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058496Leipzig Germany: Dutsche Verlagsactiengesellschaft. Soft cover. Very Good/No Jacket. 4to - over 9¾" - 12" tall. 59&63pp.; HB flexible; blk.w/no title; rubbed w/wear on edges&corners; some lt.scuff; PON; 1'tearsft.endpaer to page 4; some lt.tan w/cleantight pgs. Title trans.: "Selected Piano Works by Fr. Chopin. Critically reviewed with Fingering marked by Dr. Hugo Riemann. Book I & II." Contents: 4 waltzes 3 mazurkas 2 preludes nocturne polonaise ballad& scherzo Band I ballad brillanter waltz 3 mazurkas 2 polonaise variations impromtu & berceuse Band II. in German <br/> <br/> Dutsche Verlagsactiengesellschaft paperback
1950284811BBLeipzig, Ed. Peters, (ca. 1950). Gr.-4°. Mit zahlr. Noten. 135 S. Privater Hlwd. - Edition Perter, Nr. 1926. Nr. 7915. - Mit wenigen Anstreichungen, sonst gutes bis sehr gutes Ex.
331691 page. Small octavo 131 x 100 mm. Dated "Paris 10 avril" 1845. In French. <br/><br/>Chopin plans to leave Paris within three weeks most probably for Nohant George Sand's summer estate and tells his correspondent that he will be back in September or October. He thanks the addressee for the "good memories" and sends compliments to her aunt:<br/><br/>"Je pars dans 10 ou 20 jours - Je reviens au mois de 7-embre ou 8-bre. Je vous remercie pour votre bon souvenir - et croyez-mois toujours dévoué Chopin Mille compliments à Mme votre tante." <br/><br/>Very slightly worn; light vertical crease; minor remnants of adhesive to blank lower left corner; very slight staining to blank lower margin.<br/><br/>Together with:<br/>A bust-length portrait etching of the composer by the German artist Wilhelm Pech 1876- image size 120 x 95 mm. sheet size 199 x 150 mm. Signed "W. Pech" in pencil at lower right below image. Upper margin slightly abraided and with remnants of adhesive to recto and verso.<br/><br/>Provenance<br/>Previously in the collection of John and Johanna Bass founders of the Bass Museum of Art in Miami Florida. Sydow: Correspondance de Frédéric Chopin La Gloire 1840-1849 no. 579. <br/><br/>The year of this letter saw the publication of opp. 57 the Berceuse for piano and 58 the Sonata for piano. "The Sonata no. 3 in B minor op. 58 - dedicated to Countess Emilie de Perthuis a friend and wife of the royal aide-de-camp - and the Berceuse were published to great critical and public acclaim. The Third Piano Sonata the last of this genre represented in the words of musicologist Anatole Leikin Chopin's reconsideration 'not only of sonata form but of the sonata genre as well' because 'his sonatas like his mazurkas or nocturnes are marked by a special musical idiom.' Zieliński believes that the Sonata no. 3 is Chopin's 'deepest' work." Szulc: Chopin in Paris pp. 302-303.<br/><br/>"Most of the winter of 1845 was a time of acute illness for Fryderyk. George Sand wrote Stefan Witwicke in Freiwald Germany late in March that between Chopin's 'coughing fits and his lessons it is difficult to find a moment of peace and silence.' About the same time she informed Ludwika Chopin's sister in Warsaw that 'our dear little one was greatly tired by the severe winter . but since the weather improved he has been completely rejuvenated and revived. Two weeks of warmth helped him more than all the medicines . "<br/><br/>" . By mid-May heat in Paris became oppressive and George and Fryderyk began to think about moving to Nohant for the summer. George had started on a new novel Isidora and hoped to complete it in peaceful Berry. Chopin too was ready to go purchasing a calèche a vehicle with a folding top to make their journey more private and pleasant than by diligences. But Dr. Papet warned them that a typhus epidemic had broken out in the region and urged a delay. Finally they left Paris on June 12 with Pauline Viardot just back from a Russian tournée joining them in Nohant a few days later." op. cit. pp. 303-305.