5 587 résultats
1376513Paris: Galerie Flak, 1991 in-4 à l'italienne, 38 pages, nombreuses reproductions et fac-similés. Broché, couverture à rabats, très bon état. Tirage limité.
2004MDURBAL1Genève Editions Papillon 2004 In-8 broché (21x15 cm), couverture illustrée, illustrations et extraits de partitions, bibliographie, 160 pp.
222931 volume in-8° broché, 175 p. très bon état d'occasion.
161pp.with 112 illustrations out-of-text, 29cm., cart., bilingual: Russian-English
1974X61714Leningrad, Aurora Kunstverlag 1974 161pp.with 112 illustrations out-of-text, 29cm., cart., bilingual: Russian-English
500165593Sans date.
193520394Paris, Nathan, 1935. In-4, cartonnage couv. papier vert et texte en vert éd., vignette ronde ill. coul. sur la première de couv., dos muet toilé vert éd., 40 pp., texte en vert, nb. Ill. en monochrome vert de KUHN-REGNIER, Très belle vignette couleurs sur la couverture et beaux dessins en vert pleine page. Bon état.
1923108011Partitions sur les États-Unis Witmark 1923
1969100150777LIBRAIRIE ORIENTALISTE PAUL GEUTHNER 1969 20 pages in8. 1969. Agrafé. 20 pages. Il s'agit d'un article académique de Marius Canard publié en 1969 dans la Revue des Études Islamiques qui examine la place et la représentation des reines de Géorgie à travers le prisme de l'histoire et des légendes musulmanes
17pp., avec 4 ills. en n/bl, 3e édition, brochure originale, bon état, T97765
1910T97765Bruxelles, Charles Bulens 1910 17pp., avec 4 ills. en n/bl, 3e édition, brochure originale, bon état, T97765
2013125059Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped. American Antiquarian Society unknown books
194869605New York: The Exposition Press. Very Good-. 1948. Hardcover. Inscribed by the author on the front free endpaper. 64 pages dark green boards with gilt stamping. The spine and edges are rubbed. Contents slightly toned but complete. Near Very Good. . The Exposition Press hardcover books
196669604Charleston Illinois: Prairie Press. Very Good. 1966. Hardcover. Signed by the author on the dedication page. 62 pages blue pictorial boards gilt stamping. The covers are a bit soiled and rubbed pencil notes in table of contents former owner gift inscription on the front free endpaper. Good. . Prairie Press hardcover books
199071354Santa Fe: Gerald Peters Gallery. Very Good. 1990. Paperback. 093503739x . Pictorial wrappers exhibition catalogue Very Good condition. ; 0.2 x 10.6 x 9.8 Inches . Gerald Peters Gallery paperback books
192245177Cincinatti: The John Church Co. Very Good. 1922. Hardcover. Cincinatti: The John Church Co. 1922. 92 pages hardbound. Contents are clean with illustrations and music by the author. The red cloth binding is tight with light soil and warping to the boards. Overall VG. . The John Church Co hardcover books
197041891970. Softbound. VG but binding glue is dried so pages are apt to come loose with use. Wraps. appx. 72 pp. 43 bw plates. Short statement by the artist short essay by Frank Getlein. Catalogue lists 43 works. Chronology collections selected bibliography. paperback books
2013118846Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.<BR><br /> <BR><br /> The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860.<BR><br /> <BR><br /> The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. <BR><br /> <BR><br /> Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. <BR><br /> <BR><br /> Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. American Antiquarian Society unknown books
1988108523Washington D.C. & Boston MA: National Gallery of Art Washington in association with New York Graphic Society 1988. Second printing. Hardcover. 306 pages. A collection of her letters selected and annotated by Sarah Greenough together with 120 color and 11 black and white photographs. A fine and tight copy in a fine price clipped dust jacket. National Gallery of Art, Washington in association with New York Graphic Society unknown books
19982309652Nashville: Celebrity Books 1998. Reprint. Reprint. Near Fine/Near Fine. Signed by author. Reprint. Inscribed and signed by author on front flyleaf 'To Carrie So happy you enjoyed the book Georgia Durante'. Ink name on front jacket flap. 1998 Hard Cover. 456 pp. Memoirs of a 'Kodak Girl' who married a businessman linked to the mob and was a victim of domestic abuse. "Georgia Durante's beginnings were in Upstate New York when at the age of twelve the radiant little girl began her national modeling career. At seventeen Georgia Durante became the 'Kodak Girl' immortalized with her life-size image displayed in more than 80000 retail stores throughout the world. Georgia is also the author of the best-selling book The Company She Keeps. It's a book that has been recognized by domestic violence prevention and recovery groups for the inspiration and motivation it provides abused women who are looking to reclaim and rebuild their lives. Celebrity Books unknown books
2008Embry 146773Tulsa Ballet 2008. First edition first printing. Fine in fine dust jacket in mylar cover. Inscribed by the authors. Tulsa Ballet, 2008. First edition, first printing. unknown books
194088507Augusta: Georgia Hardwood Lumber Co 1940. Hardcover. Near Fine. numerous photos and illustrations 124p. Original woven burlap boards. Small illustration mounted on upper right portion of front cover. 24cm. Laid in is an undated 1944 or later 1-page Addendum on company letterheard. A mostly pictorial history of Georgia Hardwood Lumber Co. <br/><br/> Georgia Hardwood Lumber Co hardcover books
184011957Washington D.C.: Blair & Rives 1840. Small 8vo. 15 1 pp. <br><br>A desperate attempt to extend judicial authority. Senate document 273 26th congress 1st session. Removed from a nonce volume. Blair & Rives unknown books
182818795Washington: Pr. by Duff Green 1828. 8vo. 15 pp. <br><br>February 9 1828. Referred to the Committees on Manufactures and Roads and Canals and ordered to be printed." Letter signed in type: "John Forsyth." Report on pp. 5-15 signed in type: "Read and agreed to. Thomas Stocks president. . In the House of Representatives December 24 1827. Read and concurred in. Irby Hudson speaker ." Government document: 20th Congress 1st Session. 90. <br>Â Â Â Â <br>Â Â Â Â Shoemaker 36496. Removed from a nonce volume; stitch holes in inner margin not touching text. Three small holes on center of title-page and two small holes on pp. 3/4 5/6 7/8 costing a portion of two or three words on pp. 58 and touching one letter of p. 3. Ink numeral in top margin of title-page. Heavily foxed. Several leaves detached. Toned copy. Good. Pr. by Duff Green unknown books
