6 582 résultats
19790010610New York: Limited Editions Club 1979. Limited Edition. Hardcover. Fine/poor. Quarto 121 pages quarter sheepskin cloth; glassine dust jacket lacks the spine; in publisher's slipcase scuffed. <br/><br/>Copy no. 881 of 2000. Illustrated with 11 watercolors by Chaim Gross. Introduction by Franklin H. Littell. Signed by both Chaim Gross and Littell. Handsomely printed with large type by A. Colish. Limited Editions Club hardcover
1992DEMO006065IStatesboro GA: The Boxwood Press 1992. First Limited edition. Hardcover. Fine. In a mahogany and copper scroll case with vertical slot and hidden crank handle; with a protective velvet cloth <br/><br/>Only 16cc.Remarkable bilingual presentation / re-interpretation of this Biblical work placing it in the the Reagan / Bush era. Illustrated with 16 color etchings by Bernard Solomon the translator and etcher. He realized there were remarkable parallels between the Biblical story of Esther and that of Anita Hill Clarence Thomas and the U.S. Senate Judiciary Committee. This interpretation unfolds sequentially as each leaf is unrolled from the 33 in. high scroll holder. The body of the scroll holder is one of the original copper plates used for the etchings which is why it is limited to an edition of only 16. The top and bottom of the handcrafted minaret-style case is finely shaped and polished mahogany by Anthony V. Mann. Designed with a hidden crank to rewind the scroll into the case. Altogether remarkable! The Boxwood Press hardcover
19742021569Franklin Center PA: The Franklin Mint 1974 1975. First Edition. Hardcover. Fine. Quarto 1480 pages sculpted sterling silver covers in velvet chemise in publisher's clamshell paper box scuffed with its quarto Prospectus octavo Supplementary Notes typed letter from the Mint Suggestions for the Care of Your Franklin Mint Family Bible and a special leather bookmark but lacking the silver polishing cloth. Calligrapher's inked name for the original purchaser in the Family Records preceding the Bible. Note: WorldCat cites only one copy of this. <br /><br />This is the very special deluxe edition of the King James Version of the Bible in English in a very special binding containing 12 ounces of sterling silver with a cross on top and bottom on the top are the sculpted images of the Four Evangelists: Mark Matthew Luke and John. The design was done by Barcelona silversmith Oriol Sunyer. The illustrations are reproduced - for the first time in a printed book - from the priceless original manuscript in the British Library which was executed in the mid-14th century. "As the most extensively illustrated of all surviving medieval psalters the Queen Mary Psalter is a unique treasure. . The Queen Mary style is one of the three main styles of English painting in the Middle Gothic period which encompasses the years 1280 - 1380. . Of particular interest in the development of the Queen Mary style is the fact that it can be traced to a single artist the Master of the Queen Mary Psalter." The Franklin Mint hardcover
18302020525Lunenberg MA: Edmund Cushing 1830 1831. New Edition. Hardcover. VG contemp. full calf some light waterstains. Quarto; 929 160 pages full calf head of spine chipped heel of spine has a two-inch tear damstaiin at bottom of gutter affecting the preliminary leaves. <br/><br/>Illustrated with full-page woodcuts. Edmund Cushing hardcover
17910005591Worcester & Boston: Isaiah Thomas 1791. First edition. Hardcover. Good. With two of the 50 copperplate engravings from the folio edition plates 29 & 48. Royal quarto 1310 pages contemporary blindstamped full sheep repaired joints and head and foot spine panels replaced and with new endpapers; The frontispiece has been tipped-in on the new endpaper; rear cover very scuffed foxing and spots throughout edgeworn <br /> <br /> a few minor marginal tears and chips some leaves imperfectly sewn in. The Family Record leaves have extensive handwritten notes of the families of Gen. Joseph Badger Jr. Signed by him of Gilmanton Belmont NH father of Gov. Wm. Badger 1834-36. & Charles Jacobs of Gilmanton. <br/><br/>Isaiah Thomas whom Benjamin Franklin called 'the Baskerville of America' was one of the notable publishers during the early days of the Republic.He made every effort to ensure accuracy of the text by comparing some thirty different editions and having the text carefully examined by several clergymen and others who compared it with eight Bibles - Herbert 1353." The First Illustrated Bible printed in America is the 1791 folio Bible by Isaiah Thomas "The most sumptuous American Bible of the eighteenth century" : thus this quarto-sized version of that work is the Second Illustrated Bible printed in America and the first Royal Quarto Bible in English published in American both editions were announced as "completed" on the same date altho vol. 2 of the folio was still in progress. Rumball-Petre 172; Sabin 5173 variant; O'Callaghan pp. 40-42; Hills 30. Evans 23185 states that some copies were issued with no Concordance and 48 additional plates. This state however has only two copperplates as frontispieces of the 50 copperplate engravings from the folio edition plates 29 & 48 . Included are 200 pages of Tables Apocrypha and Family Records Index etc. The subscription price was $7 but half the price could be paid in wheat rye Indian corn butter or pork! It is believed that 1500 copies of each format were printed. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution - Wright EARLY BIBLES OF AMERICA." Isaiah Thomas hardcover
