987 résultats
1962S4443Offprint from:: Physical Review Letters Vol. 9 No. 3 August 1 1962. 1962. 267 x 200 mm. 4to. 117-120 pp. Self-wraps. Very good. Physical Review Letters, Vol. 9, No. 3, August 1, 1962. paperback books
1999S4437Offprint from:: Reviews of Modern Physics Vol. 71 No. 2 1999. 1999. 280 x 210 mm. 4to. S16-S24 pp. Self-wraps. Fine. Reviews of Modern Physics, Vol. 71, No. 2, 1999. paperback books
1970S4453Offprint from:: The Physical Review D Vol. 1 No. 5 1 March 1970. 1970. 267 x 200 mm. 4to. 1349-1356 pp. Self-wraps. Fine. The Physical Review D, Vol. 1, No. 5, 1 March 1970. paperback books
1965S4456no place:: Submitted June 3 1965. 1965. 280 x 217 mm. 4to. i 15 ff. Mimeographed sheets. Self-wraps. Fine. Submitted June 3, 1965. paperback books
1963S4444Offprint from: Theoretical Physics. Vienna:: International Atomic Energy Agency 1963. 1963. 241 x 160 mm. 8vo. 593-618 pp. 8 figs. Printed wrappers. Very good. International Atomic Energy Agency, 1963. unknown books
1980S4419Offprint from:: Physik und Didaktik 4 1980. 1980. 236 x 165 mm. 8vo. 300-324 pp. References. Printed wrappers. Fine. German-language edition of Pais' "Radioactivity's two early puzzles" originally published in Reviews of Modern Physics Vol. 49 No. 4 1977. Physik und Didaktik, 4, 1980. unknown books
1973S4396Offprint from:: Physical Review D Vol. 8 No. 6 15 September 1973. 1973. 267 x 200 mm. 4to. 1844-1846 pp. Self-wraps. Fine. Physical Review D, Vol. 8, No. 6, 15 September 1973. paperback books
199492439NY:: Oxford University Press. Near Fine in Near Fine dust jacket. 1994. Hardcover. 0198539940 . First edition. About fine in like dust jacket. . Oxford University Press, hardcover books
12778pamphlet. 5 pages pp. 2216-2220 IN: Journal of the American Medical Association vol. 65 no. 26. Tall 4to sewn modern wrappers. Chicago 1915. First Edition. Whole number offered entire.<br/><br/> Park was an early advocate of diphtheria immunization with toxin- antitoxin. GM 5068<br/><br/> unknown books
182434668New York: Printed for the Publisher and Sold at the Book-Stores 1824. 48pp. Light rubberstamp faint blindstamps. Modern plain wrappers light scattered foxing. Good.<br/><br/> Abraham Paul was a successful busy New York publisher and printer. "William and Peter C. Smith publishers were charged with conspiracy to ruin the business of another publisher Abraham Paul. They placed fictitious orders with him and cut the price of their edition of a Bible commentary which was also published by Paul" Cohen. This trial pamphlet prints the indictment and summarizes statements of counsel the testimony the charge of the court to the jury. <br/> William Smith had "made unfriendly declarations against Paul as to his business." He had also made statements of his intention to "take every advantage of Paul he could." Other circumstances and declarations indicated his guilt; but the evidence against Peter Smith was very shaky. The court indicated that a verdict of 'Not Guilty' was appropriate and the jury agreed. Since the defendants had been charged with conspiracy and the involvement of Peter was doubtful no conspiracy existed. Hence the acquittal.<br/>Cohen 12219. Sabin 103189. OCLC records eight locations under four accession numbers as of February 2018. Printed for the Publisher, and Sold at the Book-Stores unknown books
1669D6035Paris: Frederic Leonard 1669. First Edition. Hardcover. Very Good. 4to 242 x 185 mm. 120pp. Printers woodcut device on title depicting the winged lion of Evangelist Mark and motto Virtute invidiam vince Virtue overcometh envy and the legend Pax tibi marce Evangelista meus. 5 engraved folding plates 4 by Sebastien Le Clerc and one by Abraham Bosse depicting a chameleon on a branch and a plate with chameleons skeleton and organs in the upper part on a trompe-loeil sheet; and the same anatomical analysis for the beaver the camel the bear and the gazelle decorative woodcut head- and tail-pieces. Contemporary mottled calf spine gilt in compartments plates with some tears along folds repaired on verso some light darkening minor marginal worming at end; light edgewear. From the collection of Charles Philippe Robin 1821-1885 French doctor anatomist and politician bibliographical note at foot of title. Other early inscriptions to title referring to the engraver M. LeClerc and on rear pastedown to the state of the engravings. <br/><br/>First Edition and second publication dealing with the comparative anatomy of the animals the chameleon the beaver the camel the bear and the gazelle. Perrault scientist and naturalist was the leader of a team of comparative anatomists called the Parisians that included Guichard-Joseph Duverney Jean Pecquet Moyse Charas and Philippe de la Hire. Their investigations began in June 1667 with a thresher shark and lion from the royal academy and went on to encompass