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2018x-3319756257Springer 2018. Hardcover. New. 348 pages. 9.25x6.10x1.02 inches. Springer hardcover
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20188415EB2018. Cham Springer 2018. XII 334 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. Lecture Notes on Data Engineering and Communications Technologies. Volume 18. hardcover
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06062London: Allen & West 1796. A Study the Inhabitants of the Roundhouse and the Regular Attendants at the Police-Court"<br /> A Journey in Caricature through Early Nineteenth Century England.<br /> <br /> WOODWARD. George Moutard. CRUIKSHANK Isaac illustrators. Eccentric Excursions or Literary & Pictorial Sketches of Countenance Character & Country in different parts of England & South Wales. Interspersed with Curious Anecdotes Embellished with upwards of One Hundred Characteristic & Illustrative Prints. London: Allen & West 1796.<br /> <br /> First edition. Quarto 10 1/4 x 8 inches; 261 x 203 mm. ii i ii-iv i-iv 5-217 1 list of plates pp. Engraved title-page included in pagination Hand colored frontispiece and 100 hand-colored etched plates on ninety-nine leaves by Isaac Cruikshank after Woodward including three folding plates Plates 1 2 and 3. First folding plate with small portion 92/8 x 2 inches missing from fore-edge; second folding plate with neatly repaired marginal tear; third folding plate expertly repaired at folds and backed with linen. Plate 9 with small tape repair to verso of blank fore-edge; small inkstain on top blank margin of pp. 37/38 and following two plates. Some occasional light staining to text leaves only.<br /> <br /> Bound ca. 1820 in three quarter brown calf over marbled boards ruled in gilt. Spine with five decoratively tooled in gilt raised bands lettered in gilt in top panel. Early ink signature of Mary Austen on top blank corner of title-page. With the armorial bookplate of the noted collector Jacobus Cowan de Rosshall on front pastedown. Tip of spine chipped. Overall an excellent copy of this journey in caricature through early nineteenth century England. <br /> <br /> Aside from the aforementioned this is a very good example with the hand coloring rich and bright and far superior to the later editions.<br /> <br /> This satire amongst Moutard's earliest work enthusiastically depicts all types: high- and low-born rural and urban lawyers and peddlers coaching scenes misadventures on ice-skates Oxford dons gypsies etc.<br /> <br /> "The first and most celebrated of Woodward's books. The text describes an idiosyncratic ramble around the counties of England and Wales." Gordon p. 15.<br /> <br /> George Moutard Woodward 1760-1809 was "prolific and popular designer of social caricature much in the style of Banbury etched chiefly by Thomas Rowlandson and Isaac Cruikshank.his caricatures display a wealth of imagination and insight into character.extremely entertaining" DNB.<br /> <br /> "Another popular caricaturist of the day was George Moutard Woodward commonly called 'Mustard George.' Woodward according to his friend Henry Angelo was the son of a land agent and spent his youth in a country town where nothing was less known than everything pertaining to the arts. 'A caricaturist in a country town' said Mustard George 'like a bull in a china shop cannot live without noise; so having made a little noise in my native place I persuaded my father to let me seek my fortune in town.' Thanks to a small allowance from his father supplemented by his own earnings George was able to enjoy life in his own Bohemian fashion and ultimately took up his quarters at the 'Brown Bear' Bow Street where he was able to study the inhabitants of the roundhouse and the regular attendants at the police-court. At the 'Brown Bear' he died suddenly departing in character with a glass of brandy in his hand and was long mourned by his tavern associates. In his Eccentric Excursions which appeared in volume form in 1796 the designs engraved by Isaac Cruikshank there are several domestic subjects such as The Polite Congregation Showing Family Pictures and The Formal Introduction. Among other popular designs by Woodward are Raffling for a Coffin The Club of Quidnuncs Babes in the Wood A Goldfinch and his Mistress.and a series called Six Ways of Carrying a Stick. The majority are marred by extravagant hideousness but Angelo was of opinion that 'had this low humourist studied drawing and been temperate in his habits such was the fecundity of his imagination and perception of character that he might rivalled even Hogarth" Paston Social Caricature in the Eighteenth Century pp. 137-138.<br /> <br /> Gordon BC-26; Widener 207; Not in Abbey or Tooley. London: Allen & West, 1796 unknown
