206 résultats
189822615Leipzig: Veit & Comp., 1898. Format: 14,5 x 21 cm, des ersten Vortrages achte, der zwei Vorträge vierte Auflage. 120 Seiten. Feine Handbindung der Zeit mit Leinenrücken und -ecken (weinrot) und Deckelbezügen aus rot-braun-beigem Marmorpapier , vorn mit montiertem Orig.deckel der ursprüngl. Broschur. Getönte Vorsätze. Weinrot/goldgepr. Lederrückenschild. Dreiseitiger Tüpfelschnitt. Sehr schöne, bestens erhaltene Ausgabe, sammlungswürdig.
183214221Wien: Tobias Haslinger PN T.H. 6063 1832. Oblong folio. Unbound as issued spine reinforced. i title 2-11 pp. Engraved. <br /> <br /> Spine reinforced. Occasional staining light foxing and soiling; paper loss to first leaf repaired with no loss of music. First Edition. Weinmann p. 14. Tobias Haslinger [PN T.H. 6063] unknown
1894806148Boston: L. Prang & Co 1894. 1st. Softcover. Near Fine/None. Louis Prang. 4 volumes stiff light-green covers with color illustration b&w frontispiece in each. Leedle Yawcob Strauss: 14 pages 5 color plates. Yawcob's Dribulations: 17 pages 7 color plates. Der Oak une der Vine: 15 pages 5 color plates. Vas Marriage a Failure: 14 pages 5 color plates. Slight rubbing to covers; volumes in excellent condition. Record # 806148 L. Prang & Co paperback
189526179Berlin: Ed. Bote & Bock PNs 14331-14354 1895. Small folio. Half contemporary black cloth with black textured paper boards titling gilt to spine. 1 decorative title lithographed by Anst. v. C.G. Röder in Leipzig printed in green 2 cast list table of contents and copyright notice 3-197 i blank pp.<br/><br/>Title with the handstamps of Dr. Felix Sperl in Vienna and the Viennese antiquarian Ludwig Doblinger; printer's note "Stich und Druck von C.G. Röder Leipzig" to lower margin of p. 197. <br/><br/>Boards slightly worn and bumped; gilt titling to spine partially lacking. Slightly browned; light to moderate foxing; outer corners with minor creasing and soiling; partially detached at gutter of pp. 164-165. First Edition of the first version. OCLC no. 15809144.<br/><br/>Waldmeister to a libretto by Gustav Davis was first performed in Vienna at the Theater an der Wien on December 4 1895.<br/><br/>"Brahms who was by no means always an uncritical admirer of his friend Strauss remarked to Hanslick at the première of the operetta Waldmeister 1895 that Strauss's 'splendid' orchestration reminded him of Mozart." Peter Kemp in Grove Music Online. Ed. Bote & Bock [PNs 14331-14354] unknown books
189526179Berlin: Ed. Bote & Bock PNs 14331-14354 1895. Small folio. Half contemporary black cloth with black textured paper boards titling gilt to spine. 1 decorative title lithographed by Anst. v. C.G. Röder in Leipzig printed in green 2 cast list table of contents and copyright notice 3-197 i blank pp.<br /> <br /> Title with the handstamps of Dr. Felix Sperl in Vienna and the Viennese antiquarian Ludwig Doblinger; printer's note "Stich und Druck von C.G. Röder Leipzig" to lower margin of p. 197. <br /> <br /> Boards slightly worn and bumped; gilt titling to spine partially lacking. Slightly browned; light to moderate foxing; outer corners with minor creasing and soiling; partially detached at gutter of pp. 164-165. First Edition of the first version. OCLC no. 15809144.<br /> <br /> Waldmeister to a libretto by Gustav Davis was first performed in Vienna at the Theater an der Wien on December 4 1895.<br /> <br /> "Brahms who was by no means always an uncritical admirer of his friend Strauss remarked to Hanslick at the première of the operetta Waldmeister 1895 that Strauss's 'splendid' orchestration reminded him of Mozart." Peter Kemp in Grove Music Online. Ed. Bote & Bock [PNs 14331-14354] unknown
1876RO40252011C. Reinwald et Cie, Paris. 1876. In-8. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 392 pages. Titre et fleurons dorés sur le dos. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Bords des plats frottés.. . . . Classification Dewey : 840.05-XVIII ème siècle
1853RO50005645Magasin des Demoiselles. 1853. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 8 pages.. . . . Classification Dewey : 780.26-Partitions
1839100150854Librairie de Ladrange 1839 in8. 1839. Relié. 4 volume(s).
