793 résultats
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 347 p. Tarih Boyunca Türklerin Ermeni Toplumu Ile Iliskileri Sempozyumu, (8-12 Ekim 1984). Haz: Ankara Üni.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 238 p., color ills. Tarihi Gerçekler ve Ermeniler Uluslarasi Sempozyumu. (24-27 Haziran 1995 Igdir).
New English Paperback. Roy. 8vo. (21 x 15 cm). In English. 144 p., ills. The sounds of silence 4: Izmit's Armenians speak. The fourth book of the "Sounds of Silence" series has been published with the support of Consulate General of Sweden. Izmit's Armenians Speak, is a product of the oral history project carried out since 2011 by Hrant Dink Foundation. The Sounds of Silence - IV: Izmit's Armenians Speak, which compiles 9 out of the 30 interviews, is a narration of Armenian lives and differing experiences of Armenianness as it is told by people living in ¿stanbul, Yervan and Canada. The aim is thus to establish a dialogue between the reader and the narrator. The foreword by Ferda Balancar, who is a journalist and one of the Project coordinators, and the afterword by E. Aras Ergüne¿, who is a research assistant at Philosophy Department of Kocaeli University, have contributed in a significant way to the book. There is also a collection of lyrics and tongue twisters by the Armenians who lived at ¿zmit and surrounding areas. Izmit's Armenians Speak is taking us to a visit through the memoirs of the Armenian society. This book is giving clues about the "self" and "other" perception the Armenian society carries, by giving examples on the deportation and genocide memories transmitted through generations, as the other books of the series. "First, silence allows the members of the generations that had experienced the Genocide firsthand, or through the narrations of the members of the preceding generations, the relief of shutting themselves off to the trauma of the Genocide and carrying on with their daily lives. (¿) The second function that the shroud of silence serves against the Genocide experience is of a public rather than individual concern. The generations that have suffered the Genocide considered it their duty to carry the burden of their trauma to the grave so that it wouldn't rub off on the lives of the succeeding generations and so that they could create an unblemished memory space for their progeny. The way to do this is by respondin.g with silence to the questions posed to them and passing this high-mindedness on to posterity."
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 269, [4] p., b/w ills. Türk Tarihinde Ermeniler Sempozyumu. Tebligler ve panel konusmalari.
Fine Fine English Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In Turkish. [v], 315 p., color and b/w ills. Türk-Ermeni iliskileri 21. yüzyila girerken tarihe dostça bakis. Uluslararasi Sempozyumu.
Fine English Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. [xii], 457 p., b/w and color ills. Yakin tarihimizde Kars ve Dogu Anadolu sempozyumu.", Kollektif, Kars Valiligi ve Atatürk Üni. Rektörlügü, Ank.,1992. -- Kars Dogu Anadolu Türk tarihi Ermeni kültürü
Paris Centre de Recherche sur la Diaspora Arménienne, éditions Astrid 1987. Petit IN-4 de 105 pages. N° 3, 2e semestre 1987.CAHIERS ARMENIENS SOUS LA DIRECTION DE GERARD BEDROSSIAN. Bon état
Centre d'études Arméniennes 1964. In-12 broché de 131 pages. Bon état
P., L'Aventurine, 1986. In-4 relié toile sous jaquette illustrée couverture à rébétq, 284 pp. Richement illustré. Couverture un peu insolée sinon TB état.
Jaca Book 1986, In-4 relié toile éditeur sous jaquette illustrée. 284 pages . Avec nombreues photos et des plans. Bon état.
français In-4 de 284 pp.; album cartonné à la Bradel de l'éditeur, sous jaquette illustrée. Riche iconographie et illustration.
