6 447 résultats
1949100902Paris Paul Morihien 1949 1 vol. broché in-12, broché, couverture en couleurs, 158 pp., autoportrait en frontispice. Préface de Jean Cocteau. Edition originale précédée d'une introduction d'André Fraigneau et Jean Denoël. En très bon état.
1949100902Paris Paul Morihien 1949 1 vol. broché in-12, broché, couverture en couleurs, 158 pp., autoportrait en frontispice. Préface de Jean Cocteau. Edition originale précédée d'une introduction d'André Fraigneau et Jean Denoël. En très bon état.
194982993Couverture souple en couleurs. Introduction d'André Fraigneau et Jean Denoel. Préface de Jean Cocteau. Frontispice par Max Jacob.
1996292871PN. New. 1996. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1949WRCLIT48768Paris: Morihien 1949. Decorated wrappers. First edition ordinary issue after fifty numbered copies on vélin. Wrappers slightly torn at toe of spine very good. Morihien unknown books
1926194711926 Paris, Plon-Nourrit, 1926, in-8 br., de 395 pp., non coupé, sous chemise et étui cart., très bel ex.
1995R100062363Benedikt Taschen. 1995. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages - nombreuses illustrations, photos en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 750-La peinture et les peintres
1974RO40176412Hebrew union College Press, Cincinnati. 1974. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 284 pages. Etiquette de code sur le dos (jaquette). Tampons et annotations de bibliothèque en page de titre.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1995R240004146BENEDIKT TASCHEN. 1995. In-4. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 96 pages. Frontispice en couleur. Nombreuses photos et illustrations en couleur et en noir et blanc, dans le texte et hors texte, par Wolfgang VOLZ.. . . . Classification Dewey : 700-LES ARTS
1995020505Wolfgang Volz Benedikt Taschen broché Bristol illustré Köln 1995 96 pages en format 23 - 30 cm - nombreuses potographies en couleurs et en noir
193628110Manuscrit autographe complet. Exemplaire Broder [Saint-Benoît-sur-Loire, vers 1936-1937]. Manuscrit autographe à l'encre noire de 70 feuillets in-4, numérotés 23-92 [avec un f. 74 bis, f. 70 manquant], montés sur onglets. Maroquin bordeaux, dos lisse, double encadrement de filets à froid sur les plats, encadrement intérieur de même maroquin orné de filets à froid, tranches dorées (Semet et Plumelle). Important manuscrit autographe de travail, avec corrections, ratures, ainsi que variantes et passages inédits, et ayant appartenu à Louis Broder, premier éditeur du texte. Monté en tête : portrait photographique de Max Jacob, le montrant dans sa chambre de la rue Gabrielle en 1917, selon la légende manuscrite au dos (tirage argentique, 239 x 180 mm). Il a servi à l’établissement du texte pour la version publiée en 1956.
195629341Trois lithographies et 24 dessins de Picasso Paris, Louis Broder, coll. « Écrits et Gravures », n° 2, (24 octobre) 1956. 1 vol. (185 x 250 mm) de 126 p., [8] f. En feuilles, sous couverture illustrée, chemise illustrée et étui de l'éditeur. Édition originale, posthume, du texte de Max Jacob considéré comme ses « Mémoires ». Elle est illustrée par Pablo Picasso de 3 lithographies originales en couleurs et en noir (étui, couverture et portrait-frontispice), 3 pointes-sèches originales et 24 dessins inédits gravés sur bois par Georges Aubert qui rappellent les illustrations du Chef-d’œuvre inconnu. Tirage unique à 170 exemplaires sur vergé de Montval, celui-ci un des 30 numérotés en chiffres romains, auxquels sont joints 2 états de la lithographie pour l’étui (exemplaire n° II), signé par Picasso.
19021780317430MHAMacmillan and Co 1902. Hardcover. Good. 1902. No edition remarks. 257 pages. No dust jacket. Red cloth covered boards with gilt. Rough cut edges to textblock. Pages with some foxing and tanning particularly to endpapers and textblock edges. Cracking to front hinge with netting exposed. Binding slightly loose. A previous owner's name to front free endpaper dated 1902. Boards have moderate shelf wear with some rubbing fraying and corner bumping. Some mild sunning and tanning particularly to spine. Macmillan and Co hardcover
198823971Chicago IL: Museum Of Contemporary Art 1988. First Edition. First Printing. Softcover. Fine/No Dust Jacket As Issued. Chicago IL: Museum Of Contemporary Art 1988. Softcover. Fine/None As Issued. First Edition/First Printing. 120 pages. Landmark Exhibition Monograph. One of the earliest and best introductions to the art and achievement of Christian Boltanski. The First Edition. Published in a small and limited first print run as an oversized softcover original only. The First Edition is now scarce. As expected the book is thoughtfully and brilliantly produced by Christian Boltanski: Oversize-volume format. Beige softcovers with black titles on the cover and spine as issued. Art by Christian Boltanski. A retrospective it is appropriate that it ranges over the whole career of the artist up until then. Divided into four parts that are each preceded by definitive essays from some of Christian Boltanski's most important Contributors. At the same time Boltanski presents in a 35-page sequence his "Detective" photographs which appear in book form for the first and only time and in their entirety. The work first appeared in weekly installments in the French "Detective" Magazine. Boltanski meticulously re-presents the photographs in magazine-newsprint stock paper distinctly setting them apart from the rest of the volume which is printed in contrasting pristine-white archival stock paper. The production quality is exemplary in every respect. Without DJ as issued. Published on the occasion of the major retrospective exhibition which commenced at the Museum of Contemporary Art Chicago in 1988 and then travelled on to several major venues in the United States and Europe. Presents Christian Boltanski's "Lessons of