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1911Two pages autograph letter bifolio. Signed as Felix Mendelssohn Bartholdy. Dated in Leipzig on 25 January 1846. A few nicks a tiny tear at folding with no effect on text traces of mount on integral blank. Otherwise in fine condition. Two pages autograph letter bifolio. Signed as Felix Mendelssohn Bartholdy. Dated in Leipzig on 25 January 1846. <p><br /> Mendelssohn’s signed autograph letter to Jenny Lind the Swedish Nightingale.<br /> <p><p><br /> In this signed letter to the renowned Swedish soprano Jenny Lind Mendelssohn introduces two acquaintances—Friedrich Wieck Clara Schumann’s father and Mr. Böhm a singing teacher from Leipzig—who were coming to Weimar to hear Lind sing. Both sought her assistance to attend a rehearsal and a concert believing that a word from her could make this possible.<br /> <p><p><br /> Mendelssohn expresses regret at missing Lind during her recent visit to Leipzig and hopes she might extend her stay there writing that it would be “the most delightful thing … that you could do for us.†This letter does not appear in Memoir of Jenny Lind-Goldschmidt London; New York 1891.<br /> <p><p><br /> Felix Mendelssohn 1809–1847 and Jenny Lind 1820–1887 met in October 1844 and collaborated until his early death. Mendelssohn began an opera Lorelei for Lind and tailored the aria “Hear Ye Israel†in Elijah for her although she did not perform it until after his death.<br /> <p><p><br /> Mendelssohn one of the early Romantic era’s greatest musical prodigies admired Lind who was known as the “Swedish Nightingale†and held in high esteem by composers like Hector Berlioz and Robert Schumann.<br /> <p>. unknown
104751Stockholm P. B. Eklunds förlag 1869. 8:o. 231 s. Förlagets dek. klotband nÃ¥got svaga falsar med en liten spricka upptill i bakre. Med äldre namnteckning av Agnes Kinberg. Svensk översättning av â€Reisebriefe von Felix Mendelssohn Bartholdy aus den Jahren 1830 bis 1832â€. unknown
20101-1581061064Lauren Keiser Musicpub 2010. Paperback. New. 116 pages. 11.90x8.90x0.60 inches. Lauren Keiser Musicpub paperback
20031-0853602344Novello & Co Ltd. 2003. Paperback. New. 128 pages. 11.70x8.40x0.30 inches. Novello & Co Ltd. paperback
2001238221Dr Ludwig Reichert Verlag 2001. 1st. hardcover. New. 11x8x0. Dr Ludwig Reichert Verlag hardcover
106310C. F. Peters / G. Schirmer. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - PRISTINE & UNMARKED TIGHT TO THE SPINE - - - No date circa 1890. -- with a bonus offer-- . C. F. Peters / G. Schirmer hardcover
190020209Leipzig: C. F. Peters 1900. Hardcover. vg. 4to. 169pp. Red cloth with embossed gilt lettering and Art-Nouveau-style "Jugenstil" decoration. Decorated endpapers. Delightfully decorated title page. Musical scores and lyrics of 79 songs composed by the renowned composer and pianist of the Romantic period Jakob Ludwig Felix Mendelssohn Bartholdy a.k.a. Felix Mendelssohn 1809 – 1847 Born to a notable German- Jewish family Mendelssohn was the grandson of the acclaimed Jewish-German philosopher Moses Mendelssohn. His work includes concerts oratorios symphonies piano and chamber music. Source: Public Domain. Minor age wear to binding with browning throughout. Owner's stamp to free front endpaper and title page not affecting text. Minor pencil marks to few pages. Otherwise clean and tight. Lyrics in German musical notations in Italian. Very good condition. C. F. Peters hardcover
188035282Berlin: N. Simrock PN 4717 1880. Folio. 35 pp. score 18 parts with imprint Bonn: N. Simrock PN 4710 8 Frs. 2 Thlr 4 Sgr. Engraved. Text in German.<br /> <br /> Provenance<br /> <br /> Composer E.J. Biedermann 1849-1933 with his signature in pencil to head of violin I part; small oval handstamp of G. Schirmer to all parts.<br /> <br /> With performance letters in blue pencil to parts.<br /> <br /> Score slightly worn; Violin I part quite worn; split and frayed at spine; other parts slightly worn. First Edition of this arrangement. MWV D6. Score is a re-issue following Simrock's move to Berlin; parts are an earlier issue.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br /> <br /> Maximilian Carl Eberwein son of composer Franz Carl Eberwein was a noted pianist and pedagogue. His arrangement of the present work for full orchestra was first published in 1848. N. Simrock [PN 4717] unknown
0571513638.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3386538355.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
N2503bBerlin: Akademie Verlag. Original Cloth with Box. Near Fine. 4to. 1929-1932. On volumes 1-3 and 7 11 16 edges and 2 or 3 pages with some foxing. A fine copy in protective dust jacket in the original publishers boxes these with some aging marks . FOR MANY MANY YEARS NOT SEEN COMPLETE AS THIS COPY ON THE MARKET - . <br/> <br/> Akademie Verlag hardcover
1972N2798Hildesheim: Gerstenberg 1972. Original Cloth. Very Good. 12mo. 1972-1976. Spines slightly discoloured. Upper edge with some foxing. A very good and clean copy. Rcken leicht verschossen. Oberer Schnitt etwas stockfleckig. Ein sonst sehr gutes und frisches Set. <br/> <br/> Gerstenberg hardcover