Torino, Edizioni dell’Armenia - Tip. Eynard, 1917. 16mo br. pp. 40 + 15 tav. ill. f.t. e 1 carta geogr. Raro libretto.
br. La storia di un uomo, e sua moglie Takuì, grande concertista a Costantinopoli, metà armena e metà e ebrea, che dopo la fuga del marito dal carcere, assieme ad altri fuggiaschi nel 1915 dal Corno d'Oro con una nave di disperati, arrivano in Italia dove Takuì partorisce la mamma di Diego Cimara, Nwarth, poi nel '43 conosciuta come "Ombra" durante la resistenza romana perché salva con uno stratagemma 112 tra ebrei ed antifascisti. Storia di combattenti e vittime. Di sangue ed onore. Di religione e crudeltà. La diaspora non potrà mai perdonare l'avidità di sangue dei turchi, nel cuore di un deportato non c'è più posto nemmeno per l'odio. Ad accomunare questi anziani è la voce di un poeta che lascia il diario di una vita al nipotino: un ricordo indelebile. Dice Kostan a Diego: "Più vantaggioso è battersi che vincere, perché dopo la vittoria c'è sempre la sconfitta. La morale e la ragione: due profili della stessa faccia. La letteratura sono gli scrittori. Basta il pensiero, non spingerti oltre. Chi tardi arriva è a metà dell'opera. Saper leggere cose che non potranno mai essere scritte e dire ciò che non potrà mai essere letto. Sperare va bene, ma non nel futuro. Il fuoco tende verso l'alto e la pietra verso il basso".
xx + 197pp., avec 5 ills. + une carte dépliante, 24cm., br.orig., bon état, X111411
Very Good English Modern cloth bdg. made as saved original covers on cloth's faces. 4to. (32 x 23 cm). Ills. In Armenian. Uncommon. Chanth. Revue hebdomadaire illustree art-litterature-science. No: 17, 1919. [Armenian periodical]. Directeur-Administrateur: H. Foulikadjian.; Proprietaire-Redacteur-en-Chef: M. Barsamian.
Complete in 2 volumes, xli,414 + 565pp. + plate and large folding map, publisher's hardcovers with gilt lettering, text and interior are clean and bright, reprint of the original 1827-edition, very good, X111393
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [v], 73 p., b/w and color ills. Kalekilise. Haçin (Saimbeyli) soykiriminin dehset yeri.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [xv], 200 p. Osmanli diplomasisinde Ermeni meselesinin ortaya çikisi, 1878-1897.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 170, [1] p., 1 b/w plate. Milli Mücadelede Erzurum. Erzurum City in the Turkish War of Independence. First Edition.
Fine Turkish, Ottoman (1500-1928) Original wrappers. Cr. 8vo. (20 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 120 p., ills. and many plans, one folded map (50x67 cm) of the Galata quarter surrounded by the Bosphorus and the Golden Horn of Constantinople, including Genoese and Byzantine architectural buildings. First edition of this rare and the early book on old Genoese and Byzantine buildings in the Galata quarter of Constantinople, written by Turkish art historian Celal Esat Arseven (1876-1972). The Galata quarter first appeared in Late Antiquity as Sykai or Syca. By the time the Notitia Urbis Constantinopolitanae has compiled in ca. 425 AD, it had become an integral part of the city as its 13th region. According to the Notitia, it featured public baths and a forum built by Emperor Honorius, a theatre, a portico street, and 435 mansions. It is also probable that the settlement was enclosed by walls in the 5th century. In the 11th century, the quarter housed the city's Jewish community, which numbered some 2,500 people. In 1171, a new Genoese settlement in the area was attacked and nearly destroyed. In 1233, during the subsequent Latin Empire (1204-1261), a small Catholic chapel dedicated to St. Paul was built in place of a 6th-century Byzantine church in Galata. This chapel was significantly expanded in 1325 by the Dominican friars, who officially renamed it the Church of San Domenico, but local residents continued to use the original denomination San Paolo. In 1407, Pope Gregory XII, in order to ensure the maintenance of the church, conceded indulgences to the visitors of the Monastery of San Paolo in Galata. The building is known today as the Arap Camii (Arab Mosque) as per its conversion into a mosque a few years later (between 1475 and 1478) under the rule of