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Drumm, JoachimAntiquariat.de

Doxologie und Dogma. Die Bedeutung der Doxologie für die Wiedergewinnung theologischer Rede in der evangelischen Theologie. [Von Joachim Drumm]. (= Beiträge zur ökumenischen Theologie, Band 22).

Edited by HALIT EREN.MareMagnum

The glorious Quran. Al-Mushaf al-Sharif attributed to 'Ali b. Abi Talib (The copy of Sana'a).

New English Original bdg. Small 4to. 184, 564, 216 p. A heavy volume. Ills. In Arabic. This is a facsimile edition of the copy (Mushaf) of the Holy Quran which is attributed to the time of Ali b. Abi Talib and located in Sana'a, Yemen. It comes out as a third publication in IRCICA's series of editions of oldest copies of the Quran. Earlier IRCICA had published editions, accompanied by descriptive and comparative studies, of two Quran copies that are attributed to the time of Othman b. Affan namely the copies of Topkapi, Istanbul and al-Mashhad al-Husayni, Cairo. The other copies attributed to the same period are in the following cities: Istanbul (the Museum of Turkish and Islamic Arts, edition published by ISAM, Istanbul, 2008); London; Paris; St. Petersburg, and Tashkent. There are other editions of Quran copies that IRCICA published outside this series. One of them is the copy dated 582 H/1186 and known as the Fazil Pasha (Sherifovic) Mushaf, which is located in Gazi Husrevbegova Library, Sarajevo. Another edition, supervised by IRCICA, is the reprint of the Mushaf of Kazan dated 1803 which is known to be the first copy printed in the Muslim world; it was reprinted in cooperation with Kazan Municipality in the year 2005 corresponding to the millennium of Kazan city. By publishing these editions, with studies in the case of the former ones, IRCICA aims to contribute in preserving them and making them known and accessible to all. The Sana'a copy is located at the Grand Mosque of Sana'a. The elaborate Introduction to the edition is a study by Dr. Tayyar Altikulaç, specialist of the history of copies of the Quran and ex-Head of Religious Affairs in Turkey. The study is a concise history of the dissemination of the Holy Quran through its copies and of the developments relating to script, orthography, punctuation, locations, etc. of the copies. It examines, describes and analyses the characteristics of the Sana'a copy as to script, orthography, binding, etc. It also describes the other copies attributed to the period of Othman b. Affan as well as the copy printed by the King Fahd Complex for the Printing of the Holy Quran, Medina, which is known to be in conformity with the orthography of the time of Othman b. Affan. IRCICA planned to publish this edition during the 2010-2011 period which, at the suggestion of IRCICA, was designated by the 2010 meeting of the OIC's Council of Foreign Ministers as the "1400th Year of the Revelation of the Holy Quran". The Council had invited all OIC member countries and Muslims' associations and institutions world-wide to commemorate this anniversary of the beginning of the revelation with cultural and scholarly activities that would contribute in diffusing a correct and deeper understanding of the Holy Quran. IRCICA for its part is honoured to have been able to record this publication among its activities related to the said Year.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR231,80 €

FARHAD MASSUMED, SIMON RETTIG.MareMagnum

Kur'an-i Kerim sanati. Türk ve Islâm Eserleri Müzesi hazineleri. 15 Ekim 2016 - 20 Subat 2017. [Exhibition catalogue]. With contributions by François Derroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi.

New Turkish Paperback. 4to. (33 x 25 cm). Edition in Turkish. 382 p., color ills. Kur'an-i Kerim sanati. Türk ve Islâm Eserleri Müzesi hazineleri. 15 Ekim 2016 - 20 Subat 2017. [Exhibition catalogue]. With contributions by François Derroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi. In the early twentieth century, the Ottoman Empire was in political turmoil. Officials moved valuable artworks--including thousands of sumptuous Qur'an (Koran) manuscripts and loose pages dating from the 7th to 17th century--to Istanbul to ensure their safety. Penned by celebrated calligraphers and embellished by skilled illuminators and bookbinders, these manuscripts are now housed in the Museum of Turkish and Islamic Arts (Türk ve slam Eserleri Müzesi or TIEM) in Istanbul, established in 1914. This story unfolds in "The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts," the companion publication to the Arthur M. Sackler Gallery's groundbreaking exhibition, the first major presentation of Qur'ans in the United States. The book's authors describe the formation of this one-of-a-kind collection and the history of TIEM, whose centuries-old records on patrons, calligraphers, illuminators, and provenance allow us to create "biographies" detailing the production of the Qur'ans in the exhibition. Essays address the Qur'an as a written text--from content and organization to the elaborate calligraphy and illuminated designs that transformed the volumes into beautiful artworks. "The Art of the Qur'an "also includes in-depth descriptions of some seventy works from TIEM and the Smithsonian's Sackler and Freer Galleries. It features full-page, color images of the earliest known Qur'an folios and manuscripts from the Umayyad and Abbasid Near East (7th-10th century), Seljuk Iran and Anatolia (12th century), the Mongol Il-Khanid and Timurid empires and Mamluk Cairo (14th and 15th centuries), Safavid and Ottoman empires (16th and 17th centuries) as well as a number of mosque furnishings, such as Qur'an boxes and stands. Most of these works have rarely, if ever, been published.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR115,90 €

FARHAD MASSUMED, SIMON RETTIG.MareMagnum

The art of the Qur'an. Treasures from the Museum of Turkish and Islamic Arts. 15 October 2016 - 20 February 2017. [Exhibition catalogue]. With contributions by François Derroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi.