184537452Leipzig: F. A. Brockhaus 1845. First edition. Hardcover. g. Small Octavo ca. 4200pp. Original half leather over dark green pebbled cloth. Marbled endpapers and edges. Portrait lithograph of Mendelssohn by Frisch with tissue guard. Edited by Prof. Dr. G. B. Mendelssohn based on original prints and handwritings in seven volumes. Vol. 1: Biography and philosophical writings Vol. 2: Metaphysical writings Vol. 3: Correspondence and smaller writings Vol. 4.1: Smaller writings and correspondence Vol. 4.2: Correspondence. Vol. 5: Correspondence. Vol. 6: Ritual Laws of the Jews and various translations. Vol. 7: Mendelssohn's translation of the Five Books of Moses. Moses Mendelssohn was a German Jewish philosopher and practicing orthodox Jew. His ideas are credited with contributing significantly to the 'Jewish enlightenment' of the 18th and 19th centuries the Haskalah. Text in German fracture. Binding rubbed. Some volumes with professional repair at gutters starting a back gutter of volume 2 and 3. Volumes dusty and marbled edges faded. Moderate sporadic foxing of book blocks. Bindings and interior in overall good condition. F. A. Brockhaus hardcover
344706076X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3863822846.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3863822854.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1k5339Reprint bei Olms Hildesheim 2004. XIII/545/VIII/574 S. Leinen. - Neuwertig ungelesen. Nach der Ausgabe Leipzig 1870. Bewahrte Kultur. Ein Reprintprogramm zur Sicherung gefährdeter und seltener Bücher. 1.: Von der Eroberung Konstantinopels durch die Türken bis zur Seeschlacht bei Navarin/2.: Von der Übernahme der Verwaltung durch Kapodistrias bis zur Großjährigkeit des König Otto - unknown
2005Q-184449490xOmnibus Press 2005-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Omnibus Press hardcover
1168749514.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
183018718Leipzig Paris: Frédéric Hofmeister Simon Richault PN 1515 1830. Folio. Unbound as issued. 9; 9; 9; 7 pp. Engraved. Title to viola part. <br /> <br /> Some very light wear and soiling; two small binder's holes to inner blank margins. In very good condition overall. First Edition. Catalogue of the Mendelssohn Papers in the Bodleian Library III 604. Hoboken 10 130. Not in Krause. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber .<br /> <br /> Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. . The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 12 the opening of the first movement is brought back to conclude the finale." R. Larry Todd in Grove Music Online. Frédéric Hofmeister, Simon Richault [PN] 1515 unknown
2013__3428166485Duncker & Humblot 2013. Paperback. New. 571 pages. German language. 8.27x5.28x1.42 inches. Duncker & Humblot paperback
1972N2018Stuttgart: Friedrich Frommann 1972. Original Cloth. Very Good. 8vo. CXIXpp German text386pp Hebrew text. Gesammelte Schriften Band 14. A very good and clean copy. <br/> <br/> Friedrich Frommann hardcover
187735155Leipzig: Breitkopf & Härtel PN M.B.122 Kl.A 1877. Folio. Original publisher's full dark red cloth with titling gilt to upper within decorative blindstamped border titling gilt to spine; dark ivory endpapers. 1 title 2-83. i blank pp. Engraved. Text in German. With "Breitkopf & Härtels Musikbücher Nr. 181" to head of upper wrapper. <br /> <br /> With Hungarian translation in ink along with marked cuts to No. 6. Terzett "O wie verschweig' ich."<br /> <br /> In the series "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger Serie 15. Grössere weltiche Gesangwerke. Klavier-Auszug." From the Breitkopf edition of Mendelssohn's Complete Works No. 122. <br /> <br /> Together with: <br /> Heimkehr aus dem Fremde. Libretto. Leipzig: Breitkopf & Härtel 1885. 16mo. Original publisher's light gray printed wrappers. 1f. recto title verso blank 12 2 pp. publisher's catalogue of piano-vocal scores and libretti with additional publisher's catalogue to verso of upper and recto and verso of lower wrapper.<br /> <br /> Together with:<br /> An invitation to the 1931 production of the opera from the Budapest Choral and Orchestra Association Ének- és Zenekaregyesűlet partially laid down to front free endpaper signed by István Eisler for the commissioning group and with his name in ink along with a date of December 1930 to upper outer corner and handstamp of Hungarian publisher/musicseller Rózsavölgyi és társa dated December 12 1930 to lower outer corner of endpaper. Later printing. MWV L6 p. 196.<br /> <br /> Heimkehr aus der Fremde a Liederspiel in 1 act to a libretto by Karl Klingemann was given a private premiere in Berlin on 26 December 1829. The first public performance took place in Leipzig on 10 April 1851. <br /> <br /> "Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN M.B.122 Kl.A] unknown
187736206Leipzig: Breitkopf & Härtel PN 8335 1877. Folio. Original publisher's dark brown wrappers with titling within decorative border. 1 recto title verso blank 3-57 i blank pp. Engraved.<br /> <br /> Wrappers slightly worn and soiled. Occasional light foxing; some leaves detached and frayed at edges. First Edition of this arrangement. MWV L6 p. 196. Rare no copies located outside of Germany. Not in Krause the Catalogue of the Mendelssohn Papers in the Bodleian Library or Hoboken.<br /> <br /> Heimkehr aus der Fremde to a libretto by Karl Klingemann was first performed privately in Berlin on 26 December 1829; its first public performance took place in Leipzig on 10 April 1851. <br /> <br /> "Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 8335] unknown
074862385X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
