1 712 résultats
183028108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br/><br/>Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br/><br/>". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown books
183018718Leipzig Paris: Frédéric Hofmeister Simon Richault PN 1515 1830. Folio. Unbound as issued. 9; 9; 9; 7 pp. Engraved. Title to viola part. <br/><br/>Some very light wear and soiling; two small binder's holes to inner blank margins. In very good condition overall. First Edition. Not in Krause. Mendelssohn Papers III 604. Hoboken 10 130. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber ." <br/><br/>" . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life . The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 12 the opening of the first movement is brought back to conclude the finale . " R. Larry Todd in Grove Music Online. Frédéric Hofmeister, Simon Richault [PN] 1515 unknown books
288 pages. Index. "Seeks to bring to life and re-establish in public favour the undeservedly neglected figure of this superb classical-romantic composer." - from dust jacket. Above-average wear. Usual library markings. Front free endpaper removed. Worthy reference copy. Book
1170New York: Charles Scribner's Sons 1974. . Large 4to brown cloth; dust jacket unobtrusive tear at foot of spine New York: Charles Scribner's Sons, 1974. hardcover books
100-17607G. Schirmer. Good. Good condition with wear and markings. G. Schirmer unknown
" La romantica vita di Mendelssohn".Legatura edit,sopracoperta in acetato,custodia rigida.In 8o piccolo.Buona copia.Pp.515
1924RO50044995HEUGEL. 1924. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 123 pages de partitions. Page de titre illustrée en noir et blanc. Couverture de protection plastique transparente. Dos renforcé avec de l'adhésif. Tampon sur la page de titre ainsi que sur la première page. Quelques déchirures sur le bord des plats, ainsi qu'un léger manque sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50019891Colombier. début XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages. Ornements en couverture.. . . . Classification Dewey : 780.26-Partitions
RO50043130HENRY LEMOINE & CIE. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos abîmé, Intérieur acceptable. 5 pages de partitions. Tampon sur la première page. Dos renforcé par du scotch. Premier plat illustré en noir et blanc par A. Girldon.. . . . Classification Dewey : 780.26-Partitions
RO50035556HENRY LEMOINE & Cie. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos frotté, Papier jauni. 7 pages de partitions,. . . . Classification Dewey : 780.26-Partitions
1937RO50043131HENRY LEMOINE & CIE. 1937. In-4. Broché. Bon état, Couv. partiel. décollorée, Dos abîmé, Intérieur acceptable. 11 pages de partitions. Premier plat illustré en noir et blanc par A. Giraldon.. . . . Classification Dewey : 780.26-Partitions
RO50044160HENRY LEMOINE & CIE. NON DATE. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 11 pages de partitions. Tampon sur le premier plat, la page de titre ainsi que sur la première page. Premier plat illustré en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50044152HENRY LEMOINE ET CIE. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 5 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
RO50044163NAUS & ROMAIN. NON DATE. In-Folio. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 63 pages de partitions. Dos renforcé avec de l'adhésif. Cahier désolidarisé.. . . . Classification Dewey : 780.26-Partitions
RO50049865NAUS & ROMAIN. NON DATE. In-Folio. Relié. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 217 pages de partitions. Fleurons et titre dorés au dos de l'ouvrage. Petite déchirure au dos.. . . . Classification Dewey : 780.26-Partitions
1359780588Le dos a été refixé mais les plats et l'intérieur sont en très bon état ; DX2-C77, A, Durand & Fils, Place de la Madeleine, Paris
RO50065890A.Durand & fils. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 57 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
18902815PARIS. ENOCH FRERES ET COSTALLAT, EDITEURS. (COLLECTION LITOLFF). SANS DATE (VERS 1890). IN-4 (23,5 X 30,5 X 3 CENTIMETRES ENVIRON) DE (2) + 331 PAGES, RELIURE DE L'EDITEUR PLEINE PERCALINE ROUGE A COINS, PLATS EN PERCALINE BEIGE, TITRE DORE SUR DOS LISSE ET SUR ETIQUETTE PERCALINE VERTE SUR LE PLAT SUPERIEUR, TRANCHES ROUGES. EX-LIBRIS MANUSCRIT DE JEHANNE MISTRAL, AVEC QUELQUES ANNOTATIONS. BON EXEMPLAIRE.
RO50037697A. DURAND ET FILS. non daté. In-4. Broché. Etat d'usage, 1er plat abîmé, Dos abîmé, Intérieur acceptable. 70 pages de partitions pour piano. Premier plat détaché, tampon sur le premier plat et la première page, annotations au crayon de papier et au crayon bleu sur certaines pages n'altérant pas la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
1918RO50044877A. DURAND ET FILS. 1918. In-4. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur frais. 68 pages de partitions. Premier plat illustré en couleur. Tampon sur le premier plat ainsi que sur la page de titre. Révision par Maurice Ravel.. . . . Classification Dewey : 780.26-Partitions
1918RO50044878A. DURAND ET CIE. 1918. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 60 pages de partitions. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50004071Enoch & cie. sans date. In-8. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 41 pages. Ornements en couverture.. . . . Classification Dewey : 780.26-Partitions
1878RO50010522Crédit littéraire et musical. 1878. In-4. Broché. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 59 pages.. . . . Classification Dewey : 780.26-Partitions
RO50043312ENOCH PERE ET FILS.. NON DATE. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur acceptable. 50 pages de partitions. Premier plat illustré en noir et blanc. 11 titres complets + 12ème titre incomplet. Cahiers désolidarisés.. . . . Classification Dewey : 780.26-Partitions
187536204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br /> <br /> Vol. I: 125 pp. Contains opp. 5 6 7 nos. 1 and 2 14 15 16 nos. 1-3 19 and 29<br /> Vol. II: 126-262 pp. Contains opp. 25 28 29 30 33 nos. 1-3 and 35 Book 1<br /> Vol. IV: 263-399 pp. Contains opp. 62 Book 5 67 Book 6 72 82 83 85 Book 7<br /> Vol. V: 536-608 pp. Contains opp. 102 Book 8 104 Books 1 and 2 105 and 106<br /> Each volume with a collective title and index.<br /> <br /> Provenance<br /> American composer and pianist Edward Julius Biedermann 1849-1933 with his signature to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br /> <br /> Partially disbound; wrappers torn or lacking. Four of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown
