1 712 résultats
185236190London: Ewer & Co 1852. Folio. Disbound. 1 title within decorative border printed in red 2 blank 3-11 i publisher's catalogue pp. Engraved throughout. MWV U113.<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown books
187536204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br/><br/>Vol. I: 125 pp. 3rd edition<br/>Vol. II: 126-262 pp. 2nd edition<br/>Vol. IV: 263-399 pp. 2nd edition<br/>Vol. V: 536-608 pp. 2nd edition<br/><br/>Each volume includes a collective title and index.<br/><br/>With the signature of the American composer and pianist Edward Julius Biedermann 1849-1933 to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br/><br/>Partially disbound; wrappers torn or lacking. 4 of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown books
186247694Boston: Ditson 1862. 4to pp. 201. Paper over boards cloth spine. Cover soiled and worn interior little foxed and worn but intact. Good. Ditson unknown books
1863000101Leipzig: Hermann Mendelssohn 1863. First Edition. Cloth. Very Good. 8vo - over 7¾. Book. 2 vols. vi 366 pp. vi 520 pp. both VG condition. Gilding on blindstamped cloth bindings bright. Some light and occasional foxing. Minor fraying by gutters. Both have neat cut out areas on yellow FFP like cut out of price tag. Mendelssohn was assiduous and literate letter writer during his brief not meaning a pun here life. Includes travel writing in Switzerland Italy etc. <br/><br/> Hermann Mendelssohn hardcover books
47592NY: Schirmer. Large 8vo pp. vii 108. Two pamphlets "Descriptive notes on the oratoria.' laid in along with a program for a performance in Schenectady NY on April 26 1923. Cardboard cover with front from original paper wrap pasted on. Cover loose interior solid good. Schirmer unknown books
1986122565New York: Fromm International 1986. hardcover. very good/very good. Edited by Rudolf Elvers. Translated from the German by Craig Tomlinson. Illustrated. xiv 334pp. 8vo cloth d.w. New York: Fromm International Publishing 19876. A very good copy in a very good dust jacket.<br/><br/> Fromm International unknown books
1945217386New York: Pantheon 1945. hardcover. very good/good. Edited by G. Seldon-Goth. Frontis illustrated. 373pp. 8vo cloth-backed decorative boards d.w.; dust jacket worn and torn. New York: Pantheon 1945. A very good copy in a good dust jacket.<br/><br/> Pantheon unknown books
23713MENDELSSOHN Felix. LETTERS. New York: Pantheon 1945. 8vo. Cloth spine boards dust jacket. ii 3 pages 33 plates. First edition thus. Edited by G. Selden-Goth. Light browning to leaves rubbing to extremities dust jacket worn. unknown books
196990614New York: Kraus Reprint Co 1969. hardcover. very good. Edited by G. Seldon-Goth. Frontis illustrated. 373pp. tall 8vo cloth. New York: Krauss Reprint Company 1969. A very good copy.<br/><br/> Kraus Reprint Co unknown books
194636054London: Elek. Very Good. 1946. Hardcover. Edited by G. Selden-Goth. London Elek 1946. 372 pages. hardcover very good condition no jacket. . Elek hardcover books
187034559Leipzig: Hermann Mendelssohn 1870. MENDELSSOHN BARTHOLDY Carl and Paul eds. Octavo. Dark tan leather-backed marbled boards raised bands on spine in decorative compartments gilt titling gilt. 1f. recto title verso blank 1f. part-title verso blank 3-597 i blank pp. With index. <br/><br/>Binding slightly worn rubbed and bumped; hinges split; free front endpaper detached. Foxed; edges browned; occcasional pencilling. Hermann Mendelssohn unknown books
34870Paperback. Good. - Der unbekannte junge Mendelssohn. Basel: Der Internationalen Felix-Mendelssohn-Gesellschaft 1960. Octavo. Original green publisher's wrappers. 25 pp. With tipped-in frontispiece of Mendelssohn at the age of 12. Wrappers slightly worn and foxed.<br/><br/>- Unger Max. Von Mendelssohn-Bartholdys Beziehungen zu England. Fünf englische Briefe des Meisters mitgeteilt ins Deutsche übersetzt und besprochen . Musikalisches Magazin Heft 30. Langensalza: Hermann Beyer & Söhne 1910. Octavo. Light gray wrappers. Worn and browned.<br/><br/>- Schneider Max F. Die Wach'sche Mendelssohn-Sammlung auf dem Ried in Wilderswil bei Interlaken: Ein Beitrag zur Geschichte des Nachlasses von Felix Mendelssohn Bartholdy. Folio. 24 pp. 2 pp. "Stammtafel" all printed on one side of the leaf only. Typescript. Browned; spine reinforced with clear tape.<br/><br/>- Auction catalogue: Highly Important Musical Manuscripts formerly in the Archives of Novello & Co. Phillips London 14 June 1989. 35 pp. 2 copies.<br/><br/>- Publisher's catalogue: Felix Mendelssohn Bartholdy 1809-1847 zum Gedenkjahr. Das geistliche Vokalwerk Gesamtausgabe / Sacred choral music Complete edition. Carus 1997. 31 pp. <br/><br/>- Felix-Mendelssohn-Bartholdy-Preis Stiftung Preussischer Kulturbesitz Dokumentation anlässlich der 25. Vergabe des Preises im January 1987. Berlin. With contributions by Werner Knopp Johann-Georg Schaarschmidt Richard Jakoby Rudolf Elvers and Philipp Mohler.<br/><br/>- Program: Mendelssohn August 16 25 1991. The Bard Music Festival. Leon Botstein and Sarah Rothenberg Artistic directors.<br/><br/>- Pamphlet: Der Mendelssohn-Zimmer im Alten Rathaus zu Leipizig admission ticket and 7 related postal cards. paperback books
