1809-1847, Mendelssohn-Bartholdy FelixBiblio.com
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1246000830.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
201302389London, Thames & hudson, s.d. ; in-8, 268 pp., cartonnage de l'éditeur. Avec jaquette.
178945724Breslau Gottl. Löwe 1789 8vo. Very beautiful contemporary red full calf binding with five raised bands and gilt green leather title-label to richly gilt spine. elaborate gilt borders to boards inside which a "frame" made up of gilt dots with giltcorner-ornamentations. Edges of boards gilt and inner gilt dentelles. All edges gilt. Minor light brownspotting. Marginal staining to the last leaves. Engraved frontispiece-portrait of Spinoza engraved title-vignette double-portrait of Lessing and Mendelssohn engraved end-vignette portrait of Jacobi. Frontispiece title-page LI 1 -errata 440 pp. Magnificent copy. <br/><br/><em>First edition thus being the seminal second edition the "neue vermehrte Auflage" new and expanded edition which has the hugely important 180 pp. of "Beylage" for the first time which include the first translation into any language of any part of Giordano Bruno's "de Uno et Causa." pp. 261-306 as well as several other pieces of great importance to the "Pantheismusstreit" and to the interpretation of the philosophy of Spinoza and Leibniz here for the first time in print. The present translation of Bruno seems to be the earliest translation of any of Bruno's works into German and one of the earliest translations of Bruno at all - as far as we can establish the second only preceded by an 18th century translation into English of "Spaccio della bestia trionfante". It is with the present edition of Jacobi's work that the interest in Bruno is founded and with which Bruno is properly introduced to the modern world. Jacobi not only provides what is supposedly the second earliest translation of any of Bruno's works ever to appear he also establishes the great influence that Bruno had on two of our greatest thinkers Spinoza and Leibnitz. It is now generally accepted that Spinoza founds his ethical thought upon Bruno and that Lebnitz has taken his concept of the "Monads" from him. It is Jacobi who with the second edition of his "Letters on Spinoza." for the first time ever puts Bruno where he belongs and establishes his position as one of the key figures of modern philosophy and thought. Bruno's works the first editions of which are all of the utmost scarcity were not reprinted in their time and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries where only few people had access to them. Thus as important as his teachings were thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. As Jacobi states in the preface to the second edition of his "Letters on Spinoza." "There appears in this new edition under the title of Appendices "Beylage" different essays of which I will here first give an account. The first Appendix is an excerpt from the extremely rare book "De la causa principio et Uno" by Jordan Bruno. This strange man was born one knows not in which year in Nola in the Kingdom of Naples; and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him but in spite of that has only been able to deliver fragments not in translation. For a long time his works were partly neglected due to their obscurity partly not respected due to the prejudice against the new opinions and thoughts expressed in them and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds the current scarcity of his works is easily understood. Brucker could only get to see the work "De Minimo" La Croce only had the book "De Immenso et Innumerabilibus" in front of him or at least he only provides excerpts from this also not in translation as Heumann does only from the "Physical Theorems" also small fragments not in translation; also Bayle had of Bruno's metaphysical works himself also merely read this work of which I here provide an excerpt." Vorrede pp. VII-VIII - own translation from the German. Jacobi continues by stating that although everyone complains about the obscurity of Bruno's teachings and thoughts some of the greatest thinkers such as Gassendi Descartes "and our own Leibnitz" p. IX have taken important parts of their theorems and teachings from him. "I will not discuss this further and will merely state as to the great obscurity "grossen Dunkelheit" of which people accuse Bruno that I have found this in neither his book "de la Causa" nor in "De l'Infinito Universo et Mondi" of which I will speak implicitly on another occasion. As to the first book my readers will be able to judge for themselves from the sample "Probe" that I here present. My excerpt can have become a bit more comprehensible due to the fact that I have only presented the System of Bruno himself the "Philosophia Nolana" which he himself calls it in its continuity. My main purpose with this excerpt is by uniting Bruno with Spinoza at the same time to show and explain the "Summa of Philosophy" "Summa der Philosophie" of "En kai Pan" in Greek characters - meaning "One and All". . It is very difficult to outline "Pantheism" in its broader sense more purely and more beautifully than Bruno has done." Vorrede pp. IX-XI - own translation from the German. So not only does Jacobi here provide this groundbreaking piece of Bruno's philosophy in the first translation ever and not only does he provide one of the most important interpretations of Spinoza's philosophy and establishes the importance of Bruno to much of modern thought he also presents Bruno as the primary exponent of "pantheism" thereby using Bruno to change the trajectory of modern thought and influencing all philosophy of the decades to come. After the second edition of Jacobi's "Ueber die Lehre des Spinoza" no self-respecting thinker could neglect the teachings of Bruno; he could no longer be written off as having "obscure" and insignificant teachings and one could no longer read Spinoza nor Leibnitz without thinking of Bruno. It is with this edition that the world rediscovers Bruno never to forget him again.WITH THE FIRST EDITION OF "UEBER DIE LEHRE DES SPINOZA" 1785 JACOBI BEGINS THE FAMOUS "PATHEISMUSSTREIT" which focused attention on the apparent conflict between human freedom and any systematic philosophical interpretation of reality. In 1780 Jacobi 1743-1819 famous for coining the term nihilism advocating "belief" and "revelation" instead of speculative reason thereby anticipating much of present-day literature and for his critique of the Sturm-und-Drang-era had a conversation with Lessing in which Lessing stated that the only true philosophy was Spinozism. This led Jacobi to a protracted and serious study of Spinoza's works. After Lessing's death in 1783 Jacobi began a lengthy letter-correspondende with Mendelssohn a close friend of Lessing on the philosophy of Spinoza. These letters with commentaries by Jacobi are what constitute the first edition of "Ueber die lehre des Spinoza" as well as the first part of the second edition. The second edition is of much greater importance however due to greatly influential Appendices. The work caused great furor and the enmity of the Enlightenment thinkers. Jacobi was ridiculed by his contemporaries for attempting to reintroduce into philosophy belief instead of reason was seen as an enemy of reason and Enlightenment as a pietist and as a Jesuit. But the publication of the work not only caused great furor in wider philosophical circles there was also a personal side to the scandal which has made it one of the most debated books of the period: "Mendelssohn enjoyed as noted at the outset a lifelong friendship with G. E. Lessing. Along with Mendelssohn Lessing embraced the idea of a purely rational religion and would endorse Mendelssohn's declaration: "My religion recognizes no obligation to resolve doubt other than through rational means; and it commands no mere faith in eternal truths" Gesammelte Schriften Volume 3/2 p. 205. To pietists of the day such declarations were scandalous subterfuges of an Enlightenment project of assimilating religion to natural reason. While Mendelssohn skillfully avoided that confrontation he found himself reluctantly unable to remain silent when after Lessing's death F. H. Jacobi contended that Lessing embraced Spinoza's pantheism and thus exemplified the Enlightenment's supposedly inevitable descent into irreligion.Following private correspondence with Jacobi on the issue and an extended period when Jacobi in personal straits at the time did not respond to his objections Mendelssohn attempted to set the record straight about Lessing's Spinozism in "Morning Hours". Learning of Mendelssohn's plans incensed Jacobi who expected to be consulted first and who accordingly responded by publishing without Mendelssohn's consent their correspondence - "On the Teaching of Spinoza in Letters to Mr. Moses Mendelssohn" - a month before the publication of "Morning Hours". Distressed on personal as well as intellectual levels by the controversy over his departed friend's pantheism Mendelssohn countered with a hastily composed piece "To the Friends of Lessing: an Appendix to Mr. Jacobi's Correspondence on the Teaching of Spinoza". According to legend so anxious was Mendelssohn to get the manuscript to the publisher that forgetting his overcoat on a bitterly cold New Year's eve he delivered the manuscript on foot to the publisher. That night he came down with a cold from which he died four days later prompting his friends to charge Jacobi with responsibility for Mendelssohn's death.The sensationalist character of the controversy should not obscure the substance and importance of Mendelssohn's debate with Jacobi. Jacobi had contended that Spinozism is the only consistent position for a metaphysics based upon reason alone and that the only solution to this metaphysics so detrimental to religion and morality is a leap of faith that salto mortale that poor Lessing famously refused to make. Mendelssohn counters Jacobi's first contention by attempting to demonstrate the metaphysical inconsistency of Spinozism. He takes aim at Jacobi's second contention by demonstrating how the "purified Spinozism" or "refined pantheism" embraced by Lessing is in the end only nominally different from theism and thus a threat neither to religion nor to morality." SEP.The Beylagen which are not included in the 1785 first edition and only appear with the 1789 second edition include: I. Auszug aus Jordan Bruno von Nola. Von der Ursache dem Princip und dem Einen p. 261-306 II. Diokles an Diotime über den Atheismus p. 307-327 translation of Lettre . sur l'Athéisme by F. Hemsterhuis. </em> hardcover
29982Paris, Félix Alcan (coll. "Les maîtres de la musique"), 1907. In-8°, 227p. Broché.
14280P., Laurens, 1927, in 8° broché, 127pp., illustrations.
41220Blackburn Vernon. Mendelssohn. London: George Bell & Sons 1904. Small octavo. Boards. 53 pp. text 19 pp. advertisements. Binding worn; endpapers browned. Spotting and staining throughout; one signature partially split. Bell's Miniature Series of Musicians. <br /> <br /> Blunt Wilfrid. On Wings of Song: A Biography of Felix Mendelssohn. New York: Charles Scribner's Sons 1974. Large octavo. Boards. 288 pp. Profusely illustrated. Minor browning to outer edges. In worn dustjacket. <br /> <br /> Bötel Friedhold. Mendelssohns Bachrezeption und ihre Konsequenzen dargestellt an den Präludien und Fugen für Orgel op. 37. München: Emil Katzbichler 1984. Octavo. Full dark brown cloth with titling gilt to upper and spine. 134 pp. With occasional musical examples. From the library of musicologist and German professor William A. Little with his pencilled annotations and a letter from the author to Little laid in. <br /> <br /> Dahms Walter. Mendelssohn. Sechste bis Neunte Auflage. Berlin: Schuster & Loeffler 1922. Octavo. Original publisher's ivory linen-backed printed boards. 202 pp. Binding slightly worn; endpapers foxed with former owner's signature to front free endpaper. <br /> <br /> Elvers Rudolf ed. Felix Mendelssohn: A Life in Letters . Translated from the German by Craig Tomlinson. New York: Fromm 1986. Octavo. Full maroon cloth with titling gilt to spine. 334 pp. With occasional illustrations. Minor spotting to outer edges.<br /> <br /> Erskine John. Felix Mendelssohn Bartholdy: Musik-Konzepte 14/15. Octavo. Original publisher's printed wrappers. 176 pp. With contributions by Wulf Konold Hans Mayer Gerd Zacher Friedhelm Krummacher Richard Hauser Heinz-Klaus Metzger Robert Schumann and Rainer Riehn. With musical examples. Slightly worn. Small bookseller's label to verso of upper wrapper. <br /> <br /> Erskine John. Song without Words: The Story of Felix Mendelssohn. New York: Julian Messner 1941. Octavo. Boards. 205 pp. Occasional illustrations. Browned. In worn dustjacket. <br /> <br /> Gage William Leonhard ed. and trans. Life of Felix Mendelssohn Bartholdy from the German of W.A. Lampadius. With supplementary sketches by Sir Julius Benedict Henry F. Chorley Ludwig Rellstab Bayard Taylor R.W. Willis and J.S. Dwight. Additional Notes by C.L. Gruneisen . Second edition revised. London: William Reeves 1877. Octavo. Original publisher's full maroon cloth with titling gilt to spine. 243 pp. With frontispiece head-and-shoulders portrait of the composer. Publisher's catalogue and small bookseller's label laid down to front pastedown. Binding slightly worn rubbed and bumped; head and tail of spine frayed with minor loss. Uniform light browning; occasional foxing; first leaves partially detached. Inscription to head of half-title dated 1885.<br /> <br /> Hensel Sebastian. Die Familie Mendelssohn 1729-1847 nach briefen und Tagebuchern. Leipzig: Insel 1924. 2 volumes. Octavo. Full blue cloth. 417; 432 pp. With illustrative plates. <br /> <br /> Horton John. Mendelssohn Chamber Music. London: British Broadcasting Corporation 1972. Small octavo. Pictorial wrappers. 64 pp. Wrappers slightly worn.<br /> <br /> Horton John. 'The Musical Pilgrim.' The Chamber Music of Mendelssohn. London: Oxford University Press 1946. Small octavo. Illustrated wrappers. 65 pp. Binding slightly worn. Browned. <br /> <br /> Jost Christa. Mendelssohns Lieder ohne Worte. Tutzing: Hans Schneider 1988. Octavo. Full maroon cloth with titling gilt to upper and spine. 201 pp. With occasional illustrations. Frankfurter Beiträge zur Musikwissenschaft edited by the Musikwissenschaftlichen Institut der Johann Wolfgang Goethe-Universität Band 14. <br /> <br /> Kaufman Schima. Mendelssohn: "A Second Elijah." New York: Tudor 1936. Large octavo. Full blue cloth. 353 pp. With occasional illustrations. Binding slightly worn; browning to endpapers and outer edges. <br /> <br /> Lampadius W.A. Felix Mendelssohn Bartholdy: Ein Gesammtbild seines Lebens und Wirkens . Mit dem Portrait und einem facsimilirten Briefe Felix Mendelssohn Barthholdy's. Leipzig: F.E.C. Leuckart 1886. Original publisher's printed wrappers with bust-length portrait of the composer to upper. 379 pp. Unopened. Wrappers slightly worn and soiled; several chips to edges with minor loss not affecting text; split at spine. <br /> <br /> Marek George R. Gentle Genius: The Story of Felix Mendelssohn. New York: Funk & Wagnalls 1972. Large octavo. Boards. 365 pp. Profusely illustrated. Outer edges spotted. In worn dustjacket.<br /> <br /> Mendelssohn Bartholdy Carl and Paul Mendelssohn Bartholdy eds. Letters of Felix Mendelssohn Bartholdy from 1833 to 1847 . With a catalogue of all his musical compositions compiled by Dr. Julius Rietz. Translated by Lady Wallace. Second Edition. Philadelphia: Frederick Leypoldt F.W. Christern 1865. 12mo. Full black cloth titling gilt to spine. vi 421 pp. With musical examples. Binding slightly worn; binder's handstamp to rear pastedown. <br /> <br /> Mendelssohn Bartholdy Paul ed. Reisebriefe aus den Jahren 1830 bis 1832 von Felix Mendelssohn Bartholdy. Neunte Auflage. Leipzig: Hermann Mendelssohn 1882. Octavo. Full dark teal cloth with titling within decorative device gilt with ornately-blindstamped corners within blindstamped rules titling to spine gilt within decorative device gilt. 1f. recto blank verso half-title 1f. frontispiece recto blank verso photographic illustration of Mendelssohn on his death bed 1f. recto title verso blank v-vii foreword by Paul Mendelssohn Bartholdy dated Berlin March 1861 i blank 366 text 367-373 index i blank pp. 1f. publisher's advertisements. Tissue guard to photographic frontispiece. With occasional musical examples and illustrations in text. With autograph inscription signed "Hermann Mendelssohn" and other ownership notations. Binding slightly worn rubbed and bumped; upper board detached. Uniformly browned; some foxing; a few very small tears to blank edges. Volume 1 of 2 only. <br /> <br /> Moshansky Mozelle. Mendelssohn: His Life and Times. New York: Midas 1982. Large octavo. Full brown cloth. 144 pp. With occasional illustrations. Minor spotting to outer edges. Dustjacket slightly worn. <br /> <br /> Nichols Roger. Mendelssohn Remembered. London: Faber and Faber 1997. Octavo. Pictorial wrappers. 258 pp. Wrappers slightly worn. <br /> <br /> Petitpierre Jacques. The Romance of the Mendelssohns. London: Dennis Dobson 1947. Octavo. Boards. 251 pp. Illustrated. In slightly worn dustjacket. <br /> <br /> Reissmann August 1825-1903. Felix Mendelssohn-Bartholdy. Sein Leben und seine Werke . Zweite stark vermehrte und verbesserte Auflage. Mit Portrait in Stahlstich. Berlin: J. Guttentag D. Collin 1872. Octavo. Original publisher's full blindstamped maroon cloth with titling gilt to upper spine with titling and decorative stamping gilt marbled edges. 1f. recto blank verso fine bust-length portrait of Mendelssohn engraved and printed by Weger Leipzig 1f. recto title verso colophon 2ff. foreword to the first and second editions 1f. recto contents verso blank 1f. recto half-title verso blank 3-320 pp. With occasional musical examples. issue-guard to frontispiece. Binding slightly worn rubbed and bumped; head and tail of spine slightly frayed; endpapers slightly worn and soiled; handstamp "Groethuysen" to upper outer corner of free front endpaper and following leaf. Minor wear and browning; some leaves slightly creased. A German writer on music and composer Reissmann edited the Musikalisches Conversations-Lexikon an important reference on 19th century music following Hermann Mendel's death in 1876. <br /> <br /> Richter Arnd. Mendelssohn: Leben - Werke - Dokumente. Mainz München: Scott Piper 1994. Octavo. Wrappers. 425 pp. Illustrated. <br /> <br /> Schmidt Christian Martin ed. Felix Mendelssohn Bartholdy Kongreß-Bericht Berlin 1994. Wiesbaden: Breitkopf & Härtel 1997. Octavo. Original publisher's green boards. 351 pp. With occasional illustrations and musical examples. <br /> <br /> Schneider Max F. ed. Felix Mendelssohn Bartholdy: Denkmal in Wort und Bild. Basel: Amerbach-Verlag 1947. Quarto. Original publisher's red printed boards with facsimile of Mendelssohn's signature gilt to upper and titling gilt to spine. 150 pp. 8ff. facsimiles. With tipped-in illustrations within text including portraits and facsimiles of autograph musical manuscripts. Binding slightly worn.<br /> <br /> Schulz Günter ed. Glückliche jugend Briefe des jungen Komponisten. Bremen: Jacobi 1971. Octavo. Full ivory linen with paper title label to spine. 252 pp. In slightly worn dustjacket.<br /> <br /> Selden-Goth G. ed. Felix Mendelssohn Letters . With 33 Illustrations. New York: Pantheon 1945. Large octavo. Original publisher's cloth-backed decorative boards. 372 pp. With occasional illustrative plates and musical examples in text. Binding slightly worn. Uniform light browning. <br /> <br /> Stratton Stephen S. Mendelssohn. With Illustrations and Portraits. London: J. M. Dent E. P. Dutton 1901. Octavo. 307 pp. Full maroon cloth. Illustrated. Binding worn; spine faded. Browned. 34857 $5<br /> <br /> Stresemann Wolfgang. Eine Lanze für Felix Mendelssohn. Berlin: Stapp 1984. Octavo. Full light gray cloth with titling in black to spine. 231 pp. With illustrations in text. <br /> <br /> Sutermeister Peter. Felix Mendelssohn Bartholdy Briefe einer Reise durch Deutschland Italien und die Schweiz und Lebensbild von Peter Sutermesiter. Mit Aquarellen und Zeichnungen aus Mendelssohns Reiseskizzenbüchern. Zürich: Max Niehans Verlag 1958. Octavo. Full linen with titling gilt to spine. 384 pp. With occasional illustrative plates in color tipped-in and illustrations in text.<br /> <br /> Thomas Mathias. Das Instrumentalwerk Felix Mendelssohn-Bartholdys; Eine systematisch-theoretische Untersuchung unter besonderer Berücksichtigung der zeitgenössischen Musiktheorie. Göttingen: Göttinger Musikwissenschaftliche Arbeiten 1972. Octavo. Original publisher's dark pink wrappers. 267 pp. With occasional annotations in both pencil and ink. Slightly worn; uniformly browned. Band 4. <br /> <br /> Thym Jürgen ed. Mendelssohn the Organ and the Music of the Past: Constructing Historical Legacies. Rochester: University of Rochester Press 2014. Octavo. Illustrated boards. 