STRAUSS, Johann, Sr 1804-1849Biblio.com
96 résultats
183214221Wien: Tobias Haslinger PN T.H. 6063 1832. Oblong folio. Unbound as issued spine reinforced. i title 2-11 pp. Engraved. <br /> <br /> Spine reinforced. Occasional staining light foxing and soiling; paper loss to first leaf repaired with no loss of music. First Edition. Weinmann p. 14. Tobias Haslinger [PN T.H. 6063] unknown
1894806148Boston: L. Prang & Co 1894. 1st. Softcover. Near Fine/None. Louis Prang. 4 volumes stiff light-green covers with color illustration b&w frontispiece in each. Leedle Yawcob Strauss: 14 pages 5 color plates. Yawcob's Dribulations: 17 pages 7 color plates. Der Oak une der Vine: 15 pages 5 color plates. Vas Marriage a Failure: 14 pages 5 color plates. Slight rubbing to covers; volumes in excellent condition. Record # 806148 L. Prang & Co paperback
189526179Berlin: Ed. Bote & Bock PNs 14331-14354 1895. Small folio. Half contemporary black cloth with black textured paper boards titling gilt to spine. 1 decorative title lithographed by Anst. v. C.G. Röder in Leipzig printed in green 2 cast list table of contents and copyright notice 3-197 i blank pp.<br /> <br /> Title with the handstamps of Dr. Felix Sperl in Vienna and the Viennese antiquarian Ludwig Doblinger; printer's note "Stich und Druck von C.G. Röder Leipzig" to lower margin of p. 197. <br /> <br /> Boards slightly worn and bumped; gilt titling to spine partially lacking. Slightly browned; light to moderate foxing; outer corners with minor creasing and soiling; partially detached at gutter of pp. 164-165. First Edition of the first version. OCLC no. 15809144.<br /> <br /> Waldmeister to a libretto by Gustav Davis was first performed in Vienna at the Theater an der Wien on December 4 1895.<br /> <br /> "Brahms who was by no means always an uncritical admirer of his friend Strauss remarked to Hanslick at the première of the operetta Waldmeister 1895 that Strauss's 'splendid' orchestration reminded him of Mozart." Peter Kemp in Grove Music Online. Ed. Bote & Bock [PNs 14331-14354] unknown
1839mon0001608184Librairie De Ladrange 1839. Hardcover. Good. . Librairie De Ladrange hardcover
189641120München: Jos. Aibl Verlag PN 2832 1896. Folio. Full dark blue cloth with titling and owner's name "R. Temple Savage" gilt to upper titling gilt to spine. 1f. recto title verso "Orchesterbesetzung" 3-60 pp. With notice of the 4-hand arrangement by O. Singer added to title and "Lith. Anst. v. C. G. Röder" to foot. <br /> <br /> With red handstamped copyright notice to upper inner corner of title and rectangular Univeral-Edition overpaste to lower margin; small octagonal ivory label laid down over printed prices.<br /> <br /> Provenance<br /> Richard Temple Savage 1909-1996 bass clarinettist under Sir Thomas Beecham in the London Philharmonic Orchestra 1934-1946 then Chief Librarian and member of the orchestra at the Royal Opera House Covent Garden with his handstamp "The Property of R. Temple Savage" within rectangular border to front free endpaper and signature and date of 1943 to upper outer corner of title. <br /> <br /> Binding slightly worn rubbed and bumped. Minor internal wear and browning; upper outer corners slightly creased. First Edition later issue. Sonneck Orchestral Music p. 453. Fuld p. 580. Trenner 171. Asow I p. 156. <br /> <br /> Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer. During an artistic career which spanned nearly eight decades he composed in virtually all musical genres but became best known for his tone poems composed during the closing years of the 19th century and his operas from the early decades of the 20th. .<br /> <br /> Shortly after the Guntram première he decided to compose a one-act opera Till Eulenspiegel bei den Schildbürgern though he never got beyond an incomplete text draft. Why he scrapped the opera for a tone poem is not clear but judging from his programme notes the symphonic work is based on a different scenario: 'Once upon a time there was a knavish fool named Till Eulenspiegel. He was a wicked goblin up to new tricks'. Till rides on horseback through the market mocks religion disguised as a cleric flirts with women engages in academic double talk with his philistine audience and by the end finds himself on the scaffold soon to be hanged. Strauss did not call Till a tone poem but rather a 'Rondeau Form for Large Orchestra'. Richard Specht suggested this might well have been the first prank given that the only connection with the old French forme fixe is in the spelling. Strauss later described the structure as being an 'expansion of rondo form through poetic content' and