1856162361856 Librairie philosophique de Ladrange, Paris, 1856 . 2 volumes in8, reliure demi chagrin, dos a nerfs, titre doré, (4)-xliii-767 pages /(4)-772 pages. Nouvelle édition française traduite par Emile Littré sur la dernière édition allemande. Les travaux de Strauss précèdent ceux de Renan sur l'approche historique de la vie de Jésus. Ce livre fera scandale et inspirera les mouvements de gauche en allemagne au XIXème siècle.
1856159221856 Librairie philosophique de Ladrange, Paris, 1856, 2 volumes in 8, reliure demi chagrin noir, , dos a nerfs, titre doré, , (4)-xliii-767 pages /(4)-772 pages. Nouvelle édition française traduite par Emile Littré sur la dernière édition allemande. Les travaux de Strauss précèdent ceux de Renan sur l'approche historique de la vie de Jésus. Ce livre fera scandale lors de sa première publication en allemagne et vaudra à son auteur d'être révoque de son poste répétiteur de philosophie au séminaire protestant de Tübingen. Inspiré par la philosophie Hégélienne de l'histoire, ce livre fonde le mouvement des Jeunes Hégéliens qui inspirera tous les mouvements de gauche en allemagne au xixème siècle.
1839mon0001608184Librairie De Ladrange 1839. Hardcover. Good. . Librairie De Ladrange hardcover
1843RO40256696Fecit Jonas, Berolini. 1843. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 133 pages. Couverture muette. Etiquette de code sur la couverture. Quelques tampons de bibliothèque.. . . . Classification Dewey : 470-Langues italiques. Latin
189641120München: Jos. Aibl Verlag PN 2832 1896. Folio. Full dark blue cloth with titling and owner's name "R. Temple Savage" gilt to upper titling gilt to spine. 1f. recto title verso "Orchesterbesetzung" 3-60 pp. With notice of the 4-hand arrangement by O. Singer added to title and "Lith. Anst. v. C. G. Röder" to foot. <br /> <br /> With red handstamped copyright notice to upper inner corner of title and rectangular Univeral-Edition overpaste to lower margin; small octagonal ivory label laid down over printed prices.<br /> <br /> Provenance<br /> Richard Temple Savage 1909-1996 bass clarinettist under Sir Thomas Beecham in the London Philharmonic Orchestra 1934-1946 then Chief Librarian and member of the orchestra at the Royal Opera House Covent Garden with his handstamp "The Property of R. Temple Savage" within rectangular border to front free endpaper and signature and date of 1943 to upper outer corner of title. <br /> <br /> Binding slightly worn rubbed and bumped. Minor internal wear and browning; upper outer corners slightly creased. First Edition later issue. Sonneck Orchestral Music p. 453. Fuld p. 580. Trenner 171. Asow I p. 156. <br /> <br /> Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer. During an artistic career which spanned nearly eight decades he composed in virtually all musical genres but became best known for his tone poems composed during the closing years of the 19th century and his operas from the early decades of the 20th. .<br /> <br /> Shortly after the Guntram première he decided to compose a one-act opera Till Eulenspiegel bei den Schildbürgern though he never got beyond an incomplete text draft. Why he scrapped the opera for a tone poem is not clear but judging from his programme notes the symphonic work is based on a different scenario: 'Once upon a time there was a knavish fool named Till Eulenspiegel. He was a wicked goblin up to new tricks'. Till rides on horseback through the market mocks religion disguised as a cleric flirts with women engages in academic double talk with his philistine audience and by the end finds himself on the scaffold soon to be hanged. Strauss did not call Till a tone poem but rather a 'Rondeau Form for Large Orchestra'. Richard Specht suggested this might well have been the first prank given that the only connection with the old French forme fixe is in the spelling. Strauss later described the structure as being an 'expansion of rondo form through poetic content' and cited Beethoven's Eighth Symphony as his model. Given the libertine qualities of young Till as well as the episodic nature