10 281 résultats
Querformat. (ca. 12,8 x 17,4 cm). 7 Photographien. Original-Photographien ohne Bildrand, einige Rückseiten mit Beschriftung. Photographien mit leichten Gebrauchsspuren, eine Aufnahme gerändert und mit kleinen Fehlstellen, sonst noch gut erhalten. Altersentsprechend guter Zustand. Die sehr interessanten Photographien zeigen Plantagenaufnahmen und mindestens einen afrikanischen Arbeiter, ein koloniales Gebäude sowie mehrere reizvolle Landschaftsaufnahmen (Bucht, Fluss, Gewässer). Die Aufnahmen haben vergleichbare Formate und fotografische Bildqualität, auch die Handschrift der vorhandenen Beschriftungen scheint weitgehend identisch. Ob es sich um denselben Urheber handelt, ist jedoch nicht zu klären. Eine der Photographien verweist über die Beschriftung auf das sogenannte "Victoria-Vorwerk". Es ist anzunehmen, dass es sich hierbei um Gebiete der Westafrikanischen Pflanzungsgesellschaft Victoria handelt. Es betrifft hier zudem eine Kakaoplantage, auch dies geht aus der Beschriftung und Bildinhalten hervor. Einige der Aufnahmen tragen rückseitig eine konkrete Beschriftung, diese seien hier wiedergegeben: Kakao im Victoria-Vorwerk. 22.3.1914 / Auf einer Pirateninsel / Ambasbucht / Ambasbucht / Haus für Pflanzungsassistenten. Auch die Orte Ambasbucht und Pirateninsel verweisen auf den Süden Kameruns. Die historischen Aufnahmen stammen also aus der deutschen Kolonialzeit selbst, erst mit Kriegsverlauf ab August 1914 wurden die Gebiete enteignet und anderen Kolonialmächten übergeben. Seltene historische Aufnahmen aus der Kolonial- und Wirtschaftsgeschichte von Kamerun!
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Gravure originale à l'eau-forte in plano, non rognée, extraite de l'édition dite « Impériale » de la Description de l'Égypte ou Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand. Réalisée entre février 1802 et 1829 sur ordre de Napoléon Bonaparte et publiée à partir de 1809 [en réalité 1810], elle fut tirée à 1000 exemplaires sur Vergé filigrané « Égypte ancienne et moderne » et offerte aux institutions. Infimes et marginales piqûres sans aucune atteinte à la gravure, sinon excellent état de fraîcheur et de conservation. Volume ANTIQUITES, I : Ces gravures fournissent à Jean-François Champollion une documentation épigraphique fondamentale pour le déchiffrage des hiéroglyphes et inspirent une lignée d'archéologues comme Mariette, Maspero et Carter qui donnent un nouveau visage à l'Egypte ancienne. Elles suscitent un engouement tel qu'elles donnent naissance au phénomène de l'égyptomanie et à l'orientalisme de Delacroix, Fromentin, Marilhat, Decamps mais aussi Théophile Gautier... Financiers, politiciens, marchands, et fouilleurs de tous ordres se presseront sur les rives du Nil en quête de bonnes affaires à la suite de cette redécouverte de l'Egypte. A l'origine de l'égyptologie, ces planches connaîtront une postérité immense. LA DESCRIPTION DE L'EGYPTE, édition IMPERIALE (1809-1829) : La Description de l'Egypte est un des chefs d'uvre de l'édition française et le point de départ d'une nouvelle science : l'égyptologie. Titanesque exposé de l'Egypte au temps des conquêtes de Bonaparte entre 1798 et 1799, elle est répartie en 23 volumes dont 13 volumes de gravures rassemblant près de 1000 planches en noir et 72 en couleur. Les 6 volumes de planches intitulées Antiquités sont consacrés aux splendeurs de l'Egypte pharaonique. L'Histoire naturelle est répartie en 3 volumes de gravures. Un volume est consacré aux Cartes géographiques et topographiques tandis que les 3 volumes : Etat Moderne dressent un portrait saisissant de l'Egypte copte et islamique telle qu'elle était vue par les armées d'Orient de Bonaparte. La « campagne d'Egypte », désastre militaire, dévoile à travers les gravures de la Description de l'Egypte la réussite scientifique qu'elle est devenue, grâce aux quelques 167 savants membres de la Commission des sciences et des arts de l'Institut d'Egypte qui suivaient l'armée de Napoléon. L'Institut a réuni en Egypte le mathématicien Monge, le chimiste Berthollet, le naturaliste Geoffroy Saint-Hilaire, ainsi que de nombreux artistes, ingénieurs, architectes, médecins... Ils eurent la charge de redécouvrir l'Egypte moderne et antique, d'en montrer les richesses naturelles, et le savoir-faire de ses habitants. L'édition originale, dite « Impériale », de la Description de l'Egypte fut réalisée sur quatre formats de grande taille, deux d'entre eux spécialement créés pour elle et baptisés formats « Moyen-Egypte » et « Grand-Egypte ». On construisit une presse spécifique pour son impression, qui s'étala sur vingt ans, entre 1809 et 1829. L'édition Impériale s'avéra si populaire qu'une deuxième édition en 37 volumes entièrement en noir et sans le filigrane « Egypte ancienne et moderne », dite édition « Panckoucke », fut publiée à partir de 1821 par l'imprimerie C.-L.-F. Panckoucke (Paris). La réalisation de ce monument d'érudition doit beaucoup au baron Dominique Vivant Denon, illustrateur, diplomate, collectionneur et par la suite directeur du musée Napoléon du Louvre qui accompagna Napoléon en Egypte avec de nombreux autres savants mais décida seul de s'aventurer dans le Sud du pays, alors que les autres scientifiques conviés restaient confinés dans la région du Caire. Les fabuleux croquis rapportés par Denon lors de sa romanesque chevauchée donnèrent l'idée à Bonaparte d'y envoyer les autres membres de l'Institut et ainsi dresser un portrait fidèle et c
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
- Imprimerie Impériale, Paris 1809-1829, 70,5x53,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendan
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
- Aux bureaux de l'Illustration, Paris 1869, 20,5x29cm, broché. - Edition originale. Ouvrage illustré de gravures hors-texte. Dos défraîchi restauré à l'aide d'une pièce adhésive, petites déchirures marginales avec légers manques angulaires sur les plats, quelques rares rousseurs. [ENGLISH DESCRIPTION ON DEMAND]
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
- Imprimerie Impériale, Paris 1809-1829, 53,5x70,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendan
large 8vo [25 x 17.5 cm]; xiv; 535 pp, photogravure frontis portrait, engraved portrait, numerous plates and illustrations by the author, 2 folding maps in rear pocket (complete), index. original pictorial gilt cloth, gilt title lettering on spine, upper joints with short tears, library stamps on title and verso of plates, else a clean very good copy. A picture of this book is available upon request by email. An important and well-illustrated account of the expedition in Eastern Africa and Kenya, primarily between the Tana and Juba rivers. It was undertaken with Lieutenant von Hohnel, an officer in the Austro-Hungarian navy, who had made a previous expedition in the area. The author acknowledges the help of Theodore Roosevelt in the preface. Czech, p 34.
In 8, pp. 69 + 36 + (1b) con 5 carte f.t. ripiegate. Br. ed. con lievi danni al dorso. Testo stampato in eliografia. Relazione firmata da Ignazio Bartoli, Lelio Bulano, Vieri Sevieri incaricati dalla presidenza del Consorzio siderurgico italiano di recarsi nell'Africa orientale italiana 'per rendersi conto della opportunita' e possibilita' di impiantare una ferriera in uno de governi dell'impero, per indagare sulla disponibilita' dei minerali e combustibili utilizzabili per l'industria siderurgica ed infin raccogliere elementi di carattere commerciale'. Segue quindi un'indagine sugli impianti metallurgici in Eritrea, sulle vie di comunicazione locali, e una previsione sulle possibilita' costruttive dei vari governi con l'ipotesi di aprire una piccola ferriera a Massaua. Le conclusioni, pero', non sono positive. I tre ingegneri concludono dicendo che 'date le condizioni attuali, ' sono meno favorevoli, rispetto alle ipotesi di partenza, all'apertura di un impianto siderurgico in A.O.I.
Cm. 18; pp. 323, (1). 1 map. With the rare Signed Binding "J. R. Herzog Buchbinderei Leipzig". Mint copy. (Africa, Travel, Exploration) 1428/P
Due volumi di cm. 19; pp. X, 305; 313. Brossura editoriale a stampa. Ritratto del Beltrame in antiporta protetto da velina. Una carta geografica più volte ripiegata "Carta Speciale del Sudan Orientale". Ottimo esemplare. Timbri di appartenenza 726/P
Due volumi di cm. 19; pp. X, 305; 313. Brossura editoriale a stampa. Ritratto del Beltrame in antiporta protetto da velina. Una carta geografica più volte ripiegata "Carta Speciale del Sudan Orientale". Ottimo esemplare. Timbri di appartenenza. (726/P) 395/32
Grande e decorativa carta geografica dell'Africa con coloritura coeva confinale
EDIZIONE ORIGINALE, COLORITURA COEVA -Bella e accurata mappa dell'Africa, divisa nelle sue regioni. Tratta dal "Nuovo Atlante Geografico Universale delineato sulle ultime osservazioni", edito a Roma dal 1792 fino al 1801, opera che la Calcografia Camerale commissionò al Cassini al fine di sostituire l’ormai obsoleto "Mercurio Geografico".Giovanni Maria Cassini, Chierico Regolare Somasco fu geografo e cartografo, ma anche intagliatore di architetture e prospettive - uno dei migliori discepoli di Giovanni Battista Piranesi - Cassini fu uno degli ultimi sferografi italiani del Settecento ed i suoi globi ebbero una notevole diffusione, come pure questo "Nuovo Atlante Geografico".Incisione in rame, coloritura coeva dei contorni, leggere bruniture, per il resto in ottimo stato di conservazione.L'Atlante del Cassini fu ristampato dalla Calcografia Camerale nel primo quarto del XIX secolo, prima del 1839. Solo gli esemplari di prima edizione come questo sono stampati su carta vergata coeva e sono colorati a mano in epoca. Le tirature del XIX secolo sono già su carta meccanica, priva di vergelle, e generalmente in bianco e nero. - FIRST EDITION, CONTEMPORARY OUTLINE COLOUR -The Italian painter and engraver, Giovanni Maria Cassini, produced this map of Africa; fairly accurate geographically with the correct source of the Nile and detail confined to the regions actually known. Published in: Nuovo atlante geografico universale delineato sulle ultime osservazioni. Roma, Calcografia camerale, 1792-1801.Cassini was geographer and cartographer but he was also good at engraving architectural items and perspectives – he was one of the best disciples Giovanni Battista Piranesi had. Moreover, Cassini was one of the last artists to engrave spheres in the XVIII century and his globes were quite famous and widespread, and realized the most important Italian Atlas of the XVIII century; his maps always bear a cartouche, extremely rich in colours and details. Copperplate with fine original hand colour, some foxing, otherwise in very good condition.
- EDIZIONE ORIGINALE, COLORITURA COEVA -Importante e decorativa mappa tratta dal "Nuovo Atlante Geografico Universale delineato sulle ultime osservazioni", edito a Roma dal 1792 fino al 1801, opera che la Calcografia Camerale commissionò al Cassini al fine di sostituire l’ormai obsoleto "Mercurio Geografico".Giovanni Maria Cassini, Chierico Regolare Somasco fu geografo e cartografo, ma anche intagliatore di architetture e prospettive - uno dei migliori discepoli di Giovanni Battista Piranesi - Cassini fu uno degli ultimi sferografi italiani del Settecento ed i suoi globi ebbero una notevole diffusione, come pure questo "Nuovo Atlante Geografico".Incisione in rame, coloritura coeva dei contorni, leggere bruniture, per il resto in ottimo stato di conservazione.L'Atlante del Cassini fu ristampato dalla Calcografia Camerale nel primo quarto del XIX secolo, prima del 1839. Solo gli esemplari di prima edizione come questo sono stampati su carta vergata coeva e sono colorati a mano in epoca. Le tirature del XIX secolo sono già su carta meccanica, priva di vergelle, e generalmente in bianco e nero. - FIRST EDITION, CONTEMPORARY OUTLINE COLOUR -The Italian painter and engraver, Giovanni Maria Cassini, produced this splendid map of as part of his epic three-volume atlas. Published in: Nuovo atlante geografico universale delineato sulle ultime osservazioni. Roma, Calcografia camerale, 1792-1801.Cassini was geographer and cartographer but he was also good at engraving architectural items and perspectives – he was one of the best disciples Giovanni Battista Piranesi had. Moreover, Cassini was one of the last artists to engrave spheres in the XVIII century and his globes were quite famous and widespread, and realized the most important Italian Atlas of the XVIII century; his maps always bear a cartouche, extremely rich in colours and details. Copperplate with fine original hand colour, some foxing, otherwise in very good condition.The Cassini's Atlas was reprinted by the Calcografia Camerale in the first quarter of XIXth century (before 1839). Only the first edition of the atlas is printed on contemporary laid paper, while the late issue are on XIXth century paper and often without colour.
