1 835 résultats
193848969Chicago: Poetry 1938. 8vo pp. 295-354 x. Includes an index for October 1937-March 1938. Ivory paper wraps. Cover llittle chipped and soiled o/w VG. Also includes contributions by among others Yvor Winters James Daly Eunice Tietjens Margan Dutton an essay on Ezra Pound by Delmore Schwartz and reviews by T. C. Wilson of Louis MacNeice's "Poems" and by Sherman Conrad of James Still's "Hounds on the Mountain. Poetry unknown books
201911402Stillwater ME 2019. Artist's book unique from a series with excerpts from Celia Thaxter's AN ISALND GARDEN reflecting the noted poet's garden in Spring and Summer on Arches text wove signed and dated by the artist Nancy Ruth Leavitt with the notation that this is her 121st manuscript book. Page size: Autumn: Still the Garden Glows. Excerpts from AN ISLAND GARDEN ; 30pp. 24 of which are painted in watercolor and gouache. The previous two titles in the series were slightly larger as befits the longer seasons they represent. Bound by the artist: handsewn in Katie MacGregor handmade paper wrappers on which the artist has painted three large green blooms; housed in custom-made light green cloth over boards clamshell box with label and painted by the artist in greens and oranges - each letter a variant color. <br/>The text is as with the two previous volumes taken from Celia Thaxter's last book she died the year the book was published and according to the important American bibliographer Jacob Blanck it was "one of the most elaborate pieces of bookmaking of the period" featuring cover and page design by Sarah Wyman Whitman and chromolithographs after paintings by Thaxter's friend and guest on Appledore Island Childe Hassam. <br/>Nancy Ruth Leavitt has chosen to interpret Thaxter's text through the flowers the poet describes so lovingly - with smaller amounts of text - scattered below above and beside the major "event" of each page: the flowers. This is the exact opposite of the first edition of Thaxter's important book where the text is first and foremost highlighted by single stalks and single page chromolithographs of Hassam's renderings of the landscape of Appledore Island the gardener and some of her garden. Ms. Leavitt's dizzying exuberant images of flowers are a perfect reflection of the prose: "the clumps of wild roses glow with the red haws in the full light" and "goldenrod and wild asters bloom and a touch of fire begins to light up the huckleberry bushes." The last quote included by Ms. Leavitt signals the closing down of the summer garden until the following spring: "Autumn laying here and there a fiery finger on the leaves." This is lettered in oranges and greens on a vertical above the bold image of greens tipped with orange and red slanting down to the bottom of the last page. Although we are saddened to see the end of the growing season we know it will return and until then we have the inspiring images created here. unknown books
201510949Stillwater ME 2015. Artist's Book one in a series of 10 "named" copies on handmade "North Pole white" paper by Katie MacGregor hand painted and lettered by Nancy Ruth Leavitt and signed by her on the colophon. Page size: 6 x 9 inches; 27pp; 22 of which are painted or painted and lettered with hand-painted endpapers as well. Bound by Joelle Leavitt Webber of Mermaid Bindery: sewn red cloth over boards with hand-painting and paper collage of Santa's mid-section with his black belt with gold buckle over white "fur" trim and large expanse of red; housed in custom-made dark green cloth clamshell box lined with red and white polka dot fabric paper label on spine of box hand lettered by the artist Nancy Leavitt. The original art includes 5 double-page and 7 single-page illustrations accomplished in watercolor gouache and sumi ink. The copies are named after Santa's reindeer: Dasher Dancer Prancer Vixen Comet Cupid Donder Blixen Rudolph which is the artist's own copy and an AP.<br/>Ms. Leavitt has created a magical book taking the beauty and stillness of winter as a window to enter the wonder of Christmas and Moore's classic poem. Lettered in green and red painted in primary colors with iridescent highlights in silver and gold the reader / viewer enters into this magical myth with its attendant warmth and beauties of the season. unknown books
201611137Stillwater ME 2016. Artist's book 1 of 10 copies all on Katie MacGregor blue Sherman handmade paper each copy hand-lettered and decorated with hand-cut paper snowflakes by Nancy Ruth Leavitt who has signed and dated the colophon. Page size: 6-1/2 inches square; 16pp. including covers 8 paper pages 5 of which hand-lettered; 8 pages of fabric in which are embedded with hand-stitching 9 hand-cut paper snowflakes each of course different in addition 1 paper snowflake stitched in with ice blue iridescent thread between 2 paper pages. Bound by Joelle Webber Mermaid Bindery iridescent woven polyester organza and glitter tulle fabric hand-sewn with 3 small crystal beads on the spine housed in custom-made blue cloth over boards clamshell box with snowflake pillow bottom. <br/>First published in BIRDS OF PASSAGE 1863 Flight the Second Longfellow's "Snow-flakes" is one of his best-known short poems and according to many sources reflects the author's profound sadness over the death of his wife Frances.<br/>The somber note sounded by Longfellow in this verse is re-imagined by Ms. Leavitt as part of nature's grand design and inexplicable beauty. The grey porous paper and the glittery casings for the intricately designed snowflakes are echoed in the delicate and lacy white gouache lettering of the text. This is a beautiful book soft and delicate and poignant. unknown books
201110466Stillwater ME 2011. Artist's book one of 12 copies all on archival paper vellum and transparent vellum with original each different collages of hand-made pastepaper by the artist Nancy Ruth Leavitt and archival Mohawk Superfine paper for the hand-lettered text each signed and numbered by the artist Nancy Ruth Leavitt. Page size: 4-3/4 x 7 inches; 16pp. Bound by Joelle Leavitt Webber: accordion folds based on a structure developed by Hedi Kyle and re-interpreted by Joelle Leavitt Webber each fold holding a double-sided leaf with text on one side and collage on the reverse all housed in a hand-painted pastepaper inside and outside box hinged with Japanese paper to open as a Japanese-style box lying completely flat with button closure. The book can be read by turning each page as in a conventional book or can be removed from the box and displayed as screen of the collages. As with the collages each box varies in colors but all are in the blue-purple-green palette. The text is hand-lettered in black Sumi ink in an Italic script by the artist. Both texts - the Emily Dickinson the more well-known - are complementary and both irresistible to any bibliophile.<br/><br/>The text of the verse by Emily Dickinson Verse 1263 reads:<br/>There is no Frigate like a Book<br/>To take us Lands away<br/>Nor any Coursers like a Page<br/>Of prancing Poetry -<br/><br/>This Traverse may the poorest take<br/>Without oppress of Toll -<br/>How Frugal is the Chariot<br/>That bears the Human soul.<br/><br/>The text of Theodore Parker's "The Book Lover" reads:<br/>A great book that comes from<br/>a great thinker - it is a ship of thought<br/>deep-freighted with truth<br/>with beauty too. It sails the ocean<br/>driven by the winds of heaven<br/>breaking the level seas of life into beauty<br/>where it goes leaving behind it<br/>a train of sparkling loveliness<br/>widening as the ship goes on.<br/><br/>And what a treasure it brings<br/>to every land scattering the seeds of<br/>truth justice love and piety<br/>to bless the world in ages yet to come! unknown books
201811342Stillwater ME 2018. Unique artist's book 1 in a series of 2 in form of diptych Katie McGregor handmade paper signed by the artist Nancy Ruth Leavitt in pencil on the leaf on the lower part of the image page middle leaf. Page size: 10.75 x 14.5 inches; diptych with Dickinson poem HOPE lettered on right and images cut paper flowers with leaves stitched to batik fabric. The artist's gouache lettering on Katie MacGregor handmade paper and hand-cut paper snowflake and feather illustration on batik fabric are attached to the bottom of a dark blue fabric covered box by Joelle Webber green paper label with title in white gouache on lower right front corner The artist has hand lettered a copy of Emily Dickinson's poem 254 c. 1861 "Hope is the things with feathers. . ." and created a flower illustration composed of fabric and paper that are stitched down to a green and purple and blue batik print which might evoke an exotic garden. The white flowers are three-dimensional and pop charmingly out from the subtle print below. The "feathers" leaves are cheerfully suspended above the batik garden as well. The well-known text opens "HOPE is the thing with feathers / That perches in the soul / And sings in tune without words / And never stopes at all / . and the reader / viewer is beguiled. unknown books
201811364Stillwater ME 2018. Artist's book one in a series of three all on Katie MacGregor hand-made papers the suite of plates on paper made by Ms. MacGregor and "Pulp Painted" while in the mold by Ms. Leavitt signed and numbered by her on the colophon. Page size: 15W x 10-1/4L inches for volume with text of poem and plates; plate portfolio: 18W x 12L inches; 10pp; and 11 original prints in separate portfolio. Bound by Joelle Webber: full lime green book cloth over boards for text and plate volume with original pulp paintings in oranges and greens inset into front panel matching print portfolio in larger size; both laid into an orange cloth over boards custom-made clamshell box hand-lettered paper label in lime green on white inset into spine the whole a playful and arresting presentation. The artist's choice of text the poem "Slime Molds Have Eleven Sexes" by Professor Margaret Price Ohio State University is a playful list of nature's more obscure creatures. Her verse was originally published in "Gay and Lesbian Review" in November / December 2003. The slime mold vocabulary each print is labeled is: Eukarya Protista Zygote Dictyolsteliomycota Sporangium Spores Amoeboid Flagella Mitosis and Plasmodium. The original prints are paper pulp paintings made by Ms. Leavitt with Katie MacGregor papers. Working with Ms. MacGregor the artist assembled her pulp colors in plastic squeeze bottles and "squirted" them onto a formed sheet of wet paper. The effect is at once organic as befits slime molds and colorful with a depth and texture also befitting the organisms. The artist has hand lettered each print with the name of the mold in a colored gouache complementary to each pulp paper painting. The text is lettered in multi-colored gouache harmonizing with the paintings - mostly orange shades of green yellow pink and blue. The entire presentation is witty and charming - words not usually associated with molds. Such is the talent of the artist Nancy Leavitt that she was able to accomplish such beautiful work. unknown books
201210567Stillwater ME 2012. Unique artist's book on Arches text wove paste paper signed and dated by the artist Nancy Ruth Leavitt. Page size: 13 x 8.75 inches; 56pp. all of which are painted and 43 of which are painted and lettered. Bound: loose as issued by artist housed in custom-made black cloth with orange flecks over boards clamshell box interior of box lined with the artist's own pastepaper. The text is the artist's own combined with the text from a publication of metal furniture manufacturer Steelcase Inc. who supply schools among other institutions. The sun motifs were inspired by children's drawings and rock petroglyphs. In vibrant orange yellow and gold this book is like a warm summer day. The artist has created a vibrant page by lettering on the paper and then painting with chalk pastels and then pasting it. Additional lettering and paint in gouache and watercolor were then added. The result is a resounding luminosity - many times in a sunburst pattern. _Words related to the sun as well as facts relating to earth's source of light radiate out on some pages while others are traditional lettering but all are on a ground of pink orange and yellow. For example below a green sphere lettered in blue is the text "Chloroplasts give plants / their green color and use / light energy to power / the formation of organic / compounds in a process / called photosynthesis." There are further pages about white light and color. We are reminded of the very basic relationship of man to the sun from the dawn of time with man's early attempts to mark seasons. One page is devoted to color - and the visible spectrum. The effects of light and vision which are so central to the human psyche are beautifully written out in words and visually portrayed in a gorgeous sunburst of yellows and pinks. Reading / viewing this book is to feel the warmth of the sun and to revel in it. unknown books
