Mendelssohn Peter deLivre Rare Book
1 712 résultats
1935yd1839Stock Broché 1935 In-12 (12 x 19 cm), broché, 224 pages, édition originale française, par la suite le roman sera réintitulé 'Marianne de mon coeur', qui a été adapté au cinéma en 1955, non-rogné ; dos légèrement incurvé, couverture défraîchie, intérieur frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
RO50035116Non Renseigné. Non daté. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 32 pages de partitions , premier plat illustré d'une représentation de Mendelssohn. . . . Classification Dewey : 780.26-Partitions
184136202Leipzig: Breitkopf & Härtel PNs 5542 5543 5544 1841. 1f. recto lithographic title verso blank 78; 1f. recto lithographic title verso blank 52 pp.; 1f. recto lithographic title verso blank 66 pp. Music engraved throughout. <br /> <br /> First Editions later issues of all three works. MWV P3 op. 21; MWV P7 op. 26; MWV P5 op. 27. Krause 135 143 146. Hoboken first issues only. <br /> <br /> Bound with: <br /> Op. 32. Ouverture zum Märchen von der schönen Melusine . Partitur . Pr. 1 Rthlr. 20 Ngr. Leipzig: Breitkopf & Härtel PN 5688 ca. 1857. 1f. recto title verso blank 72 pp. Engraved. First Edition later issue. Hoboken 10 181. Krause 149. <br /> <br /> Bound with:<br /> Op. 95. Ouverture zu Ruy Blas für grosses Orchester . Op. 95. Pr. 2 Thlr. Partitur No. 24 der nachgelassen Werke. Leipzig: Fr. Kistner PN 1837 1851-52. 1f. recto title verso blank 64 pp. Engraved. First Edition. Hoboken 10 290. Krause 153. <br /> <br /> 19th century mid-tan morocco-backed dark brown textured paper boards raised bands on spine with titling gilt marbled edges light blue endpapers narrow blue silk ribbon marker. <br /> <br /> Binding slightly worn rubbed and bumped. Minor internal wear. An attractive copy of all five of Mendelssohn's concert overtures. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5542, 5543, 5544] unknown
183835281Bonn: N. Simrock PN 3441 1838. Folio. 21 pp. 4 parts of 4 pp. each title and price to Soprano I part. Engraved. Text in Latin and German. <br /> <br /> SSAA with organ.<br /> <br /> Provenance<br /> Composer E.J. Biedermann 1849-1933 with his signature in pencil to head of score and each part; small oval handstamp of G. Schirmer to foot of title and each part.<br /> <br /> Split at spine; minor creasing; edges slightly worn and cockled. First Edition later issue. MWV B23 p. 51. Not in Krause. Ward Jones III 488 490. Hoboken 10 193.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. N. Simrock [PN 3441] unknown
RO50038547A. DURAND ET FILSnon daté. non daté. In-Folio. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 7 pages. Partition pour Piano solo. Déchiures sur le dos n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
2018192615Verdier Verdier, 2018. In-8 broché de 155 pages. Collection Les dix paroles. Très bon état
3548301711.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985198426Herausgegeben u. mit Nachwort versehen von Eva Weissweiler. Frankfurt, Ullstein Taschenbuch, 1985. Kl.-8vo. Mit Abbildungen. 250 S., 3 Bl. Or.-Kart. (Die Frau in der Literatur; Ullstein 30171). - Originalausgabe
2009__3761821166Bärenreiter 2009. Hardcover. New. facsimile ed edition. 112 pages. 14.49x10.47x0.79 inches. Bärenreiter hardcover
RO50004917Enoch & cie. fin XIXème. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Rousseurs. 46 pages. Illustré d'une gravure noire et blanche en page titre. Plus de 1er plat.. . . . Classification Dewey : 780.26-Partitions
RO50054525HENRY LITOLFF / ENOCH PERE ET FILS. NON DATE. In-4. En feuillets. A relier, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 38 pages de partitions. Page de titre illustrée en noir et blanc. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
RO50056638C.F. PETERS. NON DATE. In-8. En feuillets. Etat d'usage, Livré sans Couverture, Dos abîmé, Quelques rousseurs. 78 pages de partitions. Page de titre illustrée en couleur monochrome. Plats absents. Tampon sur la page de titre.. . . A l'italienne. Classification Dewey : 780.26-Partitions
195922063Heidelberg, Lambert Schneider, 1959. 118 S., 1 Bl. Mit montiertem Porträt. 8° (19 x 11,5 cm). Original-Leinwand mit Schutzumschlag.
1958139979(Basel, 1958). M. 4 Abb. 58 S. OPp.
1362002143.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
198415568Berlin, Stapp, 1984. 8°, 232 Seiten. mit vielen Abbildungen und 1 Faksimile. Orig.Pappband mit OSU.