<br/><br/>The year 1845 was important to Chopin for another reason as it marked the beginning of a major rift in his relationship with George Sand: <br/><br/>"When Chopin and Sand returned to Paris in August 1842 they moved to new accommodation in the Square d'Orléans close to their friends the Marlianis and also incidentally to Kalkbrenner and Alkan. It was a satisfactory domestic arrangement. But Chopin's health was giving cause for real concern and the relationship with Sand was deteriorating partly due to growing tensions within the family. All of this together with his inability to recapture his earlier fluency in composition contributed to his low spirits in the winter of 1843-4. But the hardest blow of all came in May 1844 when he learnt of the death of his father. Sand immediately whisked him off to Nohant but he refused to be consoled until his sister Ludwika to whom he had always been close announced her intention to visit France with her husband that summer. They met in Paris in July and the visitors divided their time between there and Nohant until they departed for Poland in early September. 'We are mad with happiness' Chopin wrote. But it was not to last. The winter season brought further strains in his relationship with Sand and when they set out for Nohant in June 1845 tensions within the family circle were beginning to come to a head." Kornel Michałowski revised by Jim Samson in Grove Music Online.<br/><br/>Chopin's correspondent may very well be his pupil the Austrian pianist Friederike Müller. <br/><br/>Friederike Müller 1816-1895 lived with three of her father's sisters in Vienna following the death of her mother. She arrived in Paris in 1839 to study with Chopin and was his pupil until 1841 and then again in the winter of 1844-1845. "She wrote a kind of diary in the form of approximately 230 letters to her Viennese aunts about her stay in Paris and her encounters with Chopin. They are an extremely valuable source for his biography . " Wikipedia.<br/><br/>Müller often passed Chopin's best wishes on to her aunt/s in her letters. Chopin dedicated his Allegro de Concert op. 46 to her. Grabowski & Rink p. 356. unknown books
152 p., 3 tav. f/t : ill. in b/n ; 26 cm. Numero della rivista : la revue musicale ; 229. Pieghevole inserito. Cartonato, copertina recente (brossura originale sciupata inserita). Intonso. Copia ingiallita. Buono. ****.
75-1237Paris FR: l'Hotel De Ville d'Issoudun 1984. 8vo. 9pp. Very Good. Softcover. Black and white plates throughout. En Francais. Paris, FR: l'Hotel De Ville d'Issoudun, 1984 paperback
1425001912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19825FSZKH000TC9William Morrow Paperbacks 2/10/1982 12:00:01 A. mass_market. Acceptable. 0.4800 in x 6.7500 in x 4.1900 in. William Morrow Paperbacks unknown
2453Shelton Connecticut: The First Edition Library. Facsimile First Edition. 4.75" x 7.5" pp. 4 303 1. Light green cloth boards with green and red stamping. Includes gray cloth slipcase with pasted illustration. Boards and text are fine. Very good to fine.<br /> <br /> A Creole woman gets a taste of life free of the burdens of traditional women's roles and decides to pursue it. Tragedy ensues as she finds this freedom she desires may not be attainable in her situation. The First Edition Library unknown
2009mon00004948922009-01-01. Paperback. Very Good. in x in x in. paperback
19959781566195676-2025Barnes & Noble 1995. Hardcover. New/New. <p><strong>Author:</strong> Kate Chopin</p><p><strong>Publisher:</strong> Barnes & Noble</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781566195676</p><p><strong>Release Date:</strong> 1995</p><p><strong>Number Of Pages:</strong> 163</p><p><strong>Details:</strong> The Awakening is a novel by Kate Chopin first published in 1899 see 1899 in literature. Set in New Orleans and the Southern Louisiana coast at the end of the nineteenth century the plot centers around Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism.</p> Barnes & Noble hardcover
19959781566195676-2025Barnes & Noble 1995. Hardcover. New/New. <p><strong>Author:</strong> Kate Chopin</p><p><strong>Publisher:</strong> Barnes & Noble</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781566195676</p><p><strong>Release Date:</strong> 1995</p><p><strong>Number Of Pages:</strong> 163</p><p><strong>Details:</strong> The Awakening is a novel by Kate Chopin first published in 1899 see 1899 in literature. Set in New Orleans and the Southern Louisiana coast at the end of the nineteenth century the plot centers around Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism.</p> Barnes & Noble hardcover
WELLER9780142437322New. New book. unknown books
1975100719Anvers Guy Schraenen 1975 305x215mm Trois volumes, 305x215 mm, nombre de pages variable, en feuilles sous couvertures composées par différents artistes: #1: Brion Gysin; #2: René Guiette; #3: Jean Degottex, l'ensemble contenu dans un emboîtage en carton. Impression en offset, typographie, sérigraphie, sur différents papiers, avec découpages et inclusion de différents éléments. Edition de 10+120+370 exemplaires tous numérotés. Contributions: Axe 1: Avril 1975: R. Adzak, E. Bal, B. Bogart, H. Chopin, Degottex, M. Dermisache, B. Heidsieck, L.J.P. Schelfhout, U.N. Lee, N. van Daele, P. Ostaijen. Axe 2: Nov. 1975: A. de Bary, M. Benhamou, H. de Clerc, F. Dufrêne, S. Esmeraldo, R. Guiette, B. Gysin, B. Heidsieck, Plessi. ? Axe 3: Déc. 1976. J. Delahaut, J. Giorno, B. Gysin, S. Hanson, B. Heidsieck, A. Lora-Totino, F. Mairey, K. Ritterbusch. Chaque volume contient un disque vinyle 45 tours, 17cm de poésie sonore: ?Axe 1: Henri CHOPIN: Air Vibratoire for Jean. Axe 2: François DUFRENE: Crirythm for Tinguely/Brion GYSIN: Where is that word; In the beginning was the word; In a place, in a place. Axe 3: Sten Hanson: Oips I; Oips II. Ref.: Catalogue: "d.i.s.c.o.t.h.è.q.u.e., expériences sonores d'artistes", Maison du livre et du son, Villeurbanne, 1989, p. (34, #3). "The record as artwork. From futurism to conceptual art", 1978, p. 59, 104, 105. "Poésure et Peintrie", 1993, p. 597. Vinyl 224. (100719)
199982636Mercury 1999 14x13x1cm. 1999. CD.
1916RO50004849Henry Lemoine. 1916. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 15 pages. Tampon.. . . . Classification Dewey : 780.26-Partitions
RO50005772Edition Peters. début XXème. In-8. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur frais. 82 pages. Ornements en couverture et en page titre. Premier plat détaché et déchiré.. . . . Classification Dewey : 780.26-Partitions
RO50030008Enoch & cie. début XXème. In-4. Broché. Bon état, Livré sans Couverture, Dos abîmé, Quelques rousseurs. 47 pages. Plats et dos manquants. Ornements en page titre.. . . . Classification Dewey : 780.26-Partitions
RO50047198SOCIETE FRANCAISE DE TYPOGRAPHIE ET D'EDITION DES GRANDS CLASSIQUES MUSICAUX. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 46 pages de partitions. Couverture en couleur. Edition revue par M. Moszkowski.. . . . Classification Dewey : 780.26-Partitions
1916RO50053677HENRY LEMOINE & CIE. 1916. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 12 pages de partitions. Premier plat illustré en noir et blanc par A. Giraldon. Tampon sur le premier plat, sur la page de titre ainsi que sur la première page. Annotations au crayon à papier sur quelques phrases. Phrase musicale corrigée sur la page 9.. . . . Classification Dewey : 780.26-Partitions
RO50055369C.F. PETERS. NON DATE. In-4. En feuillets. Etat d'usage, 1er plat abîmé, Dos abîmé, Intérieur acceptable. 82 pages de partitions. Page de titre illustrée en couleur monochrome. Premier plat absent. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
1915RO50057870A. DURAND & FILS. 1915. In-4. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Papier jauni. 86 pages de partitions. Pages désolidarisées. Deuxième plat absent. Tampon sur le premier plat. Quelques rousseurs.. . . . Classification Dewey : 0-GENERALITES
RO50063997C.F peters. Non daté. In-4. Relié cuir dos-coins. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 93 pages de partition en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
77959Litolff n° 1048 sd, fascicule de 48pp; très bon état
1916101688Couverture souple. Partition. Broché. 79 pages. Papier légèrement bruni.
19161555059650223HASP-515, Henry Lemoine & Cie 1916