773 résultats
19533115392Bloomington: Indiana University Press. Fine in Very Good dust jacket. 1953. First Edition; First Printing. Hardcover. First edition. INSCRIBED & dated in 1954 by the translator Rolfe Humphries to Hollywood screenwriter Philip B. Saltzman on front end-paper. Saltzman whom Humphries thanks for a contribution along with a quote in verse has signed his name in ink at upper left. Fine in a very good dust jacket. Chip at crest of spine and adjoining edge of front panel. A remarkable association between academia and show business. ; 8vo 8" - 9" tall; 64 pages . Indiana University Press. hardcover
2007226610Gottingen: SteidlDangin 2007. Brossura custodia wrappers slip-case. Perfetto Mint. 1000 fotografie a colori e in bianco e nero di Philip Lorca di Corcia. Cm 205x185. pp. 1000 ca. Perfetto Mint. Prima edizione First Edition. <em>Con <strong>Thousand</strong> diCorcia inverte la sua stessa tendenza: <strong>la monografia è"; ora l'opera stessa</strong>. La mole di materiale che abbraccia oltre 20 anni di creazione personale e artistica sfida la nozione che il potere editoriale possa stabilire il contesto e la narrazione. Qualsiasi tentativo di ordinare logicamente le immagini si è rivelato inutile. In questo caso piuttosto che un design cosciente che crea una forma rigida è stata utilizzata una <strong>randomizzazione generata dal computer che ha determinato l'ordine del volume</strong>. DiCorcia ha assegnato a ogni Polaroid un valore che è servito come input per la sequenza generata dal computer;" la sequenza randomizzata ha fornito il layout. Sfogliando le pagine di Thousand non si ottiene una retrospettiva o un riassunto della vita dell'artista ma piuttosto <strong>un esercizio sul caso e sulla costruzione della memoria</strong>.</em> <em>Thousand contiene riproduzioni in dimensioni reali delle 1.000 Polaroid di diCorcia selezionate da una collezione di 4.000 scatti realizzati nell'arco di quasi venticinque anni. Nel 2008 le Polaroid sono state esposte per la prima volta in una mostra dedicata all'opera dell'artista presso il Los Angeles County Museum of Art.</em> SteidlDangin, unknown
DADAX0811208729Brand: New Directions Publishing Corporation 0000-00-00. First Edition. hardcover. New. 5.75x1.00x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: New Directions Publishing Corporation hardcover
1995003806Granada Cultural Centre 1995. No Binding. Fine. About the poster. Framed poster. Appears to be a poster announcing the performance of seven of Lorca's plays in 1995. May be tied to the grand opening of the Lorca House Museum which opened that same year. Poster appears to be in fine condition. We purchased it already framed. Additional photos available upon request. Additional shipping charges may apply <br/> <br/> Granada Cultural Centre unknown
196372423Verona: Franco Riva 1963. FolioIllustrated. SPANISH TEXT. 23 pp. Signed limited edition. Cream paper cover with a parchment paper wrapper in a dusky red cover and slipcase. No.124 from a limited edition of 150 copies with a signed double page etching by Renato Guttuso. Edges uncut. Slipcase a little faded and edgeworn with a few markings. Blue ink inscription to the first free endpaper and a couple of very minor spots to the wrapper; binding in lovely clean condition. . Near Fine. Paper Covers. Limited Edition. 1963. Franco Riva 1963 unknown
2008Q-8476004133Ediciones Akal 2008-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ediciones Akal paperback
195939276Munchen: Verlag Wolfgang Gurlitt 1959. Die im jahre 1958 entstandene lithographienfolge erscheint anlasslich des achtzigsten geburtstages des kunstlers als erstes werk der neuen-wofgang-gurlitt-graphik-serie in einer einmligen ausgabe von 100 exemplaren ausgabe I-XXV auf Japan ausgabe 26-100 auf kupferdruckbutten der druck der graphik erfolgte unter leitung des kunstlers den text druckte die druckwerkstatte erich blaschker berlin. Dieses Exemplar Tragt Die Nummer 7 Jede Lithographie Ist Vom Kunstler Eigenhandig Signiert. Portfolio of 13 lithographed prints by the artist Willi Geiger based on poems by Garcia Lorca. Housed in the original black cardstock portfolio each lithograph SIGNED AND NUMBERED BY THE ARTIST. Some scattered foxing primarily to the edges of the paper. Artist and graphic designer Willi Geiger 1878-1971 was one of the most important representatives of German expressionism. Overall very good. May require extra shipping for international customers. . Signed. Limited Edition. Very Good. Elephant Folio - over 15" - 23" tall. Verlag Wolfgang Gurlitt unknown
