CHOPIN F.Livre Rare Book
CHOPIN HENRI (1922-2008)Livre Rare Book
Wonderful Egopoeme for UK 2000
105673Lithographie originale en couleurs 76x56cm, signée et dédicacée marquée EA
Librairie Chloé et Denis Ozanne Déesse sarl · Paris, France280,00 €
1 757 résultats
RO50009037Enoch & cie. XXème. In-8. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 7 pages. Quelques bouts de papier adhésif à divers endroits.. . . . Classification Dewey : 780.26-Partitions
RO50056278HENRY LITOLFF / ENOCH & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Rousseurs. 5 pages de partitions. Tampon et soulignement sur le premier plat. Dos renforcé avec de l'adhésif.. . . . Classification Dewey : 780.26-Partitions
105673Lithographie originale en couleurs 76x56cm, signée et dédicacée marquée EA
198417813Leipzig, Deutscher Verlag für Musik, 1984. 2. Auflage. 234, (2) S. 8°, OLn. mit OSchU.
2020Adhya-9783030478476SPRINGER 2020. Paperback. New. SPRINGER paperback
2020Adhya-9783030478476SPRINGER 2020. Paperback. New. SPRINGER paperback
feb102179Used. For more details please contact me unknown
DADAX0739024973Alfred Music 0000-00-00. plastic_comb. New. 9.00x0.50x11.75. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music unknown
435640Galliard Limited London. Paperback. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Chopin Mazurkas 6092 and Chopin Inpromtus & Fantasias 6076 Augener Edition published by Galliard Limited London. Grey blue soft board covers bumped at the corners. 6092 was priced at 25s. 6076 was prived at 7s 6d.The binding on both remains sound. Internally the score pages are clean and unfoxed and remain relatively bright. Galliard Limited, London paperback
40-18051Carl Fischer's Music Library. Paperback. Good. Good condition sheet music book with markings and cover tears. Carl Fischer's Music Library paperback
8322411529.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
feb102258Used. For more details please contact me unknown
2016152354.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013745494.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
963830331X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
194320-15922THEODORE PRESSER CO. U.S.A 1943-01-01. Paperback. Good. Edited by TH. Kullak. Op. 28 only. Good condition with some wear on covers and spine and light pencil markings on about 5 pages. THEODORE PRESSER CO. U.S.A paperback
V00C-02905G. Henle Verlag. Used - Good. Good condition. German and English. sheet music classical A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. G. Henle Verlag unknown
feb102365Used. For more details please contact me unknown
8322405138.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1854720910.Gsheet_music. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2004Q-1854720848ABRSM 2004-06-01. sheet_music. New. In shrink wrap. Looks like an interesting title! ABRSM unknown
1854720848.Gsheet_music. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
38212Boston: Ditson. Large 4to 184. AEG. Exterior worn cover detached. Some offsetting on music pages but interior VG. Ditson unknown books
1928018491München: Georg Müller 1928. xi 454p. b/w illus. slightly chipped dj. Georg Müller unknown books
331691 page. Small octavo 131 x 100 mm. Dated "Paris 10 avril" 1845. In French. <br/><br/>Chopin plans to leave Paris within three weeks most probably for Nohant George Sand's summer estate and tells his correspondent that he will be back in September or October. He thanks the addressee for the "good memories" and sends compliments to her aunt:<br/><br/>"Je pars dans 10 ou 20 jours - Je reviens au mois de 7-embre ou 8-bre. Je vous remercie pour votre bon souvenir - et croyez-mois toujours dévoué Chopin Mille compliments à Mme votre tante." <br/><br/>Very slightly worn; light vertical crease; minor remnants of adhesive to blank lower left corner; very slight staining to blank lower margin.<br/><br/>Together with:<br/>A bust-length portrait etching of the composer by the German artist Wilhelm Pech 1876- image size 120 x 95 mm. sheet size 199 x 150 mm. Signed "W. Pech" in pencil at lower right below image. Upper margin slightly abraided and with remnants of adhesive to recto and verso.