26 834 résultats
EN-169o.J. Radierung mit heller Tonätzung, 1907, auf chamoisfarbenem Velin, mit Bleistift signiert ?Emil Nolde.?. Darstellungsgröße 30:22,1 cm, Blattgröße 43,5:31,7 cm. Gedruckt von Otto Felsing, Berlin. - Eines von 37 Exemplaren dieses Zustandes und von vorzüglicher Erhaltung! - Provenienz: Galerie Nierendorf, Berlin; Privatsammlung, Hessen. - Literatur: Schiefler/Mosel/Urban R 76 V (von V). [2 Warenabbildungen]
EN-160o.J. Lithographie, teils aquarelliert, um 1930, auf festem, chamoisfarbenem Velin, mit Bleistift nummeriert ?1/6? und signiert ?JMammen?. Darstellungsgröße 44,5:34 cm, Blattgröße 70:50,3 cm. - Eines von nur zwei handkolorierten Exemplaren der Lithographie und somit von allergrößter Seltenheit! - Provenienz: Atelier der Künstlerin; Sammlung Prof. Dr. Stanislaw Karol Kubicki, Berlin (1926-2019). Karol Kubicki war lange Jahre Präsident der Jeanne-Mammen-Gesellschaft in Berlin. - Literatur: Döpping/Klünner D 14. [2 Warenabbildungen]
EN-089o.J. Lithographie (Asphaltdruck), um 1930, auf chamoisfarbenem Bütten, mit Bleistift nummeriert und signiert. Darstellungsgröße 46,5:35 cm, Blattgröße 62:49,9 cm. Provenienz: Atelier der Künstlerin; Sammlung Stanislaw Karol Kubicki. Literatur: Döpping/Klünner D 15, Nr. 4 von 20 Exx. Diese Lithographie zählt zu den Höhepunkten im graphischen Werk von Jeanne Mammen und liegt hier in einem prachtvollen, klaren Abdruck mit sehr breitem Rand vor. ?Jedes der Mammen-Girls (?) scheint in seiner Isolierung wie unter einem unsichtbaren Glassturz konserviert, der es von den anderen trennt. Ihre zu Schlitzen zusammengezogenen, ins Leere blickenden, durch Hutkrempen verdeckten und durch Schleier vergitterten Augen verbergen erfolgreich alles, was eventuell als ?Seelenkäse? enttarnt werden könnte.? (Zit. aus: Eva Züchner, Langweilige Puppen, in Döpping/Klünner, S. 55).
1924EN-002München, Piper, 1924. Gr.-8vo. 47 Ss. Mit 1 ganzseit. Illustration nach einer Zeichnung von Alfred Kubin, 3 Bll., 10 Orig.-Graphiken (davon 7 signiert): 1. Peter Trumm, Holzschnitt, unsigniert. - 2. Max Unold, Holzschnitt, unsigniert. - 3. Rudolf Grossmann, Lithographie, unsigniert. - 4. Max Beckmann, Radierung, signiert (Gallwitz 241; Hofmaier 300). - 5. Richard Dreher, Radierung, signiert. - 6. Hans Gött, Radierung, signiert. - 7. Carl Hofer, Radierung, signiert (Rathenau 51). - 8. Wassily Kandinsky, Radierung, signiert (Roethel 182). - 9. Felix Meseck, Radierung, signiert. - 10. Adolf Schinnerer, Radierung, signiert.- Orig.-Halbpergament, mit goldgeprägtem Rückentitel und Kopfgoldschnitt. - Vorsätze erneuert, Ecken leicht bestoßen.- Literatur: Söhn, HDO 349. - Eins von 60 num. Exemplaren, ?aus Anlass des 20jährigen Bestehens der Verlagsbuchhandlung? hergestellt? Der Einband stammt von Hübel & Denck, Leipzig?. Mit literarischen Beiträgen von J. Meier-Graefe, H. Wölfflin, J. Kurth, W. Hausenstein, O. Vrieslander u.a. Der Druck der Graphiken erfolgte in den Ateliers C. Wolf & Sohn sowie F. Hanfstaengl, München. Schönes Exemplar der seltenen Festschrift! [6 Warenabbildungen]