72129Revista de Occidente 1929 Madrid. 2ªed. 20x14. 1/2 tela. 150 pgs. Q4372 Revista de Occidente, 1929, Madrid. 2ªed. unknown
72234Ediciones Ulises 1937 Madrid. 2ª ed. En realidad impreso en Chile. 20x14. 147 pgs. Escaso. Q3471 Ediciones Ulises, 1937, Madrid. 2ª ed. En realidad impreso en Chile. unknown
1995LORCAFED016443Editions Rosbif Paris. 1995. New edition - originally published in an edition of 5 copies by Michael Caine in 1982. Folio. The seven linocuts by Michael Caine who is the publisher of the book are reproduced in reduced size from his 1982 edition. The translation by A.L. Lloyd is completed from his 1937 version.Number 73 of 80 copies signed by the artist. One of a few copies where the publisher has bound the original wrappers into cloth with a spine label.Fine. Editions Rosbif, Paris. hardcover
1937LORCAFED029703Heinemann London. 1937. First edition of this translation by A.L. Lloyd. Royal octavo. pp xvi 60. Frontispiece. Dual-language text. Seven-page Preface by the translator. The first of Lorca's books to be published in the U.K. Small bumps to edges of rear cover. Free endpapers lightly spotted. Very good in very good chipped and nicked dustwrapper a darkened at the spine and edges. Heinemann, London. unknown
194222624ALGER: Edmond Charlot 1942. 8º.- Rústica.- 21 páginas. Rarisimo. Edmond Charlot unknown
197521.0187Oxford: The Dolphin Book Co 1975-1976. 1ª ed. Rústica con sobrecubierta. 22x28. The Dolphin Book Co paperback
10053Paris GLM mars 1948. 1 vol. 200 x 290 mm de 70 p. 2 et 1 f. Broché. . Édition originale de la traduction française. Un des 25 exemplaires sur Alfama justifiés et signés par l'éditeur réservés aux Amis de GLM. . « Tous comprennent la douleur qui tient à la mort écrit-il / mais la vraie douleur n'est pas présente à l'esprit . / La vraie douleur qui maintient éveillées les choses / est une petite brûlure excessive dans les yeux innocents des autres systèmes. » Composés à New York où Federico Garcia Lorca passa l'année 1924 comme étudiant à Columbia les textes de ce recueil chantent la ville et ses paysages : « L'aurore de New-York a / quatre colonnes de boue / et un ouragan de colonnes noires / qui barbotent dans les eaux croupies ». Toutefois le « Poème double du lac Edem » tient ici une place à part : « me voici buvant mon sang buvant mon horreur d'enfant mûr ». Prière d'insérer conservé. Couverture en partie insolée. Paris, GLM, (mars) 1948. 1 vol. (200 x 290 mm) de 70 p., [2] et 1 f. Broché. unknown
1955235882ª EDICION AUMENTADA en esta colección.- Madrid: Aguilar 1955.- LXXV1824 p.: Retrato de Lorca ante portada e ilustraciones fotográficas y láminas en color fuera de texto con dibujos de Lorca; 8º 18 x 15 cm; Papel biblia cinta guÃa de lectura; Plena Piel Chagrén Ed. lomo liso dorado.- Col. Obras Eternas. Nº 24. Pequeña restauración en la esquina derecha de la cabeza del lomo. Por lo demás muy buen estado LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español Aguilar hardcover
1937521457New York: Oxford University Press 1937. Hardcover. Very Good/Good. First American edition. Jacket art by Salter. Translated by A.L. Lloyd. Tall octavo. Blue cloth spine stamped in gilt. Page edges and endpapers foxed with scattered foxing throughout very good in a good only dust jacket with chips and tears and tiny stains. Parallel text in Spanish and English. Oxford University Press hardcover
1960008673Paris France: Marcel Lubineau Éditeur 1960. Limited Edition 1st Printing. Stiff Wrappers. Very Good. 4to - over 9¾ - 12" tall. En français sans texte auxiliaire en anglais. In French not in English. This is a livre d'artiste. Gravures de Grau-Sala. Printed September 5 1960 with typography by Pierre Bouchet and gravures by Manuel Robbe. Number 308 from a limited printing of 275 commercial copies from a total run of 350 copies numbered in Arabic numerals and 25 hors-commerce numbered in Roman numerals. French wrappers over loose folded sheets of watermarked Rives paper. 138 numbered pages as called for. Each page approx. 11 x 7.5 inches. Light foxing to the preliminaries. Occasional foxing to the internal pages; the gravures appear to be not much affected by foxing or spotting. Full-color frontispiece plus 14 double-page full-color prints. The double-page prints approx. 