of the work a rondo would seem quite appropriate. But as in Don Juan the form is hardly conventional: the sense of rondo is achieved mostly by the return of Till's two themes to articulate his various adventures. Completed in May 1895 the compact Till Eulenspiegel was introduced with great success six months later and remains Strauss's most often performed orchestral piece. That he had learnt much about orchestral detail and nuance during the six years since Tod und Verklärung is evinced by his brilliant use of the ratchet when Till rides through the market or by the piercing D clarinet when he whistles in the face of death." Bryan Gilliam and Charles Youmans in Grove Music Online. Jos. Aibl Verlag [PN 2832] unknown
1890d0071London: Ashdown & Parry; J Wightman & Sons; &c. G : in good condition without dust jacket. Cover rubbed and marked with edge-wear. Minor foxing and marks within. 1890. First Edition. Brown hardback cloth cover. 350mm x 170mm 14" x 7". 138pp. The Pretty Bird Quadrille; London by Night Quadrille; Silvery Waves; Watching for Pa; Put me in my Little Bed; Dead March; The Transit Galop; The Pace Galop; Delightful Waltz; Winter Time Galop; Midnight; The Happy Homes of England Quadrille; A Very Pretty Schottische; Belgravia Polke; The Daisy Polka; Mein Schönster Tag in Berlin Waltzes; Dream of the Rose Waltz; Beautiful Danube; La Grande Duchess Quadrille; Schneider how you vas Quadrille. Heavy item - shipping supplement may apply for overseas. . Ashdown & Parry; J Wightman & Sons; &c hardcover
184629953Garage s a5 faded dark blue can't read spine: Chapman Brothers 1846. Hardback. Used: Acceptable. Hardback in reasonable condition considering the age cover faded with bumps to corners and spine pages browned with some age spots owners name on first and last pages front cover showing stitching can provide photos this is volume one thought to be circa 1846 / 47 Chapman Brothers hardcover
1892200303London : New York : Sonnenschein ; Macmillan 1892. 1st Single Volume Edition. Hardback. Very good copy in the original gilt-blocked cloth. Publisher's device in gilt to spine Spine bands and panel edges slightly dust-toned and rubbed as with age. Minor indented mark to front panel with some light surface staining. Small nick towards top of spine. Corners bumped. Decorative endpapers. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 784 pages; Physical description: xxxviii 39-784 p. ; 23 cm. Subjects: Jesus Christ - Biography. Includes introduction by Otto Pfliderer. Translation of: Das Leben Jesu ; previous ed. 1846. Summary: George Eliot first major literary work was translating Strauss' Life of Jesus. London : New York : Sonnenschein ; Macmillan hardcover
18462030419London: Chapman Brothers 1846. Publisher's original blindstamped green cloth. Owner's name in pen on endpaper; "by Miss Evans" in owner's very neat hand on title page under translation; very light cover soil; VERY light wear at spine ends; top corner of front cover somewhat discolored: Very Good- copy no dj as issued. 8vo. First edition. This is George Eliot's first appearance in print albeit unattributed. Chapman, Brothers hardcover
185908905THE GLORY OF THE HOUSE OF ISRAEL; OR THE HEBREW'S PILGRIMAGE TO THE HOLY CITY: COMPRISING A PICTURE OF JUDAISM IN THE CENTURY WHICH PRECEDED THE ADVENT OF OUR SAVIOUR Lippincott 1859 first American edition spine lightened else a tight very good to very good copy. A semi-fictional historical account of the times. Lippincott unknown
1900242014Max eshig et cie 1900 10 pages in4. 1900. Non relié. 10 pages. partition musicale
190025085Wien, Edition Bristol, o.J. (ca. 1900). 4°. 6 Bände in 1 Band, 20, 20, 20, 20, 20, 20 S., Halbleinenband der Zeit mit goldgepr. Deckeltitel. - Enthält: 1) Johann Strauss, Wiener Bonbons, Walzer. 2) Johann Strauss, Ouverture aus der Operette "Der Zigeunerbaron". 3) Johann Strauss, Ouverture zur Operette "Die Fledermaus". 4) Johann Strauß, Walzer. 5) G. Verdi, Ballett aus der Oper "Ernani". 6) Johann Strauss, Cagliostro-Walzer. Buchblock verkehrt eingebunden und etwas locker. Einband bestoßen.
