[Flurl, Mathias von; Pall von Pallhausen, Vincenz]Antiquariat.de
1 331 résultats
179762311CBMünchen, Verlag Joseph Lentner, 1797. 8°. 20,5 x 13 cm. XX, 442, 147, (12) Seiten. Halblederband der Zeit auf fünf echten Bünden mit marmoriertem Deckelbezug und rotem Sprengschnitt. [3 Warenabbildungen]
238004En Germanie, s.n. [Vollmer], 1809 in-12, titre, VI pp., 246 pp., demi-veau havane à coins, dos lisse orné de filets, pointillés et semis losangés dorés, ainsi que de fleurons à froid, pièces de titre bordeaux, tête rouge, gardes refaites (reliure postérieure).
152644Londres, John Murray and son, 1840 in-12, XIV-488 pp., texte sur deux colonnes, avec une carte dépl. imprimée sur tissu, demi-veau bleu à coins, dos lisse orné de filets et pointillés dorés, triple filet à froid sur les plats, tranches marbrées (reliure de l'époque). Bon exemplaire.
207436Colmar, Albert Jess, septembre 1916 in-folio, [4] ff. n. ch., avec des illustrations dans le texte, dont certaines sur fond teinté, en feuilles.
1870238Paris, Académie des Bibliophiles, 1870 ; in-12 de [2] ff., iv-259 pp., [4] ff., demi-chagrin chocolat à coins, dos à nerfs orné de fleurons dorés, couverture et dos.
1934291891934 Grenoble, Arthaud (Collection "Arc-en-Ciel"), 1934, in 8° broché, 120 pages sur papier bleu ; couverture illustrée en couleurs (légèrement fanée).
194799471947 P., R. Simon (Collection "Le Fauteuil Rouge"), 1947, in 8° broché, sous étui1, 37 pages ; couverture rempliée illustrée en couleurs exemplaire numéroté, très bon état
62144Paris, R. Simon (Collection "Le Fauteuil Rouge"), 1947, in 8° broché, 137 pages ; couverture rempliée illustrée en couleurs (légèrement fanée).
334054 pages in8 et 4 pages in4 (manuscrit au crayon) - trés bon état (petite rousseurs et trous d'aiguilles à la lettre)-
1947100017Paris, J. B. Janin, impr. Darantière, à Dijon 1947 In-12 19 x 12 cm. Broché, couverture rempliée ivoire, titre en noir et rouge sur le premier plat, 222 pp. édition originale. Exemplaire H. C. sur Vélin de Rives
198698259München, Hirmer Verlag, coll. « Die Kunst Bayerns » 1986 In-4 26,5 x 22 cm. Cartonnage éditeur bleu-marine, plats illustrés en couleurs, jaquette à l’identique, 474 pp., 500 illustrations en noir & blanc et en couleurs, dans et hors-texte, index, bibliographie. Exemplaire en très bon état.
198346717London, Sotheby Parke Bernet & Co., 1983. 4°. Mit 31 ganzs. farb. Abbildungen. 77 (1) S., Illustr.-OPpbd.
16235340Ingolstadii: Ex officina typographica G. Haenlini 1623. Hardcover. Near Fine. 4to 27 x 17.5 cm. 17 ff. 388 pp. recte 386 7 ff. with misnumbered pages at pp. 203-06 243-46 and 260-71 1 full-page engraving 20 x 15.5 the platemark. Bound in contemporary blind-stamped pigskin raised bands boards beveled somewhat scuffed clasps missing. Blue edges small hole repaired on half title and engraving ownership inscription of Andechs Abbey on title page minor browning in some quires. An excellent and unsophisticated copy. First edition of a rare volume of prose and verse glorifying the military exploits of the Prince-Elector Kurfürst of Bavaria Maximilian I 1572-1651 by members of the University of Ingolstadt as compiled by the Jesuit philosopher-theologian Georg Stengel 1584-1651. The Gloria Bellica is an important witness to the intertwining of princely power university politics and religious sectarianism at the onset of the Thirty Years War 1618-48. Published in the year of Maximilian's elevation to Prince-Elector 1623 the book seems to have been an attempt by faculty at Ingolstadt to secure his favor. The increasingly Jesuitical university would be frequently imperiled during the flux of the war and quickly identified Maximilian himself educated by Jesuits as an important military protector. Maximilian's central role in the German Catholic League had been essential in checking the power of the Protestant Union. The volume is especially notable for its full-page prefatory engraving executed by the Augsburg artist Daniel Manasser a highly detailed and elaborate allegory charting Maximilian's martial rise and the praise conferred on him from various secular and sacred sources. Merchants clerics Liberal Arts herself and a throng of lesser citizens crowd together to salute Maximilian as he rides upward on the back of Pegasus toward the Olympian gods reclining in the empyrean; the demigod Hercules mediates between heaven and earth while battling Nessus and the Lernaean Hydra. Flanking Maximilian's ascent are 8 groups from whom he receives "Gloria": his enemies his commanders and soldiers muses and scientists hometown Bavaria the Catholic League the Holy Roman Emperor Ferdinand I the pope and church and indeed Mary Christ and the saints. The text of the Gloria Bellica is arranged as a fuller version of this scheme with 20 chapters each detailing a source Maximilian's glory. OCLC identifies U.S. copies at Harvard Trinity CT Georgetown and Chicago. VD 17 23:231047E; De Backer/S. and VII 1550 32; Lentner 3774; Pfister I 4297; Mario Praz Studies in Seventeenth-Century Imagery Rome: Edizioni di Storia e Letteratura 1975 pp. 503-04. <br/> <br/> Ex officina typographica G. Haenlini hardcover
2002LFA-126744042N° 26 (Janvier-février 2002) de la revue "Moyen Age" : 68 pages, format 230 x 295 mm, illustrée, brochée, bon état
2005LFA-126740007N° 235 (Septembre 2005): 66 pages, format 220 x 295 mm, illustré, broché couverture couleurs, bon état
156406S.l. [Kempten], Dannheimer, s.d. (1812) 52 livraisons en un vol. in-4 carré, 228 pp. en numérotation continue, texte sur deux colonnes, exemplaire dans lequel les numéros 33 & 34 ont été intervertis, sans manque, demi-basane modeste à coins, dos à nerfs, étiquette de titre manuscrit contrecollée sur le plat sup., tranches rouges (reliure de l'époque). Dos frotté, un mors sup.fendu, coins abîmés.