1896230309New York & London: Fowler And Wells / L. N. Fowler & Co. 1896 or earlier. Early Fowler Edition. Hardcover. Good. Duodecimo; 4 419 unpaginated leaves 44 pp. of Alphabetical Appendix To The New Testament in the publisher's black embossed cloth with bevelled boards gilt-stamped spine 186 x 127mm rubber-stamped on front pastedown "Private Library / G. H. Bolick / Hickory N.C." Very Scarce. <br/><br/>Benjamin Wilson was a Campbellite before he became a founder of the Church of God of the Abrahamic Faith and was the editor and publisher of "The Gospel Banner". When not editing that journal he created this acclaimed interlinear word by word translation of the New Testament. It was originally issued in parts during 1863-1864 from his print shop in Geneva Illinois. This is the first New York edition of the completed work. After Wilson's death in 1900 the International Bible Students Association bought the rights to his work and began publishing this text in 1902. It continues to be distibuted today by The Watchtower Society a.k.a. Watch Tower Society guaranteeing its continued influence among Bible students. Herbert HISTORICAL CATALOGUE OF THE ENGLISH BIBLE no. 1950: " Although the Library of Congress has a card covering a first New York edition of 1864 no copy has been located. Only one copy of that Geneva Illinois edition has been cited by the Book Auction Records and that was in 2023 it is slightly incomplete. This copy shows only an 1864 copyright date. This is a bi-lingual text with the Greek with an interlineal translation with a readable English text at the right margin. The address of Fowler And Wells is 27 East 21st New York and and by L. N. Fowler 7 Imperial Arcade Ludgate Circus. Fowler And Wells / L. N. Fowler & Co. hardcover
18652020172New York: Fowler And Wells 1865. First Fowler Edition. Hardcover. Fair. 16mo; 4 419 unpaginated leaves 4 44 pp. of Alphabetical Appendix To The New Testament lacking pp. 39ff - supplied in facsimile; recased with the publisher's cloth boards and a new leather spine title-page chipped some other page wear.Scarce. <br/><br/>Benjamin Wilson was a Campbellite before he became a founder of the Church of God of the Abrahamic Faith and was the editor and publisher of "The Gospel Banner". When not editing that journal he created this acclaimed interlinear word by word translation of the New Testament. The Preface tells that this was originally issued in parts during 1863-1864 from his print shop in Geneva Illinois but no copies are known. This is the first New York edition of the completed work. After Wilson's death in 1900 the International Bible Students Association bought the rights to his work and began publishing this text in 1902. It continues to be distibuted today by The Watchtower Society a.k.a. Watch Tower Society guaranteeing its continued influence among Bible students. Herbert HISTORICAL CATALOGUE OF THE ENGLISH BIBLE no. 1950 . Although the Library of Congress has a card covering a first New York edition of 1864 no copy has been located: whereas this copy IS copyrighted 1864 but lacks the statement "Electrotyped by B. Wilson Geneva Illinois." It was issued by Fowler and Wells in 1865". This copy shows only an 1864 copyright date. Only one copy of that Geneva Illinois first book edition is cited in the Book Auction Records and that was in 2023. This is a bi-lingual text with the Greek with an interlineal translation with a readable English text at the right margin. The address of Fowler And Wells is 389 Broadway. A map of the Holy Land was inserted at page 3 before the Appendix. Fowler And Wells hardcover
2008230380Litchfield Arizona: The Bible Museum 2008. The Deluxe Facsimile Edition. Hardcover. Near Fine. Thick folio full pulpit size in Italian Fiscagomma leatherette; in a sturdy publisher's slipcase with thick coverd boards: the coat-of-arms of King James is embossed into the top cover. Out-of-Print. Note: weighs 30 lbs itself and may require some additional shipping charge. <br/><br/>This handsome facsimile edition of the 1611 King James Version of the Bible in English celebrates the 400th Anniversary Edition. The King James Bible is the most printed book in the history of the world This volume comes with a frameable Genuine 2-page Leaf from an original copy of this KJV Bible not packaged originally by the publisher: it is a leaf from the Book of JUDGES. Note: most of the KJVs published after 1768 have 14 fewer books and have 400 word changes and other editorial changes. The Bible Museum hardcover
19461263Paris: Editions du Sceau 1946. Aboulker Célestine. Quarto original wrappers slight wear to ends of spine margins slightly browned; a very good copy. One of an edition of 130 copies illustrated with 15 color lithographs by Celestine Aboulker. A member of a prominent Jewish family in Algiers Aboulker's paintings often biblicly inspired are in the collections of Le Musée d’art et d’histoire du judaïsme in Paris and the museums of Ein Harod and Dimona in Israel. Editions du Sceau unknown
23542Kentfield CA: The Allen Press 1970. Limited edition. Hardcover. Fine. Tall 4to. 56 leaves unnumbered. Finely printed by hand by Lewis and Dorothy Allen ion all-rag handmade Umbria paper made in Italy. Printed damp on an 1846 Columbian handpress. Decorative page heading in Hebrew with sentences from the first chapter of Genesis. Asian green endshets and guards for the illustratioms.<br /> <p><br /> Bound in Fortuna cloth in an Iranian design hand blocked in Venice. <br /> <p><br /> 24 illustrations engraved by Blair Hughes-Stanton. Title in green and brown woodcuts printed in brown; green and orange used for highlights in the text. The endsheets are lightly faded from the adhesive else this is a fine copy housed in the original slipcase.<br /> <p><br /> One of 140 copies. <br /> <p><br /> Allen Press Bibliography No. 35.<br /> <p>. The Allen Press hardcover
1735ST18632Amsterdam: Petrus Shenk 1735-38. First Edition in Dutch. 415 x 264 mm. 16 3/8 x 10 3/8". Entirely complete with continuous pagination but with a jump in page numbering from the end of book XIII to the beginning of XIV as usual. 15 parts in eight volumes. Translated by Florentius H. J. van Halen. <br/> HANDSOME CONTEMPORARY VELLUM covers with large gilt entrelac centerpiece framed with gilt floral rule with bouquet-like cornerpieces gilt floral border raised bands compartments richly gilt titles and volume numbers handwritten in ink on spines all edges gilt. With head- and tailpieces 15 engraved titles printed in red and black with engraved vignettes and complete with frontispiece two engraved portraits of the author and the engraver the latter with shorter margins probably tipped-in and 760 OFTEN STRIKING COPPER ENGRAVINGS on 758 plates one with partial hand coloring a few double-page. Front pastedown of first volume with handwritten note in French on lined paper; with additional black & white title to first work erroneously dated 1728. Nissen ZBI 3661; see also: Faber du Faur "German Baroque Literature" p. 472. Trivial soiling to the vellum the seventh volume with a faint marginal dampstain affecting a few quires but not touching engravings the odd negligible blemish but AN OUTSTANDING SET the very attractive original bindings showing only insignificant wear and THE CONTENTS ESPECIALLY FRESH AND CLEAN THROUGHOUT WITH VERY FINE IMPRESSIONS OF THE PLATES.<br/> <br/> This is the first Dutch translation of Scheuchzer's "Sacred Nature" one of the most splendid German illustrated books of the 18th century presenting what surely is the most impressive combination of biblical exegesis and scientific illustration to be found in any printed book. First published in 1731-35 as the "Physica Sacra" in Latin and as the "Kupfer-Bibel" in German so-named for the amazing array of copperplate engravings this work is arranged according to the progression of books in the Bible citing passages from those chapters where phenomena from the natural world are mentioned. The typical pattern here includes a textual citation followed by the author's often lengthy remarks on the passage and in many cases a dramatic engraving to illustrate what is said. The plates are identical to the earlier editions retaining the inscriptions in Latin and German and are the work of Johann-Melchior Fuseli of the well-known Zurich family of 18th and 19th century artists. The engraved scenes are always executed with great skill are generally very animated and are often fascinating. Of the 760 images meant to illustrate the text many are strictly or primarily depictions of biblical scenes; several are simply illustrations of specimens of nature; and a large number perhaps half offer a kind of combination. An example of this last type includes a wonderful scene showing the birth of Man as related in Genesis 1:26-27 depicting not only a startled Adam in his fecund paradise but also 10 images of fetuses placentas and the skeletons of children attached like mounted specimens to the architectural frame of the illustration. According to Faber du Faur it is in this work that "the Baroque attains philosophically as well as artistically its high point and its conclusion. It is the last