forty-nine vertebrate species. The detailed reports and exact descriptions on these dissections were the first of a long series of anatomical descriptions which ultimately included those of twenty-five species of mammals seventeen birds five reptiles one amphibian and one fish. Perrault and the team of Parisians prided themselves on several discoveries and in the process debunked many popular myths attached to certain species such as the legend that salamanders live in fire or that chameleons subsist on air. The scientists also recorded how they obtained their results providing a glimpse of how such anatomical research was conducted in the seventeenth century. The work is illustrated beautifully with five large folding plates by the expert painter engraver and writer Sebastian Leclerc 1637-1714 four of which were engraved by Leclerc and one by the watercolor painter writer and printmaker Abraham Bosse c. 1604-1676. Very fine work; the large folding plates remain fresh and intact. No such detailed and exact descriptions and illustrations had been published before. It is hard to measure another such important addition to the anatomical study of animals. Frederic Leonard hardcover books
1865WRCAM56487Providence: Salisbury Bro. & Co. 1865. Illustrated broadside 12 1/2 x 8 inches. Old folds. Remnants of a label on verso a few small chips to edges uneven tanning light foxing. Very good. Rare broadside advertising gold jewelry and "Patent Embossed Carte de Visites.of all noted personages." from Salisbury Bro. & Co. of Providence Rhode Island. The text describes a large stock of photographs offered at wholesale prices to retailers across the country. The broadside has a vignette of the Salisbury factory in the top quarter of the sheet with a dense cascade of text in a variety of different fonts below. The lower third of the sheet is devoted to descriptions of images of Lincoln and the Civil War advertising three different Lincoln images and the promise "Our Picture of Lincoln is the best ever taken. All others as good as ever sold by any one." They also offer images of other prominent Civil War personages as well as "Booth the Assassin Robert E. Lee Jeff Davis and other prominent Rebels all at the same price. Also we have the ASSASSIN'S VISION and the ASSASSIN'S DOOM on full Cards." <br> <br> This broadside is primarily directed towards retailers as opposed to private customers and provides costs for bulk orders of up to 1000 cartes de visite. They claim their prices are "500 per cent. less than any dealers ever have." with prices starting at $7 for 100 and up to $100 for 1000 depending on the image. Although Salisbury Bros. & Co.'s cartes de visite and other photographic products are easily accessible in many libraries we could find no record of this broadside. An interesting record of the mass-marketing of photographic images in the post-Civil War era. Salisbury, Bro. & Co. unknown books
197080382Jerusalem: Society for Research on Jewish Communities 1970. Hardcover. Very Good. xvi 273 113p. 22cm. Cover scuffing and minor soiling. No jacket. Introduction in English; bibliography in Russian plus Hebrew text at end with added title-page in Hebrew. <br/><br/> Society for Research on Jewish Communities hardcover books
1966184344Seattle: University of Washington Press 1966. Hardcover. VG- ex-library with labels and stamps on spine block inside front and rear covers and title page verso. Light shelfwear to boards. Pages are otherwise very clean. Black cloth boards with gilt spine lettering; illustrated end papers; xxvi 204 pp; bw maps. Includes a foreword by Paul Bohannan. pt. I. The frame of history -- pt. II. Patterns of the economy -- pt. III. The slave trade -- pt. IV. Conclusion. University of Washington Press hardcover books
185211376New-York: Printed by John A. Gray 1852. 35 pp Disbound. Some tanning else Very Good. FIRST EDITION. Sabin 63733. Printed by John A. Gray unknown books
195624803New York: Cameron Associates. Very Good in Good dj. 1956. First Edition. Hardcover. solid book with a bit of wear at both ends of spine pages browned as typical with this cheaply-manufactured book; jacket has a few small edge-tears small chip and some associated creasing at bottom of front panel some paper loss to upper spine extremities. SIGNED by the author on the ffep. Polonsky's second novel published like his first during the period of his blacklisting by the Hollywood studios is about a California civil engineer "a typical American who signed a loyalty oath with hardly a second thought" only to discover that this simple act in fact has a profound effect on his life. Signed by Author . Cameron Associates hardcover books
199626188Northridge CA: The Center for Telecommunication Studies/California State University. Near Fine. 1996. First Edition. Hardcover. no dust jacket as issued very nice copy tight and clean with just a touch of wear to the extremities minor staining on front pastedown. Film as Literature Series Series B&W photographs The screenplay to Polonsky's great 1948 film classic starring John Garfield in one of his signature roles. The screenplay actually credited to Polonsky and Ira Wolfert author of the source novel "Tucker's People" is supplemented by extensive annotations a biographical interview with Polonsky a critical commentary by John Schultheiss and a Polonsky filmography and bibliography. . The Center for Telecommunication Studies/California State University hardcover books
1981WRCLIT60361Np: Twentieth Century-Fox 1981. 1132 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrappers. Slight sunning to wrappers title lettered on spine but very good or better. An unspecified draft of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. However a number of drafts preceded and many subsequent revised drafts followed and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that drafts as late as October 1981 bore only Polonsky's name. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Twentieth Century-Fox unknown books
1980WRCLIT60360Np: Twentieth Century-Fox 1980. 1142 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrappers. Two neatly written ink queries re: plotting in upper margin of front wrapper a couple corner creases title lettered on spine else very good or better. An unspecified draft of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. However a number of drafts preceded and many subsequent revised drafts followed and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that drafts as late as October 1981 bore only Polonsky's name. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Twentieth Century-Fox unknown books
1981WRCLIT60363Los Angeles: Twentieth Century-Fox 1981. 2138 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrappers. Small ink stroke on upper wrapper but very good or better. A "revised" draft of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. A number of drafts preceded and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that many interim drafts preceding this one bear only Polonsky's name. A prefatory leaf notes "This script not to be interchanged with Italian Script." This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Twentieth Century-Fox unknown books
1979WRCLIT54944Np 1979. 1124 leaves. Quarto. Mimeographed typescript printed on rectos only. Boltbound into plain stiff wrappers. Scattered and occasionally detailed revisions deletions comments and annotations in an unknown hand in pencil and ink otherwise very good or better. Denoted a "Final Draft" of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. However many subsequent revised drafts followed and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that drafts as late as October 1981 bore only Polonsky's name. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. While the authors of the annotations may not be identifiable at this point the notes/revisions were surely made by someone intimately involved in the process. unknown books
1979WRCLIT60364Los Angeles: Frank Yablans Presentations in Association with Twentieth Century-Fox 1979. 1156 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in printed production company/studio wrappers. Near fine. A quite early "third" draft of Mayes's adaptation to the screen of Jack-Alain Léger's novel. The script for the 1982 film release directed by Frank Perry was credited on screen to Mayes. In spite of that many many subsequent drafts bear Abraham Polonsky's name exclusively. This draft differs markedly from the several Polonsky drafts that we have examined the earliest dating from October of 1979. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Frank Yablans Presentations in Association with Twentieth Century-Fox unknown books
200414480ENew York: Marlborough Chelsea 2004. First Edition. Paperbound 9 1/2†x 11 3/4â€. An illustrated catalogue issued to accompany an exhibit of paintings by Abraham Lacalle. Fine in printed wrappers. Marlborough Chelsea unknown books
191918345Leipzig and Vienna: Internationaler Psychoanalytischer Verlag 1919. Boards. Very Good. The 1919 1st edition rebound in marbled boards over a brown spine. The front cover of the original printing the wrappered edition neatly pasted onto the front panel. Solid and VG with small former owner name at the top of the title page and occasional pencil underlining to the text. Attractive and very presentable as such. <br/><br/> Internationaler Psychoanalytischer Verlag hardcover books
198537206Jerusalem 1985. Berg Assaf. Small 4to pp. 160. With photographs by Uli Bocker and drawings by Assaf Berg. A description of the city arranged by the seasons of the year.A nice copy in lightly scuffed dj. unknown books
