Federico GARCIA LORCABiblio.com
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1925Lorca1<p><strong>GARCÃA LORCA Federico 1898-1936</strong></p><p>Original drawing titled " Poesia " N.p.n.d 1 p. in-8° on double folio extracted from a book Left margin slightly frayed</p><p><strong>Touching drawing of the poet soberly titled " Poesia "</strong></p><p>This ink drawing originally appeared in Juan Ramón Jiménez's<em> Segunda antologÃa poética</em> published in 1922. GarcÃa Lorca had decorated it with two drawings probably with the intention of offering it to one of his lovers. The first drawing this one opened the chapter "<em>Love Poems</em>"</p><p>This work from which emanates a great delicacy represents a young man as often in the drawings of the poet and observed by a personified half-moon. The lines which are characterized by curved lines confirm the poet's aesthetic sense and sensitivity his mental speed as well as his originality intuition hypersensitivity and creativity.</p><p><u>Two generations of Spanish poets:</u></p><p>Juan Ramón Jiménez and GarcÃa Lorca met in Madrid in 1919. Federico had arrived in the Spanish capital with a letter of introduction from Fernando de los RÃos addressed to the poet de Moguer. When he arrived in Madrid Federico was very young and Juan Ramón evokes many years later this presence as that of the one who is in front of a very special almost magical child a "boy of the moon".</p>
1940110825New York: W.W. Norton & Company 1940. First edition of Lorca’s masterpiece. Octavo original cloth. Signed by fellow poet Leonard Cohen on the front free endpaper. Cohen was deeply influenced by the work of Lorca for the duration of his poetic and musical career. "Now you know of my deep association and confraternity with the poet Federico Garcia Lorca. I could say that when I was a young man an adolescent and I hungered for a voice I studied the English poets and I knew their work well and I copied their styles but I could not find a voice. It was only when I read even in translation the works of Lorca that I understood that there was a voice. It is not that I copied his voice; I would not dare. But he gave me permission to find a voice to locate a voice that is to locate a self a self that is not fixed a self that struggles for its own existence. As I grew older I understood that instructions came with this voice. What were these instructions The instructions were never to lament casually. And if one is to express the great inevitable defeat that awaits us all it must be done within the strict confines of dignity and beauty" Leonard Cohen. Near fine in a near fine dust jacket. Translated by Rolfe Humphries. Housed in a custom half morocco clamshell box made by the Harcourt Bindery. A unique example most rare and desirable signed by Cohen. Federico García Lorca’s Poet in New York is an astonishing depiction of a tumultuous metropolis that changed the course of poetic expression in both Spain and the Americas. Written during Lorca’s nine months at Columbia University at the beginning of the Great Depression Poet in New York is widely considered one of the most important books Lorca produced. This influential collection portrays a New York City populated with poverty racism social turbulence and solitude—a New York intoxicating in its vitality and beauty. W.W. Norton & Company hardcover
19893729London: Austin/Desmond Contemporary Books October 1989 1989. Printer's proof limitation page marked "pp" and signed in pencil by Terry Frost. Eleven poems printed in Spanish and English on Velin Arches Blanc 270gsm paper folders 575x385mm. The title page is designed by Frost and printed by lithography. The colour etchings which are loosely inserted into the folders are printed on Somerset Satin 300gsm paper some hand-coloured by Frost. All are signed in pencil by Frost and marked "pp". Housed in a black cloth covered Solander box designed by the artist. Issued in an edition of seventy-five. Printed in collaboration with Terry Frost at the Print Centre London. Production and typography coordination by Gordon House and Hugh Stoneman. There was an hors de commerce edition of a further fifteen copies. A set of artist's proofs 4/10 is at the Tate. Some very slight marking to the box but otherwise this is a very good set in excellent condition. Terry Frost's etchings for this collection of Lorca's poems are a personal response to the poetry. Frost started to read Lorca in the 1970s and immediately he "was inspired by the poet's powerful visual imagery particularly his emotive descriptions of colour". Later Frost said of this discovery: "Lorca is so simple and so direct and so full of colour and ideas". And in the year Frost made these images he wrote: "I've been in love with Lorca's poetry for fifteen years". This beautiful vibrant collection represents a perfect intertwining of word and