6 525 résultats
51-6008Paris: Galerie Maeght 1973. Folio. Original wraps. 28 x 28cm DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original. Epuisé en diffusion. Paris: Galerie Maeght, 1973. paperback
20222-3791388916Prestel Pub 2022. Hardcover. New. 152 pages. 15.00x9.00x0.79 inches. Prestel Pub hardcover
51-6827Paris: Maeght Éditeur 1973. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 205 - Septembre 1973. 1973. With 4 original lithographs.DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1973 paperback
51-6825Paris: Maeght Éditeur 1953. Original; wraps. 38.1x28.1 cm 15x11".With 22 lithographs 16 in color of which 4 are double-page spreads including covers.Note that since at least 1981 Maeght has been selling a facsimile Réédition of the original.It can be identified by the cover in which "Steinberg/1953" is printed. In the original of 1953 Steinberg's name is in his own handwriting and there is no date on the cover.DLM édité en mars 1953 pour la 1ère exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 28 pages non reliées. 22 reproductions en couleurs dont 4 en double page.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1953 paperback
51-6826Paris: Maeght Éditeur 1966. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 157 - Mars 1966. 1966. With 19 reproductions: 7 in color of which 2 are double-page.Derrière le Miroir accompagnant l'exposition Saul STEINBERG à la Galerie Maeght en 1966. Format 38 x 28 cm 24 pages incluant 19 reproductions. Derrière Le Miroir n°157 including covers.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1966 paperback
51-6828Paris: Maeght Éditeur 7. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 224 - Mai 1977. 1977. With 4 original lithographs including covers.l.DLM édité pour l’exposition STEINBERG à la Galerie Maeght en mai 1977. Texte d’Italo Calvino « La Plume à la première personne ». 26 pages non reliées. 4 lithographies originales en couleurs et 22 reproductions dont 11 en couleurs et 1 en double page. Tirage original.IFamed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 7 paperback
0964834529.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
10096New York Knopf 1978. 4° 256 S. 274 teilw. farb. Abb. Broschur. Rücken min. gebräunt tadell. Saul Steinberg 1914-1999 war ein rumänisch-amerikanischer Zeichner und Karikaturist. Bekannt wurde er vor allem durch seine Cartoons und Titelbilder für das Magazin The New Yorker. Für diese Zeitschrift entstand auch ein Titelbild veröffentlicht am 29. März 1976 das später zu einem beliebten Postermotiv werden sollte: eine perspektivisch verzerrte Landkarte die von einer New Yorker Straße ausgehend einen Teil der Weltkugel abbildet und als grafische Idee für beliebige andere Orte abgewandelt wurde. 010 New York, Knopf, 1978 unknown
2012103846Random House. New. 2012. Hardcover. 038552448X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 768 pages; illustrated with black and white and a number of color images. -- with a bonus offer-- . Random House hardcover
50-0660Paris: Galerie Maeght May1977. Color lithograph with metallic embossing. 31 x 24 inches. 79 x 60 cm. Maeght Editeur 159; Arte Affiches 340. Paris: Galerie Maeght, May,1977. unknown
1977348911Paris : Maeght Éditeur 1977. First Edition. Softcover. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Series; Derrière le miroir ; no. 224. Physical description; 28 pages 4 unnumbered pages : illustrations some color ; 39 cm. Notes; Cover title. Essay 'La plume de la première personne' by Italo Calvino. Subjects; Steinberg Saul. Genre; Illustrated. Paris : Maeght Éditeur paperback