Cm. 28; pp. XXIII, (5), 355, (1). Bella legatura coeva in piena pelle, titoli e ricchi fregi in oro al dorso, piatti inquadrati da cornicetta dorata, tagli marmorizzati, risguardi in carta marmorizzata. Ritratto in antiporta di Clapperton, 1 grande carta più volte ripiegata :"A chart of the route of the late Captain Clapperton from Badagry to Soccatoo" , una pianta a piena pagina, fuori testo. Qualche piccolo difetto ma ottimo esemplare 323 / P
Cm. 28; pp. XXIII, (5), 355, (1). Bella legatura coeva in piena pelle, titoli e ricchi fregi in oro al dorso, piatti inquadrati da cornicetta dorata, tagli marmorizzati, risguardi in carta marmorizzata. Ritratto in antiporta di Clapperton, 1 grande carta più volte ripiegata :"A chart of the route of the late Captain Clapperton from Badagry to Soccatoo" , una pianta a piena pagina, fuori testo. Qualche piccolo difetto ma ottimo esemplare. (323 / P) 722 / 30
Cm. 28; pp. XXIII, (5), 355, (1). Bella legatura coeva in piena pelle, titoli e ricchi fregi in oro al dorso, piatti inquadrati da cornicetta dorata, tagli marmorizzati, risguardi in carta marmorizzata. Ritratto in antiporta di Clapperton, 1 grande carta più volte ripiegata :"A chart of the route of the late Captain Clapperton from Badagry to Soccatoo" , una pianta a piena pagina, fuori testo. Qualche piccolo difetto ma ottimo esemplare. (323/P) 402/32
In 8, pp. (8) + 86 + (2) + (32) con 1 carta f. t. all'antip. Dedica aut. dell'a. T. tl. ed. Intonso Rara edizione originale di questa relazione di viaggio opera del noto medico e viaggiatore Leared, inventore nel 1851 dello stetoscopio biauricolare, nello stesso anno ando' in India. Partecipo' alla guerra di Crimea come medico. Di lui vengono ricordati importanti sulla digestione. Visito' il Marocco nel 1872, 77 e 79 dove individuo' anche il sito della citta' romana di Volubilis.