image. Also included in this collection is a single sheet from an artist's sketchbook 400x300mm of pen and ink and watercolour sketches of twelve human figures. On the verso an inscription reads "Nous sommes heureux de commencer cette nouvelle annee avec vous. affectueusement Menarl Chantil ". It is unsigned but the work is of a high standard with a true artist's feeling for the movement of the body. Ten of the figures are shown standing with two sitting on stools and they are gesticulating and posing as though acting or public speaking. The faces are indistinct and the heads are drawn using a spiral motif which appears elsewhere on the sheet presumably where the artist intended to draw other figures. We have not been able to establish the artist although there is the possibility that it is Terry Frost himself. Although he is best known as an abstract artist he was an accomplished draughtsman and the spiral appears frequently in his work. This book was sold with the sheet of drawings by an art dealer in Cornwall which was where Frost spent much of his life and career as a central figure in the St Ives School.� London: Austin/Desmond Contemporary Books October 1989 hardcover
1940140941337New York: W.W. Norton & Company 1940. First Edition. Hardcover. Near Fine/Near Fine. First edition first printing. Bound in publisher's orange cloth with spine titles blocked in brown and gilt. Near Fine with light spotting to cloth foxing to endsheets and vintage bookseller ticket to front free endpaper. In a Near Fine unclipped dust jacket which is lightly foxed and soiled. First American edition preceding the first Mexican edition by several weeks. An important collection of poems written by Garcia Lorca during his 1929-30 visit to Columbia University in New York. The text is printed in Spanish and English side by side. W.W. Norton & Company hardcover
24346Melbourne : Masterthief and Sydney : Polar Bear Press 2019. Folio black card wrappers with red paint drippings resembling spilt blood nineteen photo-montages by Peter Lyssiotis in response to the text by Lorca ""Juego y teoría del Duende"" Buenos Aires 20 October 1933. Folded in sections and presented in a folding cloth box with title label. 'Conceived and printed by Nicholas Pounder this work exists in an edition of 10 numbered copies and 3 artist's proofs each signed by the artist and the printer' - the colophon. Juego y teoría del Duende The play and theory of the duende is one of Lorca's most celebrated lectures. The duende in Spanish mythology is a demon or hob-goblin a mischief-maker who is unknowable and unpredictable. In his lecture Lorca uses the term duende to describe the emotional spirit within an artist poet or musician the artistic force borne out of ones own inner demons which cannot be controlled. The duende rises up our of one's personal history one's love and loss the struggles of our own existence to release an expression which is generally termed as art but which in fact is the released voice of the duende. In this beautiful and graphic artist's book conceived by Nicholas Pounder Lyssiotis illustrates Lorca's concept with imagery which is mystical visionary and raw. A powerful work which reflects the intensely personal and conflicted nature of aesthetic creativity. hardcover
193111692PRIMERA EDICION.- Madrid: Eds. Ulises Cia. Iberoamericana de Publicaciones 1931.- 171 p. 16 h. de catálogo editorial 2 en blanco; 8º 19 x 13 cm; Rústica Ed. ilustrada.- Parcialmente intonso con muchos pliegos sin abrir conservando todas sus barbas. Lomo algo deslucido marca de doblez en la cubierta posterior y pequeña mancha de humedad en el margen inferior interno de las primeras 82 páginas en disminución. Dicho esto que es preceptivo el ejemplar está completo y presenta buen aspecto. LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español Eds. Ulises, Cia. Iberoamericana de Publicaciones paperback
003014Bievres Essonne: Pierre de Tartas 1976. Book. Fine. Hardcover. Loose sheets in wrappers with Picasso's design printed in relief. This copy with an extra relief printed wrapper. In publishers black cloth clamshell box with gilt and red lettering. Poems by Federico Garcia Lorca in French and Portuguese. Illustrated by Picasso with 4 original full-page color lithographs 10 monochrome woodcut illustrations in the text and 5 6 original embossed prints including the one on the double wrapper all executed after Pablo Picasso. The 4 color lithographs are protected by tissue guards. The lithographs and the embossed prints are plate signed by Picasso. The woodcuts were engraved by Guy Descouens and printed by Pierre Jean Mathan. Inevitable light offsetting from the woodcuts. The original prints were printed on the presses of the Ateliers Desclais. This is number 152 of 220 copies printed on grand velin d'Arches signed by the publisher. The total edition was 306 copies. Sheets measure 37 x 28 cm. the box measures 405 x 305 cm. Very fine copy. . Pierre de Tartas Hardcover
