79 résultats
1975WRCLIT56322Bonn & Bad Godesberg: Inter Nationes 1975. 95pp. Printed wrappers. Portrait facsimiles photographs. Near fine copy. First edition. Contains two essays and a bibliography of Mann's work published to commemorate the 100th anniversary of his birth by Heinz Moos Verlag on behalf of the organisation. Inter Nationes unknown books
184812803<b>Rarity. First Edition First Printing of the famous Wedding March. The orchestral score was first published July 1848 by Breitkopf & Hartel Leipzig Germany. No printed date as customary at that time. Vb M. on pp 3-177 engraved the Hochzeitmarsch WEDDING MARCH on p.137 P.n. 7774.P. 178 blank. GM and JF. FIRST PRINTING of the orchestral parts engraved and with plate number 7852 probably published the following month is at BOD. NO COPIES OF THIS AT AUCTION AS LISTED IN ABPC CD ROM. <br />This is the true First Edition of Mendelssohn's full orchestral score of A MIDSUMMER NIGHT'S DREAM. It includes the FIRST EDITION of the famous Wedding March that was played at the conclusion of the wedding between Theseus and Hyppolita. This has become the omnipresent music used in virtually ALL traditional Western wedding ceremonies. PROVENANCE L. Girard with his ink signature at head of the title page. Girard was teacher and composer of identical music in France during the second half of the 19th century. One of his noted works was in his Chant de La Paix For Four Male Voices. HobokenX Fuld 633. Krause X!! 6. TRULY RARE≥</b> Breitkopf & Hartel hardcover books
185236190London: Ewer & Co 1852. Folio. Disbound. 1 title within decorative border printed in red 2 blank 3-11 i publisher's catalogue pp. Engraved throughout. MWV U113.<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown books
187536204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br/><br/>Vol. I: 125 pp. 3rd edition<br/>Vol. II: 126-262 pp. 2nd edition<br/>Vol. IV: 263-399 pp. 2nd edition<br/>Vol. V: 536-608 pp. 2nd edition<br/><br/>Each volume includes a collective title and index.<br/><br/>With the signature of the American composer and pianist Edward Julius Biedermann 1849-1933 to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br/><br/>Partially disbound; wrappers torn or lacking. 4 of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown books