736 résultats
25621Script, Charles de Chambrun, 1999, in-8 broché de 358 pages, illustrations de Diane de Chambrun. L500g. Très bon état.
2008100151081Fayard 2008 415 pages in8. 2008. Broché. 415 pages. Jacqueline Chabbi propose une lecture anthropologique et historique du Coran en analysant comment les récits bibliques (Noé Moïse Abraham) se sont adaptés au contexte de l'Arabie désertique du premier siècle de l'islam pour être compris par les tribus. L'ouvrage montre la reconfiguration inattendue de ces figures en écho à l'itinéraire de Mahomet
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [xvii], 65 p., 85 b/w plts. Türk - Islâm tahta oymacilik san'atindan rahleler. [= Koran-stands.= Pupitres a Coran.= Koranstander].
Near Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 1 p. text, 2 b/w plts. in one folding page. Türk - Islâm tahta oymacilik sanatindan Selçuk devri bir Kur'an rahlesi.
2019x-0367870436Taylor & Francis Ltd 2019. Paperback. New. 248 pages. 9.21x6.14x0.71 inches. Taylor & Francis Ltd paperback
2015x-1138813168Routledge 2015. Hardcover. New. 232 pages. 9.25x6.25x0.75 inches. Routledge hardcover
0266553346.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009G1103274309I5N00BiblioBazaar 2009. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. BiblioBazaar paperback
1992GITf086Editions Michel Lafon 1992. Fort in-8 XXII 787pp. Reliure éditeur de papier toilé blanc, dos muet, 1er plat orné à froid avec le titre doré, sous jaquette illustrée. Avec arbres généalogiques, tableaux, cartes à pleine page. Exemplaire bien complet et en bon état.
New Turkish Original aesthetics full leather bdg. in traditional Ottoman style. With flap (miklep). In publisher's special luxury box. Large 4to. (30 x 25 cm). In Arabic. All edges gilt. Fully illuminated as traditional: Serlevha, hecde hizb, cüz roses, zahriye semses, müsenna besmele, with 'tevafuk' and color secavends, and med-kasirs. 605, 11, [4] p. The glorious Quran. Kur'an-i Kerim. was an Islamic calligrapher born during Ottoman times. His real name is Sheikh Musa Azmi, which is why his works may be found to be signed as Azmi. He is known by the pseudonym Hamid. He is also known as Hamid Al Amidi in international circles. Hamid learned the jali-thuluth (Turkish: celi-sülüs) style from Mehmed Nazif (1846-1913), the naskh and thuluth styles from Kamil Akdiç (1862-1941) and the ta'liq style from Mehmed Hulusi (1869-1940). His works are on display in many countries including Egypt and Iraq. His works are also on display in many newly built mosques of Istanbul. Some of his popular students include Hasan Çelebi and Fuat Basar. He was buried in the Karacaahmet Cemetery of Üsküdar district, Istanbul.
New Turkish Original aesthetics full leather bdg. in traditional Ottoman style. In publisher's special box. 4to. (30 x 20 cm). In Arabic. All edges gilt. Fully illuminated as traditional: Serlevha, hecde hizb, cüz roses, zahriye semses, müsenna besmele, with 'tevafuk' and color secavends, and med-kasirs. 605, 11, [4] p. The glorious Quran. Kur'an-i Kerim. was an Islamic calligrapher born during Ottoman times. His real name is Sheikh Musa Azmi, which is why his works may be found to be signed as Azmi. He is known by the pseudonym Hamid. He is also known as Hamid Al Amidi in international circles. Hamid learned the jali-thuluth (Turkish: celi-sülüs) style from Mehmed Nazif (1846-1913), the naskh and thuluth styles from Kamil Akdiç (1862-1941) and the ta'liq style from Mehmed Hulusi (1869-1940). His works are on display in many countries including Egypt and Iraq. His works are also on display in many newly built mosques of Istanbul. Some of his popular students include Hasan Çelebi and Fuat Basar. He was buried in the Karacaahmet Cemetery of Üsküdar district, Istanbul.
New Arabic Original cloth bdg. 592 p. In Arabic. Elephant folio. (49 x 35 cm). First Edition. Illuminated. Reprinted from the original manuscript of Topkapi Palace Museum dated 1584-87. The Koran known as Ahmed Karahisarî's Mushaf-i Serif is leading among the most important works created by artists, who are experts of letters of the Ottoman Palace dealing with the art of books. The work is registered at number 5 among the Hirka-i Saadet books of the Library of Topkapi Palace Museum. Its binding with golden gilded ornament, angle and border has miklep and is made of black leather and was repaired in time. Being the Koran with the largest size written in the Ottoman world, is sized 61.5x42.5 cm and consists of 300 sheets. The place of the work where the name of the calligrapher and the date of transcription would have been written, i.e. the colophon is left empty. The reason for attributing it to Ahmed Karahisarî, the famous calligrapher of the period of Kanunî Sultan Suleyman, is based on a foundation record at its beginning: in this foundation record on page 1b, it is briefly stated that the work is the Mushaf-i Serîf of Karahisarî, was kept in the sultan's treasure until then and was devoted to the Hirka-i Serîf Chamber (Private Chamber) for being recited in 1107 (1696) by Sultan Mustafa II. The beginnings of Fâtiha and Bakara chapters of the Koran, every page of which is gilded carefully, are written with celî muhakkak (large cursive style) and reyhanî calligraphy. Two opposed pages following the epigraph demonstrate a different arrangement. Here, one line each of celî calligraphy at the bottom and top and reyhanî calligraphy in a round medallion at the middle are used. In the opposed pages following this, the same arrangement is used without the medallion. Following this diversity at the beginning, the Koran is written according to a classical arrangement known as Yakut style, consisting of one line of celi muhakkak, five lines of nesih (roundish writing), one line of celî sulus (large style), again five lines of nesih and celî muhakkak calligraphy at the bottom. Ahmed Karahisarî is the most famous artist writing in this style among 16th century Ottoman calligraphers. However, it is quite surprising that the signature of Ahmed Karahisarî, who had great reputation in his time, is not seen at the end of the work. This can be explained by the failure to complete the Koran of the artist due to his death or his old age. It is possible to determine the period in which the work, accepted to be written by Ahmed Karahisarî, famous calligrapher of the time of Kanunî Sultan Suleyman, and incorporating the richest examples of Ottoman palace gilding art was completed with its main lines in the light of some documents.It is understood that 220 pages of the Koran known as Ahmed Karahisarî Mushaf-i Serif and which is one of the most valuable works of Topkapi Palace Museum were written by Karahisarî at the time of Kanunî Sultan Suleyman between 1545-55 and was left unfinished upon the death of the artist. It is also understood that the remaining 80 pages completing the Koran were possibly written by Hasan Celebi, his adoptive son, under the patronage of Sultan Murad III between 1584-87. Conjunction, drawing of rulers, gilding of every page and binding and final completion of the work was performed between 1584-1596. Murad III, who died in 1595, could not see the result of this study that he assumed the patronage of for long years.
198943236Oakland CA: WIM 1989. 1st Edition. SIGNED by both authors. Mauve cloth with gilt rules and color illustration pasted to front board cream stamped lettering. Light soiling and sunning faint tide lines to rear board and spine foot. Slight ripple to last few pages else internally clean and crisp. VG. 8 382 2 pp. 168 full color plates. 14-1/4" x 11-3/8" <br/><br/>A catalogue of the stunning collection of California paintings acquired by Coran and Nelson-Rees issued just two years before the Oakland fire decimated it. The collection was valued at $45 million of which over 800 paintings were destroyed including Albert Bierstadt's rare 1872 painting of San Francisco Bay shown on Plate No. 1 here. Los Angeles Times Oct. 23 1991 Other artists with featured works include Franz Arthur Bischoff William Henry Clapp Lafayette Maynard Dixon Henry Chapman Ford Edward Thomas Hall Granville Redmond William Wendt and many more. Each plate is accompanied by a brief note from the collectors about the locale history of the painting provenance and museum collections it has been loaned out to. Also included are essays by Arthur Millier Joseph Armstrong Baird Jr. and Nancy Dustin Wall Moure. WIM hardcover books
1984139027Les éditions du Cerf Cerf 1984, supplément au Cahier Evangile 48, In-8 carré broché, 88 pages. Très bon état.
Cerf 1984, supplément au Cahier Evangile 48, In-8 carré broché, 88 pages. Très bon état.
18744In-8-broché - Editions de Chiré - N° 19 de 2003 - 400 pages
20013133700Wittingen: Erev-Rav 2001. 271 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
2001102663Wittingen: Erev-Rav 2001. 271 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
192626782Paris, Editions Bossard, 1926. Un vol. au format in-12 (188 x 123 mm) de xii - 246 pp. Reliure de l'époque de demi-basane flammée et glacée brune, dos à nerfs richement orné de filets gras à froid, filet en pointillés dorés sur les nerfs, filets dorés, caisson d'encadrement doré, larges fleurons dorés et en noir, titre doré, tranches mouchetées.
19883117156Darmstadt: Wissenschaftliche Buchgesellschaft (WBG) 1988. VI, 193 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
19883131197Darmstadt: Wissenschaftliche Buchgesellschaft (WBG) 1988. VI, 193 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1961127621Darmstadt: Wissenschaftliche Buchgesellschaft, 1961. XI, 379 S. ; 23 x 15,5 cm ; Leinen.
in-8°, 254 pp., broche, couverture illustree Etat moyen (couv. us.). [109B-17][SC-1+]
1978185398Seghers Seghers, 1978. In-8 broché de 254 pages. Bon état
201232527Wings & Wheels Publications. New with No dust jacket as issued. 2012. First Edition. Softcover. 8087509129 . Brand new book. USPS treated this shipment a little roughly. Open corners bumped and dinged. Otherwise brand new crisp clean and tight. Read descriptions carefully. Avoid GLASSFROGBOOKS ERGODOBOOKS MORE BOOKS IRISH BOOKSELLERS PRO QUO/BAYSIDE BOOKS BOOKSPLEASE RIA CHRISTIE DISCOVER BOOKS BOOKS2ANYWHERE BOOKS EXPRESS CHIRON MEDIA! These "Booksellers" have no books of their own. they buy honest booksellers' books upcharge you and have no idea what the book is really like. Support your local and small bookstore owners! . Wings & Wheels Publications paperback
