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1923244673Munich: Three Masks 1923. Limited. hardcover. very good. Facsimile edition of the autographed full score of Wagner's Tristan und Isolde. 354pp. folio flexible boards dust wrapper; spine ends chipped some edgewear. Munich: Three Masks 1923. An internally fine copy in a slightly worn binding. Number 368 of 410 copies<br/><br/> Three Masks unknown books
187518437Mainz: B. Schott's Söhne April 1875. Used; Like New/Used; Like New. Götterdämmerung. Vollständiger Klavierauszug von Karl Klindworth. Folio. Lithographed throughout. PN 21500. 1f. general title "Der Ring des Nibelungen" 1f. title 1f. half-title 1 cast list and contents 2-357 i blank pp. Inscribed on the title page by cellist and composer David Popper as follows: "Der unsterblichen / Muse Richard Wagner / kunstbegeisterten / Förderer durch Wort / und Schrift von / seinem ihn herzlich / .David Poper / Wien 6. Mai 1875 / III. Wagnerkonzert in Wien" "The immortal muse of Richard Wagner / his art-loving supporter through written/ and spoken word/ warmly / David Popper / Vienna 6 May 1875 / 3. Wagner concert in Vienna".   Contemporary black cloth boards quarter brown leather. Generally in fine internal condition throughout with a few light pencil markings one leaf p. 11/12 with two significant tears; spine covering largely perished boards separating from the block rear board barely holding on. Fuld p. 465; Deathridge Geck and Voss WWV p. 402; Klein p. 51. <br>The present historic copy was inscribed on the occasion of Wagner's conducting portions of Götterdämmerung in concert in Vienna in advance of the the complete opera's Bayreuth premiere in 1876. The publication of this piano vocal score preceded the full score by over a year and the general title page on which Popper has inscribed as well as the half title are common to the full scores of all four Ring operas. As with Siegfried and Parsifal Schott's first edition of Götterdämmerung was issued in lithographed form with only a few mainly presentation copies being issued directly from the engraved plates. <br>One of the most influential cellists of the late nineteenth and early twentieth century Popper was a student of Julius Goltermann and at age 25 secured the position of principal in the Vienna Hofoper and the Vienna PO the youngest player to hold such a post and later joined the Hellmesberger Quartet. He was in friendly contact with Franz Liszt whose pupil pianist Sophie Menter became Popper's first wife in 1872. This marriage which produced in 1876 a daughter Celeste ended after fourteen years although during that time the couple appeared in countless joint recitals. His acquaintance with Liszt led Popper also to Richard Wagner and in 1873 he became a co-founder of the first ever official Wagner Society the Viennese Wagner-Verband. In 1886 his marriage dissolved Popper was appointed by Liszt as professor at the National Hungarian Royal Acadamy of Music where he established the cello and chamber music divisions. He remained until his death having also served as a member of the Hubay Quartet. A cellist of superior technique and a warm powerful tone Popper was a champion of new music and the composer of more than 75 works mostly for his own instrument. His most important contribution is certainly the Hohe Schule des Violoncello-Spiels a set of 40 studies that examine the positions of the left hand within a highly chromatic Wagner-influenced setting. <br style="">Götterdämmerung is the fourth opera in the Ring cycle. Excerpts were first performed in a concert at the Musikverein in Vienna on March 25 1875; the entire work was first performed as part of the Ring cycle at Bayreuth on August 17 1876. "The final opera of the Ring. provides an appropriately weighty conclusion to the epic cycle. 26 years elapsed from the time Wagner made his first prose draft for the work then called Siegfrieds Tod to the completion of the full score with inevitable consequences in terms of stylistic unity. Retrogressive elements of grand opera exist side by side with motivic integration representative of Wagner's most mature style. And yet the stylistic integrity of Götterdämmerung is scarcely compromised so skillfully are the disparate elements welded together and so intense the dramaturgical conviction. The resources and stamina demanded by the work from both singers and orchestra combined with its sheer length and theatrical potency make it one of the most daunting yet rewarding undertakings in the operatic repertory." Grove Music Online<br style=""><br style=""> B. Schott's Söhne hardcover books
192334921Berlin: Drei Masken Verlag 1923. Folio. Original publisher's quarter dark red morocco with marbled boards raised bands on spine in decorative compartments gilt. 462 pp. 1f. colophon.<br/><br/>Binding slightly worn rubbed and bumped. Very minor signs of wear. In very good condition overall. Limited to 530 numbered copies this no. 111.<br/><br/>A "music drama" in three acts by Richard Wagner to his own libretto Die Meistersinger was first performed in Munich at the Königliches Hof- und Nationaltheater on June 21 1868.<br/><br/>"The only comedy among Wagner's mature works Die Meistersinger is a rich perceptive music drama widely admired for its warm humanity but regarded with suspicion by some for its dark underside. Its genial aspect is immensely enhanced by the technical mastery displayed by Wagner at the height of his powers." Barry Millington in Grove Music Online. Drei Masken Verlag unknown books
8808Used; Like New/Used; Like New. Large photographic portrait of Richard Wagner with his son Siegfried and added in collage Siegfried's daughter Friedelind inscribed to Arturo Toscanini and signed below the image by Friedelind Wagner "Mausi" and on behalf of her deceased father "Siegfried" and with a clipped facsimile of Wagner's partial signature laid down to the left of Siegfried's signature dated 25 March 1944. The mount with two corners cracked and professionally repaired. Still fragile but well stabilized. <br><br><br />A birthday card from the Wagners to Toscanini born March 25 in exile in New York during the war "To our very dear friend Arturo". It was 13 years since he had appeared at the Bayreuth Festival and they had not forgotten him and the phenomenal impact he made in 1930 and 31. In 1940 he spared no expense or effort in sponsoring Friedelind "Mausi" to seek refuge in the United States.<br><br><br />For the Italian Maestro Wagner always held a special status: he inaugurated his first appointment at La Scala in 1898 with Die Meistersinger and made his final public appearance in 1954 with an all-Wagner program. The anti-fascist conductor's affinity for this music was such that he was even asked by Hitler to the lead the Bayreuth Festival founded by Wagner himself. Toscanini promptly refused and never returned to the Festival. unknown books
04916London: G.G. Harrap 1913. A Superb Early Bayntun Inlaid Binding<br/>On One of Willy Pogany's Masterpieces<br/><br/>BAYNTUN binder. POGANY Willy illustrator. WAGNER Richard. ROLLESTON T.W. The Tale of Lohengrin Knight of the Swan after the Drama of Richard Wagner by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap n .d. 1913. <br/><br/>First trade edition. Quarto 10 x 7 1/4 inches; 254 x 184 mm. 192 unnumbered pages. Eight tipped-in color plates including frontispiece with original tissue guard numerous full page color illustrations calligraphic text head- tailpieces; an image on every page. Printed on heavy gray stock. Some minor discoloration to first three and last three leaves otherwise fine.<br/><br/>Bound ca. 1930 by Bayntun of Bath stamp-signed in gilt on front turn-in. Full black morocco covers with single gilt rule front cover with multi color morocco inlays reproducing the illustration on page 53. Spine with five raised bands decoratively tooled and lettered in gilt in compartments. Decorative gilt board edges gilt ruled turn-ins blue cockerel endpapers all edges gilt. Housed in the original blue cloth over boards clamshell case.<br/><br/>The design on the front cover is taken from the illustration on p. 53.<br/><br/>"And then aloud spake she-<br/>"O King a champion waits<br/>the hoar<br/>To take my part with godlike power<br/>And my Deliverer be.<br/><br/>"In dreams I saw him; silver-bright<br/>His jewell'd armour shone.<br/>His sword was as a beam of light<br/>His crest a silver swan.<br/><br/>"He is my Lord he is my King.<br/>And his till death am I.<br/>Come Victor Lord the hoar is near-<br/>Oh hear thy poor maid's cry!"<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Lohengrin was the final act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to illustrate Lohengrin as an opportunity to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám The Rime of the Ancient Mariner Tannhäuser and Parsifal the other four books that immortalized his career as an illustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced with a four-color process included in Lohengrin. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and color.'. London: G.G. Harrap, 1913 unknown books
1889272886Berlin: Berlin Kunstdruck - und Verlags-Anstalt 1889. First. unbound. near fine. Carl Emil Doepler. Group of 39 of 40 total large plates showing costume designs for all the characters in Wagner's Ring by Carl Emil Doepler. Beautifully printed chromolithograph plates with excellent details 13-1/2" x 18" loose as issued and protected in a new gray cloth portfolio box with red leather spine label and the original title text mounted on front. Berlin: Berlin Kunstdruck- und Verlags-Anstalt Vormals A. & C. Kaufmann 1889. First edition. The 10 text pages are quite tattered at edges but the plates printed on heavier stock are all in excellent clean condition with only very minor wear at marginal edges or corners of 4 plates. Lacking plate 26: "Wotan als Wanderer" but otherwise a near fine copy of this very scarce and beautifully produced work - OCLC lists only 1 copy in the Netherlands and there is only 1 auction sale record from 1993.<br/><br/> Part I Das Rheingold: 1 Rheintochter. 2 Wotan. 3 Fricka und Freia. 4 Fasolt. 5 Fafner. 6 Donner. 7 Froh. 8 Loge. 9 Alberich. 10 & 11 Die Nibelungen. 12 Erda. Part II Die Walkure: 13 Siegmund. 14 Sieglinde. 15 Hunding. 16 Wotan. 17 Brunnhilde. 18 Waltraute. 19 Die Walkuren Grimgerde & Gerhilde & Siegrune. 20 Ortlinde. 21 Rossweisse. 22 Schwertleite. 23 Helmwige. Part III Siegfried: 24 Mime. 25 Siegfried. 26 Wotan LACKING. 27 Alberich. Part IV Gotterdammerung: 28 Die Nornen. 29 Brunhilde. 30 Siegfried. 31 Gunther. 32-35 Mannen Gunthers. 36 Barde und Kinder. 37 Knechte mit Jagdbeute. 38 Gutrune. 39 Frauen im Gefolge Gutrunes. 40 Hagen.<br/><br/> Berlin Kunstdruck - und Verlags-Anstalt unknown books
253812 pages of a bifolium; second leaf blank. Small folio 208 x 270 mm. Dated Paris May 7 1841. On stationery with Wagner's monogrammatic blindstamp to upper left corner. In German with translation.<br/><br/>A long densely-written letter regarding Wagner's proposed biography of Beethoven and mentioning his opera Rienzi.<br/><br/>Wagner who was trying to eke out a living in Paris at the time attempts to interest Winkler in his two-volume monograph on Beethoven based on the research of Wagner's friend Gottfried Engelbert Anders 1795-1866 a German-born librarian in Paris. Wagner declares his intention to supersede Anton Schindler's biography of Beethoven published in the previous year which he considers inadequate. He asks Winkler to recommend him to the publisher Christoph Arnold 1763-1847 and names his and Anders's requested fees to be paid in part as advances: <br/><br/>"Herr Anders found Schindler's book to be very poor compared to his own collection of communications on Beethoven . also every thoughtful and sensitive reader has expressed his opinion on Schindler's book that it falls short of meeting the demands of a true biography as it had been expected. Herr Anders was prompted to realize his long-cherished dream. As his position. leaves him hardly any time and he also confesses that an easy fluent realization will not come to him he has offered to leave me all his rich material and to discuss everything with me but to have the book itself written by me. Avoiding any fussy pedantic scholarly philistinism of citation our book shall be more like a great novel on an artist than like a dry enumeration of chronologically ordered dates and anecdotes."<br/><br/>In the final paragraph Wagner expresses his frustration about the long silence of the Dresden court opera regarding a possible production of his opera Rienzi:<br/><br/>"I have to confess to you that my opera Rienzi still means more to me than anything else. I am almost dying of my unruly lack of patience concerning the decision of the general direction. A negative decision.will cost me half a year during which I could have entered negotiations with a different theater."<br/><br/>Provenance<br/>From the noted autograph collection of Louis Koch.<br/><br/>Slightly creased; small professional repairs to edges; professionally guarded at inner edge of final leaf. WBV 169. Richard Wagner: Sämtliche Briefe I no. 149 pp. 481-86. Kinsky: Manuskripte Briefe Dokumente von Scarlatti bis Stravinsky: Katalog der Musikautographensammlung Louis Koch pp. 250-51 with facsimile of first page.<br/><br/>Theodor Winkler 1775-1856 better known under his pseudonym Theodor Hell was the editor-in-chief of the daily Dresdner Abend-Zeitung for which Wagner worked as a Paris correspondent. Enclosed with the present letter was Wagner's third "Pariser Bericht" dated May 5 1841. Winkler was active in many fields; trained as a lawyer he achieved fame as a poet editor arts administrator and stage director.<br/><br/>Wagner's biography of Beethoven did not in fact materialize. After Arnold declined the publishers Brockhaus and Cotta did the same. <br/><br/>Rienzi was first performed at the Dresden court opera on October 20 1842. unknown books