339 pp. With occasional illustrations. <br /> <br /> Werner Eric. Mendelssohn: A New Image of the Composer and His Age. Translated from the German by Dika Newlin. London: Collier-Macmillan 1963. Large octavo. Quarter black cloth with white boards. 545 pp. Binding slightly worn; lower joint split; slight browning to endpapers.<br /> <br /> Werner Eric. Mendelssohn: Leben und Werk in neuer Sicht. Zurich: Atlantis 1980. Large octavo. 635 pp. Occasional illustrations. Endpapers slightly browned; minor spotting to outer edges. <br /> <br /> Wolff Ernst. Felix Mendelssohn Bartholdy. Berlin: Schlesische Verlagsanstalt 1906. Large octavo. Full maroon textured cloth with titling gilt to upper and spine. 194 pp. 1f. recto bibliography verso contents 4ff. illustrations including facsimiles of autograph letters. With numerous illustrations within text including facsimiles some folding. Binding somewhat worn rubbed and bumped; joints frayed. Some signs of wear; rust <br /> marks from staples to some inner margins; several leaves detached. Berühmte Musiker Lebens- und Charakterbilder nebst Einführung in die Werke der Meister herausgegeben von Heinrich Reimann XVII. <br /> <br /> Worbs Hans Christoph. Felix Mendelssohn Bartholdy: Wesen und Wirken im Spiegel von Selbstzeugnissen und Berichten der Zeitgenossen. Leipzig: Koehler & Amelang 1958. Octavo. Original publisher's full linen with decorative device gilt to upper titling to spine. 255 pp. With occasional illustrative plates. Binding slightly worn; upper hinge reinforced with clear tape; dustjacket worn. <br /> <br /> Worbs Hans Christoph. Felix Mendelssohn Bartholdy mit Selbstzeugnissen und Bilddokumenten. Reinbek bei Hamburg: Rowohlt 1974. Octavo. Original publisher's illustrated wrappers. 152 pp. Illustrated. unknown
187541198Berlin: J. Guttentags Verlags Buchhdlg. D. Collin 1875. image size 216 x 144; sheet size 238 x 170. <br /> <br /> The composer is depicted half-length facing quarter-right his head turned left with his signature printed in facsimile below image.<br /> <br /> Browned. J. Guttentags Verlags Buchhdlg. D. Collin unknown
185041200Germany 1850. Image size 146 x 124 mm; sheet size 261 x 214 mm.<br /> <br /> The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. <br /> <br /> Unevenly browned; foxed; remnants of former mount to verso. unknown
185041205Germany 1850. Image size 146 x 124 mm; sheet size 251 x 166 mm.<br /> <br /> The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. <br /> <br /> Slightly worn and foxed; horizontal crease to lower portion not affecting image. unknown
184340969Leipzig: Breitkopf & Härtel PN 6925 1843. Octavo. Full 19th century dark green textured cloth with ruled border gilt "C.C.P" gilt to upper decorative device blindstamped to lower. 1f. recto title verso blank 63 "Compositionen ohne Ausgabe einer Opuszahl" i blank 65-83 i "Dedicationen der Werke Felix Mendelssohn-Bartholdy's" pp. Title lithographed catalogue engraved. Small publisher's oval handstamp to foot of title. Occasional annotations in pencil. Scattered staining mostly minor; small tear to upper blank margin of p. 63 repaired with archival tape to verso. OCLC 1477534799. <br /> <br /> Together with:<br /> Zweite Abtheilung. Unbound. 1f recto title verso "Bemerkung." pp. 39 i blank. 41-44. Title worn and slightly foxed and stained with tear repaired with archival tape to verso; small tears to edges. Not in OCLC.<br /> <br /> First Edition.