159 résultats
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. <br/><br/> Denoël unknown books
1961161033Paris: Editions Denoel 1961. Softcover. G Has average age overall creased outer spine; pages are fairly clean. Color pictorial wraps French flaps 317 pp. 17 BW illus. Text is in French. Considers a 20-year history of surrealistic art. Includes 17 examples. Editions Denoel paperback books
27911Chateau DE Saint Cirq Lapopie: Association Pour Le Developpment Artistique International. First Edition; First Printing. Softcover. Wraps a fine copy of this memorial pamphlet with photos of Beaudoin and his work; it includes a catalog of a small exhibition of his work that was being held there.; 8vo 8" - 9" tall; 12 pp . Association Pour Le Developpment Artistique International paperback books
15540Lausanne, Guilde du Livre,1950. In-4°, non paginé. Broché, couverture illustrée rempliée.
32601Lausanne, Guilde du Livre,1950. In-4°, non paginé. Broché, couverture illustrée rempliée.
10455Paris, Seghers - Poètes d'Aujourd'hui n° 18, 1963. In-12 carré broché (couverture défraîchie), 229 pp. Oeuvres choisies, bibliographie, dessins, portraits fac-similés. Edition revue.
22082Paris, Seghers, 1976. 1 vol. in-12 br., couv. illustrée., 187 pp., (1) p., (12 ff. Bon exemplaire.[G12]
1973258541973 Paris, Seghers, 1973, In douze, 135 X 160 mm, 199 pp, broché,bon état,
39462Paris : Seghers, 1967 - un volume 19x25cm broché de 62 pages - un des 400 exemplaires numérotés sur papier bouffant - Edition originale du premier recueil de poésie de l'auteur -
17701P., Collection du B.L.S., 1975, In-4, 34x52 cm, en feuilles, non paginé, sous chemise et étui framboise éditeur.
47360Paris : Editions Seghers, 1972. Un volume broché (17,5x11 cm), 358 pages. Choix et présentation par Jean-Louis Bedouin. Dessin de Yves Tanguy en couverture. Edition revue et corrigée. Bon état.
15570P., Pierre seghers, 1967, In-4, en feuilles, sous chemise, 57 pp.
196740476Paris Seghers 1967 1 vol. Broché in-4, en feuilles, sous couverture à rabats, 57 pp. Edition originale du premier recueil de l'auteur. Un des 66 exemplaires de tête numérotés sur vélin de Hollande, comprenant une eau-forte originale en couleurs de Jorge Camacho numérotée et signée par l'artiste. Curuesement la justification de la gravure (n°9) ne correspond pas à celle du volume (n° II). Déchirure au dos en pied, sinon bon exemplaire.
196740476Paris Seghers 1967 1 vol. Broché in-4, en feuilles, sous couverture à rabats, 57 pp. Edition originale du premier recueil de l'auteur. Un des 66 exemplaires de tête numérotés sur vélin de Hollande, comprenant une eau-forte originale en couleurs de Jorge Camacho numérotée et signée par l'artiste. Curuesement la justification de la gravure (n°9) ne correspond pas à celle du volume (n° II). Déchirure au dos en pied, sinon bon exemplaire.
5869SUPERBE LETTRE SON AMI REN ALLEAU DANS LAQUELLE IL ABORDE LA NOTION DTERNIT......Jarrive peine reprendre pied, (...). Cest en vain que je chercherais ici lquivalent de cet air lgrement parfum, de cette athmosphre (sic) dore qui rappelle l-bas tout homme quil peut tre des compagnons de Dionysos. Et sil est bien dans la vertu de lor de sacraliser ce quil touche, que dire de ces dernires journes que nous avons passes en Provence, aidant de nos mains clbrer le sacrifice des grappes dans le fouloir...La substance de votre lettre, si riche de sens et si belle, saccordait parfaitement celle de ces journes fastes et simples. Je vous aurais aussitt rpondu, si le travail qui saccomplissait (et pas seulement dans les cuves !) net exig autant de vigilance de notre part que de bonnes dispositions des astres et des pluies (...).Maintenant que ce charme nest plus quun souvenir, nous nous trouvons nouveau ballots par les eaux bitumeuses (...). Lternit, massurez-vous, est seule compter, non cet avenir que je croyais devoir invoquer comme un miracle toujours possible (...). Il nen reste pas moins que le mot nest, comme dautres, nullement exempt de rsonances qui, trs probablement, me lon fait inconsciemmentrejeter. (...), il voque quelque chose de statique, de contraignant, propre freiner tout essor. Ne pourrait-on parler dune 6 ternit en mouvement, faite de tous les temps, de toutes les naissances et de toutes les morts (je ne pense pas forcment l ternel retour ) ?...Tout ceci pour manifester le profond intrt que jai pris vous lire, plutt que pour discuter un problme qui chappe en grande partie mes comptences, dans la mesure o je suis plus pote que mtaphysicien. Pour tre tout fait sincre, je dois ajouter cependant que la posie peut, mon sens, saisir plus troitement et plus vite certaines ralits spirituelles, que ne le pourra jamais la philosophie (...). Cest cette conviction, peut-tre fort subjective, qui ma soutenu tout au long du texte que je vous envoie sous ce pli. Je naurais pas tant tard vous ladresser, si je navais pens que Monsieur Canseliet vous le communiquerait...Ren Alleau (1917-2013) est un historien des sciences occultes. Il fut un proche dAndr Breton. Franc-maon, il a t membre de la loge de Paris de tendance gunonienne Thebah, appartenant la Grande Loge de France. Louvrage de Ren Alleau Aspects de l'alchimie traditionnelle fut prfac par Eugne Lon Canseliet (1899-1982 auteur et alchimiste, disciple de Fulcanelli).
12192P., Denoël, 1961, in-8, br., couv. rempl. illustrée, 326 p. Edition originale. Envoi a.s. de l’auteur.
1880145821880. Vintage original albumen photograph of a Bedouin with his white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown
1900145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life.<br /> <br /> Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel.<br /> <br /> Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown
14589A set of Original Vintage Albumen Prints of a Bedouin Camp circa 19th century. Size: 8" x 10." In the first photo we can see a large meeting of Bedouin men congregated under a tent in a dry grassy plain of the desert. The second photo captures 5 saddled horsemen speaking with a Bedouin elder outside a large Bedouin camp. Two intriguing photos in very good condition. unknown books
14695Two large sepia-toned albumen prints depicting Bedouin camps under the wide desert sky. First photograph is labeled on bottom left corner with"1681 Nomades Campes Boghari." Some age-related foxing that does not affect the larger image. Image is approximately 10"x7.5" and is in overall good condition. The second image is 9"x7" and is laid on a photographer's matt labeled "Camp Doncy." Tears to corner and edge but image is in overall good condition. unknown books
195010528Lausanne Lausanne, la Guilde du livre, 1950. In-4, cartonnage souple. Couverture défraîchie (bords frottés, petite déchirure sans manque).
105.111Lausanne, La Guilde du Livre, 1950 22 x 28, sans pagination, broché, couverture rempliée, bon état (couverure légèrement défraîchie).
1654Photos de Michel Huet. P. Hoa-qui 1950. Grand in-4, 100 pages. Demi chagrin noir, dos à 2 gros nerfs, couvertures illustrées conservées.
52683Eds Seghers In-12-carre 230pp. illustr. photos Nb-0204 unknown
PJH55654Editions Denoel Paris 1961. Ownership Signature of Roger Cardinal and with comments in his hand throughout and on rear endpaper VG in slightly rubbed publishers decorated wrappers creased on spine.Illustrated.1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Editions Denoel (Paris) 1961 unknown
