraving in Bible illustration. Merian broke with the century-long tradition of woodcuts which had accompanied countless editions of Luther's German Bible. Even as he drew on the Bible illustrations of Jost Amman Hans Holbein Virgil Solis and Tobias Stimmer Merian greatly expanded the traditional iconographic and compositional repertoire. The Old Testament alone contains 23 prints depicting stories that had never before been the subject of an engraver. While earlier New Testament woodcuts focused on the Book of Revelation Merian now provided a rich series of plates to illustrate the Gospels and Acts of the Apostles as well.<br /> <br /> Merian had an obvious preference for crowd scenes and battles along with some of the novelistic features of the Old Testament such as Jacob's lentil dish Solomon and Shulamit in the Song of Songs or the apocryphal story of the Dragon in Babylon. Merian sometimes provides local color from his home town of Basel as in his depiction of Solomon's Temple Consecration in which despite the baroque redesign the Basel Cathedral with the old choir is easily recognizable. The costumes and gestures of Merian's biblical characters display a baroque fantasy of the ancient Near East as reflected in the theater of his day; in depicting cities and buildings however Merian generally prefers to follow contemporary models. In individual cases such as Bathsheba's Bath he succumbed to the temptation as an engraver and artist to show off his skills in a magnificent fashionable palace and garden complex. All-in-all Merian's engravings initiated a development in Bible illustration "that led further and further away from the didactic Reformation purpose of Bible pictures to purely artistic-representational purposes and finally ended in the well-known pathos of the German Romantic Nazarenes" Schmidt.<br /> <br /> In the first few decades after their appearance these Bible plates were widely copied throughout Europe especially in the Netherlands and France Poortman. The first folio Bible to use Merian's copper plates to illustrate the text was published by the heirs of Lazarus Zetzner at Strasbourg in 1630. Subsequent editions of the "Merian Bible" were published at Frankfurt where Merian had taken over his father-in-law Johann de Bry's business. For over a century as Merian's heirs continued to publish new editions this would become "the most widespread German illustrated Bible in southern Germany Basel and Alsace primarily in wealthy households" Schmidt. After the demise of the Merian publishing house in 1727 the bookseller Philip Heinrich Hütter acquired the copper plates which he used to illustrate a Catholic Bible edition published at Frankfurt in 1740 Poortman.<br /> <br /> A very notable instance of transposing Merian's biblical engravings into another context occurs in the famous and oft-reprinted Amsterdam Haggadah the ritual for the Jewish Passover meal first published in 1695. The engravings were made by Abraham ben Jacob a former Protestant preacher who converted to Judaism. Introducing skills he had earlier acquired when working outside the Jewish community Abraham ben Jacob "widened the scope of Jewish book illustration" Rosenau and introduced new elements into the traditional iconography of the Haggadah. "He chose many of the same incidental scenes as had appeared in the Venice Haggadot 1599-1604 but he drew them afresh basing his work on the biblical pictures in the Icones Biblicae by Matthew Merian" EJ. Among them was the image of the Temple of Solomon in Jerusalem. As Merian used a wide variety of prototypes Rosenau suggests that the two free-standing columns Jachin and Boaz depicted at the front porch of the Temple in Merian's engraving and Abraham ben Jacob's adaptation may have ultimately been derived from the woodcuts which accompany Estienne's Bible Paris 1540 based upon the scholarship of Franciscus Vatablus.