1990569713Dorset England 1990. Hardcover. Very Good. A remarkable set of two large albums of poetry and some prose hand written and illustrated with watercolor paintings pen & ink and pencil drawings by Sven Berlin in 1990-91. Both albums are oblong quartos measuring 15†x 13½†screw-bound with dark blue hand lettered leatherette covers. The albums contains approximately 165 manuscript sheets handwritten on the rectos only together with about 135 drawings laid onto the rectos and versos of 115 cardboard leaves coated with light adhesive enclosed in plastic sleeves. Several manuscript pages have corrections by Berlin and most of the drawings are Signed and dated by him. Among the drawings are about 59 watercolor paintings 57 pen and ink drawings and 19 pencil drawings. The covers are rubbed and lightly stained both binding screws of the first album are loose both covers of the second album are detached else near fine with the manuscript pages and drawings near fine throughout both albums.<br /> <br /> Born in 1911 at Sydenham South London Sven Berlin was a dancer painter sculptor poet and writer. In 1938 he moved to Cornwall to pursue his artistic career. Exhibiting paintings drawings and sculpture regularly with the St. Ives Art Colony. In London Berlin was a founding member of the Crypt Group of modern-minded young artists and of the important Penwith Society of Arts in 1949. He broke with the latter group following a much-publicized rift between the abstract Modernists led by Ben Nicholson and Barbara Hepworth and the more representational artists including Berlin. This artistic clash of egos was the inspiration for Berlin’s 1962 fictionalized autobiography The Dark Monarch which was withdrawn just days after publication following legal action. An outsider from the mainstream of British art Berlin would become one of the last great British bohemians.<br /> <br /> An important set of manuscripts written in Berlin’s strong hand and illustrated with his bold drawings rich in imagery and metaphor. A detailed description of both albums is available. hardcover
EN-135o.J. Kaltnadelradierung, 1922, auf Japan, mit Bleistift signiert ?Beckmann?. Darstellungsgröße 21,4:32,7 cm, Blattgröße 29,8:43,8 cm. Herrlich frischer, kräftiger und gratiger Druck mit vollem Rand, von vorzüglicher Erhaltung! Eines von 50 Exemplaren auf Japan, von denen ein Teil von Günther Franke auf ?x/XV? nummeriert wurde. Erschienen bei R. Piper & Co., München, 1922. Provenienz: Galerie Wirnitzer, Baden-Baden, Kat.: Querschnitt, VII, 1981, Nr. 13, Abb. S. 19; Privatsammlung, Süddeutschland. Literatur: Hofmaier 239, Ba (von Bd); Beckmann Liste 218; Glaser 213; Gallwitz 209. - James Hofmaier erwähnt einen Abdruck der Edition mit einer Aufschrift von fremder Hand, dass bei Beckmanns ?Strand? ein Küstenabschnitt der Nordseeinsel Wangerooge dargestellt sei. [2 Warenabbildungen]
EN-010o.J. Holzschnitt, 1923, auf Japan, mit Bleistift signiert. Darstellungsgröße 22,3:14,9 cm, Blattgröße 51,8:35 cm. Provenienz: Nachlass Günther Franke, München, seither in Familienbesitz. Literatur: Hofmaier 258, III B b; Glaser 229; Gallwitz 223.- Tadelloser, tiefschwarzer Abdruck mit breitem Rand, rechts und links mit dem Schöpfrand. Abweichend von den Angaben bei Hofmaier auf Japan statt auf Velin gedruckt; eines der fünf bei Hofmaier erwähnten nicht nummerierten Exemplare, erschienen neben der Auflage von nur 35 nummerierten Drucken.
EN-133o.J. Kaltnadelradierung, 1918, auf Japan, mit Bleistift betitelt ?Concertcaffe? und signiert ?Beckmann?. Darstellungsgröße 31:23 cm, Blattgröße 38,5:30,5 cm. Herrlich frischer Druck mit vollem Rand und Blindstempel der Marées Gesellschaft, von vorzüglicher Erhaltung! Eines von 40 Exemplaren der Vorzugsausgabe auf Japan, vor Verstählung der Platte. Blatt 9 aus der Mappe ?Gesichter?. München, Verlag der Marées Gesellschaft R. Piper, 1919. Provenienz: Privatsammlung, Frankfurt am Main. Literatur: Hofmaier 130 III, Ba (von Bb); Beckmann Liste 114; Glaser 111; Gallwitz 101. [2 Warenabbildungen]
EN-134o.J. Kaltnadelradierung, 1918, auf Japan, mit Bleistift betitelt ?Straße in Frankfurt a/M? und signiert ?Beckmann?. Darstellungsgröße 23,3:29,2 cm. Blattgröße 33:36 cm. Herrlich frischer, kräftiger und gratiger Druck mit vollem Rand und Blindstempel der Marées Gesellschaft, von vorzüglicher Erhaltung! Eines von 40 Exemplaren der Vorzugsausgabe auf Japan, vor der Verstählung der Platte. Blatt 14 aus der Mappe ?Gesichter?. München, Verlag der Marées Gesellschaft R. Piper, 1919. Provenienz: Privatsammlung, Frankfurt am Main. Literatur: Hofmaier 134 II, Aa (von Bb); Beckmann Liste 118; Glaser 115; Gallwitz 105. - Dargestellt ist vermutlich die Darmstädter Landstraße im Frankfurter Stadtteil Sachsenhausen (vergleiche das Ölbild von 1917, Göpel 195, seitenverkehrt und mit einigen Abweichungen). [2 Warenabbildungen]
EN-005o.J. Kaltnadelradierung, 1918, auf Japan, mit Bleistift betitelt, datiert und signiert. Darstellungsgröße 25,1:29,4 cm, Blattgröße 31,1:37 cm. Eins von 40 Exx. der Vorzugsausgabe auf Japan. Blatt 6 aus der Mappe ?Gesichter?. München, Verlag der Marées Gesellschaft R. Piper, 1919. Literatur: Hofmaier 128, IV, B, a (von b). - Herrlich frischer Abzug mit dem Blindstempel der ?Marées Gesellschaft? und von vorzüglicher Erhaltung!
EN-161o.J. Farblithographie, um 1930/32, auf chamoisfarbenem Velin, mit Bleistift bezeichnet ?P./A 4?, zweifach signiert ?J. Mammen? sowie betitelt ?Siesta?. Darstellungsgröße 44,5:35,3 cm, Blattgröße 52,3:37,7 cm. Vereinzelte winzige Stockfleckchen sowie im Passepartoutausschnitt minimal gebräunt. - Eines von nur sieben bekannten Exemplaren und somit sehr selten! - Provenienz: Atelier der Künstlerin; Sammlung Prof. Dr. Stanislaw Karol Kubicki, Berlin (1926-2019). - Literatur: Döpping/Klünner D 23, PA 4. Entstanden für den mit Fritz Gurlitt geplanten Zyklus ?Lieder der Bilitis?.
189598090London: George Routledge and Sons 1895. Hardcover. Near Fine/Near Fine. Revised and enlarged edition. Octavo. 720pp. Red cloth. Gilt lettering dulled but readable modest wear to the spine ends a tight very good copy. Irving Berlin's copy with his bookplate on the front pastedown. Housed in a custom quarter leather and marbled papercovered clamshell case. Accompanied by 20 slips of paper originally laid into the book with holograph notes by Berlin. Of these seven contain working manuscript notes for a rhyming song. The transitory and fragmentary nature of the notes are obviously inconclusive but it appears this song is unpublished. Also in the book is a letter to Mrs. Berlin from a Las Vegas correspondent and some other material. Further provenance on request. A chance to remake musical history: in an interview in his 90s he lived to be 101 Berlin claimed never to use a rhyming dictionary Davis The Craft of Lyric Writing p. 212. A fascinating artifact a compositional tool from one of the greatest songwriters of all time and among them one of the few to write his own lyrics as well as music. Berlin wrote approximately 1500 songs during his long career many of them recognizable American standards such as "Alexander's Ragtime Band" his first hit in 1911 "Puttin' on the Ritz" "God Bless America" "Easter Parade" and "White Christmas." In addition he wrote the scores for 19 Broadway shows and 18 Hollywood films. By virtue of the endurance of his individual compositions his lasting influence on other musicians and the sheer length and breadth of his career Berlin occupies a singular position in the history of popular music. George Routledge and Sons hardcover
