Chopin, HenriBiblio.com
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198349518Napoli: Edizioni Morra 1983. Softcover. Very Good. 4to. Stapled wrappers. Collection of 8 visual poems with an accompanying text by the author translated from the original French into both English and Italian. Inscribed to Paul Dutton by the author: "For my friend Paul Dutton October 28 1988." From the collection of Canadian poet and founding editor of Underwhich Editions Paul Dutton. Upper corners a little curled with a couple of small and faint splashes to the front cover but overall a nice clean copy. Edizioni Morra unknown
54627Paris: self-published 1971. Quarto 27 × 26 cm. Original printed folder; four graphically designed single leaves with texts and designs by Marcelle Cahn Richard Orton Marcel Mariën and Raoul Hausmann among others as well as five folded posters with texts and images inter alia by William S. Burroughs Jefim Golyscheff and Marcel Janco mainly typographically designed and manufactured using printmaking techniques; and one vinyl record with recordings by Henri Chopin Bengt Emil Johnson Sten Hanson and Jacques Bekaert. Folder with signs of use; else good or better. Single issue of the rare avant-garde journal which Henri Chopin edited published and partly produced in his own home. Influenced by the Dadaists Chopin unlike the Lettrists was not only interested in pictorial poetry but above all in tonal poetry. Lettrism did not go far enough for him in terms of the dissolution of linguistic conventions and the use of new media. In 1958 he took over the editorship of the conventional poetry magazine "Cinquième Saison" in which he published early reflections on phonetic poetry. The last issue under this title contained a record and among other things the poet René Ghil's prophecy: "In 50 years the poet will be operating phonetic machines." Number 20/21 was then published under the new title "OU". This underlined the radical change in the journal which from then on resembled "multimedia compendia" or "poetic wonder bags" Marc Matter filled with loose leaves screen prints posters fanfolds relief images typographic collages sometimes even three-dimensional objects and regularly a record. In this way Dadaism Futurism Ultra-Lettrism Fluxus Concrete Poetry etc. were mixed together. Chopin consistently self-published the elaborate journal for ten years. He and his wife worked endlessly at home to put together the individual issues and sent them out all over the world. Cf. Marc Matter Revue OU Disque in: Fabrikzeitung no. 298 2014.<br /> <br /> One of 475 numbered copies; besides these 25 copies were published in three different deluxe versions.<br /> <br /> Cf. Archiv Sohm 256. unknown
54622Paris: self-published 1966. Square quarto 27 × 26 cm. Thread-stitched sections in original printed folder; 72 pp. With numerous mounted and separately laid-in multiples and graphics: one original graphic two folded graphically designed plates four enclosed plates of concrete poetry eight enclosed typographically designed pages unopened section two mounted envelopes with ten printed small cards each by Ben Vautier and one vinyl record with recordings by Raul Hausmann poèmes phonétiques 1918 Bernard Heidsieck and Henri Chopin. Folder with signs of use; edges of the folder slightly damaged; else good or better. Single issue of the rare avant-garde journal which Henri Chopin edited published and partly produced in his own home. Influenced by the Dadaists Chopin unlike the Lettrists was not only interested in pictorial poetry but above all in tonal poetry. Lettrism did not go far enough for him in terms of the dissolution of linguistic conventions and the use of new media. In 1958 he took over the editorship of the conventional poetry magazine "Cinquième Saison" in which he published early reflections on phonetic poetry. The last issue under this title contained a record and among other things the poet René Ghil's prophecy: "In 50 years the poet will be operating phonetic machines." Number 20/21 was then published under the new title "OU". This underlined the radical change in the journal which from then on resembled "multimedia compendia" or "poetic wonder bags" Marc Matter filled with loose leaves screen prints posters fanfolds relief images typographic collages sometimes even three-dimensional objects and regularly a record. In this way Dadaism Futurism Ultra-Lettrism Fluxus Concrete Poetry etc. were mixed together. Chopin consistently self-published the elaborate journal for ten years. He and his wife worked endlessly at home to put together the individual issues and sent them out all over the world. Cf. Marc Matter Revue OU Disque in: Fabrikzeitung no. 298 2014.<br /> <br /> Contributions by: Edmund Alleyn Roberto Altmann Noel Arnaud Serge Béguier Gianni Bertini Jan Burka Henri Chopin John Furnival Ilse and Pierre Garnier Bohumila Grögerova Josef Hirsal Jiří Kolář Kosice Hansjörg Mayer Rancillac Carl Frederik Reutersward Mimmo Rotella and Ben Vautier. Record with contributions by Henri Chopin Raoul Hausmann and Bernard Heidsieck.<br /> <br /> One of 500 numbered copies; besides these 25 copies were published in three different deluxe versions.<br /> <br /> Cf. Archiv Sohm 256. unknown
1974035638London: Whitechapel Art Gallery. 1974. Catalog of an exhibition in the Ideas Gallery of Whitechapel of poems by this avant garde writer known as a practitioner of concrete and sound poetry and in most of the poems in this exhibition as a collaborator with visual artists. Signed by the poet. Chopin also founded the literary journal Cinquiame Saison which morphed into the journal OU in 1964 and published a record of sound poetry with each issue. Six pages; fine. Unless otherwise noted our first editions are first printings. First Edition. No Binding. Fine. Whitechapel Art Gallery unknown