New English Paperback. 4to. (33 x 25 cm). Edition in English. 382 p., color ills. The art of the Qur'an. Treasures from the Museum of Turkish and Islamic Arts. 15 October 2016 - 20 February 2017. [Exhibition catalogue]. With contributions by François Derroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi. In the early twentieth century, the Ottoman Empire was in political turmoil. Officials moved valuable artworks--including thousands of sumptuous Qur'an (Koran) manuscripts and loose pages dating from the 7th to 17th century--to Istanbul to ensure their safety. Penned by celebrated calligraphers and embellished by skilled illuminators and bookbinders, these manuscripts are now housed in the Museum of Turkish and Islamic Arts (Türk ve slam Eserleri Müzesi or TIEM) in Istanbul, established in 1914. This story unfolds in "The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts," the companion publication to the Arthur M. Sackler Gallery's groundbreaking exhibition, the first major presentation of Qur'ans in the United States. The book's authors describe the formation of this one-of-a-kind collection and the history of TIEM, whose centuries-old records on patrons, calligraphers, illuminators, and provenance allow us to create "biographies" detailing the production of the Qur'ans in the exhibition. Essays address the Qur'an as a written text--from content and organization to the elaborate calligraphy and illuminated designs that transformed the volumes into beautiful artworks. "The Art of the Qur'an "also includes in-depth descriptions of some seventy works from TIEM and the Smithsonian's Sackler and Freer Galleries. It features full-page, color images of the earliest known Qur'an folios and manuscripts from the Umayyad and Abbasid Near East (7th-10th century), Seljuk Iran and Anatolia (12th century), the Mongol Il-Khanid and Timurid empires and Mamluk Cairo (14th and 15th centuries), Safavid and Ottoman empires (16th and 17th centuries) as well as a number of mosque furnishings, such as Qur'an boxes and stands. Most of these works have rarely, if ever, been published.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR203,99 €

GLORIOUS QURAN.MareMagnum

Le Coran. Traduction intégrale et notes de Muhammad Hamidullah. Préface de Louis Massignon. Avec la collaboration de Michel Leturmy. [HORS-COMMERCE NUMBERED EDITION for THE MEMBERS of LE CLUB FRANÇAIS DU LIVRE: 9499/10000].

Fine French Original decorative imitation full leather bdg. Demy 8vo. (22 x 14cm). In French. [Lxv], 632, [7] p. Le Coran. Traduction intégrale et notes de Muhammad Hamidullah. Préface de Louis Massignon. Avec la collaboration de Michel Leturmy. Hamidllah, (1908-2002), D. Phil., D. Litt., HI, was a Muhaddith, Faqih, scholar of Islamic law and an academic author with over 250 books. A prolific writer, his extensive works on Islamic science, history and culture have been published in several languages and many thousands of articles in learned journals. His scholarship is regarded by many as unparalleled in the last century. A double doctorate (D.Phil. and D.Litt.) and a polymath, he was fluent in 22 languages including Urdu (his mother tongue), Persian, Arabic, French, English, German, Italian, Greek, Turkish, Russian etc. He learned Thai at the age of 84. Hamidullah is known for contributions to the research of Hadith history, translations of the Qur'an into multiple languages and in particular into French (first by a Muslim scholar) and for the monumental biography of the Islamic prophet Muhammad in French. He is also famous for discovering a missing work on the Prophet Muhammad regarded as one of his great contributions to the Hadith literature. The earliest Hadith manuscript still extant today, Sahifa Hammam bin Munabbah, was discovered in a Damascus library. Hammam bin Munabbah being a disciple of Sayyidina Abu Huraira, one of the Sahaba. Massignon, (1883-1962), was a Catholic scholar of Islam and a pioneer of Catholic-Muslim mutual understanding (Krokus 2012, p. 525). He was an influential figure in the twentieth century with regard to the Catholic church's relationship with Islam. He focused increasingly on the work of Mahatma Gandhi, whom he considered a saint. He also played a role in Islam being accepted as an Abrahamic Faith among Catholics. Some scholars maintain that his research, esteem for Islam and Muslims, and cultivation of key students in Islamic studies largely prepared the way for the positive vision of Islam articulated in the Lumen gentium and the Nostra aetate at the Second Vatican Council (Krokus 2012, p. 525). Although a Catholic himself, he tried to understand Islam from within and thus had a great influence on the way Islam was seen in the West; among other things, he paved the way for a greater openness inside the Catholic Church towards Islam as it was documented in the pastoral Vatican II declaration Nostra aetate. "This non-trade edition is reserved exclusively for members of the French Book Club. It includes ten thousand copies numbered from 1 to 10,000.". This is no. 9499. 9499/10000.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR139,08 €

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