20069795Stillwater ME 2006. Unique artist's book all on handmade papers by Katie MacGregor and Th Saunders as well as found papers decorated with postage stamps signed and dated by the artist Nancy Ruth Leavitt. Page size: 5-1/2 inches x 8-1/2 inches 72pp. Bound by Joelle Leavitt Webber of Mermaid Bindery in found papers with fabric decorated postage stamps housed in a custom-made cloth clamshell box lined with calligraphic fabric. The text is written in gouache and consists of four delightful correspondence poems by Emily Whittle of Red Springs North Carolina. unknown books
198611363Amherst MA: Tomato Press 1986. Artist's book one of 25 on Arches each signed and numbered by the artist / author Nancy R. Leavitt. This is the artist's / author's first book featuring her own science-based text. Page size: 15 W x 11-1/8 H inches; 9 leaves including TP and Colophon. Bound: loose as issued in black portfolio case housed in custom-made black cloth clamshell box with white label lettered in black with title on spine. This is an early work by the artist and the first in which she has illustrated her own science-based text with eight original woodcuts each hand-numbered and signed in pencil The original eight cuts illustrate life in the Sargasso Sea "as it exists for several species of sea turtles who inhabit the weedlines" of this circle of currents in the north Atlantic Ocean . bordered by the Azores in the east and the Bahamas in the west. The woodcuts all convey the mysteries inherent in the natural phenomena and the motion implicit in the story of these turtles and the world they inhabit. Each print has a hand-lettered title above and hand-lettered text below consisting of words associated with the naturally-occurring events of the Sargasso Sea: migrate swim frenzy instinct weedline algal mats air seeds plankton tunicates etc. An elegant harbinger of things to come. Tomato Press unknown books
19471333569Los Angeles: B.N. Robertson 1947. First Edition. Hardcover. 10mo; pp 48; G-; red spine without text; no jacket; cloth shows slight shelf wear to exterior; gilt titles to front; strong boards; text block exterior edges slightly toned; ex-library with stamps and markings inside; frontispiece; interior clean; good binding. 1333569. FP New Rockville Stock. B.N. Robertson hardcover books
192030711Pasadena: Upton Sinclair. 1920. First Edition; First Printing. Softcover. Wraps a very good copy with creasing at top edge of front wrap and short tear at head of title page with contributions by Bynner E Carpenter Eastman Gilman Keller JC Powys Sandburg Sassoon Sinclair many more. Poems in tribute to Debs who was serving time in an Atlanta prison. ; 12mo 7" - 7½" tall; 99 pp . Upton Sinclair paperback books
192051342Pasadena CA: Upton Sinclair 1920. Introduction by Upton Sinclair. First edition. Small 8vo. 99 pp. Inscribed on the front pastedown in the year of publication "From the author." Introduction: "The contributors have been moved to indignation by the treatment of Eugene V. Debs and they have expressed their indignation" in poems and letters printed here; among those represented are Charlotte Gilman Perkins Helen Keller Max Eastman James Whitcomb Riley Carl Sandburg Siegfried Sassoon George Bernard Shaw H.G. Wells and Israel Zangwill. Original gilt-stamped burgundy cloth. Very good. <br/><br/> Upton Sinclair hardcover books
194317073Santa Barbara CA: J.F. Rowny 1943. First Edition. Hardcover. Very good/very good. 8vo. Publisher's green boards in original dust jacket. SIGNED at ffep. Jacket lightly worn at edges with some toning. Minor toning to interior. Very good. 79pp. Also includes promotional progam 3.75" x 7.25" approx. and two reproductions of letters by Edwin Markham 8.5" x 11" and 5.5" x 8.5" approx. <br/><br/>An attractive copy of this collection of 52 verses by Ruth Le Prade a socialist activist as well as writer signed in the year of publication. Promotional materials laid in including a program for events at the Poet's Garden where Le Prade hosted a number of readings and other literary and political events. Le Prade dedicated SONG TREE to Edwin Markham her mentor and the jacket features a reproduction of a letter by Markham praising her work; an additional printed copy not holograph of this letter and a poem by Markham are also laid in. J.F. Rowny hardcover books
