793 résultats
222 p., 128 fig. n/b et coul. Petites déchirures à la jaquette. Archaeologia Mundi. Inv. 11064.
Mm 170x240 Brossura editoriale di pp. 172 con una carta ripiegata in fine, sporadiche sottolineature a matita. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
Mm 145x205 Brossura editoriale, 247 pagine. Copia ottima, spedizione in 24 ore dalla conferma dell'ordine.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English. 152 p. The history of the church diplomacy in Turkey. As a result of the hostility of the Third French Republic which endured from 1870 to 1940, many religious orders were disbanded in France and few orders could survive because of the governmental pressure. A diplomatic crisis broke out between the Holy See and France. The French ambassador to Rome was recalled and the Papal Nuncio to France was expelled. This crisis affected also the strength of France in Orient, who was the Protector of the Latin Catholics and in a wide coverage, all the Catholic subjects. During the sultanate of Abdülhamid II, the role of the Apostolic Delegate (representative of the Pope before the diplomatic relations started) was enhanced in front of the Sublime Porte. Because of this diplomatic crisis between the Holy See and France, there have been serious diplomatic conflicts between the Apostolic Delegate in Istanbul and French ambassadors. It is possible to read these conflicts through the diplomatic archives and correspondences, especially through the recently published documents, which are part of the Vatican Secret Archives. During the pontificate of Pope John XXIII in 1960, the diplomatic relations between the Holy See and Turkey started by the appointment of a Turkish Ambassador to the Holy See and an Apostolic Nuncio to Ankara. This project is aiming to focus on the challenge of power between France and the Holy See in front of the Sublime Porte for keeping the right of representing and protecting the Catholic Subjects in the 19th and 20th centuries, including the establishment and development of the French Protectorate in the Ottoman lands, its abolishment and the diplomatic attempts of Apostolic Delegates for being recognized by the Turkish authorities as the representative of the Pope for Catholic subjects, until the reciprocal appointment of ambassadors in 1960.
Fine English Paperback. Pbo. 4to. (28 x 20 cm). In French. 56 p. Les enjeux de l'ouverture de la frontiere turco-armenienne. Les contacts transfrontaliers entre la Turquie et l'Armenie.
Facsimile, with an introduction by Peter Hopkirk of the book first published in 1898. ".Burnaby set off in the winter of 1876/7 to ride 2,000 miles across Asa Minor. War between Turkey and Russia was imminent, the whole area a hotbead of intrigue and speculation, and reports of atrocities and massacres were widespread. His journey was to take five months and bring him into contact with Turks, Greeks, Armenians, Circassians, Kurds and Persians of all classes from Pashas to farmers, from peasants to soldiers and nomads. It was a ride of high adventure in wild inhospitable country, through snow drifts and over mountains, and Burnaby succeeds in sharing with his readers all the excitement , hardship and humour in this vivid account of Victorian travel" 266p. index. Name of owner Book
In 8', br. ed. ill. col. pp. 155, 48 tav. col. f.t. in fine; Katalog zur Sonderausstellung in der Osterreichischen Nationalbibliothek; ordinari segni del tempo, buon es.Luogo di pubblicazione WienEditore Dellerfuhs offsetdruckAnno pubblicazione 1981Materia/Argomento Storia, Scrittura, Armenia
New English Original cloth bdg. Folio. (31 x 26 cm). Edition in English. 352 p., color and b/w ills. Printed to 600 copies. FOREWORD Looking into the Balyan Architecture Archive / Arsen Yarman With Respect to the Balyan Family and Imperial Architects HAYCAR Solidarity Association of Architects and Engineers for the Revitalization and Research of Cultural Assets Remembering the Balyans / Kevork Özkaragöz PROLOGUE Chapter 1 BALYAN ARCHITECTURE ARCHIVE Beyond Function: Balyan Architecture with Myths and Prejudices Balyan Archive: Pile of Memories and Journey of Classification Architect Balyans Chapter 2 BALYAN FAMILY: PERSONAL HISTORIES Balyan Family and Its Origins Krikor Bal(i)yan (1764-1831) and the Birth of a Family Practice Senekerim Balyan (1768-1833) The Last Amira Architect Garabed Balyan (1800-1866) Education of Garabed Balyan's Children A Young Genius: Nigogos Balyan (1826-1858) Architect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899) Death of the Great Patron, Stroke of Fate and Final Period of Balyan Practice Sarkis Balyan as an Engineer-Mechanician and Inventor Art Patron and Intellectual Architect: Hagop Balyan (1837-1875) A Drawing Master and Imperial Draughtsman: Simon Balyan (1846-1894) Last Architect of the Balyan Practice: Levon Balyan (1855-1925) Chapter 3 BALYAN ARCHITECTURE AND ITS REPRESENTATIONS Imperial Palaces and Organization of Large Scale Construction Sites: Silence of the Construction Sites A Pledge of Progress and a Visual Negotiation: Photography in the Representation of Sarkis Balyan's Architecture Portrait of the Architect Chapter 4 BALYAN ARCHITECTURE IN THE TANZIMAT [REFORM] ERA Beyond Time and Geography: Multiple Sources of Balyan Eclecticism Balyan Practice as a Pioneer of Neo-Gothic Elements in Tanzimat Architecture History as an Encyclopedic Source An Egalitarian Demand: Influences on Çiragan and Beylerbeyi Palaces New Methodologies in the Search of a National Style and Ottoman Renaissance From Imperial Architect to Imperial Palace Master Builder: The Position of Architect in the Architectural Organization of Tanzimat Period Chapter 5 BALYAN ARCHIVE CATALOGUE Ottoman Palace and Residential Architecture in the Tanzimat Era Imperial Palaces on the Banks of Bosphorus The Çiragan Palace of Sultan Mahmud II Dolmabahçe: The Absolute Model of Tanzimat Palaces The Design Model Integrating the Old Palace into the New Complex: Beylerbeyi Nigogos Balyan's Facade Proposal for the New Çiragan Palace and Horror Vacui Sarkis and Hagop Balyan's Eastern, Polychrome Facade Proposals for the New Çiragan Palace The New Çiragan Palace Monumental Coastal Line from Çiragan to Fer'iye Palaces Sarkis Balyan's Expansion Project for Yildiz Palace Büyük Mabeyn Kiosk The Balyans and Imperial Feasts in the Tanzimat Period A Project by Antoine Bourgeois in the Balyan Archive In the Pursuit of an Ideal Plan: Kiosk and Pavilion Designs Kabatas Esma Sultan Mansion An Exception of Balyan Architecture: Middle Class Housing Designs Decoration for the Empire Decoration of the 19th Century Ottoman Palaces Perspective Drawings by "Serkis Bey" in the Nubar Library, Paris Parisian Furniture, Chandelier and Furniture Designs in the Balyan Archive A Conceptual Spolia: Re-use of Çiragan Palace's Mother-of-Pearl Inlaid Doors in Yildiz Sale Kiosk's Dining Hall New Spaces of the Ottoman Diplomacy Sarkis Balyan's Reorganization for Chamber of Deputies Sarkis Balyan's Bâb-i Âli Building Plan Proposals After the 1878 Fire Religious Buildings Tanzimat Period Mosques and Contributions of the Balyans Sarkis Balyan's Four-Minaret Selâtin Mosque Design: Aziziye Mosque The Second Set of Mosque Drawings in the Balyan Archive Church Designs Between the Imperial Capital and the East New Spaces of the Public Life Sarkis Balyan's Display Plan for the Collection of Antique Weapons at Hagia Irene Education Buildings Sarkis Balyan's Galatasaray Imperial High School Plan The Hospital Project in the Balyan Arc.
Fine English Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 6, 257 p., b/w ills. Levant'in yildizi Izmir: Levantenler, Rumlar, Ermeniler ve Yahudiler. A city of Levantine: Greeks, Armenians, Jews in Izmir city.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. [v], 165 p. The Armenians unmasked.= Ermenilerin maskesi düsüyor.
New English Paperback. Pbo. Cr. 8vo. (20 x 13 cm). In Turkish. 248 p., ills. Armenians and Conquests of Armenia in the Period of Umayyads and Abbasids. Islam tarihinde Ermeniler ve Ermenistan fetihleri. Hulefa-yi Rasidin ve Emeviler Dönemi.
xviii + 233pp., in the series" Philosophia Antiqua" volume 116, 25cm., publisher's hardcover, very good condition, [Contains contributions in English and French], X111430
Cm. 23; pp. XVI, 320. Legatura in tela novecentesca con tassello al dorso con titoli in oro. Alcune fioriture. (Armenia, Storia) 1411/P
vii + 56pp., 21cm., br.orig., bon état, X111438
français Dédicacé par l'auteur In-8 de 215 pp. + Table des matières ; broché à rabats de l'éditeur. Avec carte et photographies hors texte. Envoi autographe signé du peintre et de sa femme.
Paris, Flammarion, 1974. Grand in-8, broché, jaquette illustrée en couleurs par CARZOU, 214 pp. Nombreuses photographies hors-texte. Avec 2 envois autographes des deux Carzou (nom du destinataire barré).
Broché. 252 pages.
Flammarion 1975, In-8 broché, 252 pages + photos. Bon état.
pp. 215, cm 24, brossura, illustrazioni in nero f.t.
in-16, 250 pp., illustrations, broche, couv. illustree.- Peu courant. Tres bel exemplaire. [MI-8][MB-2]
grand in-8°, 214 pages, ill. h.t. n., broche, couv. illustree plastifiee à rabats. Bel exemplaire. [CA30-1][CA27/1] En 1966, le peintre Carzou et sa femme firent un séjour de plusieurs semaines en République d’Arménie. Ils en ramenèrent une moisson d’image que Mme Carzou nous livre ici.
82 pages. Features: Ancestral Trust - The English in the Eastern Roman Empire; Dining with Angels - Cuisine of the Eastern Roman Empire; The Anti-Empire - a brief history of Armenia; The Changing Tale of Armenian Clothing; Kingdom in the Sun II - The Other Norman Conquest; Fighting Cardinals - Henry Beaufort & Guiliano Cesarini; The Work of the Sofer - reproducing the holy texts of Jerusalem; and more. Moderate wear. A sound copy. Book
New English Paperback. 4to. (29 x 24 cm). In English. 34 4 p., color and b/w ills. Beyond the vessel: Myths, legends, and fables in contemporary ceramics around Europe. Mesher, a new exhibition space initiated by the Vehbi Koc Foundation, opens with its inaugural exhibition "Beyond the Vessel: Myths, Legends, and Fables in Contemporary Ceramics around Europe." The exhibition demonstrates how ancient myths have echoed down through generations, and now form an exciting new wave of contemporary art inspired by the human characteristics and archetypes they represent. It focuses on how clay, often used simply to manufacture vessels and other utilitarian objects, holds the potential of being one of the most refined, yet powerful materials in the hands of artists with exceptional skill and vision, expressing human emotion in the greatest degree of subtlety. In conjunction with the opening, Mesher publishes the exhibition catalogue including articles written by Catherine Milner, the exhibition s co-curator from Messums Wiltshire, Paul Greenhalgh, Director of Sainsbury Centre for Visual Arts at the University of East Anglia, and Glen R. Brown, Professor of Art History at Kansas State University. Designed by Ayse Bozkurt, the publication features photographs by Sylvain Deleu and Hadiye Cangökce.
Fine Turkish, Ottoman (1500-1928) Original wrappers. Cr. 8vo. (20 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 120 p., ills. and many plans, one folded map (50x67 cm) of the Galata quarter surrounded by the Bosphorus and the Golden Horn of Constantinople, including Genoese and Byzantine architectural buildings. First edition of this rare and the early book on old Genoese and Byzantine buildings in the Galata quarter of Constantinople, written by Turkish art historian Celal Esat Arseven (1876-1972). The Galata quarter first appeared in Late Antiquity as Sykai or Syca. By the time the Notitia Urbis Constantinopolitanae has compiled in ca. 425 AD, it had become an integral part of the city as its 13th region. According to the Notitia, it featured public baths and a forum built by Emperor Honorius, a theatre, a portico street, and 435 mansions. It is also probable that the settlement was enclosed by walls in the 5th century. In the 11th century, the quarter housed the city's Jewish community, which numbered some 2,500 people. In 1171, a new Genoese settlement in the area was attacked and nearly destroyed. In 1233, during the subsequent Latin Empire (1204-1261), a small Catholic chapel dedicated to St. Paul was built in place of a 6th-century Byzantine church in Galata. This chapel was significantly expanded in 1325 by the Dominican friars, who officially renamed it the Church of San Domenico, but local residents continued to use the original denomination San Paolo. In 1407, Pope Gregory XII, in order to ensure the maintenance of the church, conceded indulgences to the visitors of the Monastery of San Paolo in Galata. The building is known today as the Arap Camii (Arab Mosque) as per its conversion into a mosque a few years later (between 1475 and 1478) under the rule of Ottoman Sultan Mehmed II with the name Galata Camii. In 1261, the quarter was retaken by the Byzantines, but Emperor Michael VIII Palaiologos granted it to the Genoese in 1267 in accordance with the Treaty of Nymphaeum. This rare book includes the history and the plans of the buildings such as the Arap Mosque (Church of San Domenico) (1325), Galata Tower (1348), Church of Saint Benoit (1427), Zülfaris Synagogue (1823), Church of Saints Peter and Paul (1843), Camondo Steps (1880), St. George's Austrian High School (1882), Ashkenazi Synagogue (1900), Italian Synagogue (1931), Neve Shalom Synagogue, etc. ABOUT THE AUTHOR: Celal Esat Arseven was a Turkish art professor and historian. Born the son of a pasha in Istanbul, Celal Esat Arseven graduated from Besiktas Military School in 1888 and studied drawing at a fine arts school for a year before going to military college. He continued writing and painting while in the army, from which he resigned in 1908. In the years before World War I, he worked at the humor magazine Kalem with Cemil Cem, one of the great early caricaturists of Turkey. Arseven was a writer and artist of diverse talents. In 1918, he wrote a libretto for one of the first Turkish operas and went on to write several musical plays performed at the Istanbul municipal and state theaters. In addition to being an accomplished watercolorist, he was also a professor of architecture and municipal planning at the Istanbul Fine Arts Academy from 1924 to 1941. He published a five-volume art encyclopedia between 1943 and 1954, and many books on Turkish painting and architecture throughout his lifetime. Before his death, he was awarded a doctoral degree by Istanbul University. He was also a delegate to the Turkish Grand National Assembly during its seventh and eighth sessions. (Sources: And, Metin. "Opera and Ballet in Modern Turkey." In The Transformation of Turkish Culture: The Atatürk Legacy, edited by Günsel Renda and C. Max Kortepeter. Princeton, NJ: Kingston Press, 1986). Özege 5112.; TBTK 4748.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 170, [1] p., 1 b/w plate. Milli Mücadelede Erzurum. Erzurum City in the Turkish War of Independence. First Edition.