11 x 15 inches. Most are protected by onion-skin tissue guards. Of special note is that the artist Grau-Sala on the Justification du Tirage page has drawn a woman's head in blue ink signed by the artist and with the apparent date 1962. This appears to be an original drawing executed two years after publication. The French wrappers and Rives sheets protected by a sturdy off-white chemise with the title in gilt to the spine; then inserted into a medium-duty slipcase. The slipcase covered in patterned paper light gray on off-white. Slipcase with age-toning and with a 4 inch split at the top edge but holding fast. Altogether a copy in Very Good condition in a Very Good Chemise and a Good slipcase. 3 lbs. 4 oz. Emilio Grau Sala 1911-1975 was a Spanish painter. He studied at the Escuela de Bellas Artes de Barcelona. With his wife Ãngeles Santos Torroella he fled to Paris at the outbreak of the Spanish Civil War. He was a famous colorist oil painting watercolor and pastel and illustrator. In the French Salon "Comparaisons" he was a member of the group of Maurice Boitel. Federico GarcÃa Lorca 1898-1936 was an accomplished Spanish poet and playwright. He achieved international recognition as an emblematic member of the Generation of '27 and spent time in New York and in Cuba. He was murdered by Nationalist forces at the beginning of the Spanish Civil War in the vicinity of Granada Spain. Cette edition a été achevée d' imprimer le 5 septembre 1960 par Pierre Bouchet pour la typographie et par Manuel Robbe pour les gravures. Bon état. <br/> <br/> Marcel Lubineau, Éditeur unknown
196092166Paris: Marcel Lubineau 1960. Fine. Marcel Lubineau Paris 1960 19 x 28 cm en feuilles sous chemise et étui Illustrated edition with 16 original colour engravings by Emilio Grau Sala printed in an edition of 350 copies on Rives wove paper. Spine of the chemise and boards of the slipcase marginally sunned as is usually the case boards evenly and lightly toned a fine copy internally. Marcel Lubineau hardcover
72413La Farsa nº 52 1928 Madrid. 1ª edición. 17x11. 69 pgs. Ilustraciones del autor. Boceto de las decoraciones de Barbero. V0594 La Farsa, nº 52, 1928, Madrid. 1ª edición. unknown
9580469911-7-1Norma S A Editorial. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Norma S A Editorial unknown
72460Ediciones Anaconda 1937 Buenos Aires. 1ª edición. 20x14. 1/2 piel con puntas y nervios. 93 pgs. D2091 Ediciones Anaconda, 1937, Buenos Aires. 1ª edición. unknown
72561Ediciones. Anaconda 1937 Buenos Aires. 1ª edición. 20x14. 93 pgs. D6960 Ediciones. Anaconda, 1937, Buenos Aires. 1ª edición. unknown
1989829F41Rhiwargor Llanwddyn Powys: Embers 1989 . First edition. Leather. Near Fine/Fine. 11" by 7". None. A wonderful scarce Limited Edition translation of Lorca's Sonetos del Amor Oscuro. Signed by the translators and in a bright quarter morocco binding. The signed first edition thus of this vibrant Limited Edition volume of the last poetic work of Spanish playwright and poet Frederico Garcia Lorca. This edition is translated by Eva Loewe and Noel Cobb and signed by both to the colophon.Number twenty of one hundred and twenty six copies produced.With the original Spanish text and its English language translation on facing pages.With an illustrated frontispiece and matching illustration to front board of slip case.First published in 1936 the collection was long thought to have been inspired by Lorca's passion for Rafael Rodríguez Rapún a young actor and secretary of La Barraca. However new documents suggest that the actual inspiration was Juan Ramírez de Lucas a 19-year-old with whom Lorca hoped to emigrate to Mexico. In the publisher's original quarter morocco binding with cloth covered boards housed in paper covered slip case. Light fading to back strip otherwise externally excellent. Slip case in fine condition. Internally firmly bound. Pages clean and bright. Near Fine Embers hardcover
1981C39-260419003Kanathos 1981. perfect. Good. 0x0x0. Cover is lightly soiled along extremities. Corners bumped. Clean pages. Binding is secure. Scarce. Kanathos unknown
1975035644Oxford: Dolphin Book Co. 1975. Copy No. 440 of 1000 copies. 87 poems and three prose works reproduced in facsimile with transcriptions and notes by Rafael Martinez Nadal. Fine in wrappers in a fine dust jacket and a lightly rubbed near fine slipcase. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Fine. Dolphin Book Co. paperback