2016120039Dominique Lévy. New. 2016. Hardcover. 1944379002 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . Dominique Lévy hardcover
2012105535D. A. P. Distribution. New. 2012. Hardcover. 8415303920 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish and English. 110 pages; illustrated. -- with a bonus offer-- . D. A. P. (Distribution) hardcover
1940520815New York: W. W. Norton & Company Inc. Publishers 1940. Hardcover. Fine/Very Good. First edition preceding the Mexican edition. Spanish text with English Translation by Rolfe Humphries. A fine bright copy in very good pictorial dust jacket jacket which is moderately toned and lightly spotted on spine with shallow chipping at tips of spine. W. W. Norton & Company, Inc. Publishers hardcover
193125.0327Madrid: Ediciones Ulises / CIAP Tall. Tip. de Galo Saez 1931. 1ª ed. Rústica en una caja de tela. 13x19. Ediciones Ulises / CIAP (Tall. Tip. de Galo Saez) paperback
1938132463Paris: GLM 1938. Poulenc's copy inscribed to him by both translators First edition first printing inscribed by both translators on the front free endpaper "à Francis Poulenc hommage des traducteurs Paul Éluard Louis Parrot" one of the few hors commerce copies unnumbered as issued from a total edition of 515 copies. This copy brings together a nexus of Franco-Spanish network of friendships and affairs between some of the greatest artists of the time. The translators Louis Parrot 1906-1948 a French writer and poet and Paul Éluard 1895-1952 a French poet and one of the founders of the surrealist movement met in Madrid. Éluard was married to Elena Daikonova 1894-1982 nicknamed Gala with whom he had a daughter. In 1928 ten year prior to the publication of this Ode the Éluards met Dalí at a sanatorium and visited him in Spain the following summer. Gala soon left Éluard to marry Dalí. However they had always led a rather libertine marriage notably living for several years with German artist Max Ernst 1891-1976 in a ménage à trois and there seem to have been no hard feelings over Gala's marriage as evidenced by Éluard involvement in this publication. The Éluards' daughter reminisced in a 2014 interview for The Guardian: "I married and divorced easily. There was no drama we met and parted amicably. My father was the same and each time we had a party". The recipient of this copy Poulenc 1899-1963 was an accomplished French composer and pianist. A frequenter of "La Maison des amis des livres" he met with avant-garde poets including Éluard Cocteau and Apollinaire and turned many of their works into music. The frontispiece features a photo of Dalí and Lorca in 1927. They too met in Madrid and the two men quickly became friends. More than a friendship their relationship begrudged by Gala was "an erotic tragic love out of the fact of not being able to share it" as described by Dali in 1986. "The relationship between both geniuses lasted with all its ups and downs from 1923 to 1936 the year of Lorca's execution at the onset of the Spanish Civil War. Besides the artistic partnership the link gave rise to an intense exchange of letters compiled by the journalist Víctor Fernández. Lorca wrote Ode to Salvador Dalí published in the journal Revista de Occidente. 'Lorca never did anything like that for anyone else' the journalist notes" El Pais. Their imbroglio spawned the 2008 film Little Ashes directed by Paul Morrison. Quarto pp. 26. Photographic portrait frontispiece of Lorca and Dali. Original orange printed wrappers untrimmed. Light wear to extremities slight staining and discolouration to wrappers very occasional faint foxing; a near-fine copy. OCLC 248431052; Agnès Poirier "Watching boxing with Picasso and a ménage-à-trois at home: my life with the surrealist elite" online article in The Guardian 13 April 2014; Carles Geli "Dalí and Lorca's games of seduction" in El Pais 20 June 2013. unknown
95791Ediciones Ulises 1931 Madrid. 1ª edición. . 20x13. Tela con tejuelo. Encuadernación nueva. 172 pgs. Sin guillotinar. Muy buen estado excepto un leve desgarro inferior en portadilla. L3060 Ediciones Ulises, 1931, Madrid. 1ª edición. hardcover
195832<p>Federico García Lorca. Poemas del romancero gitano más un poema de Antonio Machado: "El crimen fue en Granada". Con témpera original de Rafael Alberti Tirada de 25 ejemplares sobre papel Japón. Juan Osvaldo Viviano editor Francisco Colombo impresor. Ejemplar dedicado a Raoul Veroni. Excelente estado. 32 pp. 13 × 19 cm. Buenos Aires 1958.</p> Juan Osvaldo Viviano paperback
