Moses MendelssohnBiblio.com
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B9780521574778Paperback / softback. New. Mendelssohn's Philosophical Writings published in 1761 brings the metaphysical tradition to bear on the topic of 'sentiments' defined as knowledge or awareness by way of the senses and helped propel its author to the forefront of the Berlin Enlightenment. paperback
0282044310.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781015926844Hardback. New. hardcover
6503840Cambridge University Press CUP pp. 364 . Hardback. New. Cambridge University Press CUP hardcover
6561936Cambridge University Press CUP pp. 364 . Papeback. New. Cambridge University Press CUP unknown
102059375X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1166303977.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1120008506.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
187635158Leipzig: Breitkopf & Härtel PN M.B.114 Kl.A 1876. Folio. Modern mid-blue cloth-backed marbled boards with original publisher's light blue printed upper wrapper with titling within decorative border laid down to upper board titling to spine in black. 1f. title 62 pp. Engraved. Text in German.<br /> <br /> In the series "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger Serie 15. Grössere weltiche Gesangwerke. Klavier-Auszug." From the Breitkopf edition of Mendelssohn's Complete Works No. 114.<br /> <br /> With small oval handstamp of Viennese musicseller Ludwig Doblinger and very small publisher's handstamp to foot of title.<br /> <br /> Binding very slightly worn rubbed and bumped. Occasional light wear and foxing; gutter of title reinforced with narrow strip of paper tape. MWV M12.<br /> <br /> Antigone was staged for the court at Potsdam in Berlin on 28 October 1841.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN M.B.114 Kl.A] unknown
19762090502128600553Nippon Cultural Broadcasting Development Center Publishing Department 1976. Soft Cover. Fine. Number of pages: 248p Size: 20cm Nippon Cultural Broadcasting Development Center Publishing Department paperback
1390011860.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390011992.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
6i630Deutsche Verlagsgesellschaft für Politik und Geschichte Bln. 1927. 176 Seiten Pappband Einband berieben. - Die große Politik der Europäischen Kabinette 1871 - 1914. Sammlung der Diplomatischen Akten des Auswärtigen Amtes Band 40 - unknown
1795RB007Vienna: Anton Schmid 1795. Second. Good. 1795 rare copy of Netivot Ha-shalom The Paths of Peace. A German translation in the Hebrew alphabet of the book of Genesis by Moses Mendelssohn 1729-1786. It includes the Hebrew text of the Bible and a commentary by Mendelssohn. The last 200 pages of the book is the Aramaic text of Onkelos commentary of Rashi and the Haftaroth. This book is a former synagogue copy and in great shape for a book 230 years old. Binding still tight. Although there is wear on the pages it is very readable. Inside front and back covers are 3 off-white blank rectangular stickers one has been torn off leaving residue Markings on both sides of the page preceding the title page. Purple synagogue stamp at top of page prior to the text. That page has a 1-inch tear at the top middle edge. There is another stamp on the bottom right corner of pages 81b and 88b. Light penciled lines about one inch long on 5 pages of the introduction at least one other page of the book has similar marks. About 20 pages with the reverse page's text legible but still readable. Lh Anton Schmid unknown
188912914Boston: L. Prang & Co. 1889. Hardcover. Very Good. Boston: L. Prang & Co. 1889. Very Good. Approximately 10" x 8" Illustrated with 8 chromolithographs each accompanied by a line of music and a poem. Gift inscription on ffep. Wear on corners and spine ends. The paper covering the spine has 1 1/4" of loss at the top and 1/2" of loss at the bottom. L. Prang & Co. hardcover
20-03755Edition Eulenberg. Paperback. New. In shrink wrap. Edition Eulenberg paperback
2298180823105Edition Eulenberg. Paperback. Very Good. Nice looking book has minor edge wear.has name on inside cover page. Edition Eulenberg paperback
0844401722.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
187536204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br /> <br /> Vol. I: 125 pp. Contains opp. 5 6 7 nos. 1 and 2 14 15 16 nos. 1-3 19 and 29<br /> Vol. II: 126-262 pp. Contains opp. 25 28 29 30 33 nos. 1-3 and 35 Book 1<br /> Vol. IV: 263-399 pp. Contains opp. 62 Book 5 67 Book 6 72 82 83 85 Book 7<br /> Vol. V: 536-608 pp. Contains opp. 102 Book 8 104 Books 1 and 2 105 and 106<br /> Each volume with a collective title and index.<br /> <br /> Provenance<br /> American composer and pianist Edward Julius Biedermann 1849-1933 with his signature to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br /> <br /> Partially disbound; wrappers torn or lacking. Four of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown
100-17607G. Schirmer. Good. Good condition with wear and markings. G. Schirmer unknown
185536211Leipzig: Breitkopf & Härtel PNs 5668 5668a 1855. Folio. 1 title 2-31 i publisher's catalogue pp. Music engraved. <br /> <br /> Disbound. Slightly worn soiled creased and stained; outer leaves detached. MWV SD11.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5668, 5668a] unknown
184336196Leipzig: Breitkopf & Härtel PN 6929 1843. Oblong folio. Disbound. 1 lithographic title within decorative floral border 2 blank 3-17 pp. Engraved. <br /> <br /> Small oval publisher's stamp to lower margin of title; early signature in pencil to lower outer corner.<br /> <br /> Slightly worn and soiled; trimmed; spine and inner margins of outer leaves reinforced with paper tape; publisher's stamp incomplete. First Edition. Published in the same year as editions in France and England with precedence unestablished. MWV SD26 K104 103 93 106 114 and 108. Hoboken 10 228 title illustrated on p. 117. Krause 122. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 6929] unknown
185235154Leipzig: Breitkopf & Härtel PN 7884 1852. Folio. Original publisher's light blue wrappers. 1f. recto title verso blank 3-51 i blank pp. Engraved. Vocal incipits in German and French. Overture with plate number 7899 from the piano-vocal score. With publisher's catalog "Felix Mendelssohn Bartholdy's grössere Gesang-Werke" to verso of lower wrapper.<br /> <br /> Wrappers somewhat worn soiled and split. Slightly worn and browned; occasional foxing. First Edition later issue of this arrangement. MWV M16 p. 213.<br /> <br /> Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. <br /> <br /> "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7884] unknown
1020555637.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
180011012B1800. In 2 Vol. Parma: Dalla Reale Tipografia Parmense. 1800. CXVI264; 239 p. Later half vellum some rubbing. 1 page with outer corner torn away but no loss of text. Title page slight staining apart from this stainfree. An attractive wide-margined copy on laid paper. hardcover
