STRAUSS, Richard 1864-1949Biblio.com
6 215 résultats
190427098Berlin: Adolph Fürstner PN A. 5206 F. 1904. Folio. Dark brown cloth with titling gilt. 1f. recto title verso blank 1 cast list 2 blank 3-201 i blank. Text in German. Printer's mark to lower right corner of p. 201: "Stich und Druck von C.G. Röder Leipzig." With plate numbers "A.5202.5206.5250 F." to cast list. Publisher's handstamp to foot of title.<br /> <br /> Signature "F. Nicolics" dated Vienna March 3 1904 in black ink to title.<br /> <br /> Binding slightly worn rubbed and bumped. Slightly browned throughout. First Edition second issue. Trenner 203. Mueller von Asow p. 307. The first issue 1901 lacks the third plate number 5250 to the cast list; this number refers to Otto Singer's arrangement for piano without vocal parts.<br /> <br /> First performed at the Königliches Opernhaus in Dresden on November 21 1901 with Ernst von Schuch conducting. <br /> <br /> "Despite its risqué text Feuersnot boasted distinguished interpreters from the start: in Dresden the cross-grained lovers were Annie Krull and Karl Scheidemantel destined respectively to be Strauss's original Electra and the first Rosenkavalier Faninal in Vienna Leopold Demuth sang the hero while Mahler conducted and Berlin fielded Emmy Destinn as the anti-heroine. Since then at least in Bavaria and adjacent regions the opera has kept a toehold in the repertory." Bryan Gilliam and Charles Youmans in Grove Music Online. Adolph Fürstner [PN A. 5206 F.] unknown
190434543Berlin: Ed. Bote & G. Bock PN 15613 1904. Small quarto 260 x 200 mm. Original publisher's decorative olive green wrappers with stylized embossed titling to upper. 1 title 123 pp.<br /> <br /> With printed dedication "Meiner lieben frau und unsern jungen gewidmet" to upper margin of title. <br /> <br /> Wrappers somewhat worn and scuffed; spine reinforced with black binder's tape; creases and tears with minor loss. Lightly browned. Several performance markings in pencil. First Edition in this format. TrV 209. Mueller von Asow I p. 335.<br /> <br /> The Symphonia Domestica premiered in New York at Carnegie Hall on 12 March 1904 by the Wetzler Symphony Orchestra conducted by the composer. Ed. Bote & G. Bock [PN 15613] unknown
190824699Berlin: Adolph Fürstner PN A.5654F 1908. Folio. Quarter dark red cloth with decorative paper boards. i title i blank i "Dramatis Personae" i blank 5-250 pp. Photographic transfer from engraved plates. Printer's mark to lower right corner of p. 250: "Stich und Druck von C. G. Röder G.m.b.H. Leipzig." Text in German. With illustration by Lovis Corinth to upper half of page 5. <br /> <br /> Annotations instrumental cues vertical lines clarifying rhythm notational corrections indications of cuts etc. in pencil in German. The second digit of the printed price "M 20.-" erased and corrected in pencil. Handstamp of the Munich antiquarian Carl Lischer to foot of title.<br /> <br /> Small abrasion to upper edge of first three leaves; Lischer handstamp trimmed. First Edition probable first issue without the additional plate numbers to foot of page 3 and also without the statement "Aufführungsrecht vorbehalten" to foot of page 5. Trenner 223. Mueller von Asow p. 409. <br /> <br /> The present copy was apparently used by a rehearsal accompanist.<br /> <br /> Elektra was first performed on 25 January 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. <br /> <br /> "Elektra . marked the beginning of Strauss's artistic association with Hugo von Hofmannsthal whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905 Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome he set the play to music which was finished in 1908 and given its première in 1909 as part of a Strauss opera festival in Dresden . Elektra failed to outshine her flashier sister but confirmed Strauss's pre-eminence among German opera composers." Bryan Gilliam in Grove Music Online. Adolph Fürstner [PN A.5654F] unknown
193521130Berlin: Adolph Fürstner PN A.5654F. 1935. Folio. Original publisher's full gray cloth. i title ii blank iii "Dramatis Personae" iv blank 5-250 pp. Text in German. With illustration by Lovis Corinth to page 5. <br /> <br /> Binding very slightly worn and rubbed. Trenner 223. Mueller von Asow p. 409. <br /> <br /> First performed on January 25 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. <br /> <br /> "Elektra . marked the beginning of Strauss's artistic association with Hugo von Hofmannsthal whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905 Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome he set the play to music which was finished in 1908 and given its première in 1909 as part of a Strauss opera festival in Dresden . Elektra failed to outshine her flashier sister but confirmed Strauss's pre-eminence among German opera composers confirmed Strauss's pre-eminence among German opera composers." Bryan Gilliam in Grove Music Online. Adolph Fürstner [PN A.5654F.] unknown
