MENDELSSOHN, MOSESBiblio.com
Mendelssohn, FelixBiblio.com
Piano Trios Nos. 1 and 2 Dover Chamber Music Scores
0486449610New. Brand new and still unused unknown
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177214851A Paris Saillant 1772. Cont. full mottled calf. Back worn as the golddecoration is nearly gone. Engraved frontisp. XXIV3422 pp. A few lvs. slightly browned otherwise internally fine. <br/><br/><em>Scarce first French edition. </em> unknown
20001-0014117541Peters Edition 2000. Paperback. New. 24 pages. German language. 11.90x8.90x0.20 inches. Peters Edition paperback
0486449610New. Brand new and still unused unknown
7223232-nnew. unknown
7223232like new. unknown
2005Q-1423403770DURAND 2005-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! DURAND paperback
875031904. 56 x 41 cm gerahmt unter Passepartout. 40 x 27 cm Tadell. noch eingeschweisst-Coronafrei! Plakat des Stadttheaters Basel vom 1. Februar 1904.- Diese Original «Theater-Anzeige» ist eines der seltenen noch existierenden Exponate. Die restlichen sind 1904 im Stadttheater-Archiv vollständig verbrannt.- Das Basler Stadttheater wurde 1834 gegründet. Das erste Gebäude stammte von dem klassizistischen Architekten Melchior Berri und umfasste 1300 Plätze. Eine beträchtliche Grösse für die Stadt Basel die damals 26 000 Einwohner aufwies.1873–1875 wurde an gleicher Stelle ein vierrängiges Neobarock-Gebäude von Johann Jakob Stehlin errichtet das am 7. Oktober 1904 durch einen Brand zerstört wurde in der Folge jedoch wieder aufgebaut wurde und 1909 wiedereröffnet werden konnte. 010 1904 unknown
0331294281.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331160692.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
17876593Bern: in der Hallerschen Buchandlung 1787. Soft cover. Good. 8vo 152 x 95mm. 60pp. Modern wrappers margins trimmed close occasional spots lightly browned; front wrap loose but present. A satire on the Berlin academy written jointly by Lessing and Moses Mendelssohn criticizing the philosophical system of Alexander Popeís Essay on Man 1733-1734. Lessing German writer critic and dramatist was one of the most outstanding representatives of the Enlightenment era. His plays and theoretical writings often witty and ironic substantially influenced the development of German literature. In 1755 the collaborative work of Lessing and his friend philosopher Moses Mendelssohn anonymously appeared in the form of this provocative treatise Pope ein Metaphysiker! Pope as a Metaphysician. The controversial treatise dissected the subject of a contest at the Prussian Royal Academy. The two friends wrote it to confirm that there cannot be a true comparison between a poetic and a philosophic conception. <br/><br/> Bern: in der Hallerschen Buchandlung paperback
1018615067.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1953032862Amsterdam: Stichting Physica 1953. First Separate Edition . Soft cover. Near Fine. Frontispiece Group Photograph. Pp 745-908. Publisher's Wrappers Printed In Gray. Photographic Plate Of Group Participants At Front With Each Identified. Text In English Including Extensive Comments By Participants On Each Of The Papers. First Printing. The Personal Copy Of Conference Participant Jan Korringa Not Marked As Such But With His Marker At His Article.Just A Touch Of Wear Browning To Spine. <br/> <br/> Stichting Physica paperback
1945axomThe Geological Society of South Africa 1945. 1st Edition. Soft cover. Good/No Jacket. 95 pages xcv complete. Roman pagination. In general good condition. The government style cover is functional and sure. It is neat with some light storage creasing and a little wear. The pages are mild assured earnest diligent clean and clear. fk. Our orders are shipped using tracked courier delivery services. The Geological Society of South Africa paperback
185036199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved.<br /> <br /> The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4.<br /> <br /> Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22 p. 276. Krause 177. Not in Hoboken.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . <br /> <br /> . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
183028108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br /> <br /> Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> ". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
183329636Bonn: N. Simrock PN 3045 1833. Folio. Unbound. <br /> <br /> Violino 1mo: 1 title 2-13 i blank<br /> Violino 2do: 11 i blank<br /> Viola 1ma: 11 i blank<br /> Viola 2da: 11 i blank<br /> Violoncello: 11 i blank pp. <br /> <br /> Engraved throughout. <br /> <br /> Slightly worn and browned; binder's hole to upper inner margin; early manuscript initial "A" and the number "5" to first page of music of each part. First Edition. Scarce. Wehner p. 275. Catalogue of the Mendelssohn papers III 634. Hoboken 10 144. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> "Of the two string quintets the first op. 18 in A begins with a graceful Mozartian theme somewhat reminiscent of the Clarinet Quintet K581. The use of fugal writing and in the original minuet intricate double canons imbued the first version of this work with a severely academic quality; in 1832 Mendelssohn replaced the minuet with the emotionally charged Intermezzo in memory of Eduard Ritez." R. Larry Todd in Grove Music Online. N. Simrock [PN 3045] unknown
3954550962.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20151-3956976371Literaricon 2015. Paperback. New. 248 pages. German language. 8.27x5.83x0.56 inches. Literaricon paperback
BN94180Nabu Press. Reisebriefe Aus Den Jahren 1830 Bis 1832 <br/><br/>Reisebriefe Aus Den Jahren 1830 Bis 1832 Bartholdy Felix Mendelssohn Nabu Press unknown
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