EN-171o.J. Kaltnadelradierung mit Riffelfeile und Pinselätzung, 1920, auf festem Japan, mit Bleistift signiert ?HMPechstein?. Darstellungsgröße 26,5:20,7 cm, Blattgröße 36,6:30,9 cm. - Eines von 25 Exemplaren der Vorzugsausgabe auf Japanpapier. - Provenienz: Privatsammlung Berlin. - Literatur: Krüger R 118; Söhn HDO 72709-8. Erschienen in: ?Die Schaffenden?, 3. Jahrgang, 1. Mappe. Hrsg. von Paul Westheim, Berlin, Euphorion-Verlag, 1921. [2 Warenabbildungen]
06667New York: Irving Berlin 1911. A Composer's Archive: Irving Berlin's Personal Songbook<br /> Presented to Leslie Bricusse with 1969 Letter Referencing Roger Eden<br /> <br /> BERLIN Irving. Songs by Irving Berlin. New York: Irving Berlin n.d.<br /> <br /> Thick folio 12 x 9 inches; 305 x 229 mm. A remarkable compilation of nearly 200 individual musical scores gathered and bound into a substantial volume. Specially prepared in black cloth covers and spine lettered in gilt all edges gilt housed in a protective clear jacket. An imposing and evidently custom-assembled anthology of Berlin's principal songs.<br /> Binding strong and handsome; inscription bold; letter well-preserved with original folds. A superb museum-worthy ensemble.<br /> <br /> Provenance & Association:<br /> <br /> Inscribed by Berlin to Leslie Bricusse: "For Leslie Bricusse / with all good wishes / from / Irving Berlin."<br /> Accompanied by an exceptional typed letter signed TLS on Berlin's stationery dated March 28 1969 addressed to Bricusse at his Beverly Hills residence. In it Berlin explains his decision to send this bound volume rather than individual songs and adds a warm compliment on Bricusse's score for Goodbye Mr. Chips. Crucially Berlin notes that he had earlier sent a copy of the same book to Roger L. Eden of Broadcast Music Inc. - a revealing detail that firmly establishes the present volume as a purpose-assembled professional reference copy circulated among leading figures in the music world. The association places this example within a rarefied network of composer-to-composer and composer-to-publisher exchange.<br /> <br /> Contents & Dating:<br /> <br /> The volume comprises a sweeping retrospective of Berlin's career from early Tin Pan Alley successes Alexander's Ragtime Band 1911 through his great Broadway and Hollywood years including later works such as There's No Business Like Show Business 1946 and You're Just in Love 1950 establishing a terminus post quem of 1950 for the compilation. It represents in effect a working archive of Berlin's canon assembled late in his career.<br /> <br /> Significance:<br /> <br /> A powerful artifact of 20th-century musical history: Berlin - the defining architect of the American Songbook - here acknowledges and encourages Bricusse one of its most accomplished successors. Association copies linking composers of this stature with substantive correspondence referencing both the object itself and contemporary work are of the highest desirability. The reference to Roger Eden further elevates the piece situating it within the inner professional circles of music publishing and rights management. New York: Irving Berlin, 1911 unknown
1938154298Los Angeles: Twentieth Century-Fox 1938. First Edition. First Edition. Association copy INSCRIBED on the second front endpaper by Irving Berlin: "To / Dorothy Hechtlinger / with my best / Irving Berlin." A scarce promotional songbook issued by Twentieth Century-Fox in connection with their successful 1938 musical film "Alexander's Ragtime Band."<br /> <br /> Dorothy Hechtlinger was Twentieth Century-Fox studio head Darryl F. Zanuck's script coordinator from 1934 to 1945 described by later biographers as an "indispensable" part of Zanuck's team. Although uncredited in the 1938 film Hechtlinger would likely have been intimately involved in the screenwriting process. <br /> <br /> The songbook contains piano transcriptions of three new songs written for the film-including "Now It Can Be Told" "My Walking Stick" and "Marching Along with Time"-as well as 25 other songs written by Berlin.<br /> <br /> Very Good plus in wrappers with light wear to the spine ends and a small chip to the bottom corner of the front wrapper. Twentieth Century-Fox unknown
191498381914. Presentation album promoting the work of the pioneering printing firm including unpaginated 16 pp. introductory text printed in blue black silver and white within elaborately ornamented borders and 12 mounted samples of work by the firm including publicity brochures advertisements pamphlets stationery and other items most in striking colors compositions and formats with descriptions on decorative tissue guards. Folio. Orig. ornamental cloth front cover a bit warped. Berlin n.d. circa 1914. A spectacular publication reflecting the firm's originality creativity and great attention to detail presenting striking designs for publicity material epitomizing later manifestations of Jugendstil aesthetics. hardcover books
020109New York NY: Wu-Shan Inc. and Sony Music 2011. Book. Fine condition. Hardcover. Inscribed by Illustrators. 1st Edition. Quarto 4to. The Deluxe Box edition number 77 of 85 limited edition sets produced issued in a black cloth clamshell case with white lettering. Includes four numbered sleeves each containing a vinyl record three numbered sleeves each containing a compact disc and a folding enclosure containing descriptive text sheets and 16 album-sized limited issue silkscreen prints on Arches paper. Fourteen of the prints are signed by the artist on the front or back; the Dylan and Gordon prints are stamp signed. The silkscreens are individually printed by Alexander Heinrici one of Warhol's most trusted silkscreen artists. Heinrici created the original silkscreens for Warhol's world-renowned "Mao" "Flowers" and "Merce Cunningham 1" among others. All sixteen prints are numbered and stamped on the back. Each print has a tissue guard. Each print measures 12 x 12 inches 30.4 x 30.5 cm. The box measures 14 x 14 x 2.5 inches 36 x 36 x 5 cm. The publication accompanied an exhibition of the same title at the Andy Warhol Museum October 1 2011 - January 8 2012. It was subtitled as "An Exhibition in Sight and Sound." The set includes music art and recordings created by a diverse roster of artists writers and performers who knew worked with were associated with and/or were inspired by Andy Warhol. Spoken word sound pieces and music recordings by Ivan Karp Bob Dylan Path Soong John Giorno Billy Name Ultra Violet Lawrence Weiner Vincent Fremont Brigid Berlin Patti Smith Christopher Makos Yura Adams Alexander Heinrici Carter Ratcliff Connie Beckley Nat Finkelstein Susan Breen and Jeff Gordon. Artworks were provided by all the artists except for Ivan Karp. The audio works juxtapose each artist's visual image all created in homage to Warhol. The vinyl and Compact Disc recordings include Karp's "The First Time" Dylan's "When I Paint My Masterpiece" Soong's "Titles" Giorno's "Thanx For Nothing" Name's "Maha Mantra" Violet's "Light" Weiner's "Vienna" Fremont and Berlin's "Conversation" two tracks Smith's "Edie" Makos' "What About Me" Adams' "Waiting For My 15 Minutes" Heinrici's "Silkscreen" Ratcliff's "Glitch City" Beckley's "Silk Scream Liz" Finkelstein's "Factory" Breen's with Arto Lindsay "Warhol Soundfield 467" and Gordon and Warhol's "Uh Yes Uh No." Bonus material not present in other Deluxe Box or any other editions: blue and black silkscreen artwork depicting Path Soong titled "6.98" number 9/50 and pencil signed by artist Jeff Gordon image area 6" wide by 8"; Handmade 24-page poetry book titled "Stillness" dated 2012 signed by Path Soong and numbered 7/10; three compact disc recordings in tin case - unopened by contributors; and an original invitation and 2-person ticket to the 2011 exhibition. Fine condition. . Wu-Shan Inc. and Sony Music Hardcover
EN-071o.J. Radierung, 1916, auf cremefarbenem, mit Bleistift betitelt, datiert und signiert. 12,5:17,3 cm.- Blatt 9 aus der Mappe ?Gesichter?. München, Verlag der Marées Gesellschaft R. Piper, 1919.- Vorzüglicher Abdruck mit vollem Rand und dem Blindstempel der Marées Gesellschaft. Eins von 40 Exx. auf Japan, vor Verstählung der Platte. Literatur: Hofmaier 89 B a; Beckmann Liste 85; Glaser 83; Gallwitz 66.