1940035643NY: W.W. Norton. 1940. The first edition of this collection of poems originally written when Garcia Lorca lived in New York and attended Columbia University in 1929-1930 but not published until after he had died and the Spanish Civil War had ended. Spanish text and English translation by Rolfe Humphries. A very near fine copy in a very good dust jacket with chips at the spine extremities and flap folds and a tear at the lower front panel. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Near Fine. W.W. Norton hardcover
19570086719Rio de Janeiro: Philobiblion 1957. Limited ed. Paperback. Fine/Fair. 1957 First Edition. One of 100 unnumbered copies. 8 color plates plus 2 in b&w designed by Lorca and hand printed by Manuel Segala on Ingres paper for Philobiblion in Rio de Janeiro Brazil. Text in Portuguese. 6.5 x 9.5 inches. Loose sheets in paper folder and cardboard wraps; the cardboard has split down the spine; paper covering front board mostly present; paper covering rear board lacking although it's possible that it was issued this way. Title page printed in black and red. Contents in Fine condition -- wrappers worn. RARE. OCLC with only a single copy in Spain. Beautiful reproductions. Philobiblion paperback
195331350Buenos Aires: Editorial Guillermo Kraft Limitada 1953. Fogli sciolti in custodia illustrata loose as issued in original portfolio. Ottimo Fine. Venti poesie di Federico Garcia Lorca. Con 20 acqueforti originali di <strong>Aldo Altomare Bari 1923</strong> numerate e firmate dall'Artista cm 205x146. Folio. pp. 88. Ottimo Fine. Edizione originale di 100 es. numerati. <em>Dopo aver pubblicato nel 1908 le "Rime dell'Urbe e del suburbio" invia a Marinetti il suo libro di liriche "Procellarie" e aderisce subito al futurismo inviando la poesia Apocalisse pubblicata in un numero di Poesia. "Non a caso adottai associandomi ai Futuristi il battagliero pseudonimo di <strong>Libero Altomare</strong> sfidando la ironica incomprensione di alcuni miei sedicenti amici di ambo i sessi". Conosce Marinetti e partecipa a Napoli alla serata al Mercadante nell'aprile 1910 nel luglio firma il manifesto Venezia futurista e l'11 gennaio quello dei drammaturghi futuristi . Pur costitunedo un gruppo futurista romano Altomare abbandona il futurismo nel giugno 1915 annunciandolo sul Piccolo giornale d'Italia P. Hulten "Futurismo &";" Futurismi. Bompiani 1986</em> Editorial Guillermo Kraft Limitada, unknown
71182Ediciones del Arbol 1935 Madrid. Primera edición. 23x17. 125 pgs. Edición de 1100 ejs. X3673 Ediciones del Arbol, 1935, Madrid. Primera edición. unknown
193874819Paris: GLM 1938. Fine. GLM Paris 1938 14 x 19 cm broché First edition in French one of 20 numbered copies on Holland paper deluxe copy. Handsome copy despite the endpapers being very slightly and partially shaded. GLM unknown
194653924Paris: Gallimard 1946. Fine. Gallimard Paris 1946 12 x 19 cm broché First edition of the French translation by Marcelle Auclair one of 55 numbered copies on pur fil Lafuma the only large paper copies. A very good copy. Gallimard unknown
193957285Paris: Les Cahiers du Journal des Poètes 1939. Fine. Les Cahiers du Journal des Poètes Paris 1939 14 x 19 cm broché First edition of the French translation one of 50 numbered copies on Featherweight the tirage de tête. Illustrated with a photograph of the poet and his mother. A nice and rare copy printed colportage stamp on half-title page. Les Cahiers du Journal des Poètes unknown
19405400Mexico D. F.: Editorial Seneca 1940. First Edition. Very Good. First edition entirely in Spanish first printing of this posthumously published work written during Lorca's visit to Columbia University in 1929 where he witnessed the market crash. Following his visit to New York Lorca also travelled to Cuba where some of the poems included were written. Published in Mexico due to the dictatorship of Franco whose regime was responsible for the kidnapping and murder of Lorca in 1936. With four original drawings; 2 in black and white and 2 in color. Bound in original paperback wrappers slightly oversized to fold over the edges. Minor toning creasing at edges and folds a few shallow tears and light chipping at the spine tail. With an additional poem by Antonio Machado and a Prologue by Jose Bergamin. An owners stamp on ffep and title page as well as signature of other owner to same in ink. The interior is lightly and evenly toned with very minor and infrequent spotting; the text and images are clean and clear. <br /> <br /> Pages: 187 5 Dimensions: 95/8 x 71/8 x 5/8 . Editorial Seneca unknown
26008Norton 1940. VG/VG-. Nice copy of this classic compendium by Spain's greatest poet. Book very gook clen and tight. Some darkening on front pastedown mirrored on FFEP. Jacket moderate chipping on top and spine. Photos upon request. Norton (1940) unknown
584895Seneca 1940 México. 190 pgs. Buen ejemplar. Y8710 Seneca, 1940, México. unknown
194024592México: Editorial Seneca 1940. First edition. Paperback. Near Fine. 187p. plates wrps tiny tear to bottom front cover without loss. First Mexican edition in very good condition. Editorial Seneca paperback