193827099London W.1 . Berlin-Grunewald: Fürstner Limited . Johannes Oertel PN A. 5903 F. et al. 1938. Large folio. Original decorative wrappers. i title i performing rights notice 1 printed dedication to the Pschorr family Strauss's mother's family i blank 3 cast 4 blank 5-442 pp. Prefatory matter and p. 58 in facsimile of the copyist's manuscript. Note to lower right corner of final page of music: "Stich und Druck C.G. Röder Leipzig." Note to foot of title: "Copyright 1910 by Adolph Fürstner - renewed 1938 by Fürstner Limited."<br /> <br /> The basic plate number is 5903; several pages carry a second plate number 5929 5931 5932 6000. <br /> <br /> Bookplate "ExLibris Reuben Jacobi" to verso of upper wrapper. <br /> <br /> Wrappers slightly frayed at edges; spine torn with significant loss and tape repairs to head and tail. Slightly browned; minimally foxed. First Edition later issue. Trenner 227. Müller von Asow p. 468. First issue was 1910. The plate number 6000 refers to the piano-vocal score with French text the other extra numbers to offprints.<br /> <br /> In 1933 Otto Fürstner 1886-1958 son of the company's founder emigrated to England and sold the German share of his company to his long-term deputy Johannes Oertel 1879-1961 while continuing his old business from London. Oertel continued used the Fürstner name until ca. 1938 and his own thereafter. Fürstner Limited ... Johannes Oertel [PN A. 5903 F. et al.] unknown
191827094Berlin W. - Paris: Adolph Fürstner PN A.7352.F. et al. 1918. Large folio. Original decorative wrappers printed in dark green and red. 1 title 2 performing rights notice 3 printed dedication by Strauss and Hofmannsthal to Max Reinhardt 4 blank 5 cast i blank 7-125 i blank pp. Prefatory matter in facsimile of the copyist's manuscript. Note to lower right corner of final page of music: "Stich und Druck von C.G. Röder Leipzig."<br /> <br /> The basic plate number is 7352. Much of the first two acts has the double plate number 6303.7352 or triple number 6303.6332.7352.; p. 93 act 3 has the odd plate number 7385 only.<br /> <br /> Wrappers frayed at edges and spine with some loss to spine. Slightly browned; final signature detached; smudge to p. 42. First Edition of the second version. Trenner 228b. Müller von Asow II p. 599.<br /> <br /> Incidental music. First performance of this version at Deutsches Theater Berlin on April 9 1918.<br /> <br /> The plates with the numbers 6303 and 6332 are carried over from the original 1912 edition see Müller von Asow II p. 532 which included both the incidental music to Der Bürger als Edelmann and the opera Ariadne auf Naxos first version two works conceived as a double bill and premiered as such at the Kleines Haus in Stuttgart on October 25 1912.<br /> <br /> "After Der Rosenkavalier Hugo von Hofmannsthal remained preoccupied with the stylized world of the 17th and 18th centuries especially the work of Molière which had partly inspired the Rosenkavalier libretto. The immediate result was Ariadne auf Naxos 1911-12 a theatrical hybrid combining spoken theatre - a German adaptation of Molière's Le bourgeois gentilhomme Der Bürger als Edelmann with incidental music - and opera. The work first performed in Stuttgart in 1912 fell short of critical acclaim and was revised to greater success four years later when Strauss and Hofmannsthal replaced the play with a lively operatic prologue." Bryan Gilliam in Grove Music Online.<br /> <br /> The revised Ariadne of Naxos became a repertory piece; the incidental music to Der Bürger als Edelmann is however rarely performed. Adolph Fürstner [PN A.7352.F. et al.] unknown
191334554Berlin: Adolph Fürstner PN 7010 1913. Folio. Original publisher's dark gray printed wrappers. 1 title 2 blank 3 dedication to "Professor Hugo Rüdel und dem ausgezeichneten Hoftheatersinchor in Berlin" 4-5 text and translation 62 pp.<br /> <br /> With performance markings in pencil and red crayon.<br /> <br /> Wrappers considerably worn chipped stained and creased; spine reinforced with black binder's tape; edges reinforced with tape to versos; partially disbound. Uniformly browned; lower outer corners thumbed several torn. First Edition. Scarce. TrV 230. Mueller von Asow II p. 623. <br /> <br /> The Deutsche Motette premiered in Berlin on 2 December 1913 conducted by Hugo Rüdel. Adolph Fürstner [PN 7010] unknown