Mappa tratta dal Cl. Ptolemaei Alexandrini, Geographiae Libri Octo, pubblicata prima a Colonia da Gottfried von Kempen (1578) e poi ristampata dallo stesso editore nel 1584 (Van der Krogt 1, 502) e poi da Isaac Elsevier per il Theatrum Geographiae veteris di Petrus Bertius (Leyden 1618). Di tutte le edizioni di Tolomeo, quella di Gerard Kremer (Mercatore), pubblicata nel 1578, e forse tecnicamente la più bella. A questo punto la Geografia di Tolomeo perdeva però ogni pretesa di “attualità”, laddove lo scopo di Mercatore era quello di produrre un atlante del mondo classico che servisse da complemento al suo atlante moderno (per tale ragione egli aveva tentato di recuperare la forma originale dell’atlante tolemaico, scartandone le moderne accrezioni). L'interpretazione di Mercatore del testo tolemaico, per le 28 carte che illustrano la sua Geographia è stata, quindi, una delle più veritiere. Egli aveva passato 13 anni a ricercare, disegnare e incidere le carte, rinunciando anche alla pubblicazione delle sue carte “moderne”. Questo esemplare proviene dal Theatrum Geographia Veteris di Petrus Bertius edita a Leida nel 1618, che combina il Tolomeo di Mercator, le 8 tavole del Moretus per rappresentare la Tabula Peutingeriana e 14 mappe storiche delle regioni d'Europa derivate dal Parergon di Ortelius. Acquaforte su rame, in buone condizioni. Map taken from the Cl. Ptolemaei Alexandrini, Geographiae Libri Octo, first published in Cologne by Gottfried von Kempen (1578) and then reprinted by the same publisher in 1584 (Van der Krogt 1, 502) and then by Isaac Elsevier for the Petrus Bertius’ Theatrum Geographiae veteris (Leyden 1618). Mercator's interpretation of the 28 Ptolemaic text was possibly one of the truest undertaken up until that time. He had spent 13 years researching, drawing and engraving the maps at much commercial sacrifice to himself, having seen Ortelius's Theatrum and De Jodes Speculum published, to become both technical and commercial successes. In later life he devoted himself to his edition of the maps in Ptolemy's Geographia, reproduced in his own engraving as nearly as possible in their original form. This example comes from the Theatrum Geographia Veteris of Petrus Bertius published in Leiden in 1618, which combines Mercator's Ptolemy, the 8 plates of Moretus to represent the Tabula Peutingeriana and 14 historical maps of the regions of Europe derived from the Parergon of Ortelius. Copperplate, in good condition.
Tratta dall'edizione del "Cartes Gènerales de toutes les parties du Monde" curata da Pierre Mariette, edita nel 1663. Sanson era il più famoso cartografo francese della storia moderna, cosmografo al servizio di Luigi XIV, re di Francia; dotò le sue mappe delle più recenti informazioni geografiche e delle incisioni più belle e acute del periodo. Il "Cartes Generales de Toutes les Parties du Monde" rappresenta il più importante prodotto della cartografia commerciale francese del diciassettesimo secolo.Le mappe furono compilate a partire dal 1630 e l'atlante edito per la prima volta nel 1654, stampato da Pierre Mariette. Map of the "Cartes Générales de toutes les parties du Monde"published by Melchior Tavernier & Pierre Mariette. Sanson's map covers Africa in full with adjacent parts of Europe and Arabia represented in part.The maps were compiled by Nicolas Sanson who published his atlas in 1654, with 100 maps, and printed by Pierre Mariette; they were issued progressively from 1630. Sanson was the most noted French cartographer in modern history. Mapmaker to Louis XIV, King of France, Sanson endowed his maps with the most recent geographical information as well as the finest and sharpest engraving of the period. His "Cartes Generales de Toutes les Parties du Monde" was the most important single product of French commercial cartography of the seventeenth century.Copperplate, good condition.Copper engraving, coloring contemporary contours, small tear at the bottom, otherwise in good condition. R. L. Betz "The Mapping of Africa…" (2007), map 79; O. I. Norwich, "Norwich's Maps of Africa", map 35
193 pages. Black and white photos. Numerous line drawings. Chapters in first paper include: The Evolution of the Fishing Method by Light Attraction; Fishing Unit M.F.V. France (a Greek purse seiner on Lake Tanganyika); The Cycle of Fishing Operations; Landing Facilities at Lake Tanganyika (Tanzania); Fishing Areas in Lake Tanganyika (Tanzania) for Industrial Fishing; Insurance of the Fishing Unit. Chapters in second paper include: Existing Fishing Methods and Gear for Small-Scale Fisheries - Advantages and Limitations; A Small-Scale Seine Fishing Unit; The Cycle of Fishing Operations; The Results obtained from Experimental Unit; Conclusions and Recommendations. Chapters in third paper include: An Outline of the Problem; The Fishing Unit; Seasonal Availability of Fishing Grounds; Choice of Fishing Grounds; The Results of Beach Seine Experimental Fishing; Beach Seining by Local Fishermen; Comparing Catches of BS-2 with Local Fishermen; Prototype Beach Seining Unit; Conclusions and Recommendations plus appendices. Prior owner's name atop front free endpaper else clean and unmarked with light wear. Binding tight. Nice copy. Book