258 résultats
197671911976. Softcover. VG Exlib w/minimal markings label on cover. Wraps. 118 pp. 9 color 48 bw plates. Chronological listing of exhibitions. Detailed selected bibliography. Very detailed chronology. Essays on the artist by Paul Weaver Gibson Danes Edmund Burke Feldman Clinton Adams and Lamer Dodd. paperback books
1998211131998. VG. Color wraps. 20 pp. 1 bw plate. unknown books
197041891970. Softbound. VG but binding glue is dried so pages are apt to come loose with use. Wraps. appx. 72 pp. 43 bw plates. Short statement by the artist short essay by Frank Getlein. Catalogue lists 43 works. Chronology collections selected bibliography. paperback books
196924261969. VG. Neon wraps. appx. 40 pp. 24 bw plates. Two short essays by the artist followed by 24 bw plates. Catalogue lists 19 works. Short biographical information collections exhibitions selected bibliography. Mostly modern sculpture. unknown books
1997190911997. Softcover. VG slight wear to extremities. Blue and white wraps. 80 pp. 22 color numerous bw plates. Includes works by Chase Cole Smillie Colman Harvey Hill Marin Bluemner Marlatt Bellows Diller and many more. 1000 copies printed. paperback books
1931WBP150Oakland CA: Author 1931. Book is slighrtly canted and spine titling-piece is sunned. Lower cover has been splashed and there is some ink stain on spine. The cover paper label have several reddish splashes. A nice inscription from the author on ffep. . Inscribed By the Author. First Edition. Cloth. Fair/No Jacket. 8vo - over 7¾" - 9¾" tall. Trade. Author Hardcover books
1931SB1005Oakland California: Georgia Loring Bamford 1931. Hardcover. Near fine/Near Fine. Octavo size 255 pp. The life and work of Jack London 1876-1916 have been the subjects of many critical writings and here Georgia Loring Bamford 1873-1966 a personal friend of London's reminisces about London's life his prominence in the literary circle in San Francisco during the late nineteenth century his politics and his influences. <br/><br/>The book is both personal and factual a look at one of California's significant literary figures. In addition to Bamford's own reminiscences as a close friend and contemporary of London's included are inscriptions he wrote inside the books he presented to her husband Fred Bamford for example in "War of the Classes" he wrote "Dear Comrade Bamford - Yours for the Revolution - Jack London"; also included are some of the many letters exchanged between the two friends - together the book presents an incredibly intimate view of London which few biographers have captured.<br/><br/>___DESCRIPTION: Full brown cloth cream paper label with illustration and lettering in orange cream paper spine label with brown lettering frontispiece a black-and-white photograph of Jack London by Arnold Genthe line drawings in black by Georgia Loring Bamford throughout; octavo size 9" by 6.25" pagination: 1-9 10-252 253-255. In a beige paper dust jacket with illustration and lettering in red black and blue on the front panel black lettering on the spine and a description of the book on the front flap; the dust jacket is unclipped with the original price of $3.50 on the front flap.<br/><br/>___CONDITION: Volume is very good with clean boards a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; light rubbing to the head and tail of the spine and to the corners front corners are gently bumped light wear to the paper labels and some toning to the endpapers. The dust jacket is near fine unclipped clean with bright colours with light soiling to the verso and a small half-inch closed tear to the top edge.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Georgia Loring Bamford hardcover books
19957607Boston MA: The Adirondack Museum / David R. Godine 1995. Softcover. VG- Label & few marks from previous gallery owner; slight scuffs to back cover. Color illus. wraps. 99 pp. 19 color 104 bw plates. Issued in conjunction with a 1995 exhibition. With a main essay by Georgia Barnhill with a foreword by David Tatham. There are 80 footnotes to accompany the essay providing fertile ground for future research. There are 96 metal engravings 64 artists' etchings 181 lithographs and 233 wood engravings. A superb listinga valuable reference. The Adirondack Museum / David R. Godine unknown books
199559582Boston MA: Adirondack Museum & David R. Godine 1995. First edition. Oblong 4to. xix 99 pp. Profusely illustrated plates some in color. Very good. Cloth and boards color illustrated dust jacket. #6743. <br/><br/> Adirondack Museum & David R. Godine hardcover books