<br /> <br /> Bound with: <br /> CHOPIN<br /> Thematisches Verzeichnis der im Druck erschienen Compositionen von Friedrich Chopin. Leipzig . Paris . London: Breitkopf & Härtel . Brandus & Co. . Wessel & Co. PN 8497 ca. 1853. 1f. recto title verso blank i-iii "Inhalt. I. Werke mit Opuszahl. II. Werke ohne Opuszhal. III. Portraits. IV. Über Chopin" iv "Dedicationen" 31 i blank 33-35 i blank pp. A few "x" marks in contemporary manuscript. Occasional minor staining and foxing. <br /> <br /> First Edition. OCLC 29298462.<br /> <br /> Binding slightly worn rubbed and bumped; spine lacking with inner edges of boards reinforced with black tape. Breitkopf & Härtel [PN 6925] unknown
196526905Berlin, Walter de Gruyter, 1965. Gr.-8°. Mit 8 Tafelabbildungen. XXI S., 1 Bl., 343 (1) S., OLwd. m. OCellophanumschlag in OKart.-Schuber.
1991LFA-126739855N° 82 (Octobre 1991) 66 pages, format 220 x 295 mm, illustré, broché couverture couleurs, bon état
49565Berliner Philharmoniker Recordings, 2018. BPHR 160089 2 CD Digipack
201348454Decca, 2013. 4785365 7 CD, 42 S. Cap-Box
COD-05407Horton Printing. Hardcover. Very Good. Very good with light wear. Original version. Horton Printing hardcover
0484322044.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366495771.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19861319139Weinheim, VCH Acta humaniora, 1986. 4to. 195, (1) S. m. zahlr. Abb. (davon wenige farbig) (Ausstellungskataloge der Herzog August Bibliothek 51). OKart. (Umschl. m. kl. Knickspur).
1973162994Alabama: University of Alabama Press 1973. XVI, 900 Seiten. Mit farbigem Portraitfrontispiz. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit goldgeprägtem Rücken sowie mit illustriertem Orig.-Schutzumschlag. [Hardcover / fest gebunden].
B9781848617148Paperback / softback. New. Anna Mendelssohn 1948-2009 authored poetry fiction drama and life writing; she was also a visual artist musician and translator. From the early 1980s Mendelssohn composed 19 poetry collections and published in journals receptive to her experimental charged lyrics and retained a marginal if constant presence in the poetry community. paperback
Mm 135x205 Collana "Saggistica". Prefazione di Paolo Filiasi Carcano - Brossura editoriale di viii-260 pagine, in perfette condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
19007794B. G. Teubner. 1900. Hardcover. Very Good. Fraying to spine ends. Pages tanned. Bookseller's tiny stamp to back endpaper. Faint crack to inner hinge.; Preface in Latin; text in Greek. The so-called Letter of Aristeas or Letter to Philocrates is a Hellenistic work of the 2nd century BCE one of the Pseudepigrapha. Josephus who paraphrases about two-fifths of the letter ascribes it to Aristeas and written to Philocrates describing the Greek translation of the Hebrew Law by seventy-two interpreters sent into Egypt from Jerusalem at the request of the librarian of Alexandria resulting in the Septuagint translation. Though some have argued that its story of the creation of the Greek translation of the Hebrew Bible is fictitious it is the earliest text to mention the Library of Alexandria.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 229 pages . B. G. Teubner hardcover
2011134023München : Edition Text und Kritik, 2011. 204 S. ; gr. 8°; Orig.-Broschur,
R130010169GUILDE INTERNATIONAL DU DISQUE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Organiste Titulaire: PIERRE COCHEREAU. Biographie de CLAUDE ROSTAND dérrière la pochette.. . . . Classification : 410-33 Tours
20044953BHamburg, 2004. 8°, 240 Seiten OKt