of those elegant works which do not really contain illustrations to a text but which are in effect composed of splendid plates with a text to accompany them." Scheuchzer 1672-1733 was a prolific naturalist who promoted at every opportunity the most modern scientific ideas though without wanting to risk the accusation of being irreverent. He says that the present work represents an attempt at finding a harmony between reason and revelation though it can also be seen as an effort to promulgate progressive theories under the venerable cloak of biblical commentary. The bibliographies disagree about the number of plates that ought to be present in this work and in other editions but ours corresponds to copies previously sold at auction as complete. Copies of the "Physica Sacra" and its translations show up regularly for sale but almost never does one see the work both complete and as here with a clean and fresh text in remarkably well-preserved and attractive contemporary bindings. Petrus Shenk unknown
1862321072New York: American Bible Society 1862. Text in Armenian. New Testament with separate title page. 879 5 274 pp. 1 vols. 8vo. Original blindstamped leather. Rubbed lower board and last leaf detached. Good. Text in Armenian. New Testament with separate title page. 879 5 274 pp. 1 vols. 8vo. An early example of Armenian printing in America. The Armenian Bible was first printed in New York in 1859. "The translation of the OT begun . by H.G.O. Dwight and others . was completed by Elias Riggs. The NT is the version by J. Zohrab revised by J.B. Adger in 1841-2" Darlow & Moule 1851. OCLC: 39994158 Yale American Bible Society unknown
1604372251London: Robert Barker 1604. Text in Roman type in two columns. Titles within woodcut borders woodcut illustrations head and tail-pieces. 4 190; 117 i.e. 127; 128-187 i.e 197 omitting 129 as issued and other errors in pagination; 121 11 leaves. Complete with the leaf signed Ai preceding the general title. Bound with preceding the Bible: The Booke of Common Prayer with the Psalter or Psalmes of Dauid. Title in red and black within woodcut border. 46 leaves complete. ESTC S93831. Bound with following the Bible: The Whole Booke of Psalmes. 10 70pp only. Lacking terminal three signatures. 4to. Early mottled calf rebacked brass corner pieces and hinges lacks clasps upper cover detached marbled endpapers gilt edges. Provenance: William James signature and inscription dated 1663 on leaf preceding the general title; Frances Garway inscription on brass plate on covers dated 1701; Thomas Bever armorial bookplate inscriptions on endpaper circa 1748; Francis Hutchinson Synge; Arthur John Snow Paget inscription dated 1851 General Theological Seminary bookplate. Text in Roman type in two columns. Titles within woodcut borders woodcut illustrations head and tail-pieces. 4 190; 117 i.e. 127; 128-187 i.e 197 omitting 129 as issued and other errors in pagination; 121 11 leaves. Complete with the leaf signed Ai preceding the general title. Bound with preceding the Bible: The Booke of Common Prayer with the Psalter or Psalmes of Dauid. Title in red and black within woodcut border. 46 leaves complete. ESTC S93831. Bound with following the Bible: The Whole Booke of Psalmes. 10 70pp only. Lacking terminal three signatures. 4to. An excellent example of the Geneva Bible with Tomson's revised New Testament and Junius' Revelation. The principal Bible of 16th-century Protestantism and the Geneva Bible was used by Shakespeare Oliver Cromwell John Knox John Donne and John Bunyan. This edition contains the famous reading "breeches" in Genesis Chapter III verse 7 which first appeared in 1579. Although Barker's imprint on title of this edition reads "Printer to the Queenes most excellent Majestie" the colophon reads "Printer to the Kings most excellent Maiestie" as James I had ascended in March 1603. Darlow & Moole 209; ESTC S159; Herbert 274; STC 2190 Robert Barker unknown
1585372230London: Deputies of Christopher Barker 1585. Text in black letter in two columns. General title and calendar printed in red and black titles within woodblock frames woodcut map on leaf following NT NT-O3 woodcut initials. 17 536 137pp. New Testament title page present. Lacks preliminary blank lacks the general title with a 1588 title supplied in its place lacks NT leaf V1 Titus 2:12 through Hebrews 1:10 preliminaries bound out of order. Folio 15-5/8x10-1/2 inches. Nineteenth century dark purple morocco covers blocked in blind marbled endpapers red edges. Repairs to voids in preliminaries and several leaves in the beginning of Genesis general title supplied and mounted restoration to the terminal five leaves with some losses else scattered minor staining and edge tears. Scattered early marginalia including an early female ownership signature on page 536. Bookseller's label on front endpaper J. Whereat Weston Super Mare. Text in black letter in two columns. General title and calendar printed in red and black titles within woodblock frames woodcut map on leaf following NT NT-O3 woodcut initials. 17 536 137pp. New Testament title page present. Lacks preliminary blank lacks the general title with a 1588 title supplied in its place lacks NT leaf V1 Titus 2:12 through Hebrews 1:10 preliminaries bound out of order. Folio 15-5/8x10-1/2 inches. The Bishops' version the translation overseen by Matthew Parker. ESTC S156; Herbert 188; STC 2143. Provenance: General Theological Seminary bookplates Deputies of Christopher Barker unknown
