237 résultats
1960249184New York: Metropolitan Museum of Art 1960. First edition. Illus. 367; 201 pp. 2 vols. 4to. Cloth. Fine in slipcase. First edition. Illus. 367; 201 pp. 2 vols. 4to. Metropolitan Museum of Art unknown books
191533162Washington 1915. 1st edition described on the limitation page as a "Facsimile of Author's Manuscript." Copy #16 of an unstated limitation. SIGNED by the author at the base of the limitation page. Original publisher's green cloth binding with gilt stamping to spine & front board. Ex-lib with pockets stamps & call letters to spine though the check-out card shows absolutely no interest from the library patrons since accession. Ex-libris label of Charles Mason Remey. A VG copy. 111 ll. Illustrated with half-tone reproductions of photographic images. 4to. <br/><br/>Remey born in the US trained as an architect at Cornell University though subsequent contact with the Baha'i faith and more specifically Abdul Baha & Shoghi Effendi sent him on a different path working on behalf of the Baha'i Faith & eventually becoming a prominent leader thereof. Scarce title in the marketplace that is if you want the real book not a Print-on-Demand piece of crp. hardcover books
1946242N.p. 1946. Near fine. Poster 18 x 24 inches. Minor wear. A handsome poster advertising travel on the Santa Fe Railroad featuring several Navajo Indians in the foreground and a pueblo in the background. One of the men in the foreground stands drumming while the others are seated behind him chatting. The vibrant colors are washed out slightly by the fierce New Mexican sun softening the view. The railroad produced numerous promotional posters in the 1940s many of them -- such as this one -- quite striking. No artist is identified on this work. unknown books
1948240N.p. 1948. Near fine. Poster 18 x 24 inches. Minor wear. Advertising poster for the Santa Fe Railroad featuring a Native American child etching the slogan "Santa Fe All the Way" in the sand with a stick. The stylish Santa Fe locomotive is barreling past in the background its engine a sleek red. The railroad produced numerous promotional posters in the 1940s many of them -- such as this one -- quite striking. No artist is identified on this work. unknown books
1946243N.p. 1946. Very good. Poster 18 x 24 inches. Minor wear a few minor chips and tears at edges. A handsome poster advertising travel on the Santa Fe Railroad painted in the bold teals and earth tones associated with the Southwest. The poster features a Hopi dancer performing the Buffalo Dance. He fills almost the entirety of the image with a crowd of people gathered around the pueblo in the far background. The poster was designed by Don Perceval who did several such works for the railroad. Born in Britain Perceval 1908-1979 whose mother was also an artist moved to Los Angeles as a child and became enamored of the Southwest. He specialized in images of Hopi and Navajo Indians a subject he began sketching in the 1920s. That knowledge and interest is certainly applied here in the inclusion of culturally correct costuming for the event. In addition to his art he also did commercial work for the Santa Fe Railroad such as the present piece bringing his vibrant style to the company's advertising. unknown books
1974144121Los Angeles: Zenith Productions 1974. Draft script for the 1974 film "Psycho Sisters" also known by the alternate title "Sibling" seen here under the working title "So Evil My Sister." <br/><br/>A low budget suspense film from "Diary of a Madman" director Reginald LeBorg in which a recent widow Susan Strasberg and her emotionally unstable sister Faith Domergue engage in escalating psychological warfare-with predictably dire results. <br/><br/>Goldenrod titled wrappers. Title page integral with the first page of the text. 93 leaves with last page of text numbered 93. Mimeograph duplication. Pages about Fine wrapper about Fine bound with two gold brads. <br/><br/>Thrower Nightmare USA. Zenith Productions unknown books
1980WRCLIT57902London: Omlette Press 1980. Quarto 33 x 26.2 cm. Loose signatures laid into printed wrappers. Fine in cloth chemise and slipcase. First edition. Illustrated with ten original etchings two colored and a title-page decoration by Major. One of a total edition of forty-two numbered copies printed on French handmade paper in Centaur types and signed by the poet and the artist. The first publication of the press combining the talents of a Canadian artist and an American poet working in London. The press later relocated to Calgary. Omlette Press hardcover books
1938133673Burbank CA: Warner Brothers 1938. Final Draft script for the 1938 film. From the library of producer Mark Hellinger who wrote the film's screenplay bound in red three-quarter leather with gilt titles and designs marbled endpapers raised bands trimmed edges and Hellinger's name in gilt on the front board. Also included is a typescript on onionskin stock with the title and credits for Hellinger and story writer Faith Baldwin on the front wrapper in holograph ink. Finally laid in is a typed letter signed by Bette Davis dated March 31 1939 on Davis' stationery thanking Hellinger for kind words regarding her film "Dark Victory" 1939 and discussing her dismay with the script for "Comet Over Broadway" and her resulting decision to part ways with the film. <br/><br/>Mark Hellinger's first screenplay for Warner Brothers. His other credits include the noir antecedent "The Roaring Twenties" 1939 screenwriter "It All Came True" 1940 producer and his notable series of foundation noir films "High Sierra" 1941 associate producer "The Killers" 1946 producer and "The Naked City" 1948 producer. <br/><br/>Based on a story by Faith Baldwin published in "Cosmopolitan" in 1937 about Eve Appleton Francis wife of garage owner Bill Appleton Litel and aspiring actress. Bill gets into an argument with an actor over Eve and accidentally kills him. Eve takes her infant daughter and tries to make her way on Broadway while Bill is imprisoned. Set in New York. <br/><br/>Bound script:<br/><br/>Noted as FINAL on the distribution page dated 3/28/38 with credits for Hellinger Robert Buckner N. Brewster Morse Fritz Falkenstein and Frank Cavett on the following page flatsigned by Walter MacEwen. Distribution page present with receipt intact. 