Stravinsky, Igor; Craft, RobertBiblio.com
258 résultats
2002Q-0571212425Faber & Faber 2002-11-06. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Faber & Faber hardcover
2003Q-0571211631Faber & Faber 2003-09-10. Paperback. New. New. In shrink wrap. Looks like an interesting title! Faber & Faber paperback
0571212425.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960mon0000137321Faber & Faber 1960-01-01. Hardcover. Good. 2.7979 in x 23.1824 in x 16.6873 in. Ex-library book usual markings. Hardback/Hardcover with dust cover. Clean text sound binding. Faber & Faber hardcover
196045960London: Faber and Faber 1960. First edition. Very good in very good jacket. First printing of this collection of conversations with the iconic composer inscribed in the year of publication to his well-connected friends Miranda and Ralph Levy. Igor Stravinsky's storied career spanned from Russia to France and finally to the US where his innovative style caused ripples throughout the music world. MEMORIES AND COMMENTARIES finds the composer reflecting on his many influences friends and colleagues and was compiled with the help of his frequent collaborator and confidant Robert Craft. <br /> This copy features an inscription from Stravinsky to "Ralph and Miranda Levy" a television pioneer and well-known jewelry designer respectively. Miranda Levy was noted in her obituary as "the woman who jump-started the Santa Fe Opera" by introducing its founding director to Stravinsky Roberts. Stravinsky supervised the opera house's opening production of his "A Rake's Progress" in 1957 and subsequently returned to Santa Fe every summer after that until 1963. A warm association between arguably the 20th century's most important composer and two significant supporters. 8.5'' x 5.25''. Original blue cloth binding. Original unclipped 25s pictorial dust jacket. Black-and-white frontispiece with 21 black-and-white illustrations. 184 pages including index. Inscribed by Stravinsky "To Ralph and Miranda" Levy dated November 1960 in Rome. With the Levy's subsequent gift inscription below. Jacket with light edgewear slight chipping to corners and spine ends. Binding with mild edgewear and bumping to spine ends; faint damping close inspection only. Faber and Faber unknown
1998Q-1581650450Literary Express 1998-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Literary Express hardcover
6j1616Line Music Hamburg 2007. CD in original Kunststoffhülle. - gutes Exemplar/Gesamtaufnahmen in lateinischer Sptahe/Aufführungsschnitte vom 20.12.1952 und 8.10.1951 unknown
1991Q-0714541931Oneworld Classics 1991-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oneworld Classics paperback
2004Q-0851622003Boosey & Hawkes 2004-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Boosey & Hawkes paperback
2004DADAX0851622003Boosey & Hawkes 2004-06-01. paperback. New. 9.00x0.51x12.00. Buy with confidence. Excellent Customer Service & Return policy. Boosey & Hawkes paperback
1988SKU0601824Dover Publications 1988-07-01. paperback. Good. 9x0x12. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Dover Publications paperback
1988SKU0649331Dover Publications 1988-07-01. paperback. New. 9x0x12. New Textbook Ships with Tracking Dover Publications paperback
0486263428.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1999Q-0486408701Dover Publications 1999-07-02. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
Q-0486263428Dover Pubns. paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Pubns paperback
1988Q-0486256804Dover Publications 1988-06-30. paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1927503Kiev: Muzgiz 1927. 35 pp. 34x25.5 cm. Some tears and stains on the wrappers and lower margin otherwise very good.<br /> <br /> First Ukrainian edition. Rare.<br /> <br /> This is a piano transcription of Igor Stravinsky's early composition 'Petrushka'. He began to create the ballet in Ukrainian town Ustyluh in 1907. Performed for the first time in 1911 the composition has been one of the most popular Ballets Russes. Its piano version presented not mere piano reduction of the composition but an attractive independent work that is now known as ''Trois mouvements de Petrouchka''. Stravinsky created piano version of the suite in 1921 for his friend pianist Arthur Rubinstein. He was the only musician who made Stravinsky believe in the soft sounds of piano performance. This is one of the early publications of the music.<br /> <br /> The edition is designed by Grygory Berkovitch 1905-1976 a Soviet artist and designer from Kharkiv.<br /> <br /> Not in the Worldcat. Muzgiz unknown
2006SONG0486449459Dover Publications 2006-01-27. paperback. Used: Good. 8.75x0.25x11.50. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
19501084781950. Signed. STRAVINSKY Igor. Photograph inscribed. No place 1950. Black-and-white postcard portrait measuring 3-1/2 by 5-1/2 inches; matted and framed entire piece measures 9-1/2 by 12 inches. $2200.Postcard photograph of Igor Stravinsky inscribed Pour Monsieur Maurice Dubois avec mes meilleurs compliments Igor Stravinsky 1950.""Few 20th-century composers enjoyed international influence and importance equal to that of Stravinsky. This influence exists in the materials of his music and in his rigorous search for an individual sound For many years he was with Schoenberg one of the two unofficial poles of Western music"" ANB. The postcard portrait is dated September 1948 and is attractively matted and framed with a page of music from Stravinsky's Four Etudes. An attractive inscribed and signed framed piece in fine condition. unknown
0674678559.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Q-0674678567Harvard University Press. paperback. New. New. In shrink wrap. Looks like an interesting title! Harvard University Press paperback
1947004697Cambridge: Harvard University Press 1947. First Edition. Original Cloth. Very Good. Harvard University Press Hardcover
200344016AB2003. Cambridge Massachusetts / London Harvard University Press 2003. 12.5 cm x 18 cm. XIII 142 pages. Original softcover. Excellent as new condition with only very minor signs of external wear. Includes the following chapters:- Getting Acquainted / The Phenomenon of Music / The Composition of Music / Musical Typology / The Avatars of Russian Music / The Performance of Music etc. "One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music the process of musical composition inspiration musical types and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism the operas of Verdi musical taste musical snobbery the influence of political ideas on Russian music under the Soviets musical improvisation as opposed to musical construction the nature of melody and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book". Amazon. paperback
1970DADAX0674678567Harvard University Press 1970-02-26. Revised ed. paperback. New. 5.00x0.50x7.25. Buy with confidence. Excellent Customer Service & Return policy. Harvard University Press paperback
16-4193Genève: Edition Ad. Henn 1917. . Oblong 4to. 19 x 27.7 cm. 2 14pp. Original wraps. . Signed at Morges Switzerland and dated 21 Nov. 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