1973187309Paris: Maeght Éditeur 1973. First edition with 3 original lithographs number 40 of 150 signed by the artist and printed on vélin d'Arches. This issue of Derriére le Miroir Number 205 was published to celebrate two exhibitions of Steinberg's work held in 1971 and 1973 at the Maeght Gallery in Paris. Folio. With 20 lithographs 11 in colour in 3 sizes: covers 38 x 57 cm full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. Original lithographed wrappers lettering to front cover in black sheets loosely inserted as issued. All housed in the publisher's blue boards with lettering to spine in black with matching slipcase paper label to front lettered in black. Faint offsetting to a few leaves from lithographs. A near-fine copy. hardcover
1973348909Paris : Maeght Éditeur 1973. First Edition. Softcover. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Series; Derrière le miroir ; no. 205. Physical description; 27 pages : illustrations some color ; 39 cm. Notes; Cover title. Essay 'Tables d'evidence' by Hubert Damisch. Subjects; Steinberg Saul. Genre; Illustrated. Paris : Maeght Éditeur paperback
97626Paris Maeght Éditeur 1973. . Saul Steinberg 1914-1999 rumänisch-amerikanischer Karikaturist und Illustrator. - Rücken m. zarter Bräunung (Paris, Maeght Éditeur, 1973). unknown
103224Paris Maeght 1971. 2° 8 S. Texte 1 doppelblattgrosse Orig.-lithogr. 7 ganzs. Abb. u. 4 doppelblattgrosse Abb. inkl. Umschlag Boschur. Min. gebrauchspurig gutes Ex = Derrière Le Miroir No 192Texte de Jacques Dupin. 010 Paris, Maeght, 1971 unknown
16-3736Paris: Maeght 1973. Poster. 79.5 x 60 cm. Time stained lower left margin. Crease in lower. right marinPrinted by Arte. Paris: Maeght, 1973 unknown
196658809Paris France: Maeght. As New. 1966. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 22 loose pp. With 17 ills. 6 col. . 38 x 28 cm. -- with a bonus offer-- . Maeght paperback
1966mon0000029928<p>Paris: Maeght Editeur 1966. Hardcover. Very Good. in x in x in. First trade edition after a limited edition of 300 copies. Text in French. Color & B/W reproductions. Saul Steinberg was an American artist best known for his work for The New Yorker most notably View of the World from 9th Ave. He described himself as 'a writer who draws.'. This book has two DJ's. The paper DJ in good condition.it is wrinkled on the front because of the mylar DJ that didn't let it move I think.</p> Paris: Maeght Editeur, hardcover
1949193190New York: Harper & Brothers 1949. Hardcover. G- DJ soiled worn and torn cloth mildly soiled; interior nice and tight & pages may show a smudge here and there but they're almost entirely clear. Yellow illustrated cloth white ill. Illustrated DJ. Unpaginated. Profuse bw plates. 300 fabulous drawings that present Steinberg's view on life. Divided into five sections: art of living important people domestic animals the arts and the women. Harper & Brothers hardcover
19601108854New York: Harper & Brothers Publishers. Good hardcover copy with dustjacket and mylar overlay unnumbered pages 341 drawings in B/W. . Good. Hardcover. 1960. Harper & Brothers, Publishers hardcover
196859106Hamburg Germany: Hamburger Kunsthalle. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text In German. 60 pp. With 34 ils. 26 x 19 cm. -- with a bonus offer-- . Hamburger Kunsthalle paperback
50369Hamburg Rowohlt ca. 1955. 4° o. P. ca. 80 Bl. durchgeh. Abb. OLwd. m. OU OU min. lädiert schönes Exemplar. Dt. EA. 010 Hamburg, Rowohlt, ca. 1955 unknown
49845Hamburg Rowohlt o. J. ca. 1955. 4° o. P. ca. 80 Bl. durchgeh. Abb. OLwd. m. OU OU unfrisch u. rissig Papier etw. gebräunt. Dt. Erstausgabe. 010 Hamburg, Rowohlt, o. J. (ca. 1955) unknown
10246Hamburg Rowohlt 1961. Quer-Gr.8° ca. 250 Bl. OLwd. mit OU. Tadell. Dt. EA. St. ist einer der bekanntesten Karikaturisten Amerikas. Er zeichnete für «The New Yorker» u. «Harper’s Magazine». 010 Hamburg, Rowohlt, 1961 unknown
093860807X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