183733318Zürich gedruckt in der Bürkischen Offizin, 1837. VIII, 182 Seiten. Originalbroschur 20 cm
186120855Kbhvn., 1861. Samt. hshirtbd. Lidt slid ved kapitæler. X,403 pp., 6 tonede litograferede plancher og 1 kort.
188936176Hamburg: Aug. Cranz PN C. 27869 1889. Large octavo. Modern half dark red cloth with patterned boards original publisher's upper printed wrapper laid down to upper. 1f. recto title verso blank 1f. recto dedication verso contents 3-162 pp. <br/><br/>With performance markings in blue and lead pencil; occasional additional text in lead pencil. <br/><br/>Upper wrapper trimmed. Minor wear to lower outer corners; inner margin of title reinforced with white paper. First Edition. Weinmann p. 135.<br/><br/>Simplicius to text by Léon after J.J.C. von Grimmelshausen's Der abenteuerliche Simplicissimus was first performed in Vienna at the Teater an der Wien on 17 Dec 1887. Aug. Cranz [PN C. 27869] unknown books
188936176Hamburg: Aug. Cranz PN C. 27869 1889. Large octavo. Modern half dark red cloth with patterned boards original publisher's upper printed wrapper laid down to upper. 1f. recto title verso blank 1f. recto dedication verso contents 3-162 pp. <br /> <br /> With performance markings in blue and lead pencil; occasional additional text in lead pencil. <br /> <br /> Upper wrapper trimmed. Minor wear to lower outer corners; inner margin of title reinforced with white paper. First Edition. Weinmann p. 135.<br /> <br /> Simplicius to text by Léon after J.J.C. von Grimmelshausen's Der abenteuerliche Simplicissimus was first performed in Vienna at the Teater an der Wien on 17 Dec 1887. Aug. Cranz [PN C. 27869] unknown
18906136371890. Softcover. Very Good. An album of late 19th century dance sheet music. Folio. Around 120 to 150 pages. Quarter black leather cloth covered boards leather spine with raised bands tooled with gilt in six compartments with "Dances" in gilt at the top of the spine the initials "N.L.D" in gilt on the front board and blue endpapers. Worn boards and spine with the foot of the spine coming loose both the front and rear hinge have been repaired some loss of the front fly leaf toned endpapers and a few tears throughout but there is no loss of the sheet music which remains bright and clean a few with an owner name or music shop stamp on the front cover and one song may possibly have the wrong cover "Lachtaubchen: La Rieuse" overall very good.<br /> <br /> The album consists of 30 instrumental dance pieces for the piano many being schottisches and lancers. The collection includes many seemingly uncommon to rare pieces which are either unrecorded by OCLC or located in very small numbers and almost every piece is bound with its original front cover some include rear covers featuring ads as well. Highlights include: <br /> <br /> "Possum Dance" with engraved illustration of dancing possums on the front cover by S. Bourgoin published by J. Van Loan & Co. copyright 1982 unrecorded by OCLC.<br /> <br /> "New York Society Lancers" dedicated to The Ladies of New York by J.S. Cox published by J. Van Loan & Co. copyright 1889 unrecorded by OCLC.<br /> <br /> "Dance Music from Mikado" with an elaborately engraved illustration on the front cover by George Wiegand published by Wm. A. Pond & Co. copyright 1883 two in OCLC a closed tear partially affecting the music though it remains complete.<br /> <br /> "Hot Time in the Old Town Schottische" with a bold and colorful front cover illustration by Theo. A. Metz published by Willis Woodward & Co. copyright 1897 three of the schottische in OCLC.<br /> <br /> "Society Yorke As Danced in New York Society" by W. Vincent Daly published by J. Van-Loan & Co. copyright 1890 unrecorded by OCLC.<br /> <br /> And what appears to be an early edition of "Künstler-Quadrille" by Johann Strauss with dampstaining along the top throughout published by Carl Haslinger no printed copyright the text is in German so it's difficult to make out if this is the exact piece by Strauss or an interpretation of his work. <br /> <br /> The album also includes multiple pieces by the composers George Wiegand and Emil Waldteufel.<br /> <br /> A lovely collection of uncommon to rare late 19th century dance music. A complete list of titles is available upon request. unknown