cited Beethoven's Eighth Symphony as his model. Given the libertine qualities of young Till as well as the episodic nature of the work a rondo would seem quite appropriate. But as in Don Juan the form is hardly conventional: the sense of rondo is achieved mostly by the return of Till's two themes to articulate his various adventures. Completed in May 1895 the compact Till Eulenspiegel was introduced with great success six months later and remains Strauss's most often performed orchestral piece. That he had learnt much about orchestral detail and nuance during the six years since Tod und Verklärung is evinced by his brilliant use of the ratchet when Till rides through the market or by the piercing D clarinet when he whistles in the face of death." Bryan Gilliam and Charles Youmans in Grove Music Online. Jos. Aibl Verlag [PN 2832] unknown
1890d0071London: Ashdown & Parry; J Wightman & Sons; &c. G : in good condition without dust jacket. Cover rubbed and marked with edge-wear. Minor foxing and marks within. 1890. First Edition. Brown hardback cloth cover. 350mm x 170mm 14" x 7". 138pp. The Pretty Bird Quadrille; London by Night Quadrille; Silvery Waves; Watching for Pa; Put me in my Little Bed; Dead March; The Transit Galop; The Pace Galop; Delightful Waltz; Winter Time Galop; Midnight; The Happy Homes of England Quadrille; A Very Pretty Schottische; Belgravia Polke; The Daisy Polka; Mein Schönster Tag in Berlin Waltzes; Dream of the Rose Waltz; Beautiful Danube; La Grande Duchess Quadrille; Schneider how you vas Quadrille. Heavy item - shipping supplement may apply for overseas. . Ashdown & Parry; J Wightman & Sons; &c hardcover
184629953Garage s a5 faded dark blue can't read spine: Chapman Brothers 1846. Hardback. Used: Acceptable. Hardback in reasonable condition considering the age cover faded with bumps to corners and spine pages browned with some age spots owners name on first and last pages front cover showing stitching can provide photos this is volume one thought to be circa 1846 / 47 Chapman Brothers hardcover
1892200303London : New York : Sonnenschein ; Macmillan 1892. 1st Single Volume Edition. Hardback. Very good copy in the original gilt-blocked cloth. Publisher's device in gilt to spine Spine bands and panel edges slightly dust-toned and rubbed as with age. Minor indented mark to front panel with some light surface staining. Small nick towards top of spine. Corners bumped. Decorative endpapers. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 784 pages; Physical description: xxxviii 39-784 p. ; 23 cm. Subjects: Jesus Christ - Biography. Includes introduction by Otto Pfliderer. Translation of: Das Leben Jesu ; previous ed. 1846. Summary: George Eliot first major literary work was translating Strauss' Life of Jesus. London : New York : Sonnenschein ; Macmillan hardcover
18462030419London: Chapman Brothers 1846. Publisher's original blindstamped green cloth. Owner's name in pen on endpaper; "by Miss Evans" in owner's very neat hand on title page under translation; very light cover soil; VERY light wear at spine ends; top corner of front cover somewhat discolored: Very Good- copy no dj as issued. 8vo. First edition. This is George Eliot's first appearance in print albeit unattributed. Chapman, Brothers hardcover
185908905THE GLORY OF THE HOUSE OF ISRAEL; OR THE HEBREW'S PILGRIMAGE TO THE HOLY CITY: COMPRISING A PICTURE OF JUDAISM IN THE CENTURY WHICH PRECEDED THE ADVENT OF OUR SAVIOUR Lippincott 1859 first American edition spine lightened else a tight very good to very good copy. A semi-fictional historical account of the times. Lippincott unknown
188936176Hamburg: Aug. Cranz PN C. 27869 1889. Large octavo. Modern half dark red cloth with patterned boards original publisher's upper printed wrapper laid down to upper. 1f. recto title verso blank 1f. recto dedication verso contents 3-162 pp. <br /> <br /> With performance markings in blue and lead pencil; occasional additional text in lead pencil. <br /> <br /> Upper wrapper trimmed. Minor wear to lower outer corners; inner margin of title reinforced with white paper. First Edition. Weinmann p. 135.<br /> <br /> Simplicius to text by Léon after J.J.C. von Grimmelshausen's Der abenteuerliche Simplicissimus was first performed in Vienna at the Teater an der Wien on 17 Dec 1887. Aug. Cranz [PN C. 27869] unknown
18906136371890. Softcover. Very Good. An album of late 19th century dance sheet music. Folio. Around 120 to 150 pages. Quarter black leather cloth covered boards leather spine with raised bands tooled with gilt in six compartments with "Dances" in gilt at the top of the spine the initials "N.L.D" in gilt on the front board and blue endpapers. Worn boards and spine with the foot of the spine coming loose both the front and rear hinge have been repaired some loss of the front fly leaf toned endpapers and a few tears throughout but there is no loss of the sheet music which remains bright and clean a few with an owner name or music shop stamp on the front cover and one song may possibly have the wrong cover "Lachtaubchen: La Rieuse" overall very good.<br /> <br /> The album consists of 30 instrumental dance pieces for the piano many being schottisches and lancers. The collection includes many seemingly uncommon to rare pieces which are either unrecorded by OCLC or located in very small numbers and almost every piece is bound with its original front cover some include rear covers featuring ads as well. Highlights include: <br /> <br /> "Possum Dance" with engraved illustration of dancing possums on the front cover by S. Bourgoin published by J. Van Loan & Co. copyright 1982 unrecorded by OCLC.<br /> <br /> "New York Society Lancers" dedicated to The Ladies of New York by J.S. Cox published by J. Van Loan & Co. copyright 1889 unrecorded by OCLC.<br /> <br /> "Dance Music from Mikado" with an elaborately engraved illustration on the front cover by George Wiegand published by Wm. A. Pond & Co. copyright 1883 two in OCLC a closed tear partially affecting the music though it remains complete.<br /> <br /> "Hot Time in the Old Town Schottische" with a bold and colorful front cover illustration by Theo. A. Metz published by Willis Woodward & Co. copyright 1897 three of the schottische in OCLC.<br /> <br /> "Society Yorke As Danced in New York Society" by W. Vincent Daly published by J. Van-Loan & Co. copyright 1890 unrecorded by OCLC.<br /> <br /> And what appears to be an early edition of "Künstler-Quadrille" by Johann Strauss with dampstaining along the top throughout published by Carl Haslinger no printed copyright the text is in German so it's difficult to make out if this is the exact piece by Strauss or an interpretation of his work. <br /> <br /> The album also includes multiple pieces by the composers George Wiegand and Emil Waldteufel.<br /> <br /> A lovely collection of uncommon to rare late 19th century dance music. A complete list of titles is available upon request. unknown
1898603457Leipzig: Rob. Forberg 1898. Softcover. Very Good. First edition. Folio. Six nested bifolia with a single-sheet-insert making 26 pages. Text in German and English. The outer most bifolium neatly separated along the fold with both leaves present a tear on the front cover light edgewear and age toning still a very good and complete copy. For voice and piano. Plate number 5200. Rob. Forberg unknown
184831505A1848. Stuttgart Tübingen: Cotta. 1848. 55 S. Original-Broschur mit Deckeltitel. Leicht fleckig etwas unfrisch Ränder etwas beschnitten insgesamt gut erhalten. Erstausgabe. - Hirschberg 500. - Ziegenfuß II652. - Strauß wurde 1848 als Abgeordneter zum württembergischen Landtag gewählt die Wahl zur Deutschen Nationalversammlung hintertrieben seine theologischen Gegener siehe Brümmer VII113. unknown
184414226Wien: Tobias Haslingers Witwe u. Sohn. PN T. H. 9651 1844. Oblong folio. Unbound as issued. 1f. title 3-11 pp. Engraved. With small vignette to title. <br /> <br /> Spine reinforced. Slightly foxed and dampstained. First Edition. Weinmann p. 29. Tobias Haslingers Witwe u. Sohn. [PN T. H. 9651] unknown
189236143Berlin: N. Simrock 1892. Quarto. Modern dark brown flexible boards with titling gilt to spine. 1f. recto attractive illustrated title printed in color verso blank 3 cast list 4 contents 5-283 i blank pp. <br /> <br /> Binding slightly worn. Uniform light browning; title slightly trimmed just touching text; small oval handstamp to upper inner corner of title "Lola Carena" and upper outer corner of first page of music. First Edition. Weinmann p. 113. <br /> <br /> Ritter Pásmán to a libretto by L. Dóczi after J. Aranyi was first performed in Vienna at the Court Opera on 1 January 1892.<br /> <br /> "Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta." Peter Kemp in Grove Music Online. N. Simrock unknown
190036174Leipzig .: Aug. Cranz 1900. Large octavo. Full black cloth boards with publisher's light blue printed wrappers laid down. Publisher's catalogue to rear wrapper "Opern und Operetten." 1f. recto title verso publisher's catalogue "Ballet=Musik" 3-175 i blank pp. <br /> <br /> Wrappers slightly trimmed. Very minor internal wear. First Edition later issue. Weinmann p. 135.<br /> <br /> Prinz Methusalem was first performed in Vienna at the Carltheater on 3 January 1877. Aug. Cranz unknown
1842710461842. Wien 1842. Lithographie. Plattengröße: 294 x 233. Blattgröße: 520 x 360 mm. - Josef Kriehuber del. et lith.; gedr. bei. J. Rau; etwas fleckig. Repräsentatives Funktionsporträt eines praktischen Arztes/Mediziners der ersten Hälfte des 19. Jahrhunderts bestimmt für die bildliche Dokumentation von Ärzten und Wissenschaftlern in einer Sammlung medizinischer Porträts. Der Dargestellte erscheint als ruhige frontal sitzende Halbfigur ohne berufsspezifische Attribute wodurch seine Persönlichkeit und bürgerliche Seriosität im Vordergrund stehen. Der dunkle doppelt geknöpfte Gehrock und das Halstuch betonen Status und Respektabilität; der neutrale Fond lenkt die Aufmerksamkeit auf Kopf und Oberkörper. Die frei auf dem Unterrand platzierte schwungvolle Namenszug-Faksimile-Signatur "Franz Strauss" verankert die Identität des Porträtierten und entspricht Josef Kriehubers 1800-1876 Praxis Autogramm-Faksimiles in seine Lithographien zu integrieren. Franz Strauss 1790-1874 war ein im 19. Jahrhundert tätiger Arzt der in biographischen Nachschlagewerken nur knapp greifbar ist. Er gehört zu jener Gruppe von Medizinern die vor allem über bildliche Quellen und Sammlungsbestände - wie die Porträtfolgen Kriehubers - fassbar werden. Mangels gesicherter biographischer Spezialliteratur bleiben Ausbildung genaue Tätigkeitsorte und Schriften derzeit noch zu erschließen. Burgess Renate: Portraits of Doctors & Scientists in the Wellcome Institute of the History of Medicine. A Catalogue. London: Wellcome Institute of the History of Medicine 1973 Nr. 2841.1. unknown
1887112817Philadelphia: J.B.LIPPINCOTT.CO 1887. Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" Tall. Hard Cover No Dust Jacket Very Good Condition. Previous Owner's Name On Front Free Endpaper. Wear At Top Edge Of Spine. "- The Glory Of The House Of Israel Or The Hebrew's Pilgrimage To The Holy City : Comprising A Picture Of Judaism In The Century Which Preceded The Advent Of Our Saviour The Glory Of The House Of Israel Or The Hebrew's Pilgrimage To The Holy City : Comprising A Picture Of Judaism In The Century Which Preceded The Advent Of Our Saviour <br/> <br/> J.B.LIPPINCOTT.CO hardcover
183722062Wien: Tobias Haslinger PN T.H. 7360 1837. Oblong folio. Unbound as issued. 1f. title pp. 3-10 1f. blank. Engraved. With attractive illustration of idealized Rheinish village to title. <br /> <br /> Slightly worn; edges slightly soiled and browned. First Edition. Weinmann p. 19. Schönherr & Reinöhl pp. 151-152. Tobias Haslinger [PN T.H. 7360] unknown
186073028Paris: Nadar 1860. Fine. Nadar Paris s. d. circa 1860 6.20 x 10.50 cm une photographie Original albumen photograph depicting violinist and conductor Isaac Strauss carte-de-visite format mounted on card from Nadar studio. Pencil annotation on verso of the photograph. Nadar's embossed stamp in lower left margin. Nadar unknown
183822052Wien: Tobias Haslinger PN T.H. 7554 1838. Oblong folio. Unbound as issued. 10 pp. Engraved.<br /> <br /> Slightly worn and browned. First Edition. Weinmann p. 20. <br /> <br /> Strauss made a concert tour of Paris in the winter of 1837-38. Tobias Haslinger [PN T.H. 7554] unknown
189210247Paris: Ancienne Maison Quantin 1892. In-4 gr. mz. tela editoriale con angoli bella illustrazioni impressa al piatto e al dorso con titolo oro taglio superiore dorato pp. 486 molto ben illustr. da 550 disegni di cui numerosi a piena pag. sulla Parigi minore di fine secolo: "Les Halles et marchés la Bourse les égouts le gaz et l'electricité le port de Paris les postes les pompes funèbres et cimitières les pompiers les prisons les écoles lycées et collèges les hopitaux etc." Prima edizione. Cfr. Lorenz15862. Esemplare con ex libris ben conservato. Ancienne Maison Quantin, hardcover
185125790Wien: Carl Haslinger quondam Tobias PN C.H. 11385 1851. Oblong folio. Unbound as issued. 1 title 2-10 pp. Engraved. <br /> <br /> Outer bifolium detached; slightly foxed; lacking lower blank leaf. First Edition. Weinmann p. 75. Scheider SEV p. 142. Carl Haslinger quondam Tobias [PN C.H. 11,385] unknown
185825793Wien: Carl Haslinger qm. Tobias PN 12196 1858. Oblong folio. Disbound. 1f. title 3-11 pp. Music engraved; title lithographed. <br /> <br /> Slightly worn browned and foxed; trimmed with some loss to publisher's names to lower margins; signatures detached; small handstamps of former owner M. C. v. Ameyden v. Duym and Dutch music library to title. First Edition with "Ausgabe zu vier Händen" to title. Weinmann: Josef und Eduard Strauss p. 96. Carl Haslinger qm. Tobias [PN 12196] unknown