195821235121958. Paris: Editions Hautefeuille Caracteres. 1958. 8vo. Light blue soft covers lettered in black to covers; pp. 81 7; warping to spine toning to covers creasing to front cover and wearing to edges toning to text block; very good. Inscribed copy of one of Chopin's earliest poetry books.These early poems which are focused on the body and introduce the poetic element or ""protagonist"" of the tape recorder were written by Chopin between 1951 and 1957. This collection is one of Chopin's first poetry books. This copy has been inscribed without mentioning his name to the typographer Robert Massin. At the time Chopin was working as a typographic proofreader like many others in the lettrist movement such as Altagor. paperback
197044456Belgium: J. Bultinck/Cyanuur 1970. First Edition. Soft cover. Very Good. Square 8vo. Unpaginated. Front cover creased at the bottom edge with faint circular stains and some light soiling to the rear cover. Top edge of the text-block wants to separate but hasn't binding remains tight and square. Illustrated with numerous visual poems some in colour some folding with a 7 inch 45 vinyl audio poem by Henry Chopin titled "Peche de Nuit." Vinyl is in fine condition and appears it was never taken out of the galssine wrapper. Published in an edition of 1150 copies this is no. 995 and is signed by Henri Chopin. J. Bultinck/Cyanuur unknown
2911207033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197921235441979. Paris: Jean-Michel Place. 1979. 8vo. Publisher's soft typographic covers titled in black to spine; pp. 308 illustrations and photographs throughout 5; wearing to edges of covers. An anthology of poesie sonore sound poetry that gathers together a variety of poets theoreticians and artists. Poesie Sonore Internationale serves as a reflection of Henri Chopin's role not only as a creator of sound poetry but also a curator. This copy has been signed by Chopin in pencil to page five unknown
1979382346-UD11Paris : Jean-Michel Place Éditeur 1979. Softcover. Fair. Paperback numerous illustrations including photographs in b/w small 4to.; Spine creased corners and edges worn large creases to rear cover front cover discoloured at top ed Paris : Jean-Michel Place Éditeur paperback
2003DADAX2877631567ORPHIE 2003-12-01. ORPHIE. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. ORPHIE paperback
2877631567.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
130000Gaberbocchus Press 1976. 8vo 39pp. A very good paperback copy. Originally published in French in the magazine 'Ou' in 1966 this is the first English translation of the second book of Chopin's trilogy. It was published by Stefan and Franciszka Themerson founders of the Gaberbocchus Press. Gaberbocchus Press, 1976 paperback
197121235481971. Paris: Atelier de Creation Radiophonique. 1971. 8vo. Stapled with soft white covers lettered in black with acetate covers and tissue hinge; pp. 28 3; rip to base of tissue hinge; very good. Super rare edition produced in-house for Radio France for internal use thus one of only a handful of copies. This is Chopin's play for the theatre which was ultimately realised by Roland Manuel at ACR in 1971 the same historical French programme that would release Antonin Artaud's Pour en nir aver le Jugement de dieu two years later. unknown
1446517020.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013DADAX0739098616Alfred Music 01/07/2013. Pap/Com. paperback. New. 9.00x0.50x12.25. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
1933302436Electrola Gesellschaft m.b.H. Berlin 1933. Schallplatten Die Jahresangabe ist ungefähr. Vier Schallplatten Schellack mit Mappe. D.B. 2015-2018. Zustand: Keine Beschädigungen. Electrola Gesellschaft m.b.H., Berlin, unknown
68590New York: G. Schirmer Inc N.D. Softcover. Good in wrappers. A few tear to edges. Owner name and date verso front panel. ; 4to - over 9¾" - 12" tall. G. Schirmer, Inc unknown
2004C5213EMI Classics Imports 2004-11-18. Audio CD. Like New. 2 CDs case and liner all in Excellent condition. EMI Classics Imports unknown
058496Leipzig Germany: Dutsche Verlagsactiengesellschaft. Soft cover. Very Good/No Jacket. 4to - over 9¾" - 12" tall. 59&63pp.; HB flexible; blk.w/no title; rubbed w/wear on edges&corners; some lt.scuff; PON; 1'tearsft.endpaer to page 4; some lt.tan w/cleantight pgs. Title trans.: "Selected Piano Works by Fr. Chopin. Critically reviewed with Fingering marked by Dr. Hugo Riemann. Book I & II." Contents: 4 waltzes 3 mazurkas 2 preludes nocturne polonaise ballad& scherzo Band I ballad brillanter waltz 3 mazurkas 2 polonaise variations impromtu & berceuse Band II. in German <br/> <br/> Dutsche Verlagsactiengesellschaft paperback
1019648392.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2002Q-0882849859Alfred Music 2002-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
2002DADAX0882849859Alfred Publishing 2002-09-01. paperback. New. 9.25x0.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Alfred Publishing paperback
2006Q-1846097436Music Sales America 2006-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Music Sales America paperback
2006DADAX1846097436Music Sales 2006-11-01. paperback. New. 9.00x0.10x12.00. Buy with confidence. Excellent Customer Service & Return policy. Music Sales paperback
20002010161015020St. Clair Records 2000-03-21. Audio CD. Like New. CD plays perfectly & the case looks good. St. Clair Records unknown