19810196761981. Hardcover. Signed page a bit wrinkled not affecting Berlin's writing. Near Fine and possibly unique. Thick quarto 8-7/8" x 11-3/4" x 3" thick in a plastic-enclosed black pebbled leather 3-hole binder containing 194 vintage pieces of sheet music by Irving Berlin likely all reprints specially compiled and arranged alphabetically with a special contents page bound at the front. INSCRIBED and SIGNED by the composer on the front endpaper: "For Rosemary and Earl Wilson/with love from/Irving Berlin -- 1981." A privately compiled effort exclusively produced and supervised by Irving Berlin during his twilight years likely only for his closest friends. We are aware of the existence of only one other copy that belonging to Harold Arlen. Earl Wilson was one of the best known gossip columnists of his day and an authority on Broadway and show business. He often interviewed Berlin including the well-known interview in December 1953 about HOLIDAY INN when Berlin told Wilson: "But the public liked 'White Christmas' and it became a runaway. You see a war song doesn't have to be about wars. This is really a peace song." Wilson and Berlin were longtime friends maintaining a 35-year correspondence. <br/><br/> hardcover
19312080502106916741Not Available 1931. Soft Cover. Fine. The book is in fine condition. Not Available paperback
EN-065o.J. Kaltnadel, 1921, auf chamoisfarbenem Bütten, mit Bleistift signiert. 21,5:15 cm. Tadellos und mit vollem Rand. Literatur: Hofmaier 192, II B b (von D). Blatt 2 der 10-Blatt-Folge von Kaltnadelradierungen ?Der Jahrmarkt?. Druck bei F. Hanfstengel, München. Verlag der Marées Gesellschaft (mit dem Prägestempel), R. Piper & Co., München, Frühjahr 1922. Einer von 125 Abzügen auf Bütten aus einer Gesamtauflage von 200 Exemplaren (zu Lebzeiten des Künstlers).
393396Unbound. Very Good. One partially printed bi-folium one leaf folded to make four pages. The single fold is neatly reinforced with tape else very good or better. Printed with staves music has been filled in with pencil on two facing pages and Berlin has captioned the song filled in the lyrics intended for his granddaughter Mary Ellin Barrett of the title and has Inscribed it at the bottom of the left-hand page: "For Mary Ellin - With love from Grandpa. 1974." Accompanied by a letter of provenance from Mary Ellin Barrett and a photocopy of a newspaper article about Barrett and her relationship with her grandfather. Berlin famously could not write or read musical notation so we cannot confirm in whose hand the music is written however the lyrics are clearly in Berlin's hand. unknown
1992106387BBParis, La Hune, (1992). Folio (33,5 x 24,5 cm.). 7 Mappen und 1 Umschlag mit Faksimiles und 4 (2 farbige) Orig.-Photographien. Orig.-Pappkassette mit Deckelschild. [5 Warenabbildungen]
1936133015Paris: Fryam Press 1936. First edition of Meier's classic work on the art of mixing cocktails. Octavo original wrappers illustrated. Presentation copy inscribed on the front free endpaper by Judy Garland "To George - Sincerely Judy Garland"; on the verso of the front free endpaper by Irving Berlin "To Mr. George Rose Who should remember that the morning after the night before is sometimes very sour. Berlin"; and on the half-title page by Bob Considine "For George good guy! Bob Considine." The recipient George Rose was a regular patron of the Ritz Bar which gained a reputation over the years for its glamorous cocktail parties and the unique bartending skills of Frank Meier a head barman from 1921 until his death in 1947. One of his best-known cocktails was the potent "Rainbow" consisting of anisette mint yellow chartreuse cherry brandy kümmel green chartreuse and cognac. Designed in the Victorian style with red-velvet armchairs and bar furnishings a marble fireplace and historic portraits The Ritz Bar may have been the world's first hotel bar and was frequented by celebrities and writers including Judy Garland and Ernest Hemingway. In very good condition. Meier's classic work on enjoying and mixing drinks includes over 300 recipes for cocktails cups highballs after-dinner drinks smashes zooms puffs punches and sours. Fryam Press unknown
EN-073o.J. Radierung, 1918, auf cremefarbenem Japan, mit Bleistift betitelt, datiert und signiert. 29,8:19,8 cm.- Blatt 13 aus der Mappe ?Gesichter?. München, Verlag der Marées Gesellschaft R. Piper, 1919.- Vorzüglicher Abdruck mit vollem Rand und dem Blindstempel der Marées Gesellschaft. Eins von 40 Exx. auf Japan, vor Verstählung der Platte.- Literatur: Hofmaier 133 B a mit dem Blindstempel der Marées Gesellslchaft. 1 von 40 Exx. auf Japan, vor der Verstählung der Platte; Beckmann Liste 177; Glaser 114; Gallwitz 104.- Vorzüglicher Abdruck mit vollem Rand.
