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185036199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved.<br /> <br /> The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4.<br /> <br /> Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22 p. 276. Krause 177. Not in Hoboken.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . <br /> <br /> . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
183028108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br /> <br /> Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> ". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
183329636Bonn: N. Simrock PN 3045 1833. Folio. Unbound. <br /> <br /> Violino 1mo: 1 title 2-13 i blank<br /> Violino 2do: 11 i blank<br /> Viola 1ma: 11 i blank<br /> Viola 2da: 11 i blank<br /> Violoncello: 11 i blank pp. <br /> <br /> Engraved throughout. <br /> <br /> Slightly worn and browned; binder's hole to upper inner margin; early manuscript initial "A" and the number "5" to first page of music of each part. First Edition. Scarce. Wehner p. 275. Catalogue of the Mendelssohn papers III 634. Hoboken 10 144. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> "Of the two string quintets the first op. 18 in A begins with a graceful Mozartian theme somewhat reminiscent of the Clarinet Quintet K581. The use of fugal writing and in the original minuet intricate double canons imbued the first version of this work with a severely academic quality; in 1832 Mendelssohn replaced the minuet with the emotionally charged Intermezzo in memory of Eduard Ritez." R. Larry Todd in Grove Music Online. N. Simrock [PN 3045] unknown
3862671186.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2022BN163554Outlook Verlag 2022. 2022. Hardcover. Reisebriefe von Felix Mendelssohn Bartholdy <br/><br/>Reisebriefe von Felix Mendelssohn Bartholdy Mendelssohn Bartholdy Felix Outlook Verlag hardcover
186273741Leipzig: Mendelssohn 1862. Gebunden. Mendelssohn unknown
186113109Leipzig: Mendelssohn 1861. Gebunden. Mendelssohn unknown
33196083-nnew. unknown
33196083like new. unknown
0722160305.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986Q-0500050155W W Norton & Co Inc 1986-02-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! W W Norton & Co Inc hardcover
1975Q-0275642305Greenwood Publishinggroup Inc 1975-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Greenwood Publishing*group Inc paperback
1032921799 Edition: Berlin Voss. Very Good. 1799. Hardcover. 0332206963 . All text in Gothic German fraktur. Leather spine with raised bands on boards leather corners well worn shelf wear to all edges. Book is firm in binding 198 pages red text blocks. Front endpaper neatly removed. Free of any markings not ex-library. ; 16mo 6" - 7" tall; 198 pages . Berlin Voss hardcover
1166173178.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104900238.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
179347688Berlin:: In der Vossischen Buchhandlung 1793. Second edition. contemporary paper-covered boards. Old private ownership stamp and signature on title page which is slightly stained; front joint and corners rubbed; but tight and sound. . 12mo. In der Vossischen Buchhandlung, hardcover
183140960Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Disbound. 1f. recto title verso blank 3-11 i blank pp. Engraved. With London agents "J.B. Cramer Addison & Beale" to foot of title.<br /> <br /> Contemporary diamond-shaped label of Swiss bookseller F. I. Rothlin to foot of title. <br /> <br /> Slightly worn browned and soiled; first and last leaves partially detached; Rothlin label very slightly trimmed at foot. First Viennese edition without Berlin agent "Ad. Mt. Schlesinger" to title. Scarce. Weinmann Mechetti p. 52. Hoboken 10 135 a later issue. Not in Krause. Pietro Mechetti qm Carlo [PN 2133] unknown
183140966Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Stiff marbled wrappers with manuscript title label to upper. 1f. recto title verso blank 3-11 i blank pp. Engraved. <br /> <br /> Title and final leaf moderately foxed; occasional minor foxing throughout. First Viennese edition later issue. Scarce. With London agents "J.B. Cramer Addison & Beale" and Berlin agent "Ad. Mt. Schlesinger" to foot of title. Weinmann Mechetti p. 52. Not in Krause. Hoboken 10 135 first issue. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Pietro Mechetti qm Carlo [PN 2133] unknown
184035290Vienne: Pietro Mechetti qm Carlo PN P.M. No. 2133 1840. Small folio. Disbound. 1f. recto title verso blank 3-11 pp. Engraved.<br /> <br /> Disbound. Slightly worn and soiled; browning to edges; light scattered foxing. Second German edition. MWV U 67 p. 312. Published before the "Neue rechtmässige Original-Ausgabe" published in 1854 Krause 212. Ward Jones III 381. <br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Pietro Mechetti qm Carlo [PN P.M. No. 2133] unknown
0428777791.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1334337799.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
N2015a<p>Stuttgart: Friedrich Frommann. Original Cloth. Very Good. 8vo. Some 2000 pp German text for the 4 volumes.2 Volumes with minimal marginal wear. A very good and clean set. <br /><br /></p> Friedrich Frommann hardcover
1371433984.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
137143395X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3743430258.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback