Mary MORIN - Franz TOUSSAINTBiblio.com
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192562800Paris: Les éditions du monde moderne 1925. Fine. Les éditions du monde moderne Paris 1925 13 x 16.50 cm broché New edition one of 100 numbered copies on Japan paper the only deluxe copies. Work illustrated with original woodcuts by Mary Morin. Handsome copy. Les éditions du monde moderne unknown
1396226974.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
139192729X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365646237.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366993291.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366993518.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391611845.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
114357009X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20212-6139527090Éditions universitaires européennes 2021. Paperback. New. 104 pages. French language. 8.66x5.91x0.24 inches. Éditions universitaires européennes paperback
6139527090.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334884765.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334874875.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0656496541.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666342687.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282139354.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192713928AB1927. Mexico Secretaria de Hacienda 1927. 405 31 cm. 192 pages with many partly coloured illustrations various many-folded plans. Colourd illustrated original boards. Good general overview about the churches in Mexico through four centuries. Profusely illustrated. hardcover
20131-3838184394Éditions Universitaires Européennes 2013. Paperback. New. 104 pages. French language. 8.66x5.91x0.24 inches. Éditions Universitaires Européennes paperback
3838184394.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013__3838184394Éditions Universitaires Européennes 2013. Paperback. New. 104 pages. French language. 8.66x5.91x0.24 inches. Éditions Universitaires Européennes paperback
51-3578Habana : Lit. de L. Marquier 1848. Handcolored lithograph. Image 24 x 28 cm. Matted and framed. Sheet size likely 35 x 26 cm. Fresh appearing.Gallery sticker verso from Cisneros Gallery 1316 Madison Ave. NY NY.OCLC Number: 1038752973Notes: Contiene: 1. Vista de la Habana tomada desde la entrada del puerto no. 1.-2. Morro y entrada del puerto de la Habana.-3. Habana 1a. vista tomada desde Casa Blanca.-4. Habana 2a. vista tomada desde Casa Blanca.-5. Habana 3a. vista tomada desde Casa.Description: 30 grabados ; 35 x 26 cmFrom the Cuban period of the painter and lithographer from Bordeaux Frédéric Mialhe who published the first album of lithographical views of the island 1839-1842. These « picturesque » plates are the first reproductions of landscapes and « costumbrista » scenes of any importance in Cuba. In the second half of the 19th century with the disappeareance of the picturesque albums lithography turns itself towards the tobacco sector.Frédéric Mialhe arrived in Cuba in 1838 under contract to the printers Real Sociedad Patriótica to record views of the island. Enamored by the richness and exoticism that surrounded him Mialhe remained in Cuba to produce further work; he also taught drawing at the Liceo Literario y Artístico in Havana. The artist returned to France in 1854.Felipe Poey the founder of the Museum of Natural History in Havana often accompanied Mialhe on his painting excursions into the Cuban hinterland and remarked that: "Mialhe carried along a blank book and his admirable pencil which they say drew by itself though probably helped by Mialhe's fingers and thumb".Mailhe is best known for his series of lithographs Isla de Cuba Isla de Cuba Pintoresca and Viaje pintoresco por la Isla de Cuba. These magnificent albums of lithographs depicted daily life in Cuba and its capital in the mid-19th century.Refs: Emilio Cueto Mialhe's Colonial Cuba Miami 1994 pp. 1-7 73-77; Palau 5421 and cf.167989; cf. Sabin 17748 for the other pirated edition with only 26 plates; cf. G. Sánchez. "Federico Mialhe: diseño biográfico y señalamientos para la estimación de su obra" in Revista de la Biblioteca Nacional La Habana año 66 nº 2 1975. Habana : Lit. de L. Marquier, 1848. unknown
51-3579Habana : Lit. de L. Marquier 1848. Handcolored lithograph. Image 24 x 28 cm. Matted and framed. Sheet size likely 35 x 26 cm. Fresh appearing.Gallery sticker verso from Cisneros Gallery 1316 Madison Ave. NY NY.OCLC Number: 1038752973Notes: Contiene: 1. Vista de la Habana tomada desde la entrada del puerto no. 1.-2. Morro y entrada del puerto de la Habana.-3. Habana 1a. vista tomada desde Casa Blanca.-4. Habana 2a. vista tomada desde Casa Blanca.-5. Habana 3a. vista tomada desde Casa.Description: 30 grabados ; 35 x 26 cm.From the Cuban period of the painter and lithographer from Bordeaux Frédéric Mialhe who published the first album of lithographical views of the island 1839-1842. These « picturesque » plates are the first reproductions of landscapes and « costumbrista » scenes of any importance in Cuba. In the second half of the 19th century with the disappeareance of the picturesque albums lithography turns itself towards the tobacco sector.Frédéric Mialhe arrived in Cuba in 1838 under contract to the printers Real Sociedad Patriótica to record views of the island. Enamored by the richness and exoticism that surrounded him Mialhe remained in Cuba to produce further work; he also taught drawing at the Liceo Literario y Artístico in Havana. The artist returned to France in 1854.Felipe Poey the founder of the Museum of Natural History in Havana often accompanied Mialhe on his painting excursions into the Cuban hinterland and remarked that: "Mialhe carried along a blank book and his admirable pencil which they say drew by itself though probably helped by Mialhe's fingers and thumb".Mailhe is best known for his series of lithographs Isla de Cuba Isla de Cuba Pintoresca and Viaje pintoresco por la Isla de Cuba. These magnificent albums of lithographs depicted daily life in Cuba and its capital in the mid-19th century.Refs: Emilio Cueto Mialhe's Colonial Cuba Miami 1994 pp. 1-7 73-77; Palau 5421 and cf.167989; cf. Sabin 17748 for the other pirated edition with only 26 plates; cf. G. Sánchez. "Federico Mialhe: diseño biográfico y señalamientos para la estimación de su obra" in Revista de la Biblioteca Nacional La Habana año 66 nº 2 1975. Habana : Lit. de L. Marquier, 1848. unknown