Darkness". Recapitulates the artist's sublime oeuvre with gravity and grace. "The task is to create a formal work that is at the same time recognized by the spectator as a sentimentally charged object. The artist is someone who holds a mirror and those who look in the mirror recognize themselves but each one sees a different image" Christian Boltanski. An absolute "must-have" title for Christian Boltanski collectors. This copy is very prominently neatly and beautifully signed and inscribed in black ink-pen on the title page by the artist: "Pour K. Amicalement Christian Boltanski". It is signed directly on the page itself not on a tipped-in page. The recipient who is named was a friend and colleague of the artist and cannot be named here. This title is an art book classic. As far as we know this is the only such signed and inscribed copy of the First Edition/First Printing American available online and is in fine condition: Clean crisp and bright. Please note: Copies available online have very serious serious flaws "Very Good" yet are priced as though they had collectible value. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with black-and-white and color plates. One of the greatest artists of the 20th century and our time. A fine copy. SEE ALSO OTHER CHRISTIAN BOLTANSKI TITLES IN OUR CATALOG. ISBN 0914357158. Museum Of Contemporary Art paperback
1998120458New York: DCA Gallery 1998. First edition. Softcover. Exhibition catalog for a show that ran May 16 through June 20 1998. Essays by Ann Lumbye Sorensen and Jacob Greve. Includes numerous black and white illustrations. A very near fine copy in white printed wrappers. Seemingly fairly uncommon. DCA Gallery unknown books
1997004233Dulles Virginia U.S.A.: Brill Academic Pub 1997. Three Volumes . Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Ex-Library all books have red boards with gilt lettering. Interiors are very clean with no underlining or writing except for usual library marking on endpages only. <br/> <br/> Brill Academic Pub hardcover
197465944Hebrew Union College Press 1974-01-01. Hardcover. Good/Good. Hardbound with dust jacket. Owner's inscription inside cover book else unmarked with limited wear. Jacket with general wear and tear. Hebrew Union College Press hardcover
1975062487Leiden: E.J. Brill 1975. First Edition . Hardcover. Good/No Dust Jacket. 2 volumes. An ex-library set in original red cloth lettered in gold. The usual ex-libris markings. The bindings are sound the text is clean/unmarked and there is little wear to the covers. No dust jackets. <br/> <br/> E.J. Brill hardcover
1975BOOKS047455ILeiden Netherlands: E. J. Brill 1975. HC. very good red cloth hardcover Some MARGINAL NOTES see notes. B&W illustrations. ISBN 9004042156 "Studies in Judaism in Late Antiquity - Volume Twelve" which consists of four parts as follows: Part One - NEW TESTAMENT 330pp; Part Two - EARLY CHRISTIANITY 227pp Note in this volume there are MARGINAL NOTES on about 72 pages; Part Three - JUDAISM BEFORE 70 248pp Note - in this volume there are MARGINAL NOTES on about 4 pages; and Part Four - JUDAISM AFTER 70 OTHER GRECO-ROMAN CULTS BIBLIOGRAPHY 241pp. The scholar who owned this library occasionally made marginal notes which are in a small handwriting in margins and not within the text itself do not be frightened away. A hard to find set. E. J. Brill unknown
19752774E. J. Brill. 1975. Hardcover. Fine. Volumes are in fine condition and have protective mylar sleeves; Two volumes--Part One: New Testament; Part Two: Early Christianity.; Studies in Judaism in Late Antiquity; I II; There are a handful of articles in French or German but most are in English. Articles by: Helmut Koester Jonathan Z. Smith William R. Farmer T. A. Burkill James A. Sanders Tjitze Baarda Wayne A. Meeks Pierson Parker Max Wilcox Pierre Benoit E. Earle Ellis George Wesley Buchanan Robin Scroggs Sheldon R. Isenbert Marcel Simon Sherman E. Johnson D. W. O'Connor marc Philonenko S. G. F. Brandon Kurt and Ursula Schubert Stephen Gero Ernest S. Frerichs. . 9004042156 . E. J. Brill hardcover
1923007239Macmillan. Original publishers green cloth and design with guit titles lightly sinned. . Near Fine. Hardcover. 1st Edition. 1923. Macmillan hardcover
1923W083RNew York: The Macmillan Company 1923. Original blue/green cloth with dark green holly decoration and gilt lettering. Top edge appears to have been stained. Spine sunned and streaky fading on lower board. Owner name stamp on frontpastedown. Interior is very clean and good. Rather unusual collection from Riis the famed sociologist of urban America. First Edition. Cloth. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Trade. The Macmillan Company Hardcover books
1996011015Taschen America Llc 1996. SIGNED BY CHRISTO & JEANNE-CLAUDE on title page no inscription Looks and feels unused softcover in excellent condition no marks or writing binding tight spine perfect covers bright and glossy; tracking confirmation incl. Signed by Illustrator. Soft Cover. As New. 4to - over 9¾" - 12" tall. Taschen America Llc Paperback
199563512Benedikt Taschen 1995. Soft cover. Fine. Large softcover SIGNED BY CHRISTO AND JEANNE-CLAUDE in blue crayon on the title page. The condition is next-to-pristine slightest handling. 96 pages with photographs of their art projects throughout. 1.1 lbs <br/> <br/> Benedikt Taschen paperback
1995BWBJ0130Taschen 1995. Binding. Used- Fine Condition. Book is clean and tight. Book shows very light shelf wear. Binding has started to crack at the Contents page. Book is signed by the artists in what appears to be blue crayon. There is an ex libris sticker bearing the previous owner's name inside the front cover. No further markings on the inside of the book. Ephemera programs and tickets from a local Christo and Jeanne-Claude lecture series are laid in. Photos are of the book we have here at Barbed Wire Books. Taschen paperback