186249952Glasgow Edinburgh and London: William Mackenzie 1862. Deluxe Edition. Two volumes folio 450 x 330 mm published between 1862 and 1863. 16 1344pp. 57 unnumbered leaves of albumin prints 230 x 160mm mounted on card stock. Crimson morocco over wooden boards elaborately tooled in gilt and blind; edges mounted in brass double brass clasps with thistle motif; covers with a broad blind-stamped border around a recessed central panel with the crowned cipher of Queen Victoria in gilt; gilt tooled spine with 5 raised bands; a.e.g. marbled endleaves with gilt dentelles. Covers with some mild traces of use; single crease in each marbled endleaf partially detached in second volume; occasional light to moderate foxing mostly confined to the plate mounts; albumin prints in fine condition often with foxing extending about 5mm from the edges into the mount. Overall a very good set with a fine series of photographs notable for their technical achievment.<br /> <br /> Deluxe edition one of 170 copies complete with all 57 albumen prints. Produced for the 1862 International Exhibition and dedicated to Queen Victoria then recently in mourning for the death of Prince Albert this work appeared at a time when photography though still a laborious and expensive process was just beginning to become a popular activity. Victoria herself was an amateur photographer and "the royal couple had been enthusiastic supporters of photography in England from the beginning; in 1853 they became founding patrons of the Photographic Society Club" K. Fiedorek. Francis Frith 1822-1898 the devout Quaker whose photographic images grace the present work was one of the best-known photographers to work in the Near East and the most commercially successful photographer of the nineteenth century. Finding his elementary studies tedious Frith left school at the age of ten apprenticed with a grocer and eventually started his own business. He later went into printing sold the grocery business to a competitor at a substantial profit and went on to devote himself to photography. "The growing Victorian interest in the East and its exotic and historic attractions caught the attention of this astute businessman" Perez. Between 1856 and 1860 Frith made three photographic expeditions to Egypt Ethiopia Sinai and the Levant accompanied by the engineer Francis Herbert Wenham who provided technical assistance in mechanics and optics. While Perez notes that Frith's "approach was always a strictly commercial one and his concern was to make truthful and accurate views of the area" he readily concedes that "the technical quality of Frith's photographs is superior." Frith employed the new wet collodion process in which glass plate negatives were sensitized exposed and developed while still wet. While technically demanding the process yielded rich detail and broad tones. "Frith's were the first original wet-plate photographs of Jerusalem and the Holy Land to reach a wide English-speaking audience and his pictures of the small Palestinian towns were most likely the first published anywhere" Nir p.66.<br /> <br /> Perhaps the most novel aspect of this celebrated edition of the Bible and certainly a harbinger of things to come was the way in which the photographer "presented the radical possibility of seeing photographs of the biblical sites alongside related verses of scripture. he sought to defend and promote his faith by conscripting the veracity of science and materialism to his cause and considered photography to be the most effective medium for his campaign" Foster et al. This vision is manifest even in such details as the re-captioning of prints previously offered for sale so that the new descriptions would more clearly reference the King James text. It should be noted that while the printing was still done by hand this was one of the earliest books for which machinery was used for composing. Original publisher's price = 50 guineas. Another version of this work was published at London in 1860-1862 by Eyre & Spottiswoode; sometimes confused with the present work it was issued in 20 parts each containing a single photographic print by Frith.<br /> <br /> K. Fiedorek A Photographic Bible Fit for a Queen NYPL Blog 2014. Foster Heiting and Stuhlman Imagining Paradise pp. 68-69. Gernsheim Incunabula of British Photographic Literature 1839-1875 p.36 no.184. Herbert The English Bible 1940 1217. Y. Nir The Bible and the Image The History of Photography in the Holy Land 1939-1899 esp. chap. 3: "Early Traveling Landscape Photographers". N. Perez Focus East: Early Photography in the Near East 1838-1885 pp.163-165. William Mackenzie unknown