Ottoman Sultan Mehmed II with the name Galata Camii. In 1261, the quarter was retaken by the Byzantines, but Emperor Michael VIII Palaiologos granted it to the Genoese in 1267 in accordance with the Treaty of Nymphaeum. This rare book includes the history and the plans of the buildings such as the Arap Mosque (Church of San Domenico) (1325), Galata Tower (1348), Church of Saint Benoit (1427), Zülfaris Synagogue (1823), Church of Saints Peter and Paul (1843), Camondo Steps (1880), St. George's Austrian High School (1882), Ashkenazi Synagogue (1900), Italian Synagogue (1931), Neve Shalom Synagogue, etc. ABOUT THE AUTHOR: Celal Esat Arseven was a Turkish art professor and historian. Born the son of a pasha in Istanbul, Celal Esat Arseven graduated from Besiktas Military School in 1888 and studied drawing at a fine arts school for a year before going to military college. He continued writing and painting while in the army, from which he resigned in 1908. In the years before World War I, he worked at the humor magazine Kalem with Cemil Cem, one of the great early caricaturists of Turkey. Arseven was a writer and artist of diverse talents. In 1918, he wrote a libretto for one of the first Turkish operas and went on to write several musical plays performed at the Istanbul municipal and state theaters. In addition to being an accomplished watercolorist, he was also a professor of architecture and municipal planning at the Istanbul Fine Arts Academy from 1924 to 1941. He published a five-volume art encyclopedia between 1943 and 1954, and many books on Turkish painting and architecture throughout his lifetime. Before his death, he was awarded a doctoral degree by Istanbul University. He was also a delegate to the Turkish Grand National Assembly during its seventh and eighth sessions. (Sources: And, Metin. "Opera and Ballet in Modern Turkey." In The Transformation of Turkish Culture: The Atatürk Legacy, edited by Günsel Renda and C. Max Kortepeter. Princeton, NJ: Kingston Press, 1986). Özege 5112.; TBTK 4748.
New English Paperback. 4to. (29 x 24 cm). In English. 34 4 p., color and b/w ills. Beyond the vessel: Myths, legends, and fables in contemporary ceramics around Europe. Mesher, a new exhibition space initiated by the Vehbi Koc Foundation, opens with its inaugural exhibition "Beyond the Vessel: Myths, Legends, and Fables in Contemporary Ceramics around Europe." The exhibition demonstrates how ancient myths have echoed down through generations, and now form an exciting new wave of contemporary art inspired by the human characteristics and archetypes they represent. It focuses on how clay, often used simply to manufacture vessels and other utilitarian objects, holds the potential of being one of the most refined, yet powerful materials in the hands of artists with exceptional skill and vision, expressing human emotion in the greatest degree of subtlety. In conjunction with the opening, Mesher publishes the exhibition catalogue including articles written by Catherine Milner, the exhibition s co-curator from Messums Wiltshire, Paul Greenhalgh, Director of Sainsbury Centre for Visual Arts at the University of East Anglia, and Glen R. Brown, Professor of Art History at Kansas State University. Designed by Ayse Bozkurt, the publication features photographs by Sylvain Deleu and Hadiye Cangökce.
82 pages. Features: Ancestral Trust - The English in the Eastern Roman Empire; Dining with Angels - Cuisine of the Eastern Roman Empire; The Anti-Empire - a brief history of Armenia; The Changing Tale of Armenian Clothing; Kingdom in the Sun II - The Other Norman Conquest; Fighting Cardinals - Henry Beaufort & Guiliano Cesarini; The Work of the Sofer - reproducing the holy texts of Jerusalem; and more. Moderate wear. A sound copy. Book
grand in-8°, 214 pages, ill. h.t. n., broche, couv. illustree plastifiee à rabats. Bel exemplaire. [CA30-1][CA27/1] En 1966, le peintre Carzou et sa femme firent un séjour de plusieurs semaines en République d’Arménie. Ils en ramenèrent une moisson d’image que Mme Carzou nous livre ici.
in-16, 250 pp., illustrations, broche, couv. illustree.- Peu courant. Tres bel exemplaire. [MI-8][MB-2]
pp. 215, cm 24, brossura, illustrazioni in nero f.t.