<br/><br/>Provenance<br/>Previously in the collection of John and Johanna Bass founders of the Bass Museum of Art in Miami Florida. Sydow: Correspondance de Frédéric Chopin La Gloire 1840-1849 no. 579. <br/><br/>The year of this letter saw the publication of opp. 57 the Berceuse for piano and 58 the Sonata for piano. "The Sonata no. 3 in B minor op. 58 - dedicated to Countess Emilie de Perthuis a friend and wife of the royal aide-de-camp - and the Berceuse were published to great critical and public acclaim. The Third Piano Sonata the last of this genre represented in the words of musicologist Anatole Leikin Chopin's reconsideration 'not only of sonata form but of the sonata genre as well' because 'his sonatas like his mazurkas or nocturnes are marked by a special musical idiom.' Zieliński believes that the Sonata no. 3 is Chopin's 'deepest' work." Szulc: Chopin in Paris pp. 302-303.<br/><br/>"Most of the winter of 1845 was a time of acute illness for Fryderyk. George Sand wrote Stefan Witwicke in Freiwald Germany late in March that between Chopin's 'coughing fits and his lessons it is difficult to find a moment of peace and silence.' About the same time she informed Ludwika Chopin's sister in Warsaw that 'our dear little one was greatly tired by the severe winter . but since the weather improved he has been completely rejuvenated and revived. Two weeks of warmth helped him more than all the medicines . "<br/><br/>" . By mid-May heat in Paris became oppressive and George and Fryderyk began to think about moving to Nohant for the summer. George had started on a new novel Isidora and hoped to complete it in peaceful Berry. Chopin too was ready to go purchasing a calèche a vehicle with a folding top to make their journey more private and pleasant than by diligences. But Dr. Papet warned them that a typhus epidemic had broken out in the region and urged a delay. Finally they left Paris on June 12 with Pauline Viardot just back from a Russian tournée joining them in Nohant a few days later." op. cit. pp. 303-305.<br/><br/>The year 1845 was important to Chopin for another reason as it marked the beginning of a major rift in his relationship with George Sand: <br/><br/>"When Chopin and Sand returned to Paris in August 1842 they moved to new accommodation in the Square d'Orléans close to their friends the Marlianis and also incidentally to Kalkbrenner and Alkan. It was a satisfactory domestic arrangement. But Chopin's health was giving cause for real concern and the relationship with Sand was deteriorating partly due to growing tensions within the family. All of this together with his inability to recapture his earlier fluency in composition contributed to his low spirits in the winter of 1843-4. But the hardest blow of all came in May 1844 when he learnt of the death of his father. Sand immediately whisked him off to Nohant but he refused to be consoled until his sister Ludwika to whom he had always been close announced her intention to visit France with her husband that summer. They met in Paris in July and the visitors divided their time between there and Nohant until they departed for Poland in early September. 'We are mad with happiness' Chopin wrote. But it was not to last. The winter season brought further strains in his relationship with Sand and when they set out for Nohant in June 1845 tensions within the family circle were beginning to come to a head." Kornel Michałowski revised by Jim Samson in Grove Music Online.<br/><br/>Chopin's correspondent may very well be his pupil the Austrian pianist Friederike Müller. <br/><br/>Friederike Müller 1816-1895 lived with three of her father's sisters in Vienna following the death of her mother. She arrived in Paris in 1839 to study with Chopin and was his pupil until 1841 and then again in the winter of 1844-1845. "She wrote a kind of diary in the form of approximately 230 letters to her Viennese aunts about her stay in Paris and her encounters with Chopin. They are an extremely valuable source for his biography . " Wikipedia.<br/><br/>Müller often passed Chopin's best wishes on to her aunt/s in her letters. Chopin dedicated his Allegro de Concert op. 46 to her. Grabowski & Rink p. 356. unknown books
