159 résultats
1550Sans lieu (Paris), NRF, (1952). Collection « Le Point du Jour ». in-16 (19.4 cm) (1) feuillet, 317 pages, (1) feuillet. Broché. Bel état. Tête et queue du dos légèrement élimées. Couverture illustrée recouverte de son papier cristal d'origine. Édition originale. Service de presse.
1957010783Paris Librairie Jean-Jacques Pauvert 1957 In-12 carré Broché, couv. illustrée Ed. originale
19761253131976 Editions Payot, Paris - 1976 - In-8 broché - 346 pages
42427Paris: Presses universitaires de France, 1982. Un volume 20,1x27cm pleine toile sous jaquette illustrée en couleurs, de 464 comprenant plus de 1350 entrées avec 640 illustrations dont 41 en couleurs. Exemplaire en bon état.
46444Paris : Le Terrain Vague. Directeur : Gérard Legrand. Un volume (24x31,5 cm) agrafé, 8 pages. Légère pliure centrale sinon bon état. Bief fut lancée après la prise du pouvoir par le général De Gaulle. La revue comptera 12 numéros en 11 livraisons de novembre 1958 à avril 1960.
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
195037449Lausanne : La Guilde du Livre 1950. 280x220mm. photos en hliogravure broch. couverture remplie. Bon exemplaire. 480 La Guilde du Livre unknown
196193367Paris: Denoel 1961. Paperback. An unopened copy with mild creasing to spine; overall very good. Small quarto in glossy color illus wraps; 325 pages: illustrations; 21 cm. In French. / Art. Surrealism. surréalisme. Denoel paperback
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
19561026-A3Paris: Le mouvement surréaliste 1956 7 3/4 x 10 1/2 inches. VG condition. Surrealist publication protesting the recent election of 52 members of the Poujadiste movement and calling for the creation of a group of intellectuals committed to fighting fascism and colonialism. Paris: Le mouvement surréaliste unknown
14537A Vintage Albumen photograph of Bedouin Warriors charging with swords drawn circa 1880. Image size: 7" x 9." In this dramatic photo a dozen Bedouin horsemen with swords drawn are charging in full gallop through the barren desert sands. This image beyond any other early photo we have seen captures the spirit of the Bedouin warrior on his horse. The Bedouin cavalry with its speed and expert maneuvering was the pivotal force in most of the important historical events in the Arabian desert. A few Bedouin tents next to a lone palm tree stand in the background. On the horizon we make out the faint outline of mountains. It is very rare to find a photo that captures a scene of Bedouin warriors in the midst of a mounted charge from this early period as the 19th century technology in photography was not designed to produce action shots of any sort and therefore photographers rarely attempted to do so. The most powerful image of Bedouin charge we have seen. In very good condition. unknown books
14546Vintage original albumen photograph of a Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown books
1885145461885. Vintage original albumen photograph of a Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown
1880145371880. Albumen photograph Bedouin cavalry charge circa 1880 documents mounted warfare practices among nomadic groups in the Arabian desert during the late nineteenth century a period when Bedouin tribal forces maintained regional influence through mobility horsemanship and control of desert routes. The image captures armed horsemen in coordinated motion with swords drawn providing visual evidence of cavalry tactics central to intertribal conflict and territorial defense prior to the consolidation of modern state authority in the region. Such imagery supports research into Middle Eastern military history nomadic social organization and the representation of non-Western subjects in early photographic practice.<br /> <br /> Single albumen print measuring approximately 7" x 9" depicting approximately a dozen mounted Bedouin riders in full gallop across open desert terrain. The composition includes figures in the foreground advancing with raised swords with additional environmental detail visible in the background including tents near a palm tree and distant mountainous forms along the horizon. The photograph captures a dynamic moment of movement unusual for the period given the technical limitations of nineteenth-century photography which more commonly produced static or posed scenes. No visible inscriptions noted; composition emphasizes both action and landscape context.<br /> <br /> Produced during a period when photographic processes required long exposure times the successful rendering of motion in this image indicates either careful staging or a rare attempt to document kinetic activity in situ. Bedouin cavalry traditions remained central to Arabian Peninsula power structures throughout the nineteenth century preceding the military and political transformations that accompanied Ottoman decline and later state formation in the early twentieth century. Visual records of mounted action from this period are comparatively limited particularly those that attempt to depict combat or maneuver in progress making the photograph relevant for studies of early visual ethnography colonial-era image production and the documentation of pre-modern military systems. Light wear consistent with age; image remains clear with strong tonal contrast; overall in very good condition. unknown
050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 <br /> 1949 Paris La Hune (diffuseur)
Paris, Denoël, 1961. In-8, broché, couverture illustrée rempliée, non coupé, 325 pp. 17 reproductions photographiques hors-texte.
52683Eds Seghers In-12-carre 230pp. illustr. photos Nb-0204 unknown
PJH55654Editions Denoel Paris 1961. Ownership Signature of Roger Cardinal and with comments in his hand throughout and on rear endpaper VG in slightly rubbed publishers decorated wrappers creased on spine.Illustrated.1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Editions Denoel (Paris) 1961 unknown
14695Two large sepia-toned albumen prints depicting Bedouin camps under the wide desert sky. First photograph is labeled on bottom left corner with"1681 Nomades Campes Boghari." Some age-related foxing that does not affect the larger image. Image is approximately 10"x7.5" and is in overall good condition. The second image is 9"x7" and is laid on a photographer's matt labeled "Camp Doncy." Tears to corner and edge but image is in overall good condition. unknown books
14589A set of Original Vintage Albumen Prints of a Bedouin Camp circa 19th century. Size: 8" x 10." In the first photo we can see a large meeting of Bedouin men congregated under a tent in a dry grassy plain of the desert. The second photo captures 5 saddled horsemen speaking with a Bedouin elder outside a large Bedouin camp. Two intriguing photos in very good condition. unknown books
1900145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life.<br /> <br /> Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel.<br /> <br /> Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown
1880145821880. Vintage original albumen photograph of a Bedouin with his white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown
27911Chateau DE Saint Cirq Lapopie: Association Pour Le Developpment Artistique International. First Edition; First Printing. Softcover. Wraps a fine copy of this memorial pamphlet with photos of Beaudoin and his work; it includes a catalog of a small exhibition of his work that was being held there.; 8vo 8" - 9" tall; 12 pp . Association Pour Le Developpment Artistique International paperback books
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. <br/><br/> unknown books
196418740Paris: Seghers 1964. First edition. Cloth very good copy in slightly chipped dust jacket. Schwartz bookplate after Victor Brauner. <br/><br/> Seghers hardcover books