155 leaves mimeograph duplication dated August 19 1938 and August 22 1938 screenwriters' credit page. Pages and binding Near Fine. <br/><br/>Typescript:<br/><br/>Blue wrappers. "Comet Over Broadway by Mark Hellinger / after a story by Faith Baldwin" in holograph ink on the front wrapper. Title page present with credits for screenwriter Hellinger and story writer Baldwin. 78 leaves typed watermarked "MILLERS FALLS." Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Bette Davis letter and envelope: <br/><br/>Light soil and a closed tear to the envelope. Letter folded horizontally else Near Fine. Warner Brothers unknown books
181954848Washington D.C.: Army Air Forces. 10-18- 1943. Color poster / map 47 x 35 1/2 inches 120 x 90 cm folding as issued now professionally mounted on linen backing. Wear and a little paper loss along the fold lines has been infilled light toning to lower centrefold; the poster presents very well with bright color. Stunning image of a hemispherical view with Japan at the centre encompassing the area from Iran in the west Australia in the south and as far as the west coast of the U.S. at the east of the map. The map maker is F.E. Manning one of the distinguished news illustrators of the war in a style very similar to that of Richard Edes Harrison. There is a scale along the lower edge which was intended to be clipped and used to measure distances of places on the map from Tokyo. Text reads: "This map is a photographic view of the world with the center at Tokyo. Thus with the detachable scale distances can be measured along any line running thru Tokyo. It should be noted that an inch at the center represents less mileage than an inch closer to the edges. The detachable scale has been designed to compensate for this and should be used only with the center at Tokyo. The photographic process used in making this map makes all distances measured with the tape approximate only. Distances are shown in statute miles. Lines between key cities do not represent regular air routes in all cases. They show distances between points that do not fall on a line going thru the center of the projection." The Newsmap posters were displayed in offices and factories to keep the American public updated with news of the war and to encourage their participation in the winning of it. . Army Air Forces. unknown books
193211531Palm Beach: Davies Publishing Co 1932. Original wraps. Very Good. Uncommon 1932 study of the recent Florida work of New York and Palm Beach architecture firm Treanor & Fatio. Tight well-preserved and VG in its dark-gray wrappers with light soiling to the rear panel and foxing at the preliminaries --especially the title page. Still though attractive and very presentable. Folio crisp high-quality black-and-white photos thruout by F.E. Geisler. <br/><br/> Davies Publishing Co paperback books
1889005255Claremont 1889. Wooden box. Very Good. N.d. circa late 19th century. 52 separate sheets housed within a handsome wooden carrying case or box. Fifty of these sheets contains a dried and flattened plant sample -- flowers leaves and stems -- with the plant or flower identified in a neat handwriting and most unusual accompanied by a pen and ink vignette. The vignettes are a mix -- some replicate the plant or leaf and thus might be regarded as modestly scientific in purpose; others are of objects or animals which a pleasant to look at or have an appealing association to the artist -- tennis racquets a sailing boat an owl and the like; yet a third group and these are to us the most special are pure whimsy with a touch of humor. This third category also doesn't relate to the plants or flowers. Perhaps one thing that ties all the extra artistic fillips together is that they have an outdoorsy sporty or summer day quality about them. It goes without saying that the plant samples are arranged neatly and even artistically. We know who the collector and artist was because his name is on both a title page and a brass label attached to the carrying case. The title page also informs us that this collection was created during the Summer of 1889 and for Claremont High School. We would guess that the Claremont in question is one in New Hampshire based on where this collection was found but we can not state that definitively. At the time Claremont was a prosperous mill town and presumably this young Willey would have been from an affluent family who afforded him the leisure to create such a collection. including a title page a second prelim with a pencil illustration of a rose and "Handle with Care" exhortation and 50 leaves with leaf and flower samples every one of which also has an original sketch of some kind. The box really an artist's carrying case with wooden handles attached with thin braided rope to the wood an brass clasps and studs measures 35 by 27.5 cm and is 4.5 cm deep. Each of the leaves the sheets is 32.5 by 25 cm. Loss of some leaves and some chipped leaves as to be expected given the dryness of the organic material. Chips on the side of the title. The title and other prelim are discolored by the metal bar which has held them down in the box. <br/><br/> unknown books
200744034NY: Limited Editions Club 2007. Hardcover. Very good. #121 of 420cc signed by the artist Faith Ringgold. Fine copy bound in full red linen with leather label and matching case. <br/><br/> Limited Editions Club hardcover books