<br /> <br /> In Das druckgraphische Werk von Matthaeus Merian d. Ae. 1993 L. H. Wüthrich describes a "Spezialausgabe ohne Drucktext" complete with 233 biblical engravings located in Darmstadt at the Hessische Landesbibliothek 31/643. This "separate edition without text or a series of proofs" which he describes has three notable features: 1 an undated first edition title page of the second part Pars II of the Old Testament which has been "corrected. by crossing out or shaving" to read "Pars I"; 2 the first edition title page of the New Testament series dated 1627; 3 an engraving of the The Fall of Man probably after Johann Theodor de Bry which later appears in Gottfried's Chronicle part 1 1629/1630 but which differs from that found in most copies of the first edition Wütrich 1a. The copies containing this plate after de Bry Wütrich 1aa. were likely printed in 1626. Further research perhaps locates only one other suite of Merian plates without text at the Herzog August Bibliothek Wolfenbüttel catalogued under two call numbers: the Old Testament series dated 1626-1627 comprising 157 leaves including an engraved title A: 30.1 Geom. 2 "Ausg. ohne Text von Ps. 1 und 2." = VD17 23:289608V and the New Testament series dated 1627 comprising 78 leaves including an engraved title A: 30.1 Geom. 3 "Ausg. ohne Text" = VD17 23:655618H. The catalogue entry for the Old Testament series references Wütrich's "Spezialausgabe ohne Drucktext." Surprisingly the key images provided for this entry illustrate the same three notable features of the "Spezialiausgabe" which Wütrich located at Darmstadt !. Our suite of plates is provided with a single blank engraved title leaf the one used for the first series of the Old Testament plates which lacks any letterpress. The third plate which depicts the Fall of Man is here in Merian's style and is the image more commonly found in the first printings Wütrich 1a.<br /> <br /> In the first edition of the Icones Biblicae the title page notes "Mit Versen und Reymen in dreien Sprachen geziert und erkläret Durch Johann Ludwig Gottfried" decorated and described with verses and rhymes in three languages by Johann Ludwig Gottfried. In the first three parts of Icones Biblicae Gottfried's German verses are in four lines with a rhyme scheme of ABBA. In the fourth part the New Testament the German verses are modified to six lines with a rhyme scheme of AABCCB. The manuscript verses in German which accompany each of the 231 plates in our suite differ from both of these formats being composed in six lines of iambic hexameter with a rhyme scheme of ABABCC. To give a sense of how these versions differ the four lines of the German printed verses which accompany the first plate The Creation may be compared with the following transcript of the written verses which describe this scene in our set.<br /> <br /> in the first edition of Merian's Bilderbibel<br /> <br /> Im Anfang Gott Erschuff den Himmel und die Erden<br /> Die Wasser und das Meer das Liecht der Sternenschein<br /> Die Vögel Fisch Gewürm alle Thier groß und klein<br /> Warauß sein Gütigkeit und Kraft erkant mag werden.<br /> <br /> the hand of anonymous versifier<br /> <br /> Im Anfang schuff der Herr den Himmel und die Erden<br /> Das Licht die Sonn den Mond die Sternen und das Meer<br /> Gras Bäume Laub und Kraut und was genannt mag werden<br /> Von Thieren Vögel Fisch in ihrem grosen Heer<br /> Nur durch ein einig Wort: Ich kan hieraus erkennen<br /> O Gott! dein ew'ge Krafft und dich den Schöpffer nennen.<br /> <br /> Watermark: flambeau surrounded by garland<br /> <br /> Provenance: laid-in typed description on a half-sheet bearing the early twentieth-century letterhead of Harry A. Levinson Rare Books: "There appears to be no record of another such copy of proofs before letter." References: L. H. Wüthrich Das druckgraphische Werk von Mattaeus Merian d. Ae. Basel: Bärenreiter 1993 vol. 3 p.16: "Spezialausgabe ohne Drucktext;" Enc. Jud. 2nd ed. 8:215; W. C. Poortman Bijbel en Prent 's-Gravenhage 1986 2:56-59; H. Rosenau Vision of the Temple London: Oresko 1979 pp. 135; 146f. Ph. Schmidt Die Illustration der Lutherbibel Birsfelden/Basel 1977 pp. 304-329; VD17 23:289608V and 23:655618H. [Matthaeus Merian] hardcover
163249165Paris: J. Wuensel 1632. First edition. Hardcover. Nearly Fine. Octavo. Collation: á4 é4 A-T4 = 84 leaves. 16 149 i.e. 145; error in pagination: pp. 81-84 skipped in numbering sequence register continuous 7 pp. Woodcut title page vignette; head- and tail-pieces initials. Contemporary limp vellum. Title a bit dusty and lightly stained else a nearly fine clean copy.<br /> <br /> Rare first edition by the French jurist Edmond Mérille 1579-1647 of these notes on the passion accounts in each of the four Gospels: John Matthew Mark and Luke.<br /> <br /> Provenance and annotations: Entry at title copy from the library of the Oratorians. Errors corrected throughout per errata at a4 verso in an an old hand. J. Wuensel hardcover