018771[Philippe Briet, Parallela geographiae veteris et novae] Bavière et Tirol - Allemagne et Autriche Gravure originale, 1649, environ 240*170mm. Gravure tirée de l'ouvrage du savant jésuite Philippe Briet (1601-1668) publié en 1648-1649. Texte au dos. [435]
GF13198Photographie 7,5x4 cm - collée sur carton - vers 1900 -
GF13199Photographie 7,5x4 cm - collée sur carton - vers 1900 -
17830055861783 S.l.n.e., [c. 1783]. In-12 (166 X 103 mm) maroquin rouge, plats ornés d'un large encadrement de roulette dorée avec armes frappées or au centre, dos lisse muet cloisonné de filets dorés, gardes ornées d'un décor floral peint, tranches dorées (Reliure de l'époque) ; frontispice, (1) f. de titre, 91 planches, (15) ff.
1966LFA-126722890N° 359-360-361 (Avril-mai-juin 1966), 36 pages, format 210 x 135 mm, broché, Société Dauphinoise d'Ethnologie et d'Archéologie (ancienne Société d'Ethnologie et d'Antropologie fondée en 1894 par le Docteur Bordier et dirigée de 1910 à 1933 par Hippolyte Muller)
2005LFA-126742131Revue de 28 pages, format 205 x 300 mm, illustrée, brochée, bon état
1848Cat360New York: Atwill 201 Broadway 1848. Folio. Complete at 9 pages. Two songs with lithographic portrait of Lola Montez by Sarony & Major. Soft rag paper. Light foxing else very good. A likely very early American printing of two pieces tied directly to the upheavals of 1848 issued just as news and personalities of the European revolutions were electrifying American audiences. The first “Der Lieben Warnun†Love’s Warning is attributed to Ludwig I King of Bavaria whose abdication in March 1848 followed the political scandal surrounding his relationship with Lola Montez. The second “Les Girondins: Mourir pour la Patrie†with text by Alexandre Dumas and music by Alphonse Varney is one of the most popular revolutionary hymns of the period here presented in English and French. At center is the finely printed lithographic portrait of Lola Montez born Eliza Rosanna Gilbert 1821–1861 identified as “Countess of Landsfeld.†Produced by Sarony & Major the image reflects her brief but consequential position in Bavaria where Ludwig elevated her to the nobility and granted her influence at court. Her presence became politically explosive; student unrest and ministerial crisis forced both her exile and the King’s abdication making her a widely discussed celebrity at the time. <br /> <br /> Montez arrived in the United States in late 1848 quickly converting this notoriety into a touring career. She performed her “Spanish dances†including the sensational “Spider Dance†on stages from New York to New Orleans and later turned to lecturing advertising appearances on “Heroines of History†beauty and personal independence. During the early 1850s she followed the western circuit appearing in San Francisco during the Gold Rush where she commanded high fees and played to packed houses of miners and merchants. She toured through Australia in 1855–56 before returning to the United States where she settled in New York and shifted increasingly toward writing and reform-minded lectures before her death in 1861 possibly of syphilis. The piece was published by Joseph Atwill at his 201 Broadway location which he would abandon soon after to board the steamer Crescent City to Chagres eventually making his way to San Francisco and opening Atwill’s Music Store on Washington St. possibly San Francisco’s first music store before heading off to the mines and then returning to San Francisco a year later to open another music store. OCLC #904564957 locating a single copy at Goucher College. Atwill, 201 Broadway unknown
Mm 300x405 Fascicolo in folio di pp. 8 con prima carta illustrate in bianco e nero, illustrazioni in nero nel testo. In buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 290x415 Fascicolo in folio di 8 pp. con prima e ultima carta illustrate a colori, illustrazioni in nero nel testo. In buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