186534812Philadelphia: Frederick Leypoldt F.W. Christern 1865. Hardcover. Very Good. MENDELSSOHN BARTHOLDY Carl and Paul eds. 12mo. Full black cloth titling gilt to spine. vi 421 pp. With musical examples. Binding slightly worn; binder's handstamp to rear pastedown. Frederick Leypoldt, F.W. Christern hardcover books
188234331Leipzig: Hermann Mendelssohn 1882. Mendelssohn Bartholdy Paul ed. Octavo. Full dark teal cloth with titling within decorative device gilt with ornately-blindstamped corners within blindstamped rules titling to spine gilt within decorative device gilt. 1f. recto blank verso half-title 1f. frontispiece recto blank verso photographic illustration of Mendelssohn on his death bed 1f. recto title verso blank v-vii foreword by Paul Mendelssohn Bartholdy dated Berlin March 1861 i blank 366 text 367-373 index i blank pp. 1f. publisher's advertisements. Tissue guard to photographic frontispiece. With occasional musical examples and illustrations in text.<br/><br/>With autograph inscription signed "Hermann Mendelssohn" and other ownership notations. <br/><br/>Binding slightly worn rubbed and bumped; upper board detached. Uniformly browned; some foxing; a few very small tears to blank edges. Volume 1 of 2 only. Hermann Mendelssohn unknown books
10 pages. Undated. Appears to be circa 1900. Above-average external wear and soiling. Binding intact. Assorted minor chips and tears. A worthy copy of this memorable work. Sheet music
2008Q-3795765226Eulenburg 2008-03-15. Paperback. New. In shrink wrap. Looks like an interesting title! Eulenburg paperback
187731871Paris: S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland 1877. Hardcover. g. Folio. Half calf over marbled paper covered boards with gold lettering on spines. Remarkable collection of 8 musical scores from some of the most acclaimed composers of the 18th and 19th centuries. Each volume contains the musical score for each of the instruments featured in the various Quatuors First volume: Piano; Second volume: Violin; Third volume: Alto; Fourth volume: Cello. Moderate rubbing along edges of binding and on spines. Minor and sporadic foxing throughout. Title pages in French. Bindings in overall good- to good interior in good to very good condition. S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland hardcover
18984Edited At The South African Library Cape Town With The Financial Assistance Of The Human Sciences Research Council. Mansell. London 1979 1st edition. set isbn 0720105560 . this volume isbn 0720108160. No inscriptions. feint mark to lower front board lower front corner bumped else a VG copy. no dustwrapper. Contents unmarked a clean attractive copy. One volume only of 4-volume set. Red cloth boards. ix 784pp. 285mm x 235mm x 55mm. 4to. 2.4kg. Edited At The South African Library Cape Town With The Financial Assistance Of The Human Sciences Research Council. Mansell. Lon hardcover
17962330942Berlin: Bey Haude und Spener 1796. Second Edition. Hard Cover. Very Good/No Jacket. Second edition. Sticker on front corner edges rubbed ink name and stamp on endpapers. Scarce - only 12 in OCLC. 1796 Hard Cover. 124 pp. German text. Paper over boards handwritten titles on spine. Mendelssohn's ideas brought about the Haskalah Jewish Enlightenment. This work applies mathematical proofs to metaphysics. It won the author first prize in a Berlin Academy essay contest over Immanuel Kant and Thomas Abbt. Bey Haude und Spener hardcover
3742875779.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
DADAX0719097177Manchester University Press 2016-07-04. 1. hardcover. New. 5.43x0.56x8.50. Buy with confidence. Excellent Customer Service & Return policy. Manchester University Press hardcover
2018x-1526134284Manchester Univ Pr 2018. Paperback. New. reprint edition. 224 pages. 8.50x5.50x0.75 inches. Manchester Univ Pr paperback
185035287Leipzig: Breitkopf & Härtel PN 8228 1850. Folio. Original publisher's blue printed wrappers. 1 title 2-31 i blank pp. Engraved.<br /> <br /> Provenance<br /> Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title.<br /> <br /> Wrappers somewhat worn and soiled; partially split at spine. Light thumbing throughout; small dampstain to upper blank margin. First Edition. MWV U159 p. 344. Hoboken 10 273. Not in Krause or the Catalogue of the Mendelssohn Papers in the Bodleian Library. <br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br /> <br /> Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid 1930s; he was best known for the music he composed for the Greek plays performed there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN 8228] unknown
185035288London: Ewer & Co 1850. Folio. Disbound. 1f. recto title within decorative borderprinted in light red verso blank 13 i blank pp. Engraved.<br /> <br /> Small embossed stamp of English musicseller Etherington to foot of title.<br /> <br /> Minor offsetting. First English edition. MWV U158 p. 344. Catalogue of the Mendelssohn Papers in the Bodleian Library III 771. Not in Krause or Hoboken.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown
2024__1470669439Alfred Music Co 2024. Paperback. New. 999 pages. 12.17x9.37x1.18 inches. Alfred Music Co paperback