19957607000001Boston MA: David R. Godine 1995. Hardbound. As New. Green cloth spine and tan boards. 99 pp. 19 color 104 bw plates. Main essay by Georgia Barnhill with a foreword by David Tatham. Published to accompany an exhibition held at the Adirondack Museum May 27 to Oct. 15 1995. There are 80 footnotes to accompany the essay providing fertile ground for future research. There are 96 metal engravings 64 artists' etchings 181 lithographs and 233 wood engravings. Since its opening last century the Adirondack wilderness of upstate New York has captured the nation's imagination. Home to artists and writers philosophers and sportsmen its mountains rivers and valleys have always radiated a special mystique offering its admirers what was and still is among the largest and most spectacular wilderness regions in the East. Nowhere is the topography history or activities of this area more eloquently recorded than in the print collection of the Adirondack Museum in Blue Mountain Lake. And in this fully illustrated book certain to become the standard reference work on the subject the reader is treated to the remarkable variety and quality of graphic work that has flowed from this region. Here are wood engravings by Winslow Homer color lithographs after A.F. Tait hunting scenes from Currier and Ives and etchings by Stephen Parrish and John Henry Hill. Whether intended to attract tourists record the landscape or sway public opinion these prints not only document the history of a singular region but also mirror the broader cultural trends of a vigorous expansive and confident America. David R. Godine unknown books
199526038Boston: Godine. As New in As New dust jacket. 1995. Hardcover. 1567920411 . Prints in the collection of the Adirondack Museum. Color and black and white illustrations throughout. First edition. As new in like dust jacket. . Godine hardcover books
1995UBARWIL00DCAdirondack Museum & David R. Godine 1995. Very Good. Barnhill Georgia B. Wild Impressions: The Adirondacks on Paper. Boston MA: Adirondack Museum & David R. Godine 1995. 99pp. Indexed. Illustrated. Bibliography. Oblong 4to. Paperback. Book condition: Very good with rubbed edges. Adirondack Museum & David R. Godine paperback books
1997103117Worcester: American Antiquarian Society 1997. cloth dust jacket. 8vo. cloth dust jacket. 212 pages. The study of art history and artist education includes examining how historical and environmental factors affect the way artists receive their training. This collection of essays published by the American Antiquarian Society AAS brings the role of history back into exploring how young people began and developed as artists in the nineteenth century. The contributors' work reveals the relationship between art education in public schools and training opportunities in the trade. Because many middle and lower-class students could not afford to go to Europe for training and study many took on employment in the shops of commercial pictorial printmakers and publishers during this time. This provided an alternative entry to art education. Some of these essays examine how various 19th-century businesses offered training opportunities to those wanting to pursue art. The essays here cover topics including engraving lithography drawing sheet music chromolithography wood engraving alternatives to art school educating designers for industry and art museum schools. Ownership inscription in ink on free endpaper. American Antiquarian Society unknown books
20131309517Worcester MA: American Antiquarian Society 2013. Softcover. Octavo: VG-/no-DJ paperback: Tan spine with black text: Covers are clean with some curling/fraying to corners bumping along front tail edge binding solid: Textblock is clean: 128 pp. 1309517. FP New Rockville Stock. American Antiquarian Society unknown books
2013125059Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped. American Antiquarian Society unknown books
2013118846Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.<BR><br /> <BR><br /> The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860.<BR><br /> <BR><br /> The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. <BR><br /> <BR><br /> Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. <BR><br /> <BR><br /> Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. American Antiquarian Society unknown books
200628580New Castle DE: Oak Knoll Press 2006. First Edition. Hardcover. Fine/fine. First Printing. xviii 210 pp. 4to. Clean crisp copy with the dust jacket in a mylar cover. Oak Knoll Press hardcover books
199139076Worcester: American Antiquarian Society 1991. hardcover dust jacket. 7.5 x 10.75 inches. hardcover dust jacket. 174 pages. These articles focus on the first available studies on James Turner 1722-59 silversmith-engraver by Martha Fales; William Bentley's bequest of an exceptional collection of portraits by Stefanie Winkelbauer; American 18th-century portrait prints by Wendy Reaves; the publishing of illustrations in the Society's first substantial publication in 1820 by Marcus McCorison; New England's political cartoons from 1812-61 by Georgia Barnhill; the maps of Franklin Leavitt by David Tatham and textile printing by Jane Kaufmann. Extensive illustrations and a checklist of the prints in the exhibition are also included. The 1976 Seventh North American print conference at which these articles were presented was co-sponsored by the American Antiquarian Society and the Worcester Art Museum and sought to cover New England printmakers and prints about New England reflecting the diversity of the history of the region its graphic arts and the strengths of the collections of the museum and of the Society. American Antiquarian Society unknown books
20069020551New Castle: Oak Knoll 2006. 1st. Hardcover. Fine/fine. Bound in the publisher's original cloth over boards spine stamped in gilt <br/><br/> Oak Knoll hardcover books
1971260032Barre: Imprint Society 1971. Limited. hardcover. fine. Illustrated throughout with finely printed facsimiles some folding. Folio two-toned cloth; publisher's slipcase. Barre MA: Imprint Society 1971. Limited first edition. A fine copy in a very good- slipcase sturdy but edgeworn.<br/><br/> Limited edition -- one of 1950 copies but un-signed and un-numbered.<br/><br/> Imprint Society unknown books
197180282Barre: Imprint Society 1971. Limited. hardcover. fine. Illustrated throughout with finely printed facsimiles some folding. Folio two-toned cloth; publisher's slipcase. Barre MA: Imprint Society 1971. Limited first edition. A fine copy in a very good slipcase slightly edgeworn and sun-faded.<br/><br/> Limited edition -- number 655 of 1950 copies signed by the author.<br/><br/> Imprint Society unknown books
1971403935Barre Mass: Imprint Society 1971. Folio. Sixty black-and-white plates. Original blue cloth-backed boards; publisher's slipcase. Near-fine. FIRST EDITION. <br/><br/> Imprint Society hardcover books
1971TB19924Barre Mass.: Imprint Society 1971. Limited first edition. In fine condition bound in 1/4 blue and brown cloth covered boards with gilt text on the spine with a prior owner's name and date on the first free end paper. A folio measuring 14 3/16" high by 10 1/4" deep containing 60 pages of text and 60 pages of plates. Without a dust jacket but housed in a near fine cloth and paper covered slip case with a paper label. One of only 1950 copies printed this one is out of series but signed by the author on the last page of text. Sub-titled: "Sixty facsimilies sic dated 1680 to 1800 reproduced from originals in the American Antiquarian Society." Selected and introduced by Georgia b. Bumgardner. Imprint Society hardcover books
197168299Barre Massachusetts: Imprint Society 1971. First Edition. Hardcover. Near fine. This is number 276 of 1950 copies signed by Bumgardner. A splendid selection which is divided into eleven categories: expansion contemporary events patriotism education criminals religion elegies advertisements amusements humor and strange and wondrous events. This book was designed and the letterpress sections printed at the press of David Godine in Brookline Massachusetts. The fine screen facsimiles of the broadsides were all photographed directly from the originals and printed offset by The Meriden Gravure Company Meriden Connecticut. The type is Monotype Janson cast by A. Colish Inc. The paper is watermarked Imprint Almanack text. Folio. Original brown cloth-covered boards over a blue cloth spine with gilt titles. A near fine copy housed in the publisher's slipcase. Imprint Society hardcover books
2005UBYNMOL00JKNHarper Collins 2005. Very Good. Byng Georgia. Molly Moon's Hypnotic Time Travel Adventure. New York: Harper Collins 2005. 392pp. 8vo. Hardcover. Book condition: Very good. Slight shelf wear. Dust Jacket Condition: Very good. Slight shelf wear. Harper Collins hardcover books