1790ST19326Amsterdam: H. Keyzer H. Gartman en W. Vermandel 1790. 555 x 345 mm. 21 7/8 x 13 3/4". 2 p.l. 62 folding plates. <br/> Attractive late 19th or early 20th century retrospective polished brown calf by L. Guétant stamp-signed in gilt on tail of spine double gilt-ruled border floral cornerpieces raised bands spine panels with scrolling floral borders and central flower ornament gilt titling. With title vignette and 62 ENGRAVED FOLDING PLATES ALL WITH BEAUTIFUL HAND COLORING AND HIGHLIGHTED WITH GOLD depicting Bible scenes from the Old and New Testament 61 of which are by Jan Luyken. A Large Paper Copy. For earlier editions: Graesse IV p. 308; Brunet III 1245-46; Klaversma & Hannema 159-164. Light rubbing to joints and edges boards just a little marked trivial foxing and faint spots here and there but A REMARKABLY FINE COPY the binding lustrous and showing little wear the paper extremely bright and fresh the margins immense and the paint and gold unusually vibrant.<br/> <br/> The marvelous illustrations of Dutch engraver and poet Jan Luyken comprise this collection of "remarkable stories" from the Bible each depicted with panoramic grandeur and enhanced with a wide range of finely applied colors and gold. Luyken 1649-1712 had written and illustrated erotic poetry as a young man but later became a devout Pietist after reading the works of German mystic Jakob Böhme. He became a member of the Baptist Church in 1673 and thereafter devoted his talents to producing religious works. The vast scenes here are notable in their scale detail and animation. There are a number of battle scenes from the Old Testament as well as dramatic depictions of the plagues and a fascinating episode from the histories of Josephus depicting Herod's soldiers being lowered down the side of a cliff in large boxes suspended from chains in order to attack the thieves hiding in caverns on the cliffside. There is a majestic portrayal of the Queen of Sheba arriving at the court of Solomon a peaceful scene of Adam naming the beasts in the Garden of Eden and a festive celebration of the Feast of Tabernacles. New Testament scenes include a terrifying final judgment a blinding conversion of St. Paul and scenes from that Apostle's travels. The engravings have one common trait: they are heavily populated whether by men or beasts and one of Luyken's special gifts is to render every person in the crowd as an individual with his own concerns and reactions to the events at hand. The engravings while already greatly pleasing in black and white are even more stirring and memorable when seen in the full color and gold used here. Expansive tableaus are given greater definition and clarity and events such as Noah’s flood and the destruction of Sodom and Gomorrah are rendered even more successful in expressing the awesome powers of the Almighty. The illustrations are quite definitely Protestant in point of view: there are no depictions of the Virgin Mary not even a Nativity scene. Except for engravings of the Annunciation to the Shepherds and the Massacre of the Holy Innocents the illustrations focus on Jesus as an adult and on the work of his Apostles spreading the gospel. There were earlier editions containing Luyken's 62 large plates which originally appeared without text as here in 1708 and they appeared again with a text in Dutch in 1729 and in French in 1732. Copies of these editions appear with some regularity in the marketplace but are usually not colored and are often found incomplete or with other major condition issues. We can trace no record in RBH or OCLC of a copy of our 1790 edition and we can find nothing that compares with the quality of coloring and grand height attained by the monumental margins seen here. H. Keyzer, H. Gartman en W. Vermandel unknown
1752D3102Paris: Gabriel-Charles Berton 1752. Hardcover. Very Good. 268 half-page engraved illustrations including title vignette. 20 552 pages including half-title. 4to contemporary mottled sheep gilt with morocco lettering piece spine ends rubbed cover corners worn; overall a very nice fresh copy. A charming old 19th century book marker with a little pillow at the head rests inside pillow dangling outside at the top. <br/><br/> Gabriel-Charles Berton hardcover
1979365295Boston: Charles Goodspeed & Co 1979. One of 87 copies. Printed and bound at the Stinehour Press. 4 10 2pp. With a leaf from the first edition of the Eliot Indian Bible tipped in following the title as issued. 1 vols. Small 4to. Original blue cloth glassine dust jacket slipcase. Fine. One of 87 copies. Printed and bound at the Stinehour Press. 4 10 2pp. With a leaf from the first edition of the Eliot Indian Bible tipped in following the title as issued. 1 vols. Small 4to. Includes a leaf from the 1663 Eliot Indian Bible. The present example being D2 from the Psalms comprising Psalms 42:7 through Psalms 45:8. Charles Goodspeed & Co unknown