04274London: Allen & Co. 1807. A Study the Inhabitants of the Roundhouse and the Regular Attendants at the Police-Court"<br /> A Journey in Caricature through Early Nineteenth Century England.<br /> <br /> WOODWARD. George Moutard. Eccentric Excursions or Literary & Pictorial Sketches of Countenance Character & Country in different parts of England & South Wales. Interspersed with Curious Anecdotes Embellished with upwards of One Hundred Characteristic & Illustrative Prints. London: Allen & Co. 1807 but ca. 1813. <br /> <br /> Later issue first published in 1796. Quarto 10 3/16 x 8 3/8 in; 259 x 213 mm. iv v 6-217 1 list of plates pp. Engraved title-page included in pagination Hand colored frontispiece and 100 hand-colored etched plates on ninety-nine leaves by Isaac Cruikshank after Woodward including three folding plates Plates 1 2 and 3. The text is watermarked "W. Balston 1813". <br /> <br /> Bound by Rivière & Son stamp-signed on verso of front endpaper ca. 1890. Full maroon morocco covers with double-gilt borders spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt ruled board-edges decorative gilt turn-ins marbled end-papers top edge gilt others uncut. Occasional toning or foxing a few leaves with neatly repaired or strengthened edges. Overall an excellent copy of this journey in caricature through early nineteenth century England. <br /> <br /> Originally published in 1796 with subsequent issues in 1797 1798 1799 1801 1807. 1814 1815 1816 1818 Eccentric Excursions is quite rare in all yet curiously is rarer still in the later issues.<br /> <br /> This satire amongst Moutard's earliest work enthusiastically depicts all types: high- and low-born rural and urban lawyers and peddlers coaching scenes misadventures on ice-skates Oxford dons gypsies etc.<br /> <br /> "The first and most celebrated of Woodward's books. The text describes an idiosyncratic ramble around the counties of England and Wales." Gordon p. 15.<br /> <br /> George Moutard Woodward 1760-1809 was "prolific and popular designer of social caricature much in the style of Banbury etched chiefly by Thomas Rowlandson and Isaac Cruikshank.his caricatures display a wealth of imagination and insight into character.extremely entertaining" DNB.<br /> <br /> "Another popular caricaturist of the day was George Moutard Woodward commonly called 'Mustard George.' Woodward according to his friend Henry Angelo was the son of a land agent and spent his youth in a country town where nothing was less known than everything pertaining to the arts. 'A caricaturist in a country town' said Mustard George 'like a bull in a china shop cannot live without noise; so having made a little noise in my native place I persuaded my father to let me seek my fortune in town.' Thanks to a small allowance from his father supplemented by his own earnings George was able to enjoy life in his own Bohemian fashion and ultimately took up his quarters at the 'Brown Bear' Bow Street where he was able to study the inhabitants of the roundhouse and the regular attendants at the police-court. At the 'Brown Bear' he died suddenly departing in character with a glass of brandy in his hand and was long mourned by his tavern associates. In his Eccentric Excursions which appeared in volume form in 1796 the designs engraved by Isaac Cruikshank there are several domestic subjects such as The Polite Congregation Showing Family Pictures and The Formal Introduction. Among other popular designs by Woodward are Raffling for a Coffin The Club of Quidnuncs Babes in the Wood A Goldfinch and his Mistress.and a series called Six Ways of Carrying a Stick. The majority are marred by extravagant hideousness but Angelo was of opinion that 'had this low humourist studied drawing and been temperate in his habits such was the fecundity of his imagination and perception of character that he might rivalled even Hogarth" Paston Social Caricature in the Eighteenth Century pp. 137-138.<br /> <br /> Gordon BC-26; Widener 207; Not in Abbey or Tooley. London: Allen & Co., 1807 unknown
19-6882London: Allen & West 1796. . 7.75 X 10 inches. Unbound sheet. Black and white etching. Good with dampstain on bottom adhesive repair tape on back of print and marginal tears. Text lettered below reads: “London Pub’d by Allen & West 15 Paternoster Row December 3 1796.â€Print originally collected by Frederick Ruffner founder of Gale research. London: Allen & West, 1796. unknown
04274London: Allen & Co. 1807. A Study the Inhabitants of the Roundhouse and the Regular Attendants at the Police-Court"<br/>A Journey in Caricature through Early Nineteenth Century England.<br/><br/>WOODWARD. George Moutard. Eccentric Excursions or Literary & Pictorial Sketches of Countenance Character & Country in different parts of England & South Wales. Interspersed with Curious Anecdotes Embellished with upwards of One Hundred Characteristic & Illustrative Prints. London: Allen & Co. 1807 but ca. 1813. <br/><br/>Later issue first published in 1796. Quarto 10 3/16 x 8 3/8 in; 259 x 213 mm. iv v 6-217 1 list of plates pp. Engraved title-page included in pagination Hand colored frontispiece and 100 hand-colored etched plates on ninety-nine leaves by Isaac Cruikshank after Woodward including three folding plates Plates 1 2 and 3. The text is watermarked "W. Balston 1813". <br/><br/>Bound by Rivière & Son stamp-signed on verso of front endpaper ca. 1890. Full maroon morocco covers with double-gilt borders spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt ruled board-edges decorative gilt turn-ins marbled end-papers top edge gilt others uncut. Occasional toning or foxing a few leaves with neatly repaired or strengthened edges. Overall an excellent copy of this journey in caricature through early nineteenth century England. <br/><br/>Originally published in 1796 with subsequent issues in 1797 1798 1799 1801 1807. 1814 1815 1816 1818 Eccentric Excursions is quite rare in all yet curiously is rarer still in the later issues.<br/><br/>This satire amongst Moutard's earliest work enthusiastically depicts all types: high- and low-born rural and urban lawyers and peddlers coaching scenes misadventures on ice-skates Oxford dons gypsies etc.<br/><br/>"The first and most celebrated of Woodward's books. The text describes an idiosyncratic ramble around the counties of England and Wales." Gordon p. 15.<br/><br/>George Moutard Woodward 1760-1809 was "prolific and popular designer of social caricature much in the style of Banbury etched chiefly by Thomas Rowlandson and Isaac Cruikshank.his caricatures display a wealth of imagination and insight into character.extremely entertaining" DNB.<br/><br/>"Another popular caricaturist of the day was George Moutard Woodward commonly called ‘Mustard George.' Woodward according to his friend Henry Angelo was the son of a land agent and spent his youth in a country town where nothing was less known than everything pertaining to the arts. ‘A caricaturist in a country town' said Mustard George ‘like a bull in a china shop cannot live without noise; so having made a little noise in my native place I persuaded my father to let me seek my fortune in town.' Thanks to a small allowance from his father supplemented by his own earnings George was able to enjoy life in his own Bohemian fashion and ultimately took up his quarters at the ‘Brown Bear' Bow Street where he was able to study the inhabitants of the roundhouse and the regular attendants at the police-court. At the ‘Brown Bear' he died suddenly departing in character with a glass of brandy in his hand and was long mourned by his tavern associates. In his Eccentric Excursions which appeared in volume form in 1796 the designs engraved by Isaac Cruikshank there are several domestic subjects such as The Polite Congregation Showing Family Pictures and The Formal Introduction. Among other popular designs by Woodward are Raffling for a Coffin The Club of Quidnuncs Babes in the Wood A Goldfinch and his Mistress.and a series called Six Ways of Carrying a Stick. The majority are marred by extravagant hideousness but Angelo was of opinion that ‘had this low humourist studied drawing and been temperate in his habits such was the fecundity of his imagination and perception of character that he might rivalled even Hogarth" Paston Social Caricature in the Eighteenth Century pp. 137-138.<br/><br/>Gordon BC-26; Widener 207; Not in Abbey or Tooley. London: Allen & Co., 1807 unknown books
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1104422077.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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