Nicolas Toussaint le Moyne des EssartsBiblio.com
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0266143318.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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A9781166481407New. unknown
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51-7219Paris: Aubert circa 1831. Original lithograph 35.5 x 26.5 cm. Plagte no. 29 in La caricature. ."Cirque Olympique" 1831 is a 19th-century satirical lithograph by French artist Nicolas-Toussaint Charlet 1792–1845. Published in La Caricature on February 3 1831 this press cartoon—also known as Le fusillier Sacot déchiffre.—often depicts scenes relating to Napoleon and circus spectacle specifically highlighting the "emperor". Paris: Aubert, circa 1831 unknown
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196762425Austin & London: University of Texas Press The Texas Pan American Series 1967. Rilegato tela cloth. Molto buono Very Good. With 395 illustrations in black and white and 9 color plates. Contents: Art in New Spain at the time of the Conquest the middle ages in Mexico 1519-1550. Art during the colonization of New Spain the renaissance in Mexico 1550-1630. Art in New Spain during the formation of the nation the Baroque style in Mexico 1630-1730. Pride and wealth climax of the Baroque in Mexico 1730-1781. Art and the independence of Mexico neoclassic art 1781-1821. 4to. pp. XXVI - 494. Molto buono Very Good. Dedica alla prima pagina bianca Inscription on first blank page. . University of Texas Press, The Texas Pan American Series hardcover
1967BOOKS001339xxvi493 pages with frontispiece index bibliography and 395 plates. Quarto 11 1/4" x 9". bound in original publisher's gold cloth with black and gilt decorative lettering to spine in original pictorial jacket. Translated and edited by Elizabeth Wilder Weismann from the second Spanish edition. First American edition.<br /><br />The three hundred years between conquest by Spain and the winning of independence saw a special and characteristic culture develop in Mexico. This was a frontier society but a rich one with all the resources of imperial Spain and the Roman church to develop and support the natural wealth of the land. Public and private buildings were ornamented with rich sculpture and embellished with colorful paintings depicting religious scenes and views of daily life. In this period the preponderantly Indian population was converted to the Christian faith and introduced to the civilization of post-Renaissance Europe. Artists came to Mexico from the Old World and brought with them the current styles but most of the practicing artisians had never seen Europe Natives of New Spain of both Indian and Spanish blood developed the imported styles in new modes appropriate to the new country that was to be come Mexico. It is this great corpus of art ranging from the Primitive and Medieval through Renaissance and Baroque to the nineteenth century Neoclassic and popular art which this book presents. It is the cornerstone of the study of Mexican colonial art.<br /><br /><b>Condition:</b><br /><br />Edges bumped. Jacket spine sunned edges chipped with tears and closed tears front edges sunned spine ends chipped else a very good copy in like jacket. University of Texas Press hardcover