195310122114London: Boosey & Hawkes nd 1953. Red cloth. Very light edge soil: VG/VG- dj small edge tears chips. 12mo. Frontispiece in black and white. Boosey & Hawkes hardcover
6142259like new. unknown
143638043X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1915446065St. Louis / London: Art Publication Society 1915. Softcover. Good. Revised edition. Quarto wrappers. 8pp. Fingering phrasing pedaling and instructive annotations on interpretation and method of study by Leopold Godowsky. For and structure and harmonic analysis by Edgar Stillman Kelley. Biographical sketch general information and glossary by Emerson Whithorne. Pages and wrappers loose and detached wrappers lightly soiled good only being musician Sophie Chandler's copy with her name penciled on the front wrapper. Sheet music. Art Publication Society unknown
3894873299.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1982100-48766Little Brown and Company 1982-01-01. hardcover. Like New. Collectable. Signed and numbered 850/1000; 1st edition; blue cloth covered boards gray slip case with mild corner wearA New. Little Brown and Company hardcover
1999BN254352München ; Wien : Europa-Verl. 1999. 1999. Richard Strauss : die Biographie. Aus dem Engl. von Maurus Pacher <br/><br/>Richard Strauss : die Biographie. Aus dem Engl. von Maurus Pacher Strauss Richard - Boyden Matthew München ; Wien : Europa-Verl. unknown
0316568376.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1982Q-0316568368Little Brown 1982-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Little, Brown paperback
2115-1815 x 8 cm. Verziertzer Holz-Standrahmen. In gutem Zustand. unknown
1987234334Pfaffenhofen : Ludwig 1987. First Edition. Hardcover. Fine copy in the original title-blocked pictorial cloth. Still in publisher's shrink wrap. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Series; Verof fentlichungen der Richard-Strauss-Gesellschaft Mun chen ; Bd. 9. Physical description; 268 p. : ill. Subjects; Strauss Richard 1864-1949 - Correspondence. Schillings Max von 1868-1933 - Correspondence. Composers - Germany - Correspondence. German music - Strauss Richard - 1864-1949 - Correspondence diaries. German music - Schillings Max von - 1868-1933 - Correspondence diaries. Genres; Biography. Letter. Pfaffenhofen : Ludwig hardcover
1925650341925. Richard Strauss signed program. The program was for a concert by the Dusseldorf City Orchestra and Richard Strauss held April 30 1925. The program measures 6.5 inches by 8.75 inches. Double matted and framed opposite a photograph of Strauss. The entire piece measures 14.5 inches by 17.5 inches. Richard Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas which include Der Rosenkavalier Elektra Die Frau ohne Schatten and Salome; his Lieder especially his Four Last Songs; his tone poems including Don Juan Death and Transfiguration Till Eulenspiegel's Merry Pranks Also sprach Zarathustra Ein Heldenleben Symphonia Domestica and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. Strauss along with Gustav Mahler represents the late flowering of German Romanticism after Richard Wagner in which pioneering subtleties of orchestration are combined with an advanced harmonic style unknown
19811-0486242080Dover Pubns 1981. Paperback. New. unabridged edition. 352 pages. 12.50x9.75x1.00 inches. Dover Pubns paperback
1981Q-0486242080Dover Publications 1981-03-26. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
190538494Berlin: Adolph Fürstner PN A. 5503 F. 1905. Folio. Full dark red textured cloth with titling gilt to upper and spine endpapers with floral motif printed in olive green. 1 title in red and black 2 blank 3 "Personen" 4 blank 5-203 music pp. Text in German.<br /> <br /> With performance markings in multicolored pencil and red ink. <br /> <br /> "Hugh H. Pillsbury" gilt to lower outer corner of upper board; brief manuscript annotations in ink to free front endpaper.