1930253119San Francisco: Printed by Edwin & Robert Grabhorn for John Howell at the Sign of the Open Book 1930. From an edition limited to 580 copies this is one of 515 copies in the "Colonial Edition. Inserted leaf from the Bible printed by Robert Aitken Philadelphia 1782 from Deuteronomy; and 8 illustrations. 34 pp. 1 vols. 8vo. Original half leather and paper boards spine gilt. Bottom corners and head and foot of spine rubbed. Bookplate on front pastedown. Very good. From an edition limited to 580 copies this is one of 515 copies in the "Colonial Edition" Inserted leaf from the Bible printed by Robert Aitken Philadelphia 1782 from Deuteronomy; and 8 illustrations. 34 pp. 1 vols. 8vo. From an edition limited to 580 copies this is one of 515 copies in the "Colonial Edition" printed for John Howell Books by the Grabhorn Press and containing an essay by Edwin Grabhorn on typography in America in 1776. This volume contains an original leaf from a copy of the Aitken Bible one of the most celebrated American bibles being the first complete English Bible printed in America. During the colonial era the monopoly on printing English bibles belonged to the Royal Printer and the colonies were supplied entirely with bibles printed in England. The only Bible printed in the British colonies in America was the famous Eliot Indian Bible in Algonquian issued in Cambridge in 1661-63 and reprinted in 1680-85. With the Revolution this monopoly naturally ended and the embargo on goods from England acted to create a shortage. Aitken a Philadelphia printer undertook the task producing the New Testament in 1781 and the Old Testament in 1782. On completion he petitioned the Continental Congress for their endorsement and received it in September 1782. Because of this official endorsement and the reasons behind its production the Aitken Bible is often referred to as "The Bible of the Revolution" Grabhorn Bibliography 131 Printed by Edwin & Robert Grabhorn for John Howell at the Sign of the Open Book unknown
1587ST14247Venetiis Venice: Hieronymus Polus 1587. 213 x 146 mm. 8 3/8 x 5 5/8". 12 p.l. 1126 pp. <br/> ESPECIALLY PLEASING CONTEMPORARY CALF covers with gilt French fillet frame and oval wreath of olive branches the center of the wreath in the shape of a cross flat spine ruled in gilt red morocco label. Title page with elaborate wood-engraved frame text profusely illustrated WITH 600 WOOD ENGRAVINGS depicting scenes from scripture after Holbein Bernard Salomon le Petit Bernard and others a handful of these a bit indistinct. Front pastedown with ex-libris of Leonis S. Olschki. Adams B-1093; STC Italian 93. Not in Darlow & Moule. ◆A little wear to joints and extremities spine a bit crackled separation at hinges but no looseness occasional minor browning or foxing otherwise in remarkably fine condition the text clean and crisp and in a still-lustrous entirely solid unsophisticated original binding.<br/> <br/> This is a very well-preserved handsomely bound and lavishly illustrated edition with distinguished provenance of the Louvain Bible first printed in Venice in 1578. Our edition contains 600 wood engravings illustrating the text ranging from portraits of prophets saints and evangelists to dramatic scenes from the histories of the Old Testament and the life of Christ and ending with an imaginative Apocalypse cycle. Many of these are the work of Lyonnaise artist Bernard Salomon 1506-61 known by the sobriquet "Le Petit Bernard" for his small engravings rich with detail. Others are based on the biblical woodcuts of Hans Holbein. The binding here is likely French; the flat spine with just one large gilt-framed panel and the olive branch decoration on the covers is characteristic of late 16th century and early 17th century French work. The exceptional condition here is typical of books from the collection of Leo Samuel Olschki 1861-1940 scion of a family of Prussian Jewish printers whose interest in printing history led to his becoming a celebrated antiquarian bookseller author founder of the journal "The Bibliophile" and publisher of works in the humanities. Hieronymus Polus unknown
1489371804Strasbourg: Johann Prüss 1489. Text in double columns 52 lines per column. 450 leaves with erratic pagination and collation. Two leaves present in early manuscript facsimile Interpretations of Hebrew Names leaves b2 and b7. Partially rubricated. Contemporary manuscript marginalia with chapter summaries in the lower margins throughout and shoulder notes in the OT with extensive annotation on the title. Folio. Early blindstamped pigskin later brass bosses and clasps joints splitting some loss at bottom of spine. Title mounted with paper losses at fore-edge and lower margins affecting the manuscript annotation but not the text. Cloth clamshell box. Text in double columns 52 lines per column. 450 leaves with erratic pagination and collation. Two leaves present in early manuscript facsimile Interpretations of Hebrew Names leaves b2 and b7. Partially rubricated. Contemporary manuscript marginalia with chapter summaries in the lower margins throughout and shoulder notes in the OT with extensive annotation on the title. Folio. The second Prüss Bible. Place of publication and printer from Goff publication date from colophon Kk5v. Not in Darlow and Moule. This copy from the famed bible collection of W. A. Copinger. See his lengthy bibliographic description in Incunabula Biblica item 79 and plate XLI. ISTC ib00588000; GW 4265; Hain-Copinger 3104; Proctor 543; Goff B588; BM 15th cent. I 122 IB.1658; Walsh J.E. 15th cent. printed books 196; Stillwell B516; Bodleian Lib. 15th cent. B-297; Copinger W. Incunabula Biblica 79; BSB-Ink B-462. Provenance: W. A. Copinger bookplate; General Theological Seminary booklabel blindstamp on the title Johann Prüss unknown
1819373865Lancaster Penn: Johann Bär 1819. Text in two columns. Engraved frontispieces to the OT and NT. 10 100 12 4 738 26 4 227 1 92pp. Folio. Contemporary calf covers bordered with gilt roll tools and cornerpieces covers with pictorial blocking press and stencil-masked sprinkled motif in relief Moses on the upper cover and Jesus on the lower cover spines with double-raised bands elaborately tooled in gilt with additional stencil-masked motifs in relief red morocco letter piece marbled endpaper gilt edges repair to upper joint and hinge original full calf slipcase. Text in two columns. Engraved frontispieces to the OT and NT. 10 100 12 4 738 26 4 227 1 92pp. Folio. The first German folio Bible printed in America in a very unusual and elaborate American binding and with a very early slipcase. Wright p. 139 Johann Bär unknown
1609371891Geneva: Pierre de la Rouière 1609. In two columns. 28 184 283 1 84 203 1; 8 186 2 134 2pp. Folio 15 x 9-1/2 inches. Contemporary pigskin covers blocked in gilt and blind remnants of paper label on the spine gauffered edges lacks bosses and hinges and clasps worn at extremities and bottom of spine. Provenance: Johann Georg Feuchter of Jura-Weickersroda inscription on pastedown that the bible was purchased at an August 6 1728 auction for 4 florins and 30 groschen; General Theological Seminary blindstamp. In two columns. 28 184 283 1 84 203 1; 8 186 2 134 2pp. Folio 15 x 9-1/2 inches. Edited with introduction by Benito Arias Montanus 1527-1598 Spanish orientalist and editor of the Antwerp Polyglot a reprint of Plantin's similar edition. Darlow & Moole 5113 OT and 4662 NT Pierre de la Rouière unknown
1824373835New York: Edicion Estereotipica por A. Chandler 1824. First American Edition of the Bible in Spanish. 928; 251pp. 4to. Contemporary panelled calf usual wear front hinge neatly repaired. Foxing. Provenance: Essex Institute label on front pastedown. In half red morocco slipcase and chemise. First American Edition of the Bible in Spanish. 928; 251pp. 4to. First American edition of the Bible in Spanish printed by the American Bible Society for the use of missionaries in South America. It is among the earliest Catholic bibles printed in the United States noted on the verso of the titlepage as "Edicion 1". The text was taken from the Madrid edition of 1797 translated from the Latin by Felipe Scio de San Miguel Bishop of Segovia.<br /> <br /> Scarce on the market with no examples in the auction records for the last half century. Shaw & Shoemaker 15340; O'Callaghan 1824; Parsons 813 Edicion Estereotipica por A. Chandler unknown
1638371697London: Robert Barker Printer to the Kings most Excellent Majestie and by the Assignes of John Bill 1638. A-F8 G4; A-3K8; A-F8 G4. 8vo. Early black morocco tooled in gilt marbled endpapers a.e.g. GTS bookplates at front and rear. Autograph ownership signatures with several additional textual annotations. A few small interior tears with vernacular repairs. 2D2 torn with loss. A-F8 G4; A-3K8; A-F8 G4. 8vo. Includes Robert Barker's 1638 editions of the Book of Common Prayer and the Holy Bible both Old and New Testaments plus Apocrypha along with the 1637 edition of Thomas Sternhold's Whole Book of Psalms printed by G.M. for the Companie of Stationers in London all designated "Cum privilegio." Text in two columns with printed glosses. Three discrete ownership signatures of Richard Jacob are present - two on the versos of the title pages for the Old and New Testaments and one facing the title page for the Whole Book of Psalms - along with several autograph annotations and vernacular repairs. Robert Barker, Printer to the Kings most Excellent Majestie, and by the Assignes of John Bill unknown