1984122109Berlin : Stapp, 1984. 1. Auflage; 231 S.; 8°; gebunden, Orig.-Pappband mit Original-Schutzumschlag;
1j8866. Jahrgang. Hefte 1-52. 1842. 416 S. mit 8 gefalt. Kupferstichtafeln. original Halbleder mit in Gold graviertem Rückentitel. quart. gering berieben u. bst./StaT./etwas stockfl. - Die Tafeln zeigen: Die neuen Parlamentsgebäude in London/Siegelpresse/M. Lange de Beaujour´s Flinte zu vier Ladungen/Die neueste englische Handbohrmaschine/Kichners Dendrometer/Pflugsaemschine. - unknown
1j8843. Jahrgang. Hefte 1-52. Schroeder Bln. 1839. 416 S. mit 2 mehrfach gefalt. Kupfertafeln. original Halbleder mit in Gold geprägtem Rückentitel. quart. etwas berieben u. bst./teils fleckig/StaT. - Enthält u.a.: Chaussee-Dampfwagen/Elfenbeinpapier/Feuerbrünste in London/Leuchtthürme auf Sandbänken/Klavierbau/Luftschiffahrt/Mühlenbaukunst/Percussions-Gewehre. - unknown
139618189X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
RO50017347Editions Peters. XXème. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 21 pages environ. Quelques déchirures.. . . . Classification Dewey : 780.26-Partitions
RO50055011C.F. PETERS. NON DATE. In-8. En feuillets. A relier, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 196 pages de partitions. Page de titre illustrée en couleur monochrome.. . . . Classification Dewey : 780.26-Partitions
1920954T72Leipzig: C. F. Peters c1920. Leather. Very Good. 12" by 9". None. A smartly bound scarce copy of this oratoria from German composer Felix Mendelssohn Bartholdy in the original German. German. Scarce edition. From Felix Mendelssohn Bartholdy's Complete Works. Elijah Op. 70 is an oratorio depicting events in the life of the Prophet Elijah as told in the books I Kings and II Kings of the Old Testament composed in the spirit of Mendelssohn's Baroque predecessors Bach and Handel. It premiered on 26 August 1846. Written by Jakob Ludwig Felix Mendelssohn Bartholdy widely known as Felix Mendelssohn a German composer pianist organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies concertos piano music organ music and chamber music. Bound in half crushed morocco with cloth covered boards. Externally smart with light rubbing to the extremities and the odd small mark to the boards. Minor fading to the spine. Internally firmly bound. Pages are very bright and clean with minor spotting to the first and last few pages. Very Good C. F. Peters hardcover
a34014Leipzig n.d c.1900 Peters. Music for 4 voices and piano. Hardcover. Sm.4to. Marbled boards with 3/4 green cloth. 200pp. Conductor Study Score. VG light wear. Hinges secure and unbroken; music score clean of marks. . hardcover
188035203Berlin: N. Simrock PN 4648 1880. Folio. Full black cloth with original publisher's light green printed wrapper with titling within decorative border laid down to upper board. 1f. recto title verso blank 3-207 i blank pp. Text in German.<br /> <br /> Small circular handstamp of the Musik-schulen Kaiser Wien to wrapper title and several pages throughout.<br /> <br /> Binding slightly worn rubbed and bumped; wrapper slightly trimmed and lightly foxed with several minor chips and abrasions to margins. Impression to title slightly light; title and final leaf reinforced with paper tape to gutter and outer edge. Light scattered foxing throughout. First German edition later issue. MWV A25 p. 35. Not in Krause. Catalogue of the Mendelssohnb Papers in the Bodleian Library III 361 earlier issue. Hoboken 10 251 first issue.<br /> <br /> Elias an oratorio to a libretto by Julius Schubring after Kings was first performed in Birmingham on 26 August 1846. Mendelssohn made major revisions to the work following this performance introducing the new and final version in London on 16 April 1847.<br /> <br /> Mendelssohn distinguished himself in many fields and his contributions to sacred choral music are no exception. He was the most prominent advocate for the music of J.S. Bach reviving the St. Matthew Passion in 1829 and helped to reestablish the oratorio by providing two superb examples: St. Paul 1836 and Elijah 1846.<br /> <br /> "Based largely on the account in 1 Kings Elijah relates the chief events in the prophet's life: the curse of the Lord and the seven-year drought Elijah's miraculous revival of the widow's son his confrontation with the Baal worshippers and the lifting of the drought his confrontation with Ahab and Jezebel his flight to the wilderness and encounter with the Lord and his journey to Mt Horeb and ascension to heaven in a flaming chariot. As in St Paul Mendelssohn employed chorales and relied heavily upon choral numbers; noteworthy is the sheer diversity of choruses . In contrast to St Paul Mendelssohn dispensed with the narrator allowing the characters themselves to deliver the dramatic action. Elijah diverges from St Paul too in its broadly conceived musical cohesiveness; in no other work did Mendelssohn concern himself with musical structure on such a large scale." R. Larry Todd in Grove Music Online. N. Simrock [PN 4648] unknown