<br /> <br /> Binding very slightly worn rubbed and bumped; small binder's holes to inner margins of some leaves. Slightly worn and soiled; red ink waterstains to outer margin of first and last leaves significantly affecting mostly blank area of title; two leaves detached. First Edition early issue with "Drama" as opposed to "Musik-Drama" to title and text in German only not German and English; single plate number throughout without the numbers 3015.05. at lower right corner of title after "Leipzig" found in the first issue; plate number A. 5503.5507 F. to pp. 137-148 "Salomes Tanz" - plate number 5507 was used for the solo piano edition. Trenner 215. Mueller von Asow I p. 358. Pipers Enzyklopadie des Musik Theaters 6 p. 89. <br /> <br /> Considered the work that would establish Strauss as the leading German opera composer of his time Salome in one act to Hedwig Lachmann's German translation of Oscar Wilde's play was first performed in Dresden at the Hofoper on 9 December 1905.<br /> <br /> "With the colourful chromatic Salome he found a new modernist voice for the stage one that resonated throughout a Europe preoccupied with the image of the sensual femme fatale. Within a year of its 1905 Dresden première this succès de scandale had been performed in six German cities as well as Graz Prague and Milan and its fame quickly spread throughout Europe and the USA." Bryan Gilliam and Charles Youmans in Grove Music Online. Adolph Fürstner [PN A. 5503 F.] unknown
190638497Berlin: Adolph Fürstner PN A. 5503 F. 1906. Folio. Full dark red cloth with titling gilt to spine original publisher's dark red decorative upper red wrapper printed in black gold and light purple bound in. 1 title in red and black 2 blank 3 "Personen" 4 blank 5-203 music pp. Text in German.<br /> <br /> Occasional performance markings in red and blue pencil. Italian translation in pencil below German text throughout.<br /> <br /> From the collection of Luigi Ricci 1893-1981 an Italian conductor accompanist and vocal coach who worked with Puccini Mascagni and many other Italian composers and singers.<br /> <br /> Binding slightly worn rubbed bumped and stained; remnants of endpapers to inner margin of wrapper. Early edition with "Drama" as opposed to "Musik-Drama" to title and text in German only not German and English; plate number A. 5503.5507. 5530 F. to pp. 137-148 "Salomes Tanz" - plate number 5507 was used for the solo piano edition. Trenner 215. Mueller von Asow I p. 358. Pipers Enzyklopadie des Musik Theaters 6 p. 89. <br /> <br /> Considered the work that would establish Strauss as the leading German opera composer of his time Salome in one act to Hedwig Lachmann's German translation of Oscar Wilde's play was first performed in Dresden at the Hofoper on 9 December 1905.<br /> <br /> "With the colourful chromatic Salome he found a new modernist voice for the stage one that resonated throughout a Europe preoccupied with the image of the sensual femme fatale. Within a year of its 1905 Dresden première this succès de scandale had been performed in six German cities as well as Graz Prague and Milan and its fame quickly spread throughout Europe and the USA." Bryan Gilliam and Charles Youmans in Grove Music Online. Adolph Fürstner [PN A. 5503 F.] unknown
22228Belwin Mills. Large Paperback. FINE. Blue cover no date newer printing. Bound in sewn signatures for long life. LIKE NEW. We are a small family business with 25 years experience in providing fine new and pre-owned books. You can expect professional service and individual attention to your order daily shipments and sturdy packaging. Belwin Mills. paperback
190638496Berlin: Adolph Fürstner PNs A. 5530 F. A. 5503 5507 5530 5534 5535 5541 F. 1906. Folio. Dark red publisher's decorative wrappers printed in black gold and light purple. 1f. recto title verso blank 1f. recto cast list verso blank 5-203 pp.<br /> <br /> Wrappers somewhat worn; frayed at head and tail of spine with minor paper loss; lower outer corner lacking; decorative green label of the Milan music publisher Sonzogno to foot of upper. Slightly worn and browned; some corners creased. Mueller von Asow p. 358<br /> <br /> Considered the work that would establish Strauss as the leading German opera composer of his time Salome in one act to Hedwig Lachmann's German translation of Oscar Wilde's play was first performed in Dresden at the Hofoper on 9 December 1905.<br /> <br /> "With the colourful chromatic Salome he found a new modernist voice for the stage one that resonated throughout a Europe preoccupied with the image of the sensual femme fatale. Within a year of its 1905 Dresden première this succès de scandale had been performed in six German cities as well as Graz Prague and Milan and its fame quickly spread throughout Europe and the USA." Bryan Gilliam and Charles Youmans in Grove Music Online. Adolph Fürstner [PNs A. 5530 F., A. 5503, 5507, 5530, 5534, 5535, 5541 F.] unknown
