659 résultats
1978123177Arts Council of Great Britain. As New. 1978. Hardcover. 0728701537 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - with a bonus offer-- . Arts Council of Great Britain hardcover
1927128731927 P., Delpeuch, 1927, 1 vol. in-4° (257 x 190 mm) broché sous couverture rose imprimée en gris et rouge, rempliée, de 154 pp. - (3) ff.Dos restauré, très bel exemplaire par ailleurs.
192719644Paris, Editions André Delpeuch 1927 1 Paris, Éditions André Delpeuch, 1927, petit in-4, couverture titrée, 154 pages, plein chevreau noir, mosaïqué de peau de buffle sertie bombée rose et de box incrustré noir, ivoire et cuivre au décor figurant un couple enlacé surmonté d'un semi de grains de poivre sur papier, titre au dos à l'oeser ivoire et rose, gardes décor poivres en papier népalais, sous étui toilé décor au poivres marqué d'une pièce de titre chagrin, (reliure signée Martine Clamagirand-Roth).
1934125919<p>The sole printing of this illustrated edition published by the Golden Cockerel Press in 1934. The BOOK is in near Fine condition. Printed in Gill Felicity Italic on Millbourn paper. 8vo. Translated from the Arabic into French by Franz Toussaint and then rendered into English by Christopher Sandford. 8 copper engraved erotic headpieces by Gertrude Hermes. This copy is number '26' from a total edition of 275 copies and is one of circa 25 randomly numbered special copies bound by the publishers in full vellum with gilt titling a gilt cockerel design to the front panel and issued with additional erotic engravings. The BOOK is in near Fine condition with just a small amount of lightening of colour to the front edge of the front board. Top edge gilt. Free from inscriptions. A hint of spotting to the blank end-papers. Although the specially bound full vellum copies were issued with six extra copper engravings inserted loose in the sleeve at the rear of the book this copy has only four of the engravings present. However all four of the engravings are signed in pencil and dated 1934 by Gertrude Hermes. 'Chanticleer bibliography of the Golden Cockerel Press 1921 -1936' does not reference the engravings as having been signed by Gertrude Hermes. The engravings are complete with some very light spotting to the edges. One plate is more spotted which has very lightly encroached onto the plate. The four extra engravings are much more distinctly erotic than the engravings in the book and have not been included as illustrations in the book. The book is housed in a custom chemise with a morocco printed label and a matching slipcase. The sensually joyful love poems were written by a Moor in Spain in the 10th century. Hermes's engravings for the Garden of Caresses are particularly sensuous and beautiful. Chanticleer 100. A very handsome production and extremely scarce with such attributes. More images available on request. Ashton Rare Books welcomes direct contact.</p> Golden Cockerel Press, London hardcover
191471211L'Edition d'art H. Piazza | Paris 1914 | 23.50 x 30 cm | broché sous étui
191471211Paris: L'Edition d'art H. Piazza 1914. Fine. L'Edition d'art H. Piazza Paris 1914 23.50 x 30 cm broché sous étui L'édition d'art H. Piazza Paris 1914 23.5 x 30 cm original wrappers slipcase An edition of 500 copies this one of 100 copies on Japon imperial paper with a black-and-white suite of Léon Carré's 20 color illustrations. Publisher's blue paper covers with gilt arabesques in relief spine very slightly creased and sunned the chemise with a few tears slipcase with slight tears to two edges. L'Edition d'art H. Piazza unknown
191013215Paris, A. Ferroud & F. Ferroud, 1910. 1 vol. in-8. Plein maroquin aubergine janséniste, dos à nerfs, titre et auteur dorés, date en queue, double filet doré sur les coupes, tête dorée, couvertures et dos conservés, sous étui [DUBOIS D'ENGHIEN - DOOMS]
192723856Paris, Editions André Delpeuch 1927 1 Paris, Editions André Delpeuch, 1927, petit in-4, plein chevreau noir, mosaïqué de chagrin orange d'un décor aux yeux de biche surmonté d'un semi de grains de poivre, box noir et ivoire, serties bombées, titre sur le dos à l'encre orange, gardes en papier népalais au motif grains de poivre, sous étui toilé marqué d'une pièce de titre chagrin, (reliure signée Martine Clamagirand-Roth) avec un dessin original, encre de Chine et gouache, de la Sultane Zahia.
1936ABC_466121936. Bound in contemporary richly gold-tooled arabesque beige morocco with a flap at the front-edge covered with gold-tooled green morocco on the inside purple and white head and end bands gold and light blue endpapers. Stored in a professionally made beige morocco box ca. 15 x 15 cm with a gold-tooled three-line fillet frame on the boards on the inside covered with light pink silk title in gold on the spine. 11.5 x 12 cm. Manuscript in French written by the author in black ink a neat 20th-century hand in one column. Chapter divisions are made in the form of a calligraphic leaf drawn in the same black ink as the text. Autograph copy of Le jardin des caresses Toussaint's famous collection of Moorish erotic poems written and inscribed by the author himself as a gift to a his second wife. The work is considered to be a classic of 20th-century French orientalism. The work contains a collection of anonymously written Moorish sensual and erotic poems translated from the Arabic into French by Franz Toussaint. The present copy of the work was very likely made as a gift for his second wife married since 1925 Adelaïde Etelca Stefania Braggiotti and is inscribed by the author himself emphasizing his feelings for her: "À Etelka ma femme bien-aimée qui est pour moi toute la splendour du monde et toute la poësie. Franz Toussaint. Mai 1936".Franz Toussaint 1879-1955 was a French author and orientalist known for his translations of Arabic Persian Sanskrit and Japanese works. He is most known for his translation of the Rubaiyat of Omar Khayyam 1924. He was also a director of films.The present collection of poems inspired by Arabic literature were first published serially in 1909-11 before they were published together in 1911 by Henri Piazza in Paris. The work was reprinted many times in the 20th century all appearing as limited editions and also translated into English The garden of caresses; London Golden Cockerel Press 1934. The work also became very popular in song as the short stanzas in the work were very suitable to put to music. The present copy of Toussaint's "tales of love" being a presentation copy which is beautiful in its simplicity is the only autograph of the work known.With the monogrammed stamp of the author in black ink on both endpapers. Binding slightly worn around the edges of the spine and fore-edge including the flap first two endpapers almost loose with a few minor spots. The case is a little worn at a few places the two fastenings are gone but still preserved. Overall an autograph copy of Le jardin des caresses which is still in very good condition and in its original binding made by Toussaint as a gift for his wife. hardcover