1943305204Santa Barbara Calif. J.F. Rowny Press 1943. 1943. First edition. 8vo. Tipped-in frontispiece. Dust jacket unclipped. Very good. 79 pages. Signed and inscribed by Ruth Le Prade on the front free endpaper: "Dr. Garland Greever. with the compliments of Dr. J. Percival Preson and cordial good wishes of Ruth Le Prade August 1 1946." Signed portrait tipped-in at end. Inscribed by Authors. 1st Edition. Hardcover. Very Good/Very Good. Santa Barbara, Calif., J.F. Rowny Press, 1943. hardcover books
200328101Atlanta: Nexus Press 2003. Hardcover. Very Good. 52pp. 27.5 by 21cc. Publisher's silver boards lettered in black. A very good copy. <br/><br/> " . accumulation of collages photography and hand-drawn scraps of any style. It combines stamp art word lists and hieroglyphs and makes use of musical notations and other ways of recording human communication." Nexus Press hardcover books
198645483Atlanta: Nexus Press 1986. Paperback. Very Good. 500cc. 36pp. Boards over sewn signatures. <br/><br/>The title reads as a version of a chemical formula that has been altered to be about culture. J.Drucker Nexus Press paperback books
1975255134Enid Ok. : Macfarlane. 1975. Pink pictorial wraps. . A near fine copy. 21.2x13.5 cm. . Scarce story of life in western Kansas. weight: 0.4 lb. Macfarlane. paperback books
1962JC12722Northampton Massachusetts: Gehenna Press 1962. Limited Edition. Hardcover. Fine/Very Good. Grey-blue paper over boards backed in gilt-lettered Japanese vellum; glassine dust jacket; 4to; with introductory biography 12 photogravure plates bibliography. Book is fine in chipped glassine. A very elegant production. <br/><br/> Gehenna Press hardcover books
1947232767Caldwell: Caxton Printers 1947. hardcover. very good. Illus. 418pp. 8vo red cloth. Caldwell: Caxton Printers 1947. Very good<br/><br/> Caxton Printers unknown books
194841118New York: Whittlesey House Mc-Graw Hill 1948. First edition. Cloth with gilt titles. A very good or better copy owner's name and small bookseller's label on front pastedown in a very good internally repaired and edge worn dust jacket. 321 pp. 8vo. Signed by the author on the title page. Provenance: Fabiola Cabeza de Baca Gilbert signature author of Historic Cookery 1931 perhaps the first book on New Mexico cooking. Whittlesey House, Mc-Graw Hill hardcover books
20051334833Winona Lake IN: Eisenbrauns 2005. First Edition First Printing. Hardcover. Octavo 280 pages; VG; green spine with light green lettering; minimal shelf wear ex-Library of Congress with stickers to spine and rear boards and stamps to top fore-edge ffep and title page pages clean; shelved in Judaism. 1334833. Shelved Dupont Bookstore. Eisenbrauns hardcover books
1998015578Cincinnati OH: Hebrew Union College Press 1998. Book. Near fine condition. Hardcover. First Edition. Octavo 8vo. xiv 287 pages of text including a bibliography and an index. Hardcover binding in new condition. Unclipped dustjacket with minimal shelfwear and minimal soiling; protected in archival mylar. The text is clean and unmarked. First edition. Hebrew Union College Press Hardcover books
2012168980Philadelphia: Philadelphia Museum of Art 2012. Paperback. New in shrinkwrap. Color-illustrated wraps with white and orange lettering. 82 pp. BW and color illustrations. Published on the occasion of the exhibition Full Spectrum: Prints from the Brandywine Workshop Philadelphia Museum of Art September 7-November 25 2012. Philadelphia Museum of Art paperback books
1980235620Galena KS: Woman Prints Enterprises 1980. Magazine. 28p. includes covers 8.5x11 inches stapled wraps illustrations poetry news editorials columns services etc. mild toning stains and wear otherwise very good. States volume 20 but actually volume one. The editors were celebrating their 20th years a a couple when they decided to edit and publish the newsletter. Spiritual and religious content. The partners believed that Christ has returned not in flesh but in spirit and Lesbianism is a logical next step to salvation. Woman Prints Enterprises unknown books