185511352Berlin: Oilprinting Storch & Kramer for B. May y Ca. 1855. One of two pirated editions printed in Germany in the 1850's a marvelous album of views based on the work of Cuba's master lithographer Frederic Mialhe depicted in his Viaje Pintoresco al Rededor de la Isla de Cuba Havana 1847-1848; this edition with captions in Spanish only and without vignettes on the maps the other pirated edition was printed in either Berlin or Hamburg with tinted lithographs instead of the color lithographed plates as here the captions were in Spanish English and German and a series of vignettes were printed around the border of the two maps; the lithographs in this issue are much more detailed than in the other pirated edition. <br /> <br /> Perhaps the finest pictorial record of daily life in Cuba in the 19th century with port and city views of Havana countryside scenes a bullfight and a cockfight. This copy with all plates fully and beautifully color lithographed. Sabin 17748 for the other pirated edition which had only 26 plates. Though OCLC locates an equal number of the two editions this colored issue seems to be less common in trade. For an account of Mialhe's original edition which was printed in Cuba and the two German piracies see Emilio Cueto's Mialhe's Colonial Cuba Miami 1994 pp. 73-77. See OCLC: 476499050.<br /> <br /> Oblong 4to. 27 color lithographed plates and color & gold lithographed illustrated title leaf printed rectos only with tissue guards 2 folding maps. With their original tissue guards some ruffled. All edges gilt. Scattered foxing; some minor insect damage on top margin of seven early pages. Original elaborate red velvet binding titled and ornamented in gold expertly rebacked. Possibly a presentation binding. Oilprinting Storch & Kramer (for) B. May y Ca. unknown
18423220Havana: Real Sociedad Patriótica 1842. First edition. Unbound. Some plates are chipped dogeared. Some tanned with foxing. Overall in very good condition. Lithographed title page and 48 lithograph plates. Lithographed title page and 48 lithograph plates. First edition. Unbound. <p><br /> Rare and remarkably extensive collection of 48 early lithographs by Frédéric Mialhe Cuba’s master lithographer. “One of the most outstanding enterprises of its kind ever attempted in Cuba.†Cueto<br /> <p><p><br /> A large collection of forty-eight prints of these early lithographs of Cuba created by Cuba’s master lithographer Pierre Toussaint Frédéric Mialhe 1810–1881. Mialhe a French artist and engraver arrived in Havana in 1838 to serve as the landscape painter for the newly established lithographic firm under the auspices of the Real Sociedad Patriótica de la Habana. Soon he produced three sets of lithographs among them the present series Isla de Cuba Pintoresca which as described by Emilio Cueto in his comprehensive book La Cuba pintoresca de Frédéric Mialhe stands out as one of the most outstanding enterprises of its kind ever attempted in Cuba. Mialhe must also be recognized for having been a pioneer in incorporating the use of the newly discovered technique of photography to help his lithographic endeavors. Collaborating with Italian photographer Antonio Rezzonico two of Rezzonico's daguerreotypes the earliest examples of cityscape photography in Cuba were reproduced in this series. <br /> <p><p><br /> Isla de Cuba Pintoresca covers the territories of Pinar del RÃo Havana Matanzas and Santiago de Cuba capturing the essence of mid-19th-century Cuba and offering glimpses of the everyday life on the island. It was originally planned as a set of 48 lithographs sold in installments of four black-and-white views each. The plates were printed at the establishment of the Real Sociedad Patriótica each bearing the title Isla de Cuba pintoresca and printed on two types of paper: simple white paper and China paper sized between 6.5–7 inches by 10–11 inches. <br /> <p><p><br /> Ultimately 49 distinct views were published with Cueto estimating that perhaps no more than 200 copies of the plates were printed. Due to the characteristics and the timeline of the publication spanning from 1839 to 1842 marked by interruptions and uncertainties and counting with the possibility of some prints being issued separately no two copies of this collection are identical. According to Cueto the most complete collection belonging to him comprises 53 plates including variants featuring minor modifications either in the image or in the title followed by the New York Historical Society’s collection which includes 46 plates in fact 47 as it includes a repeated plate. In Havana the National Museum of Fine Arts boasts the largest known collection with 43 plates. The José Martà National Library of Cuba holds 37 plates. Additionally there are only three other institutional collections with more than 25 plates: Yale University 36 plates the Cuban Collection of the University of Miami 32 plates and the Buffalo and Erie County Library 28 plates. The largest collections we have been able to trace at auctions are the Reese copy with 38 plates sold by Christie’s in 2023 and another set also sold by Christie’s in 2023 with 36 views.<br /> <p><p><br /> Our collection remained unbound and untrimmed comprises 48 plates of which one Puente de Almendares appears twice on different papers additionally it includes a title page originally accompanying the 10th installment. Printed on various quality papers the differences in size and condition are explained. The majority are on China paper thus preserved in very good condition while those on simple white paper show more signs of aging. <br /> <p><p><br /> This scarce and exceptionally comprehensive compilation serves as a testament to Mialhe's artistic skill and historical importance.<br /> <p><p><br /> Literature: Cueto E. 2010. La cuba pintoresca de Frédéric Mialhe. Biblioteca Nacional de Cuba José MartÃ.<br /> <p>. [Real Sociedad Patriótica] unknown
MA 9789360805715USA Edition . New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
036562182X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
