Stravinsky, IgorBiblio.com
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1936255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36."<br /> Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275.<br /> An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown
1936255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed to Violinist Samuel Dushkin. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36."<br/>Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275.<br/>An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown books
193626983London: Victor Gollancz Ltd 1936. FIRST ENGLISH EDITION. Gilt spine lettering oxidized. Near fine book minor spotting to fore edges of pages in a very good dust jacket with a repair to a long tear in the lower right-hand corner of the rear panel the typical sunning to spine panel and some other minor restoration to edges. Despite flaws an attractive copy of a scarce book in dust jacket. <br/><br/> Victor Gollancz Ltd unknown books
16-4194Genève: Edition Ad. Henn 1917. . 24 x 31.5 cm. 4 20pp. Original wraps. Front cover stained along edges. . Signed and dated 28 viii 17 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
201167481München : btb 2011. 351 S. ; 19 cm kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand
BN93414Collected Essays: Avatar of Modernity <br/><br/>Collected Essays: Avatar of Modernity IGOR STRAVINSKY unknown
BN164279Collected Essays: Avatar of Modernity <br/><br/>Collected Essays: Avatar of Modernity IGOR STRAVINSKY unknown
1992DADAX8774552368Wilhelm Hansen 1992-02-01. paperback. New. 8.00x0.09x11.75. Buy with confidence. Excellent Customer Service & Return policy. Wilhelm Hansen paperback
SLIVCN-9782330016203Actes Sud (9/2013)
19590870Garden City: Doubleday & Company 1959. 1959 1st edition stated. 8vo 162 pp publisher s black cloth wear to spine ends slight fading to lettering at foot of spine no internal markings very good dust jacket strong creasing small tears toning rubbing not price-clipped good. In mylar sleeve. 1st Edition. Hardcover. Good/Good. Garden City: Doubleday & Company, 1959. hardcover
1980Q-0520040406Univ of California Pr 1980-02-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Univ of California Pr paperback
19593117054New York: Doubleday. Fine in Near Fine dust jacket. 1959. First Edition; First Printing. Hardcover. First edition. INSCRIBED & dated in year of publication with place "Hollywood" noted by Igor Stravinsky on front end-paper. 162pp. 5 3/4" X 8 1/4" Fine in close to fine dust jacket. Hint of faint shelf-wear to jacket. Signed or inscribed copies of this title are scarce in the marketplace. GC ; 5 3/4" x 8 1/4"; 162 pages . Doubleday hardcover
30696Paris, 2024 Allia 192 p., nombreuses photographies N/B, broché. 17 x 22
1959WRCLIT55352London: Faber & Faber 1959. 140pp. Gilt boards. Black-and-white photographs. Index. First British edition. Transcripts of interviews unpublished letters etc published to commemorate the composer's seventy-fifth birthday. From the library of Wilmarth S. Lewis with his pencil note recording this as a gift on the front pastedown. Light offset endsheets caused by jacket flaps else near fine in a sunned pictorial dust jacket with a few creases and short closed tears to the upper edge of front panel. Faber & Faber hardcover books
197720630New York City NY: Alfred A. Knopf 1977. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. New York City NY: Alfred A. Knopf 1977. Hardcover. Fine/Fine. First Edition/First Printing. 340 pages. Retrospective collection of essays. One of the most important essay collections on music literature and the performing arts of the 20th century. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. There is no ISBN. The First Edition is now scarce. Presents Robert Craft's "Current Convictions: Views And Reviews". All in all still his best collection. Previously published in various publications in slightly or significantly different versions. The essays appear in their final definitive form in this book. Best-known as Igor Stravinsky's lifelong and fanatically loyal friend colleague interpreter/conductor and amanuensis Robert Craft is also a music and literary critic of the first rank. This collection demonstrates that fact and covers the stunning breadth of interests of Robert Craft Renaissance Man that is to say the vanishing embodiment of civilized learning and wisdom now missing in impoverished contemporary culture. An absolute "must-have" title for Robert Craft collectors. This copy is very prominently neatly and beautifully signed placed and dated in black ink-pen on the front free endpaper by the author: "Robert Craft New York May 1984". It is signed directly on the page itself not on a tipped-in page. This title is a great collection. As far as we know this is the only such signed placed and dated copy of the First Hardcover Edition/First Printing available online and despite its imperfection a ding on top front board corner but it's there is still in fine condition: The DJ and every single internal page are clean crisp and bright. Please note: Craft did NOT do a single public signing during his long and high-profile career as a public intellectual and music authority. A rare signed copy thus. One of the most brilliant critics of the 20th century. A fine copy. SEE ALSO OTHER ROBERT CRAFT AND IGOR STRAVINSKY TITLES IN OUR CATALOG. Alfred A. Knopf hardcover
26 page magazine on aspects of ballet. Numerous photographs of dancers and those involved in the production of ballet. Cover photo features Alicia Markova. Staple bound with rusty staples. Covers loose; light edgwear and surface rubbing to covers.
2003__0757932207Warner Bros Pubns 2003. Paperback. New. 180 pages. 7.87x5.51x1.57 inches. Warner Bros Pubns paperback
1146038Frankfurt am Main : Peter Lang, 2017. 170 S., Noten. Originalbroschur.
0500013683.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1985Q-0500013683Thames & Hudson 1985-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thames & Hudson hardcover
198514475New York, Thames and Hudson, 1985. In-4, pleine toile avec décor doré, jaquette couleurs. En belle condition. Illustré de 183 fac-similés et photographies en noir.
198040437Aux éditions Jean-Claude Lattès, coll. « Musiques et Musiciens » 1980 In-8 relié. In-8 16 x 23 cm. Reliure de l’éditeur pleine tile vert pré sous jaquette illustrée, 717 pp., 34 illustrations en noir et Blanc dans et hors texte. Exemplaire en bon état.. Jaquette en bon état. Très bon état. Poids sans emballage : 1150 grammes. La vie étonnante de celui qui pendant un quart de siècle géra la vie artistique du monde occidental, devint l’arbitre du “goût”, fit de Paris la capitale des arts.
1968mon0000996392Faber and Faber 1968. Hardcover. Very Good. in x in x in. Pages clean and bright no markings light wear to edges. Dust Jacket unclipped. Faber and Faber hardcover
1963r00170Garden City New York: Doubleday & Company 1963. First Printing. 8vo. 279pp. Near Fine in Near Fine dust jacket. Slightest wear to jacket extremities. Jacket reinforced with archival tape to verso. First Edition. Hardcover. Near Fine. Doubleday & Company hardcover
196362665Doubleday. Very Good in Very Good dust jacket. 1963. First. Hardcover. From library of noted musician and film composer Mike Lang Lang's signature on front free-endpaper. Date to inner board. Binding tight and straight inner pages clean and unmarked. Dust Jacket is price-intact clean with very mild shelfwear.; 279 pages . Doubleday hardcover
